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Non classifié
4590
PIANO & CLAVIERS
Piano seul
2234
Piano, Voix
745
Piano Facile
650
Piano, Voix et Guitare
457
Instruments en Do
234
Orgue
208
Accompagnement Piano
80
1 Piano, 4 mains
63
Piano Trio: piano, violon, violoncelle
38
2 Pianos, 4 mains
29
Piano Quatuor: piano, violon, alto, violoncelle
21
Accordéon
19
Piano grosses notes
14
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Trompette (duo)
5
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
2
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GUITARES
Guitare notes et tablatures
203
Guitare
188
Ukulele
127
Ligne De Mélodie, (Paroles) et Accords
92
Basse electrique
37
2 Guitares (duo)
21
Guitare (partie séparée)
20
Mandoline
17
Piano, Guitare (duo)
11
Paroles et Accords
11
Dulcimer
11
4 Guitares (Quatuor)
9
Banjo
6
Basse électrique (partie séparée)
5
Ensemble de guitares
4
3 Guitares (trio)
2
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Piano (duo)
2
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VOIX
Chorale SATB
1183
Chorale 2 parties
411
Chorale 3 parties
343
Chorale TTBB
195
Chorale Unison
163
Voix duo, Piano
154
Chorale SSAA
138
Voix duo
55
Voix Soprano, Piano
47
Voix seule
11
Voix haute
10
Voix Tenor, Piano
9
Voix Alto, Piano
8
Chorale SSAATTBB
5
Voix Mezzo-Soprano, Piano
4
Voix basse
4
Voix moyenne, Piano
4
Voix Baryton, Piano
4
Voix basse, Piano
3
Voix Tenor
2
Voix Soprano
2
Chorale SSATTB
2
Chorale SSATB
1
Voix duo, Orgue
1
Chorale SATTBB A Cappella
1
Chorale
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
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VENTS
Quatuor de Saxophones: 4 saxophones
275
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
267
Flûte traversière et Piano
241
Flûte à bec Soprano
237
Harmonica
205
Saxophone (partie séparée)
200
Flûte, Hautbois, Clarinette, Basson
196
Flûte à bec Alto
196
2 Saxophones (duo)
186
Hautbois, Piano (duo)
175
Clarinette et Piano
175
Saxophone Alto et Piano
170
Clarinette
161
Quintette de Saxophone: 5 saxophones
157
Flûte traversière
143
Saxophone Tenor et Piano
116
2 Flûtes traversières (duo)
105
Saxophone Alto
101
Quatuor de Clarinettes: 4 clarinettes
100
Saxophone Soprano et Piano
99
2 Clarinettes (duo)
92
Hautbois (partie séparée)
78
Saxophone
71
Flûte, Clarinette (duo)
60
Quatuor de Flûtes : 4 flûtes
58
Saxophone Baryton, Piano
58
Saxophone, Clarinette (duo)
56
Clarinette, Violon (duo)
46
Ensemble de Clarinettes
46
Flûte à bec Alto, Piano
37
Clarinette, Trompette (duo)
36
Flûte à Bec
36
Ensemble de Flûtes
35
Hautbois
35
2 Hautbois (duo)
34
Hautbois, Basson (duo)
31
Cor anglais, Piano
31
Clarinette (partie séparée)
30
Ensemble de saxophones
30
3 Saxophones (trio)
28
Hautbois, Clarinette (duo)
26
Quintette de Clarinettes: 5 clarinettes
26
3 Clarinettes (trio)
25
Clarinette Basse, Piano
25
Quintette de Flûte : 5 flûtes
24
Trio de Flûtes: 3 flûtes
22
Hautbois, Flûte
22
Flûte et Guitare
21
Flûte, Alto (duo)
21
Flûte, Saxophone (duo)
21
Flûte, Violon
21
Clarinette et Alto
20
Flûte, Trompette (duo)
17
Quatuor de Flûtes à bec
17
Saxophone Tenor
14
Flute (partie séparée)
14
Clarinette, Basson (duo)
11
2 Flûte à bec (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
Saxophone Soprano
9
Clarinette, Violoncelle (duo)
9
5 Flûtes à bec
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Clarinette et Basson
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte, Hautbois (duo)
8
Flûte, Violon, Piano
7
Hautbois, Violoncelle
7
2 Clarinettes, Piano
7
Flûte, Violoncelle
6
Flûte, Basson et Piano
6
Saxophone Baryton
6
Ocarina
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte à bec Tenor
5
Flûte, Clarinette, Piano (trio)
5
Hautbois, Violoncelle et Piano
4
2 Flûtes traversières, Piano
4
Clarinette, Harpe (duo)
4
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4
Flûte à bec Soprano, Piano
3
Hautbois, Clarinette et Piano (Trio)
3
Piccolo, Piano
3
Flute, harpe et violon
3
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3
Piccolo
3
Clarinette, Basson, Piano (trio)
3
Clarinette, Alto et Piano (trio)
3
3 Flûtes à bec (trio)
3
Hautbois, Harpe
3
Flûte, Hautbois, Basson
3
Flûte, Hautbois, Piano (trio)
3
2 Saxophones, Piano
2
Hautbois, violon (duo)
2
Cor Anglais
2
Flûte, Alto et Piano
2
Hautbois, Violon, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Saxophone et Guitare
2
Hautbois, Basson et Piano
2
Ensemble de Hautbois
2
4 Hautbois
1
Hautbois et alto (duo)
1
Flûte, Trombone (duo)
1
Clarinette, Orgue
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Hautbois, trombone (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Clarinettes, Basson
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Hautbois et Orchestre
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Saxophone et Orgue
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Clarinette, Trombone (duo)
1
Flûte, Harpe et Violoncelle
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Clarinette, Tuba
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Flûte, Tuba (duo)
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Flûte irlandaise
