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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Who
Non classifié
6 197
Piano & claviers
Piano seul
8 966
Piano, Voix
4 438
Piano Facile
2 422
Piano, Voix et Guitare
2 174
Orgue
511
Instruments en Do
384
Accompagnement Piano
244
1 Piano, 4 mains
181
Piano grosses notes
68
Piano Trio: piano, violon, violoncelle
59
2 Pianos, 4 mains
53
Accordéon
40
Piano (partie séparée)
15
Piano Quatuor: piano, violon, alto, violoncelle
14
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Piano (duo)
11
Piano Quatuor: piano, 2 violons, violoncelle
8
Clavecin
7
1 Piano, 6 mains
5
Orgue, Trompette (duo)
4
Ligne De Mélodie, Piano
3
2 Pianos, 8 mains
2
Clavier
2
Ensemble de Pianos
1
Accordéon, Voix
1
Fake Book
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 157
Guitare
487
Ligne De Mélodie, (Paroles) et Accords
415
Paroles et Accords
224
Ukulele
215
Basse electrique
172
2 Guitares (duo)
73
Piano, Guitare (duo)
30
Mandoline
28
Guitare (partie séparée)
24
Dulcimer
22
Banjo
21
3 Guitares (trio)
14
4 Guitares (Quatuor)
14
Ukulele Baryton
8
Ensemble de guitares
7
Mandoline, Guitare (duo)
3
Guitare, Flûte, Clarinette
2
Ensemble de Ukulélés
2
Basse électrique (partie séparée)
2
Guitare Pedal Steel
1
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
2 Ukuleles
1
2 Dulcimers (duo)
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
3 368
Chorale 3 parties
625
Chorale 2 parties
477
Chorale TTBB
314
Chorale Unison
293
Chorale SSAA
180
Voix duo, Piano
155
Voix Soprano, Piano
104
Voix Alto, Piano
91
Voix Tenor, Piano
77
Voix seule
76
Voix Baryton, Piano
68
Pack Instrumental pour Chorale
67
Voix duo
56
Chorale
53
Voix haute
53
Voix Tenor
35
Voix Soprano
26
Voix moyenne, Piano
18
Voix basse, Piano
10
Voix Mezzo-Soprano, Piano
10
Chorale SSATTB
6
Chorale SSATB
4
Chorale SSAATTBB
4
Soli, choeur mixte et accompagnement
3
Voix basse
2
Chorale SSAB, Piano
2
Voix, Guitare
2
Chorale SSAATB
1
+ 24 instrumentations
Retracter
Vents
Flûte traversière et Piano
477
Clarinette et Piano
429
Quatuor de Saxophones: 4 saxophones
397
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
379
Flûte traversière
370
2 Saxophones (duo)
335
Hautbois, Piano (duo)
313
Clarinette
313
Saxophone Alto et Piano
299
Flûte, Hautbois, Clarinette, Basson
269
Saxophone Alto
255
Saxophone (partie séparée)
245
2 Flûtes traversières (duo)
209
Quatuor de Clarinettes: 4 clarinettes
204
2 Clarinettes (duo)
190
Saxophone Tenor et Piano
185
Saxophone Soprano et Piano
163
Saxophone Tenor
160
Hautbois (partie séparée)
159
Quintette de Saxophone: 5 saxophones
143
Saxophone
111
Saxophone Baryton, Piano
106
3 Saxophones (trio)
90
Flûte, Clarinette (duo)
85
Ensemble de Clarinettes
83
Ensemble de Flûtes
81
Quatuor de Flûtes : 4 flûtes
79
Cor anglais, Piano
77
2 Hautbois (duo)
73
3 Clarinettes (trio)
69
Flûte et Guitare
60
Hautbois, Basson (duo)
56
Saxophone, Clarinette (duo)
51
Clarinette (partie séparée)
50
Clarinette, Violon (duo)
46
Ensemble de saxophones
45
Clarinette Basse, Piano
44
Quintette de Clarinettes: 5 clarinettes
42
2 Flûte à bec (duo)
42
Quatuor de Flûtes à bec
42
Saxophone Soprano
37
Flûte à Bec
37
Clarinette, Guitare (duo)
37
Flûte à bec Soprano
35
Trio de Flûtes: 3 flûtes
34
Hautbois
33
Clarinette, Basson (duo)
33
Flute (partie séparée)
32
Flûte, Violon
29
Hautbois, Clarinette (duo)
28
Quintette de Flûte : 5 flûtes
28
Flûte, Hautbois, Clarinette (trio)
27
Cor Anglais
26
Clarinette et Alto
25
5 Flûtes à bec
24
Clarinette, Trompette (duo)
24
Harmonica
19
Hautbois, Clarinette, Basson (trio d'anches)
19
Flûte, Violoncelle
18
Flûte, Trompette (duo)
17
Flûte à bec Alto
17
