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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
as
Non classifié
23 952
Piano & claviers
Piano seul
16 528
Piano, Voix
5 841
Piano Facile
3 625
Piano grosses notes
3 323
Orgue
3 046
Piano, Voix et Guitare
2 566
Instruments en Do
1 189
1 Piano, 4 mains
485
Piano Trio: piano, violon, violoncelle
436
Accompagnement Piano
392
Piano Quatuor: piano, 2 violons, violoncelle
177
Accordéon
166
2 Pianos, 4 mains
130
Piano Quatuor: piano, violon, alto, violoncelle
83
Piano (partie séparée)
67
Clavier
66
Orgue, Piano (duo)
43
Piano Quintette: piano, 2 violons, alto, violoncelle
42
Orgue, Trompette (duo)
42
Clavecin
30
1 Piano, 6 mains
28
2 Pianos, 8 mains
6
2 Accordéons
3
Ligne De Mélodie, Piano
3
Ensemble d'Accordéons
2
Accordéon et Orchestre
2
Orgue et Orchestre
1
Fake Book
1
Accordéon, Voix
1
+ 24 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 908
Guitare
1 563
Ligne De Mélodie, (Paroles) et Accords
616
Basse electrique
488
Mandoline
325
Ukulele
308
2 Guitares (duo)
224
Piano, Guitare (duo)
192
Guitare (partie séparée)
135
Paroles et Accords
116
4 Guitares (Quatuor)
89
Dulcimer
63
Banjo
44
3 Guitares (trio)
41
Ensemble de guitares
26
2 Dulcimers (duo)
8
Ukulele Baryton
6
Mandoline, Guitare (duo)
5
2 Ukuleles
4
Guitare, Violon, Violoncelle (trio)
4
2 Mandolines (duo)
3
Guitare Pedal Steel
3
Mandoline, Piano (duo)
3
Guitare, Quatuor à cordes
2
Guitare, Orchestre
2
Cithare
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
Dobro
1
Luth
1
+ 25 instrumentations
Retracter
Voix
Chorale SATB
7 396
Voix duo, Piano
2 329
Chorale 3 parties
2 044
Chorale 2 parties
1 584
Chorale TTBB
1 199
Chorale Unison
918
Voix duo
813
Chorale SSAA
635
Voix Soprano, Piano
187
Voix Alto, Piano
119
Voix Tenor, Piano
110
Voix haute
95
Voix seule
86
Voix Baryton, Piano
83
Pack Instrumental pour Chorale
78
Chorale
56
Voix moyenne, Piano
29
Voix basse, Piano
28
Chorale SSAATTBB
23
Voix Tenor
16
Voix basse
15
Chorale SSATTB
12
Chorale SSATB
12
Voix Mezzo-Soprano, Piano
10
Soli, choeur mixte et accompagnement
7
Voix, Guitare
5
Voix Soprano
4
Chorale SSAB, Piano
3
Male Voice
2
Chorale SSAB a cappella
2
Chorale SATTBB A Cappella
2
Chorale, Orgue
1
Voix Baryton
1
Chorale SAATB A Cappella
1
Chorale SSATBB
1
+ 30 instrumentations
Retracter
Vents
Flûte traversière et Piano
2 079
2 Saxophones (duo)
1 744
Quatuor de Saxophones: 4 saxophones
1 675
Clarinette et Piano
1 549
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 537
Hautbois, Piano (duo)
1 514
Flûte, Hautbois, Clarinette, Basson
1 322
Saxophone Alto et Piano
1 315
Quatuor de Clarinettes: 4 clarinettes
1 084
Saxophone Tenor et Piano
1 067
2 Flûtes traversières (duo)
930
Flûte traversière
866
2 Clarinettes (duo)
840
Quintette de Saxophone: 5 saxophones
785
Saxophone Soprano et Piano
757
Clarinette
690
Saxophone (partie séparée)
657
Saxophone Alto
654
Flûte, Clarinette (duo)
553
Saxophone Tenor
475
Quatuor de Flûtes : 4 flûtes
466
Ensemble de Clarinettes
403
Saxophone, Clarinette (duo)
378
3 Saxophones (trio)
337
Ensemble de saxophones
325
Hautbois (partie séparée)
311
Saxophone Baryton, Piano
311
Clarinette, Violon (duo)
307
2 Hautbois (duo)
274
Ensemble de Flûtes
256
3 Clarinettes (trio)
244
Hautbois, Basson (duo)
220
Clarinette, Trompette (duo)
