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#a BAFTA Award in 1895

Once Upon A Time In America #2 Clarinettes, Basson #FACILE #Contemporain #Darryl Pittman #Sara Caliandro #a BAFTA Award in 1895 #Once Upon A Time In America #Caliandro Sara #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet - Level 2 - SKU: A0.946146 Composed by Darryl Pittman. Arranged by Sara Caliandro. Contemporary. 14 pag...(+)

Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet - Level 2 - SKU: A0.946146 Composed by Darryl Pittman. Arranged by Sara Caliandro. Contemporary. 14 pages. Caliandro Sara #6606533. Published by Caliandro Sara (A0.946146). Once upon a time in America in a Ennio Morricone's album, published in 1984. The album contains the original soundtrack of the homonym film, directed by Sergio Leone. The film's soundtrack has made the composer win a Los Angeles Film Critics Award in 1984 as best film soundtrack; a BAFTA Award in 1895; a Nastro d'Argento and also a candidature for Golden Globe in 1985 for the same motivation.

Carson Cooman: Giant Colored Bird II (2005) for two Bb clarinets and bassoon #2 Clarinettes, Basson #AVANCÉ #Contemporain #Carson Cooman #Carson Cooman: Giant Colored B #Musik Fabrik Music Publishing #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet - Level 5 - SKU: A0.533622 Composed by Carson Cooman. Contemporary. 27 pages. Musik Fabrik Music Publis...(+)

Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet - Level 5 - SKU: A0.533622 Composed by Carson Cooman. Contemporary. 27 pages. Musik Fabrik Music Publishing #3033375. Published by Musik Fabrik Music Publishing (A0.533622). Giant Colored Bird II (2005) for two clarinets and bassoon was commissioned by NicholasBatko and is dedicated to him, Christina Johnson, and Eric Goldman.The title refers to a vivid mental image of a large, brilliantly colored bird in the wild: both flyingand unfurling its wings, while looking out over a beautiful landscape. Giant Colored Bird II isthus a joyous celebration of color and warmth.The opening section is lyrical as each instrument in turn takes a solo role. This section dissolvesinto short cadenza-like passages for each instrument. The second section is vibrant: a liltingmelody contrasts with driving figurations. The level of energy builds towards the conclusion.