Saxophone Baryton
17
Hautbois, Flûte
17
Flûte, Saxophone (duo)
16
Flûte, Alto (duo)
16
Flûte, Clarinette et Basson
15
Flûte, Clarinette, Piano (trio)
14
Ocarina
13
Clarinette, Violoncelle (duo)
12
3 Flûtes à bec (trio)
12
Hautbois, Violoncelle
10
Flûte, Hautbois (duo)
10
Flûte à bec Alto, Piano
9
Flûte, Violon, Piano
9
Flûte à bec Soprano, Piano
8
Cor anglais, Guitare (duo)
8
Instruments en Mib
7
2 Clarinettes, Piano
7
Flûte à bec, Guitare (duo)
7
Ensemble De Flûte à bec
7
2 Flûtes traversières, Piano
6
Flûte irlandaise
6
Flûte à bec Tenor
6
Saxophone et Guitare
5
Flûte, Hautbois, Piano (trio)
5
Flûte, Basson et Piano
5
Piccolo, Piano
5
Clarinette, Harpe (duo)
4
Hautbois, violon (duo)
4
Saxophone et Orgue
4
4 Hautbois
4
Saxophone et Harpe
4
3 Hautbois
4
Flûte, Hautbois, Basson
4
2 Hautbois, Piano
3
Hautbois et alto (duo)
3
Clarinette Basse
3
2 Cors Anglais Et Pianoforte
3
Hautbois, Guitare (duo)
3
Hautbois, Basson et Piano
3
Flûte, Clarinette, Violon (trio)
3
Flûte, Trombone (duo)
2
Flûte à Bec, Piano
2
Flûte à bec Alto, Basse continue
2
Cornemuse
2
2 Harmonicas
2
Flûte, Violoncelle, Piano (trio)
2
Flûte et Quatuor à Cordes
2
2 Saxophones, Piano
2
Piccolo
2
Hautbois, Harpe
2
2 Clarinettes, Basson
2
Flûte, Violoncelle, Guitare
2
Hautbois, Clarinette et Piano (Trio)
2
Clarinette, Trombone (duo)
2
Flute, harpe et violon
2
Clarinette, Basson, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
Flûte, trombone et piano
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Violon
1
2 Flûtes à bec, Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, alto et harpe
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec, Harpe
1
+ 123 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
383
Trompette
326
Trombone et Piano
280
Trompette, Piano
261
Trombone
251
Cor et Piano
221
Quatuor de Cuivres : 2 trompettes, trombone, tuba
210
Cor
165
Trombone (partie séparée)
132
Trompette (partie séparée)
131
Tuba
131
Tuba et Piano
121
2 Trompettes (duo)
95
2 Trombones (duo)
82
Cor anglais, Piano
77
Euphonium, Piano (duo)
76
2 Cors (duo)
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
49
Trompette, Trombone (duo)
48
Quatuor de Cuivres
41
Quatuor de cuivres: 4 trombones
35
Trompette, Saxophone (duo)
32
2 Tubas (duo)
30
Cor (partie séparée)
27
Cor Anglais
26
Tuba (partie séparée)
25
Ensemble de Trombones
20
Trompette, Cor (duo)
20
Quatuor de cuivres: 4 trompettes
19
Quatuor de cuivres: 4 cors
18
3 Trombones (trio)
17
2 Euphoniums et 2 Tubas
13
Tuba et Orgue
12
Ensemble de Trompettes
12
Ensemble de Cors
12
Trio de Cuivres
11
4 Tubas
10
Euphonium
9
Instruments en Sib
9
Bass Clef Instruments
8
Cor anglais, Guitare (duo)
8
Trombone, Cor (duo)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trombone basse et Piano
6
Trombone, Tuba (duo)
5
2 Euphoniums (duo)
5
Trompette, Tuba (duo)
5
Cor, Tuba (duo)
5
Cor, Violoncelle (duo)
5
Instruments en Fa
3
Trompette, Violoncelle et Piano
3
Cor et Harpe
3
Euphonium, Tuba (duo)
3
Trompette, Harpe
3
2 Cors Anglais Et Pianoforte
3
Trombone basse
3
3 Trompettes (trio)
3
2 Trompettes, Clavier (piano ou orgue)
2
Trompette et Guitare
2
3 Tubas (trio)
2
2 Cors, Piano
2
Trompette, violon (duo)
1
2 Trombones, Piano
1
4 Euphoniums
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Tuba ou Euphonium ou Saxhorn
1
Trombone, Violon (duo)
1
Cor et Orgue
1
Trombone et orchestre
1
Cor et Basson (duo)
1
3 Cors (trio)
1
+ 67 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
997
Violon et Piano
599
Violon
545
Violoncelle, Piano
402
Violoncelle
344
Alto, Piano
324
Harpe
311
Alto seul
216
2 Violons (duo)
193
Violon, Violoncelle (duo)
188
Trio à Cordes: violon, alto, violoncelle