213
Cor anglais, Piano
211
Flûte et Guitare
208
Flûte, Violon
203
Trio de Flûtes: 3 flûtes
197
Quintette de Clarinettes: 5 clarinettes
196
Hautbois, Clarinette (duo)
170
Clarinette et Alto
145
Hautbois, Flûte
137
Flûte, Saxophone (duo)
137
Clarinette Basse, Piano
130
Clarinette (partie séparée)
126
Flûte, Violon, Piano
123
2 Flûte à bec (duo)
121
Flûte, Alto (duo)
119
Flûte, Trompette (duo)
116
Quintette de Flûte : 5 flûtes
108
Quatuor de Flûtes à bec
107
Clarinette, Basson (duo)
102
Saxophone Soprano
100
Hautbois
99
Flûte, Hautbois, Clarinette (trio)
91
Flûte, Clarinette et Basson
88
2 Flûtes traversières, Piano
88
Flûte à bec Soprano
83
Flûte, Violoncelle
80
Flute (partie séparée)
78
Flûte, Clarinette, Piano (trio)
74
Ensemble De Flûte à bec
69
Hautbois, Clarinette, Basson (trio d'anches)
67
Saxophone
67
Flûte, Violon et Violoncelle
66
Clarinette, Guitare (duo)
66
Clarinette, Violoncelle (duo)
66
Flûte à Bec
59
Flûte, Violoncelle, Piano (trio)
54
Saxophone Baryton
54
2 Clarinettes, Piano
53
Flûte, Hautbois (duo)
48
Clarinette, Violoncelle, Piano (trio)
46
Hautbois, Violoncelle
43
Cor Anglais
42
5 Flûtes à bec
40
Flûte à bec Alto
39
Flûte, Hautbois, Basson
37
Flûte, Basson et Piano
36
Flûte à bec Soprano, Piano
36
3 Flûtes à bec (trio)
34
Flûte, Alto et Piano
32
Flûte, trombone et piano
30
Flûte, Hautbois, Piano (trio)
29
Flûte à bec Alto, Piano
25
Flûte, Trombone (duo)
24
Flûte à bec Tenor
23
2 Saxophones, Piano
19
Hautbois, violon (duo)
19
Flûte, Clarinette, Cor, Basson (Quartet)
18
Cor anglais, Guitare (duo)
17
Clarinette, Harpe (duo)
17
Flute, harpe et violon
16
Saxophone et Guitare
16
Hautbois et alto (duo)
15
Flûte, Violon, Violoncelle et Piano
15
Ocarina
13
Piccolo, Piano
13
Clarinette, Trombone (duo)
13
Clarinette, Basson, Piano (trio)
12
Clarinette, trompette et piano
12
Saxophone et Harpe
12
Flûte traversière, Orgue (duo)
11
Ensemble à vent
10
Clarinette, Alto et Piano (trio)
10
Harmonica
10
Hautbois, Harpe
10
Hautbois, Guitare (duo)
10
Hautbois, Clarinette et Piano (Trio)
9
Flûte, Tuba (duo)
9
2 Clarinettes, Basson
9
Flûte et Trio à cordes
9
Clarinette, Contrebasse (duo)
8
Flûte, Violoncelle, Guitare
8
2 Cors Anglais Et Pianoforte
7
4 Hautbois
7
Flûte, Harpe et Violoncelle
7
Piccolo
7
Hautbois, Violon, Piano
6
Clarinette Basse
6
Ensemble de Hautbois
5
Hautbois, Violoncelle et Piano
5
Clarinette, Tuba
5
Flûte irlandaise
5
Saxophone, Violon (duo)
5
Hautbois, Basson et Piano
5
Saxophone et Orgue
5
Flûte traversière, Basse continue
4
3 Hautbois
4
Flûte à bec, Guitare (duo)
4
Hautbois, trombone (duo)
4
Instruments en Mib
4
Flute, Cor (duo)
4
Clarinette, Orgue
3
Flûte de Pan
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Cornemuse
3
Flûte, Alto et Violoncelle
2
Flûte, alto et harpe
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à Bec, Piano
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
2 Flûtes à bec, Piano
2
Flûte, Violon, Guitare
2
Flûte, Hautbois, Violon
2
Flûte à bec Alto, Basse continue
2
Flûte traversière, Orchestre
1
Flûte, Clarinette, Violon (trio)
1
Saxophone, Tuba (duo)
1
Clarinette, Orchestre
1
2 Hautbois et Basson
1
2 Flûtes à bec, Guitare
1
Flute, alto, violoncelle et guitare
1
Cor anglais et Harpe (duo)
1
Clarinette, Saxophone, Piano
1
Hautbois, Trompette (duo)
1
Flûte à bec Soprano, Basse continue