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à Bec, Piano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
325
Trompette
190
Quatuor de Cuivres : 2 trompettes, trombone, tuba
161
Trombone et Piano
153
Trompette, Piano
142
Cor et Piano
119
Trombone
87
Trombone (partie séparée)
83
Trompette (partie séparée)
78
Cor
75
Ensemble de Trompettes
72
Quatuor de Cuivres: 2 trompettes, Cor, trombone
60
Quatuor de cuivres: 4 trombones
55
Tuba
50
Tuba et Piano
50
2 Trompettes (duo)
46
Trompette, Saxophone (duo)
46
Quatuor de Cuivres
45
2 Trombones (duo)
44
Euphonium, Piano (duo)
43
Ensemble de Trombones
34
Trompette, Trombone (duo)
31
Cor anglais, Piano
31
Cor (partie séparée)
29
2 Cors (duo)
20
Tuba (partie séparée)
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Trio de Cuivres
11
Quatuor de cuivres: 4 cors
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2 Tubas (duo)
8
Quatuor de cuivres: 4 trompettes
8
Trompette, Trombone, Piano
7
Trompette, Cor (duo)
6
Euphonium
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trompette, Basson (duo)
5
Cor, Violoncelle (duo)
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4 Tubas
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2 Euphoniums et 2 Tubas
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Trompette, Violoncelle (duo)
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Cor et Harpe
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Trombone basse
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Ensemble de Cors
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Cor et Basson (duo)
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Trompette, Harpe
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Cor Anglais
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Euphonium, Tuba (duo)
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Trompette, Tuba (duo)
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2 Cors, Piano
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2 Euphoniums (duo)
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Ensemble de Tubas
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Cor, Trompette, Trombone (trio)
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3 Euphoniums
1
Cor et Orgue
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Trompette, Orchestre
1
Instruments en Sib
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
829
Violon et Piano
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Violon
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Alto, Piano
167
Violoncelle (partie séparée)
115
Harpe
105
Alto seul
102
Trio à Cordes: 2 violons, violoncelle
99
2 Violons (duo)
93
Quintette à cordes: 2 violons, alto, violoncelle, basse
70
Violon, Alto (duo)
68
Violoncelle
67
2 Violoncelles (duo)
57
Contre Basse
54
Contrebasse, Piano (duo)
42
2 Altos (duo)
34
Violon (partie séparée)
30
Alto (partie séparée)
29
Contrebasse (partie séparée)
21
2 Harpes (duo)
19
4 Violoncelles
14
Piano Trio: Violon, Alto, Piano
13
Harpe, Flûte (duo)
11
Alto, Violoncelle (duo)
11
Ensemble d'Altos
8
Ensemble de Violons
7
Trio à Cordes: 2 violons, alto
7
Harpe, Violon (duo)
7
Trio à Cordes: 3 violoncelles
6
Violon, Clarinette, Piano (trio)
6
Quatuor à cordes: 4 violons
5
Quatuor à cordes : 4 altos
5
Harpe, Voix
5
Trio à cordes: 3 violins
4
Trio à cordes: 3 altos
4
Violon, Guitare (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violon, Basson (duo)
4
2 Altos, Piano
3
Alto et Harpe
3
2 Contrebasses (duo)
3
Violoncelle, Orgue
2
Harpe, Violoncelle (duo)
2
Harpe et mandoline
2
Violoncelle , Guitare (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto et Basson
1
Violoncelle, Basse continue
1
2 Violons, Piano
1
2 Violoncelles, Piano
1
Violon, Tuba (duo)
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
Violon, Violoncelle, Clarinette
1
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes
1
Alto et orchestre
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
957
Orchestre
358
Orchestre à Cordes
223
Ensemble de cuivres
210
Ensemble Jazz
174
Cloches
106
Orchestre de chambre
95
Fanfare
77
Jazz combo
52
Ensemble de Percussions
51
Percussion (partie séparée)
32
Batterie (partie séparée)
28
Batterie
18
Xylophone, Piano
14
Xylophone
14
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Marimba
8
Vibraphone
5
Orchestre, Violon
2
Piano et Orchestre
1
Ensemble d'École
1
Conga
1
3 Marimbas
1
Percussion
1
Big band
1
2 Marimbas
1
2 Xylophones
1
Quintette de Cuivres: autres combinaisons
1
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AUTRES
Formation musicale - Solfège
1
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Voix Soprano, Piano
Partitions à imprimer
47 partitions trouvées
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26
IN THE BEGINNING. For soprano and piano
Voix Soprano, Piano
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabri…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
5.51 €
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Voix Soprano, Piano
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730210 Composed by Ja…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
3.66 €
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Voix Soprano, Piano