165
2 Violoncelles (duo)
121
Contre Basse
102
Violon, Alto (duo)
102
Contrebasse, Piano (duo)
99
2 Altos (duo)
95
Alto (partie séparée)
66
Quintette à cordes: 2 violons, alto, violoncelle, basse
63
Trio à Cordes: 2 violons, violoncelle
59
Contrebasse (partie séparée)
43
Violon, Guitare (duo)
43
Violon (partie séparée)
42
Alto, Violoncelle (duo)
40
4 Violoncelles
35
Violoncelle , Guitare (duo)
24
Trio à cordes: 3 violins
24
Trio à Cordes: 3 violoncelles
23
Alto, Guitare (duo)
22
Harpe, Violon (duo)
21
Quatuor à cordes : 4 altos
19
Piano Trio: Violon, Alto, Piano
19
Harpe, Voix
19
Violon, Basson (duo)
18
2 Contrebasses (duo)
17
Quatuor à cordes: 4 violons
14
2 Harpes (duo)
14
Trio à cordes: 3 altos
14
Violoncelle (partie séparée)
13
Violoncelle, Contrebasse (duo)
10
Harpe, Flûte (duo)
9
Alto et Basson
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 2 violons, alto
5
2 Violons, Piano
5
2 Violoncelles, Piano
4
4 Contrebasses
4
Trio à cordes
4
Alto et Harpe
4
Ensemble de Violoncelles
3
Ensemble de Violons
3
Violoncelle, Orgue
3
3 Harpes
3
5 Harpes
2
Alto et orchestre
2
Harpe et Piano
1
Alto, Orgue
1
Harpe, Violoncelle (duo)
1
Harpe, Quatuor à cordes
1
2 Altos, Piano
1
Ensemble d'Altos
1
Violoncelle, Orchestre
1
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
Harpe (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 088
Orchestre
443
Orchestre à Cordes
442
Ensemble Jazz
283
Ensemble de cuivres
244
Cloches
190
Orchestre de chambre
180
Batterie
163
Fanfare
124
Jazz combo
93
Ensemble de Percussions
55
Percussion (partie séparée)
43
Batterie (partie séparée)
27
Marimba
16
Timbales (partie séparée)
9
Percussion
9
Xylophone
8
Ensemble d'École
6
2 Xylophones
6
Vibraphone
6
Xylophone, Piano
5
Quintette à Vent
2
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
2 Marimbas
1
Bodhran
1
Instrumentation Flexible
1
Orchestre, Violon
1
Bongos
1
Marimba et Orgue
1
Vibraphone et Marimba
1
Conga
1
Marimba, Piano (duo)
1
Xylophone (partie séparée)
1
+ 29 instrumentations
Retracter
Autres
Théorie de la musique
4
Formation musicale - Solfège
3
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ACCORDEON
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CORNEMUSE
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FLUTE A DIX…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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LIVRES
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MANDOLINE
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Vous avez sélectionné:
Who
Voix Soprano, Piano
Partitions à imprimer
104 partitions trouvées
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101
Who shall ascend
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Tim Attride
#
Who shall ascend
#
Tim Attride
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1382302 Composed by Tim Attride. Christian,Religious,Sacred. 2 pages. Tim Attride #966819. Published by Tim...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1382302 Composed by Tim Attride. Christian,Religious,Sacred. 2 pages. Tim Attride #966819. Published by Tim Attride (A0.1382302). Based on the well known words from Psalm 24, this short 14-bar Soprano solo (optionally for two voices in dialogue) would be suitable for either an Introit or Benediction when the Psalm is set for the day, or during Communion. With a range from middle C up to couple of top F, this should be within the capability of most Sopranos.N.B. the cost is for a single copy, however, please feel free to make up to two more for performance purposes. P1. is for reference only - to save paper, print just P2. which contains the full work.