1
Flûte à bec, Harpe
1
2 Flûtes traversières, Harpe
1
Flûte et Quatuor à Cordes
1
2 Hautbois, 2 Cors et 2 Bassons
1
+ 155 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 741
Trombone et Piano
1 297
Trompette, Piano
1 169
Quatuor de Cuivres : 2 trompettes, trombone, tuba
958
Trompette
899
Cor et Piano
684
2 Trompettes (duo)
522
Trombone
508
2 Trombones (duo)
493
Trombone (partie séparée)
423
Trompette (partie séparée)
408
Tuba et Piano
359
Quatuor de Cuivres: 2 trompettes, Cor, trombone
354
Quatuor de Cuivres
326
Cor
326
Trompette, Saxophone (duo)
273
Trompette, Trombone (duo)
264
2 Cors (duo)
251
Euphonium, Piano (duo)
238
Trompette, Cor (duo)
237
Quatuor de cuivres: 4 trombones
229
Tuba
218
Cor anglais, Piano
211
Ensemble de Trompettes
131
Ensemble de Trombones
129
Quatuor de cuivres: 4 cors
121
Cor (partie séparée)
91
2 Tubas (duo)
76
Tuba (partie séparée)
59
Quatuor de cuivres: 4 trompettes
56
Ensemble de Cors
51
2 Euphoniums et 2 Tubas
51
Euphonium
47
4 Tubas
47
3 Trombones (trio)
47
Cor Anglais
42
Trio de Cuivres
33
Euphonium, Tuba (duo)
31
3 Trompettes (trio)
28
Quatuor de cuivres: 2 trompettes, 2 trombones
27
Trompette, Violoncelle et Piano
24
Trompette, Violoncelle (duo)
22
Trombone, Orgue
22
Cor, Violoncelle (duo)
21
Tuba et Orgue
20
Trombone, Cor (duo)
19
Cor anglais, Guitare (duo)
17
Trombone, Tuba (duo)
17
Trompette, Tuba (duo)
16
Trompette, violon (duo)
14
3 Cors (trio)
14
Cor, Tuba (duo)
13
3 Tubas (trio)
12
Cor et Harpe
11
Trombone basse
11
Trompette, Basson (duo)
10
Bass Clef Instruments
10
Trombone basse et Piano
10
Trompette et Guitare
8
2 Trompettes, Clavier (piano ou orgue)
8
Trompette, Harpe
8
3 Euphoniums
7
2 Cors Anglais Et Pianoforte
7
2 Euphoniums (duo)
7
Instruments en Sib
6
Clarinette, Cor (duo)
6
Cor et Basson (duo)
5
Trompette, Trombone, Piano
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Trombone et orchestre
5
2 Trombones, Piano
4
Trombone, Violon (duo)
4
Cor et Orgue
4
2 Cors, Piano
2
Instruments en Fa
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
Cornet et orchestre
1
Ensemble de Tubas
1
Cor, Violoncelle et Piano
1
Cor, Trompette, Trombone (trio)
1
+ 76 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4 024
Violon et Piano
2 626
Violoncelle, Piano
1 539
Alto, Piano
1 508
Violon
1 317
Violon, Violoncelle (duo)
1 122
Violoncelle
866
Harpe
777
Trio à Cordes: violon, alto, violoncelle
776
2 Violons (duo)
733
2 Violoncelles (duo)
617
Violon, Alto (duo)
492
Quintette à cordes: 2 violons, alto, violoncelle, basse
473
Alto seul
430
2 Altos (duo)
396
Piano Trio: Violon, Alto, Piano
320
Contrebasse, Piano (duo)
296
Trio à Cordes: 2 violons, violoncelle
286
Violon (partie séparée)
211
Contre Basse
199
Alto (partie séparée)
169
Contrebasse (partie séparée)
158
4 Violoncelles
135
Violon, Guitare (duo)
123
2 Harpes (duo)
110
Alto, Violoncelle (duo)
106
Trio à cordes: 3 violins
105
Quatuor à cordes: 4 violons
82
Trio à cordes
65
Trio à Cordes: 3 violoncelles
63
Violoncelle, Contrebasse (duo)
58
Harpe, Violon (duo)
56
Harpe, Flûte (duo)
54
Violoncelle , Guitare (duo)
53
Quatuor à cordes : 4 altos
48
Violoncelle (partie séparée)
48
2 Contrebasses (duo)
46
Alto, Guitare (duo)
44
Violon, Basson (duo)
44
Trio à cordes: 3 altos
39
Ensemble de Violons
32
Harpe, Violoncelle (duo)
