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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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UKULELE
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PIANO & CLAVIERS
Piano seul
1195
Piano Facile
531
Piano, Voix et Guitare
310
Piano, Voix
232
Instruments en Do
97
Orgue
75
1 Piano, 4 mains
34
Accompagnement Piano
23
Piano Trio: piano, violon, violoncelle
15
2 Pianos, 4 mains
14
Accordéon
8
Orgue, Trompette (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
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2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Orgue, Piano (duo)
1
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GUITARES
Basse electrique
308
Guitare
251
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116
Ligne De Mélodie, (Paroles) et Accords
37
Ukulele
25
Paroles et Accords
24
Mandoline
18
4 Guitares (Quatuor)
8
Dulcimer
6
2 Guitares (duo)
5
Ensemble de guitares
4
Piano, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
2
Ukulele Baryton
1
Guitare (partie séparée)
1
Mandoline, Guitare (duo)
1
Banjo
1
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VOIX
Chorale SATB
259
Chorale 3 parties
69
Chorale 2 parties
65
Chorale TTBB
43
Chorale Unison
39
Chorale SSAA
32
Voix duo, Piano
17
Voix Soprano, Piano
16
Voix seule
16
Voix duo
11
Chorale
3
Chorale SSAATTBB
1
Voix haute
1
Voix, Guitare
1
Voix Baryton, Piano
1
Voix basse, Piano
1
Voix Tenor, Piano
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
86
Flûte traversière et Piano
74
Clarinette (partie séparée)
72
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
69
Flûte, Hautbois, Clarinette, Basson
63
Quatuor de Saxophones: 4 saxophones
58
Flûte traversière
56
Clarinette et Piano
54
Clarinette
53
Saxophone Alto et Piano
50
Quatuor de Clarinettes: 4 clarinettes
45
Saxophone Tenor et Piano
40
Hautbois, Piano (duo)
38
2 Saxophones (duo)
36
Ensemble de Clarinettes
28
2 Flûtes traversières (duo)
28
Saxophone Alto
27
2 Flûtes traversières, Piano
26
Quatuor de Flûtes : 4 flûtes
26
Ensemble de Flûtes
25
2 Clarinettes (duo)
23
Hautbois (partie séparée)
23
Ensemble de saxophones
21
Saxophone Soprano et Piano
18
Flute (partie séparée)
16
3 Clarinettes (trio)
16
3 Saxophones (trio)
13
Flûte et Guitare
12
Quintette de Clarinettes: 5 clarinettes
10
Flûte, Clarinette (duo)
10
4 Hautbois
10
Saxophone Baryton, Piano
9
Flûte, Violoncelle
9
Flûte à bec Alto, Piano
8
Trio de Flûtes: 3 flûtes
8
Cor anglais, Piano
8
Hautbois
7
Flûte à bec Soprano, Piano
7
Flûte à Bec, Piano
5
Flûte à bec Tenor
5
Quintette de Saxophone: 5 saxophones
5
Flûte, Alto (duo)
5
Hautbois, Basson (duo)
5
Clarinette, Guitare (duo)
5
Clarinette et Alto
5
Clarinette, Violoncelle (duo)
4
Flûte, Violon, Piano
4
Saxophone Soprano
4
Clarinette Basse, Piano
4
Piccolo, Piano
3
2 Hautbois (duo)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois (duo)
2
Flûte, Violon
2
Quintette de Flûte : 5 flûtes
2
Saxophone Baryton
2
2 Flûte à bec (duo)
2
Clarinette, Basson (duo)
2
Flûte, Violon et Violoncelle
2
Quatuor de Flûtes à bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Piccolo
2
Flûte, Violon, Violoncelle et Piano
2
3 Flûtes à bec (trio)
2
Flûte à bec Alto
1
Cor Anglais
1
Flûte, Clarinette et Basson
1
Hautbois, Flûte
1
Saxophone
1
2 Clarinettes, Basson
1
Ensemble De Flûte à bec
1
2 Saxophones, Piano
1
Flute, Cor (duo)
1
Flute, harpe et violon
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Alto et Piano
1
3 Hautbois
1
Flûte à Bec
1
Clarinette, Violon (duo)
1
Flûte à bec Soprano
1
Clarinette, Orgue
1
Saxophone Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Guitare (duo)
1
Flûte, trombone et piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
2 Clarinettes, Piano
1
2 Flûtes à bec, Guitare
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Trombone (partie séparée)
53
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trombone et Piano