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James Nathaniel Holland
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My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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James Nathaniel Holland
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SheetMusicPlus
The exploding Head
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment fr…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
15.6 €
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Voix Soprano, Piano
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.81 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.06 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Birds
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
3.66 €
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Voix Soprano, Piano
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
When the South Wind Sings: Child Moon (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8574-6E Composed by Jul…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8574-6E Composed by Juliana Hall. Secular, 21st Century, Art Song. 9 pages. E. C. Schirmer Music Company - Digital #8574-6E. Published by E. C. Schirmer Music Company - Digital (MQ.8574-6E). English.This collection follows a narrative in which the first two poems shine bright light on reality after both a literal and a metaphorical storm, after which that light is amplified and changed into a more mysterious atmosphere by a fog that allows the speaker to feel free to confess his sins. The regular cycles of nature provide the winds that blow away that sin from the speaker, once it is confessed, after which the gentle light of a harvest moon provides the healing softness that allows even Death to whisper as a friend. Purification continues as we are reminded of the innocence of children to look up and stare in awe and wonder at the moon’s light, and finally the daily cycle of nature brings night to the town, where the forgiveness of that confessed sin allows its inhabitants to enjoy perfect peace and sleep.Contents1. Follies2. Mask3. Pearl Fog4. The South Wind Says So5. Under The Harvest Moon6. Child Moon7. Between Two Hills.
$6.00
5.51 €
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Voix Soprano, Piano
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Juliana Hall
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When the South Wind Sings: Child Moon
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.22 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
There Is a Balm in Gilead
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360461 Composed by T…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360461 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Spiritual. 6 pages. Dillon's Music Group #944955. Published by Dillon's Music Group (A0.1360461). Bremda Dillon has a background in both academia and the music industry. She is best known for her expertise in group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S., and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.
$1.99
1.83 €
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Voix Soprano, Piano
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Traditional Spiritual
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Brenda Dillon
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There Is a Balm in Gilead
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Dillon's Music Group
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SheetMusicPlus
Poems of Queen Mary Stuart
Voix Soprano, Piano
Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert S…
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Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Op. 135. Duration 9 minutes. Schott Music - Digital #Q45888. Published by Schott Music - Digital (S9.Q45888). German • English • French • Italian.Two things in particular link Aribert Reimann with Robert Schumann, whom he much admires: their interest in the dark side of human existence and their great commitment to literature. The both took an interest in the poems by the Scottish queen Mary Stuart written at the end of her life during her imprisonment. For a long time, Reimann had cherished the wish to orchestrate the lieder by Schumann based on these poems, ‘but I always lacked in courage […] to break up the rather barren piano part which is formally self-contained and complete in itself’. But while working on Sieben Fragmente für Orchester in 1988, he decided to take the risk. And although Schumann‘s music is never really touched, Reimann succeeds in bringing the deeply moving expression of the lieder even closer to the listener.Seinen letzten Zyklus für Singstimme und Klavier komponierte Robert Schumann 1852 auf eine deutsche Übersetzung von Gisbert Freiherr von Vincke. Indem Aribert Reimann die Singstimme der fünf Gedichte mit ihren je unterschiedlichen Originalsprachen in Französisch, Italienisch, Englisch und Latein unterlegt, erscheint nicht nur die historische Figur der schottischen Königin Maria Stuart, sondern auch die Musik Schumanns in neuem, polyglotten Licht.