31
Ensemble d'Altos
28
Trio à Cordes: 2 violons, alto
28
4 Contrebasses
28
Alto et Harpe
27
Harpe, Voix
26
Violon, Clarinette, Piano (trio)
26
Quintette à cordes: 2 violons, 2 altos, violoncelle
23
Flûte, Contrebasse (duo)
21
Alto et Basson
17
3 Contrebasses
13
2 Violons, Piano
11
Violon, Orgue
10
Harpe, Violon, Violoncelle
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Violoncelle, Orgue
9
Ensemble de Violoncelles
8
2 Violoncelles, Piano
7
Violon, Tuba (duo)
6
Violoncelle, Orchestre
6
Alto, Orgue
4
Violon, Violoncelle, Clarinette
4
Violon, Basse continue
4
Violoncelle, Basse continue
4
Autoharp
3
Harpe (partie séparée)
3
Harpe et Piano
3
Harpe, Trombone (duo)
3
Violon, Trompette et Piano
3
Harpe et mandoline
3
Harpe, Quatuor à cordes
1
2 Violons et Basse continue
1
3 Harpes
1
Alto et orchestre
1
2 Altos, Piano
1
4 Harpes
1
+ 72 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6 857
Orchestre à Cordes
2 048
Orchestre
1 618
Ensemble Jazz
1 387
Ensemble de cuivres
1 134
Cloches
1 114
Orchestre de chambre
626
Fanfare
509
Jazz combo
436
Batterie
209
Ensemble de Percussions
183
Batterie (partie séparée)
85
Percussion (partie séparée)
75
Marimba
69
Xylophone, Piano
48
Vibraphone
23
Xylophone
19
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
15
Piano et Orchestre
12
2 Xylophones
10
Big band
10
Ensemble d'École
8
Percussion
8
Timbales (partie séparée)
7
Instrumentation Flexible
6
Orchestre, Violon
6
Vibraphone et Marimba
5
Quintette de Cuivres: autres combinaisons
3
Marimba, Piano (duo)
2
Caisse Claire
2
Bongos
1
Trio à Vent: 3 instruments à vents
1
2 Caisses Claires (duo)
1
Quatuor à Vent : 4 instruments à vents
1
Conga
1
Quintette à Vent
1
2 Marimbas
1
+ 32 instrumentations
Retracter
Autres
Théorie de la musique
7
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Voix Soprano, Piano
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176
Set Me As a Seal Upon Thine Heart
#
Voix Soprano, Piano
#
FACILE
#
Kristen Dobson
#
Richard Joseph Barber
#
Set Me As a Seal Upon Thine He
#
Barber Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.915705 Composed by Kristen Dobson. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred,Wedding...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.915705 Composed by Kristen Dobson. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred,Wedding. 5 pages. Barber Music Company #4792109. Published by Barber Music Company (A0.915705).
$3.99
From SONG OF SOLOMON 8:6 Set Me As a Seal Upon Your Heart
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Mary Ann Joyce
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From SONG OF SOLOMON 8:6 Set M
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Mary Ann Joyce-Walter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.989234 Composed by Mary Ann Joyce. Christian,Holiday,Jewish,Wedding. 6 pages. Mary Ann Joyce-Walter #620851...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.989234 Composed by Mary Ann Joyce. Christian,Holiday,Jewish,Wedding. 6 pages. Mary Ann Joyce-Walter #6208513. Published by Mary Ann Joyce-Walter (A0.989234). From the great SONG OF SONGS in the Old Testament. This is one of the greatest love songs in history, certainly one of the earliest extant songs. Music is perfect for a marriage ceremony.