42
Trompette (partie séparée)
37
Cor (partie séparée)
30
Trompette, Piano
26
Trombone
25
Trompette
24
Cor et Piano
19
Tuba et Piano
17
Tuba (partie séparée)
17
Cor
15
2 Trombones (duo)
15
Tuba
14
Euphonium, Piano (duo)
13
Quatuor de cuivres: 4 trombones
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Quatuor de cuivres: 4 cors
11
2 Trompettes (duo)
10
Quatuor de Cuivres
9
3 Trompettes (trio)
8
Cor anglais, Piano
8
Euphonium
6
Cornet A Pistons
6
2 Cors (duo)
5
Trompette, Trombone (duo)
5
Trombone basse
4
3 Cors (trio)
4
2 Euphoniums et 2 Tubas
4
2 Tubas (duo)
3
Ensemble de Trombones
3
3 Trombones (trio)
2
Trompette, Tuba (duo)
2
Bass Clef Instruments
2
Ensemble de Trompettes
2
Trombone, Tuba (duo)
1
Cor Anglais
1
Trompette, violon (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor, Tuba (duo)
1
Cor et Harpe
1
Trombone, Cor (duo)
1
4 Tubas
1
Trombone basse et Piano
1
3 Tubas (trio)
1
Trombone, Orgue
1
Trompette, Saxophone (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
258
Quintette à cordes: 2 violons, alto, violoncelle, basse
139
Violon et Piano
117
Violon
112
Violoncelle, Piano
72
Harpe
60
Violon, Violoncelle (duo)
44
Alto, Piano
43
Violoncelle (partie séparée)
38
Trio à Cordes: violon, alto, violoncelle
36
2 Violons (duo)
36
Alto seul
25
Violon (partie séparée)
24
Violon, Alto (duo)
22
Violoncelle
17
2 Violoncelles (duo)
16
Violoncelle , Guitare (duo)
13
Alto (partie séparée)
13
4 Violoncelles
12
2 Altos (duo)
11
Contrebasse (partie séparée)
9
Quatuor à cordes: 4 violons
9
Contrebasse, Piano (duo)
7
4 Contrebasses
6
Contre Basse
6
Violoncelle, Contrebasse (duo)
6
Violon, Guitare (duo)
6
Quatuor à cordes : 4 altos
6
Alto, Violoncelle (duo)
5
Alto, Guitare (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Flûte, Contrebasse (duo)
4
2 Contrebasses (duo)
3
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
Harpe, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Harpe, Violon, Violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 altos
2
3 Contrebasses
1
2 Violoncelles, Piano
1
Violon, Orgue
1
Violoncelle, Orchestre
1
Harpe, Violon (duo)
1
2 Violons, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
2 Harpes (duo)
1
Trio à cordes
1
Alto et Harpe
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
810
Orchestre à Cordes
225
Orchestre
108
Orchestre de chambre
70
Ensemble Jazz
63
Ensemble de cuivres
56
Percussion (partie séparée)
35
Cloches
28
Jazz combo
23
Ensemble de Percussions
18
Fanfare
17
Batterie
15
Timbales (partie séparée)
11
Percussion
9
Marimba
8
Vibraphone
5
Caisse Claire
2
Batterie (partie séparée)
2
Quintette de Cuivres: autres combinaisons
1
Xylophone, Piano
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Orchestre, Violon
1
Xylophone
1
Quintette à Vent
1
Instrumentations suivantes
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AUTRES
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Voix Soprano, Piano
Partitions à imprimer
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1
Franz Schubert - Gretchen am Spinnrade Op.2 D.118 piano accompaniment
Voix Soprano, Piano
Piano,Soprano voice - Digital Download SKU: A0.1069309 Composed by Franz Schubert. …
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Piano,Soprano voice - Digital Download SKU: A0.1069309 Composed by Franz Schubert. Arranged by Dimitris Anousis. Classical,Concert,Romantic Period,Standards. Accompaniment. Duration 200. Dimitris Anousis #5711577. Published by Dimitris Anousis (A0.1069309). Gretchen am Spinnrade Op.2 D.118 - Franz Schubert (1797 - 1828). Performed and recorded on an amazing quality Steinway & Sons grand piano by Dimitris Anousis. This is the ideal piano accompaniment of the original classical and well known lieder for soprano. More info & contact: https://www.dimitrisanousis.com/ Feel free to contact me, for your own piano accompaniment for any piece you like. Your comments below are always welcome.