$15.99
14.68 €
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Voix Soprano, Piano
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Robert Schumann
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Robert Schumann
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Aribert Reimann
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Poems of Queen Mary Stuart
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Schott Music - Digital
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SheetMusicPlus
Please Spend Christmas With Me - Soprano Solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.836586 Composed by Ch…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.836586 Composed by Charles E. Davis & Kara E.Trotter. Christmas,Pop,Praise & Worship,Sacred,Standards. 8 pages. Charles E. & Maria A. Davis #2363207. Published by Charles E. & Maria A. Davis (A0.836586). This easy-listening song, written for soprano solo in contemporary style, invites us to remember that Christ is the true meaning of Christmas, and to hear His silent plea to Please spend Christmas with me. This song will be an instant favorite, and may be used at home, church, or in public performance. A baritone/bass solo version is also available.
$3.99
3.66 €
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Voix Soprano, Piano
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Charles E
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Please Spend Christmas With Me - Soprano Solo
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Charles E. & Maria A. Davis
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SheetMusicPlus
Beneath the Cross of Jesus
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360437 Composed by F…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360437 Composed by Frederick Charles Maker. Arranged by Brenda Dillon. Sacred. 5 pages. Dillon's Music Group #944932. Published by Dillon's Music Group (A0.1360437). Brenda Dillon has a background in both academia and the music industry. She is best known for her expertise in teaching group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S., and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.
$1.99
1.83 €
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Voix Soprano, Piano
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Frederick Charles Maker
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Brenda Dillon
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Beneath the Cross of Jesus
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Dillon's Music Group
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SheetMusicPlus
The Measure of A Man
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.932454 Composed by We…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.932454 Composed by Wendy Edwards Beardall-Norton. Arranged by Christopher Norton. Contemporary,Holiday,Sacred. 7 pages. CN Connections Music #5871307. Published by CN Connections Music (A0.932454). A song written in memory of pianist and educator Jovanni-Rey de Pedro, who died tragically young in 2019. This song was performed at Jovanni’s funeral in LA and is a beautiful song for a funeral.
$8.99
8.26 €
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Voix Soprano, Piano
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Wendy Edwards Beardall-Norton
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Christopher Norton
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The Measure of A Man
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CN Connections Music
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Warm Where Snowflakes Lie
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873026 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Published by Sally Whitwell (A0.873026). Composer’s Note - Warm Where Snowflakes LieThrough my music, I try to bring to people a sense of optimism about the world. Music has the power to uplift, to exalt, to fill people with joy and hope, so I am drawn to texts that do a similar thing. Christina Rossetti’s poem ​The Key-Note​ has this optimism, even with a gentle sting in the proverbial tail. She appreciated that everything has a season, that life happens in cycles, that in the face of the darkest Winter there is always the hope of Spring, a hope made real by the appearance of the red-breasted robin in the snow. This song is for anyone who has ever felt hopeless, disenfranchised, or unable to see the light at the end of the tunnel.-- Sally Whitwell
$2.99
2.75 €
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Voix Soprano, Piano
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Sally Whitwell
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Warm Where Snowflakes Lie
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Sally Whitwell
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SheetMusicPlus
When a Mezzo (x2)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Ga…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
5.5 €
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Voix Soprano, Piano
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Gary D
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When a Mezzo
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DR GARY D BELSHAW
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SheetMusicPlus
A Better Resurrection
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.915698 Composed by Ch…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.915698 Composed by Christina Rossetti and Amanda Hill. Arranged by Richard Joseph Barber. Christian,Contemporary,Easter,Sacred,Standards. 6 pages. Barber Music Company #4405090. Published by Barber Music Company (A0.915698). This haunting poem by Christina G. Rossetti offers hope at the end of every verse and would be a contemplative close to your Easter Sunday service. Note from the ComposerMy daughter gave me a melody that she had composed for one of her favorite poems, A Better Resurrection, and asked me to arrange it for her. As always, contact me with any questions you might have at barberpianoserv@gmail.com. -Richard Joseph Barber.