$4.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Last Rose of Summer - Soprano with piano and chords in Db
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492602 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069280....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492602 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069280. Published by Alex Rodrigues (A0.1492602). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in A
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Sopr
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Alex Rodrigues
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492609 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069287....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492609 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069287. Published by Alex Rodrigues (A0.1492609). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in Eb
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
#
The Last Rose of Summer - Sopr
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Alex Rodrigues
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492604 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069282....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492604 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069282. Published by Alex Rodrigues (A0.1492604). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in Bb
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Voix Soprano, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
#
The Last Rose of Summer - Sopr
#
Alex Rodrigues
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492599 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069277....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492599 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069277. Published by Alex Rodrigues (A0.1492599). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in A
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Voix Soprano, Piano
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DÉBUTANT
#
Thomas Moore
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Alex Nunes Rodrigues
#
The Last Rose of Summer - Sopr
#
Alex Rodrigues
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492596 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069274....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492596 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069274. Published by Alex Rodrigues (A0.1492596). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in Bb
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Voix Soprano, Piano
#
DÉBUTANT
#
Thomas Moore
#
Alex Nunes Rodrigues
#
The Last Rose of Summer - Sopr
#
Alex Rodrigues
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492612 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069290....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492612 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069290. Published by Alex Rodrigues (A0.1492612). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in Ab
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Voix Soprano, Piano
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DÉBUTANT
#
Thomas Moore
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Alex Nunes Rodrigues
#
The Last Rose of Summer - Sopr
#
Alex Rodrigues
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492597 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069275....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492597 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069275. Published by Alex Rodrigues (A0.1492597). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in Db
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Voix Soprano, Piano
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DÉBUTANT
#
Thomas Moore
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Alex Nunes Rodrigues
#
The Last Rose of Summer - Sopr
#
Alex Rodrigues
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492615 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069293....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492615 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069293. Published by Alex Rodrigues (A0.1492615). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in E
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Voix Soprano, Piano
#
DÉBUTANT
#
Thomas Moore
#
Alex Nunes Rodrigues
#
The Last Rose of Summer - Sopr
#
Alex Rodrigues
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492603 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069281....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492603 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069281. Published by Alex Rodrigues (A0.1492603). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in F#
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Voix Soprano, Piano
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DÉBUTANT
#
Thomas Moore
#
Alex Nunes Rodrigues
#
The Last Rose of Summer - Sopr
#
Alex Rodrigues
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492618 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069296....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492618 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069296. Published by Alex Rodrigues (A0.1492618). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in G
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Voix Soprano, Piano
#
DÉBUTANT
#
Thomas Moore
#
Alex Nunes Rodrigues
#
The Last Rose of Summer - Sopr
#
Alex Rodrigues
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492607 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069285....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492607 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069285. Published by Alex Rodrigues (A0.1492607). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in B
#
Voix Soprano, Piano
#
DÉBUTANT
#
Thomas Moore
#
Alex Nunes Rodrigues
#
The Last Rose of Summer - Sopr
#
Alex Rodrigues
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492598 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069276....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492598 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069276. Published by Alex Rodrigues (A0.1492598). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano and chords in F#
#
Voix Soprano, Piano
#
DÉBUTANT
#
Thomas Moore
#
Alex Nunes Rodrigues
#
The Last Rose of Summer - Sopr
#
Alex Rodrigues
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492605 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069283....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492605 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069283. Published by Alex Rodrigues (A0.1492605). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in F
#
Voix Soprano, Piano
#
DÉBUTANT
#
Thomas Moore
#
Alex Nunes Rodrigues
#
The Last Rose of Summer - Sopr
#
Alex Rodrigues
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492619 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069297....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492619 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069297. Published by Alex Rodrigues (A0.1492619). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Soprano with piano in Eb
#
Voix Soprano, Piano
#
DÉBUTANT
#
Thomas Moore
#
Alex Nunes Rodrigues
#
The Last Rose of Summer - Sopr
#
Alex Rodrigues
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492617 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069295....
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.1492617 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069295. Published by Alex Rodrigues (A0.1492617). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
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