$2.99
2.76 €
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Voix Soprano, Piano
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Franz Schubert
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Dimitris Anousis
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Franz Schubert - Gretchen am Spinnrade Op.2 D.118 piano accompaniment
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Dimitris Anousis
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SheetMusicPlus
Sappho ... Five Poems by H.D. (2019) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869598 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Published by Thomas Oboe Lee (A0.869598). Sappho ... Five Poems by H.D. (2019) is dedicated to Öznur Hasibe Tülüoğlu. I heard her sing at her senior recital at the New England Conservatory of Music this spring and I immediately thought I should write a song cycle for her. I love the poetry of H.D. (aka Hilda Doolittle). My first attempt at setting her poems to music was in 2015. The poems in that song cycle focused on several figures from Greek mythology: Adonis, Circe, Lethe, Daphne, Evadne, etc.The words in this cycle are Ms. Doolittle's poetic musings on fragments left behind by the ancient Greek poet Sappho.1. Fragment 41a ... thou flittest to Andromeda.2. Fragment 41c3. Fragment 40 Love ... bitter sweet4. Fragment 113 Neither honey nor bee for me.5. Fragment 68 ... even in the house of Hades.Music by Thomas Oboe LeePoems by H.D.© Hilda Doolittle, from Collected Poems, 1912-1944, copyright © 1982 by the Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp. © Departed Feathers Music, Inc. - BMI Audio link: https://thomasoboelee.bandcamp.com/album/sappho-five-poems-by-h-d-2019Video link: https://youtu.be/NH8baTZxRzg
$9.99
9.21 €
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Voix Soprano, Piano
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Thomas Oboe Lee
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Sappho ... Five Poems by H.D.
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Thomas Oboe Lee
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SheetMusicPlus
Huit Études Latines (2022) piano vocal score
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869877 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869877 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 32 pages. Thomas Oboe Lee #6744419. Published by Thomas Oboe Lee (A0.869877). I recently discovered Reynaldo Hahn via the superb soprano Veronique Gens' album Néère. She included in her album selections from Reynaldo Hahn's song setting of poems by Charles Marie René Leconte de Lisle called Études Latines. There are eighteen of these very enigmatic and fanciful poems about Greek or Latin gods and goddesses: Apollo, Venus, Lydia, Bacchus, Diane, Phoebe, Phyllis, Glycère, Naiads, Pyrrha, etc. Hahn set ten of these poems in an array of vocal settings: choral, solo male or female voices. For my song cycle I chose the remaining eight that Hahn did not use. I. Licymnie II. Glycère III. Hymne 01 IV. (sans titre) V. Hymne 02 VI. Pyrrha VII. Lydia VIII. Envoi.
$9.99
9.21 €
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Voix Soprano, Piano
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Thomas Oboe Lee
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Huit Études Latines
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Thomas Oboe Lee
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SheetMusicPlus
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (G
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869052 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869052 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445609. Published by Really Good Music, LLC. (A0.869052). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (D4 – Bb5) for high voice.