$3.99
3.66 €
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Voix Soprano, Piano
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Christina Rossetti and Amanda Hill
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Richard Joseph Barber
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A Better Resurrection
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Barber Music Company
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SheetMusicPlus
Adieu, mon petite table - Manon (G Minor)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884729 Composed by Ju…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884729 Composed by Jules Massenet. Arranged by Jonathan Prentice. Opera,Romantic Period. 3 pages. Jonathan Prentice #5775861. Published by Jonathan Prentice (A0.884729). Massenet's simple yet intensely moving aria from his opera, Manon. The impressionable young girl, Manon, has been told that her love, Des Grieux will soon be kidnapped by his father's men in order to get him away from her. She knows that the happy days they have spent in Des Grieux's apartment will soon be at an end and takes the opportunity to bid adieu to the table where they ate many meals together.
$1.99
1.83 €
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Voix Soprano, Piano
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Jules Massenet
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Jonathan Prentice
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Adieu, mon petite table - Manon
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Jonathan Prentice
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SheetMusicPlus
Rapture (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-4E Composed by Tom…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-4E Composed by Tom Cipullo. 10 pages. E. C. Schirmer Music Company - Digital #8771-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-4E). English.The works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing’s millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson’s poems. How to Get Heat Without Fire was premiered in April 2000 at The Great Hall at Cooper Union in NY. Jody Sheinbaum was the soprano with the composer accompanying. Over the years, The Pocketbook has proven the most popular of the songs and is often excerpted from the cycle. The five songs of In the Middle of a Life are excerpted from a collection of 15 solos, duets, and trios – all settings of poems by Linda Pastan. Rapture was composed for the wedding of two dear friends, both treasures of New York’s musical life. The George Eliot text was selected by the couple, and the music captures its great tenderness.Contents:Late Summer 1. Crickets 2. Summer into Autumn Slips How to Get Heat without Fire 1. Why I Wear My Hair Long 2. Saying Goodbye 3. The Pocketbook 4. How to Get Heat without Fire In the Middle of a Life 1. Because 2. Drift 3. In back of 4. RSVP: Regrets Only 5. In the Middle of a Life Rapture.
$2.00
1.84 €
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Voix Soprano, Piano
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Tom Cipullo
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Rapture
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
How to Get Heat without Fire (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-2E Composed by Tom…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-2E Composed by Tom Cipullo. 37 pages. E. C. Schirmer Music Company - Digital #8771-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-2E). English.The works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing’s millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson’s poems. How to Get Heat Without Fire was premiered in April 2000 at The Great Hall at Cooper Union in NY. Jody Sheinbaum was the soprano with the composer accompanying. Over the years, The Pocketbook has proven the most popular of the songs and is often excerpted from the cycle. The five songs of In the Middle of a Life are excerpted from a collection of 15 solos, duets, and trios – all settings of poems by Linda Pastan. Rapture was composed for the wedding of two dear friends, both treasures of New York’s musical life. The George Eliot text was selected by the couple, and the music captures its great tenderness.Contents:Late Summer 1. Crickets 2. Summer into Autumn Slips How to Get Heat without Fire 1. Why I Wear My Hair Long 2. Saying Goodbye 3. The Pocketbook 4. How to Get Heat without Fire In the Middle of a Life 1. Because 2. Drift 3. In back of 4. RSVP: Regrets Only 5. In the Middle of a Life Rapture.
$8.00
7.35 €
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Voix Soprano, Piano
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Tom Cipullo
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How to Get Heat without Fire
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Exile
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845962 Composed by Ma…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845962 Composed by Maria Thompson Corley. Concert. 10 pages. Maria Thompson Corley #6871039. Published by Maria Thompson Corley (A0.845962). Exile is AddieRose Forstman's expression of frustration about the difficulty she experienced trying to become a working classical singer after graduating with degrees from two prestigious schools. The text alternates between cliched phrases meant to be encouraging and her true feelings of being ripped at the seams and wanting to scream. It's a dissonant song, in keeping with the feeling of excruciatingly extended exile from her true craft and calling..
$9.99
9.17 €
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Voix Soprano, Piano
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Maria Thompson Corley
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Exile
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Maria Thompson Corley
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SheetMusicPlus
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