$5.99
Speak up for those who cannot speak for themselves
#
Voix Soprano, Piano
#
DÉBUTANT
#
Musique Sacrée
#
Shiu yu chuen
#
Speak up for those who cannot
#
Shiu yu chuen
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1021721 Composed by Shiu yu chuen. Christian,Holiday,Praise & Worship,Sacred. 7 pages. Shiu yu chuen #62090...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1021721 Composed by Shiu yu chuen. Christian,Holiday,Praise & Worship,Sacred. 7 pages. Shiu yu chuen #6209079. Published by Shiu yu chuen (A0.1021721). Speak up and judge fairly; defend the rights of the poor and needy.
$2.50
But Who May Abide - Messiah (F# Minor)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
George Frideric Handel
#
Jonathan Prentice
#
But Who May Abide - Messiah
#
Jonathan Prentice
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884933 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Christmas,Easter,Sacred. ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884933 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Christmas,Easter,Sacred. 10 pages. Jonathan Prentice #6591591. Published by Jonathan Prentice (A0.884933). Written as a virtuoso piece for the famous, alto castrato, Guadagni, this aria from Messiah, shows off Handel’s operatic credentials to the full, with the beautiful lilting Larghetto melody, contrasting with the fire and brimstone of the driving Prestissimo sections. In this edition the accompaniment to these fast sections has been arranged to more pianistic. (Here in F# Minor, suitable for sopranos)
$1.99
Who Is He In Yonder Stall?
#
Voix Soprano, Piano
#
FACILE
#
Musique Sacrée
#
Benjamin R
#
Gert Th
#
Who Is He In Yonder Stall?
#
Gert Th. Walter
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.682301 Composed by Benjamin R. Hanby. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Worship,Sac...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.682301 Composed by Benjamin R. Hanby. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Worship,Sacred. 3 pages. Gert Th. Walter #5773139. Published by Gert Th. Walter (A0.682301). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$2.99
She Who Continues: A Song Cycle
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Voix Soprano, Piano
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Natalie Draper
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She Who Continues: A Song Cycl
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.9141-E Composed by Natalie Draper. 28 pages. E. C. Schirmer Music Company - Digital #9141-E. Pu...
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Soprano voice and piano - Moderately Difficult - SKU: MQ.9141-E Composed by Natalie Draper. 28 pages. E. C. Schirmer Music Company - Digital #9141-E. Published by E. C. Schirmer Music Company - Digital (MQ.9141-E). English.A song cycle that addresses how society treats women and how women prove resilient. Based on the poetry of Judy Grahn.
$17.25
Who is this Man
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Voix Soprano, Piano
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Craig Bohmler
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Who is this Man
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.9242-2E Composed by Craig Bohmler. 4 pages. E. C. Schirmer Music Company - Digital #9242-2E. Pu...
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Soprano voice and piano - Moderately Difficult - SKU: MQ.9242-2E Composed by Craig Bohmler. 4 pages. E. C. Schirmer Music Company - Digital #9242-2E. Published by E. C. Schirmer Music Company - Digital (MQ.9242-2E). English.
$5.00
Who Goes There (for solo child's voice)
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Voix Soprano, Piano
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Traditional
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Jordan Grigg
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Who Goes There
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Jordan Grigg
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1057894 Composed by Traditional. Arranged by Jordan Grigg. Concert,Folk,Instructional,Standards. Full Performance. Duratio...
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Piano,Soprano voice - SKU: A0.1057894 Composed by Traditional. Arranged by Jordan Grigg. Concert,Folk,Instructional,Standards. Full Performance. Duration 66. Jordan Grigg #3467556. Published by Jordan Grigg (A0.1057894).