$5.95
5.48 €
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Voix Soprano, Piano
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (F
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869053 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869053 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445607. Published by Really Good Music, LLC. (A0.869053). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of F minor (C4 – Ab5) for high voice.
$5.95
5.48 €
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Voix Soprano, Piano
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
The Man I Love
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.955836 Composed by Ge…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
9.21 €
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Voix Soprano, Piano
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Fuoco e lagrime
Voix Soprano, Piano
Soprano voice and piano - advanced to difficult - Digital Download SKU: S9.Q52732
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Soprano voice and piano - advanced to difficult - Digital Download SKU: S9.Q52732 Canti per soprano e pianoforte. Composed by Anno Schreier. This edition: single sheet. Downloadable, Separate edition. Duration 20 minutes. Schott Music - Digital #Q52732. Published by Schott Music - Digital (S9.Q52732). German • Italian.Im Jahr 2010 habe ich als Stipendiat der Villa Massimo in Rom gelebt. Während meiner Zeit dort bin ich auf ein paar Gedichte von Michelangelo gestoßen, die mich sehr berührt haben, und hatte bald den Plan, einige davon zu vertonen. Ich wollte sie aber mit etwas zeitgenössischem kombinieren – so wie ja auch in Rom dauernd das Alte und das Neue aufeinandertreffen. Der Lyriker Marcel Beyer, den ich in Rom kennengelernt habe, hat dann für mich den Gedichtzyklus Die Grillmeisterin geschrieben, der viele Motive aus den Michelangelo-Texten aufgreift (Feuer, Tränen, Verbranntwerden, Einsamkeit etc.). Ich habe dann diesen Gedichtzyklus abwechselnd mit den Michelangelo-Gedichten kombiniert. Die italienischen Lieder haben einen manchmal melancholischen, manchmal dramatischen Charakter, während die deutschen eher bizarr, manchmal sogar humoristisch sind. Trotz dieser Kontraste im Charakter gibt es aber auch viele musikalische Verknüpfungen zwischen den deutschen und den italienischen Liedern. Einzelne Motive und Akkordfolgen kehren manchmal in völlig anderen Zusammenhängen wieder, und zwischen dem ersten und letzten Lied gibt es sogar einen direkten Bezug, indem die selbe Gesangslinie jeweils mit einem völlig anderen Text unterlegt wird. So ensteht ein musikalischer Rahmen, der die sehr heterogene Textauswahl zusammenhält. Anno Schreier.
$21.99
20.27 €
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Voix Soprano, Piano
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Anno Schreier
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Fuoco e lagrime
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Schott Music - Digital
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.86 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.09 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.25 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Three Songs on Poems of Jane Austen
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962538 Composed by G.…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962538 Composed by G.F. Skipworth. 20th Century,Concert. 24 pages. George Skipworth #3512035. Published by George Skipworth (A0.962538). Three Songs on Poems of Jane Austen are set for medium (high mezzo) or high voice and piano. Included are When Stretch'd On One's Bed, Happy the Lab'rer, and See, They Come Post-Haste from Thranet! Excellent for inclusion in academic or professional recitals. Moderate difficulty for singer and pianist.
$6.50
5.99 €
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Voix Soprano, Piano
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G
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Three Songs on Poems of Jane Austen
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George Skipworth
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SheetMusicPlus
Schubert - Gretchen am Spinnrade - High Voice in D minor
Voix Soprano, Piano
Composed by Franz Schubert (1797-1828). Arranged by Benjamin Ayotte. Romantic Period. Scor…
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Composed by Franz Schubert (1797-1828). Arranged by Benjamin Ayotte. Romantic Period. Score. 6 pages. Published by Ayotte Custom Musical Engravings (S0.304151). - Score - Romantic Period - Ayotte Custom Musical Engravings
$1.99
1.83 €
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Voix Soprano, Piano
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Franz Schubert
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Benjamin Ayotte
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Schubert - Gretchen am Spinnrade - High Voice in D minor
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Ayotte Custom Musical Engravings
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SheetMusicPlus
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