$1.99
HERMIT THRUSH SONG Soprano with Pianoforte
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Voix Soprano, Piano
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Contemporain
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Alan Edgar and Jane Tims
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HERMIT THRUSH SONG Soprano wit
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Alan Edgar Ted Moon
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.903801 Composed by Alan Edgar and Jane Tims. Contemporary. 4 pages. Alan Edgar Ted Moon #6598567. Published by Alan E...
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Soprano voice,Vocal Solo - SKU: A0.903801 Composed by Alan Edgar and Jane Tims. Contemporary. 4 pages. Alan Edgar Ted Moon #6598567. Published by Alan Edgar Ted Moon (A0.903801). I searched for animals singing the harmonic series--this led me to the Hermit Thrush, a native of north America. The singer imitates the bird and sings a setting of a poem about the bird by Jane Tims, who writes: I think your score is as delightful as the bird it is written for. It also helped me see my poetry in a whole different way. Makes me proud to be a poet.
$6.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
I Have to Say
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Gary D
#
#
I Have to Say
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.796587 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 14 pages. DR GARY D BELSHAW #2...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.796587 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 14 pages. DR GARY D BELSHAW #2927197. Published by DR GARY D BELSHAW (A0.796587). Certain sopranos get to play roles like Despina, complaining chambermaid who whines about food. And with any luck they’ll sing the Queen of the Night! This energetic aria from the two act music comedy Incident at Burro Java surveys that repertoire and explores the character of the sopranos who sing it. The character who performs this aria in the music comedy is a first-year graduate student at an imaginary urban university’s School of Music. The role was created by Aimee Pineau.
$3.99
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
I Have to Say (x2)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gary D
#
#
I Have to Say
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.796576 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 25 pages. DR GARY D BELSHAW #2...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.796576 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 25 pages. DR GARY D BELSHAW #2857017. Published by DR GARY D BELSHAW (A0.796576). Certain sopranos get to play roles like Despina, complaining chambermaid who whines about food. And with any luck they’ll sing the Queen of the Night! This energetic aria from the two act music comedy Incident at Burro Java surveys that repertoire and explores the character of the sopranos who sing it. The character who performs this aria in the music comedy is a first-year graduate student at an imaginary urban university’s School of Music. The role was created by Aimee Pineau. Your download includes an accompanist score at half price.
$5.99
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
#
Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Schwips-lied (The Tipsy Polka)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Scott S
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Schwips-lied
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Pe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 7 pages. Scott S. Stewart #6622319. Published by Scott S. Stewart (A0.955877). The Schwips-Lied ('Tipsy Song') is actually the 'Annen-Polka' (an orchestral polka originally composed by Johann Strauss, ‘Sohn,’ in 1852) with a vocal part added above, inserted in his 1883 operetta, Eine Nacht in Venedig (One Night in Venice). It is sung by a proper Victorian-era woman who finds herself slightly drunk. This arrangement of The Schwips-lied is a masterful, humorous, musical tour de force. The new English text has been updated and expanded to give more depth of character (the girl who wants to be naughty, but still be nice looking for a long drawn out kiss), complete with an extended cadenza. This new arrangement is scored for soprano with piano accompaniment. Performance time: 2:30+
$12.99
Bach / Gounod Ave Maria in C major ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in C m
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289515 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289515 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880252. Published by Benzaiten Editions (A0.1289515). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C major â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in A flat major [Ab] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in A f
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289541 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289541 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880277. Published by Benzaiten Editions (A0.1289541). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in A flat major [Ab] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Â Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in B flat major [Bb] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in B f
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289499 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289499 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880247. Published by Benzaiten Editions (A0.1289499). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in B flat major [Bb] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in C sharp major [C#] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in C s
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289517 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289517 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880254. Published by Benzaiten Editions (A0.1289517). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C sharp major [C#] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
IN THE BEGINNING. For soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331...
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High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
Let it Be Him
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jenny McKinney
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Rebecca Brinkerhoff
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Let it Be Him
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Jennifer McKinney
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.958061 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.958061 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual. 5 pages. Jennifer McKinney #3222325. Published by Jennifer McKinney (A0.958061). (for Zach) Taken from the Empty Arms Companion Songbook, this song is from the perspective of a mother who has lost her battle with mortality, and desires for her child to survive. Written about a friend who died during childbirth, this song will touch your heart as a parent. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymckinneymusic.com. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
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