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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Have Songs
Non classifié
220
Piano & claviers
Piano seul
54
Piano Facile
42
Piano, Voix
23
Piano, Voix et Guitare
17
Accordéon
12
Instruments en Do
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
1
Accompagnement Piano
1
+ 5 instrumentations
Retracter
Guitares
Guitare
6
Ukulele
6
Guitare notes et tablatures
3
Mandoline
2
Paroles et Accords
1
Voix
Chorale 2 parties
68
Chorale 3 parties
32
Chorale SATB
23
Voix duo, Piano
12
Chorale TTBB
9
Voix duo
6
Chorale Unison
4
Voix Baryton, Piano
4
Voix seule
1
Chorale SSAA
1
Voix basse, Piano
1
Chorale SSATB
1
+ 7 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
11
Quatuor de Saxophones: 4 saxophones
10
2 Saxophones (duo)
7
Flûte traversière
5
Flûte traversière et Piano
4
Saxophone Tenor et Piano
4
2 Clarinettes (duo)
4
Clarinette
4
Saxophone Soprano et Piano
3
Clarinette et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone Alto et Piano
3
Flûte, Clarinette (duo)
3
Ensemble de Flûtes
2
Ensemble de Clarinettes
2
Flute, harpe et violon
2
2 Flûtes traversières (duo)
2
Cor anglais, Guitare (duo)
2
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Tenor
1
Hautbois (partie séparée)
1
Hautbois
1
Saxophone et Guitare
1
Hautbois, Flûte
1
Clarinette, Guitare (duo)
1
Hautbois, Basson (duo)
1
Flûte, Violon
1
3 Saxophones (trio)
1
Saxophone Alto
1
Hautbois, Piano (duo)
1
+ 25 instrumentations
Retracter
Cuivres
Trompette, Piano
5
Trombone et Piano
4
Trompette
4
Quatuor de Cuivres
3
Euphonium
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trombone
3
2 Trompettes (duo)
2
Cor
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor anglais, Guitare (duo)
2
Cor et Piano
1
Trompette, Cor (duo)
1
2 Trombones (duo)
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon et Piano
11
Violoncelle, Piano
5
Violon, Alto (duo)
4
Violon
3
Harpe
3
Violoncelle
2
Alto, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
2
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
2 Violoncelles (duo)
2
Alto, Piano
2
Alto (partie séparée)
1
Violon, Violoncelle (duo)
1
2 Violons, Piano
1
Contrebasse, Piano (duo)
1
2 Altos (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
8
Orchestre de chambre
6
Ensemble Jazz
6
Orchestre à Cordes
3
Ensemble de cuivres
3
Ensemble de Percussions
2
Marimba
1
Xylophone ou Marimba ou Vibraphone
1
3 Marimbas
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Vous avez sélectionné:
I Have Songs
facile
Chorale TTBB
Partitions à imprimer
9 partitions trouvées
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Songs for Women's Voices: 6. I Will Be Earth (Downloadable)
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Chorale TTBB
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FACILE
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Gwyneth W
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Songs for Women's Voices: 6. I
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir, piano - Moderately Easy - SKU: MQ.7293-E Composed by Gwyneth W. Walker. 8 pages. E. C. Schirmer Music Company - Digital #7293-E. Published b...
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TTBB choir, piano - Moderately Easy - SKU: MQ.7293-E Composed by Gwyneth W. Walker. 8 pages. E. C. Schirmer Music Company - Digital #7293-E. Published by E. C. Schirmer Music Company - Digital (MQ.7293-E). English.May Swenson's poemI will be earth, you be the flower. You have found my root, you are the rain....
$1.95
I Vow To Thee My Country (with "God Save The Queen") (for TTB)
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Chorale TTBB
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FACILE
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Gustav Holst, Traditional
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Stephen DeCesare
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I Vow To Thee My Country
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Exultet Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.624061 Composed by Gustav Holst, Traditional. Arranged by Stephen DeCesare. Concert,Graduation,Patriotic,Standar...
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Choral Choir (TTBB) - Level 2 - SKU: A0.624061 Composed by Gustav Holst, Traditional. Arranged by Stephen DeCesare. Concert,Graduation,Patriotic,Standards,World. Octavo. 9 pages. Exultet Music #4626253. Published by Exultet Music (A0.624061). Two British Patriotic songs have been combined together into one anthem and is scored for TTB with Piano accompaniment. Accessible and appropriate for any school, concert or church setting. Can be used on many occasions.
$3.99
I Vow To Thee My Country (with "America") (for TTB)
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Chorale TTBB
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FACILE
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Gustav Holst, Traditional
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Stephen DeCesare
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I Vow To Thee My Country
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Exultet Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.624062 Composed by Gustav Holst, Traditional. Arranged by Stephen DeCesare. Concert,Folk,Graduation,Holiday,Patr...
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Choral Choir (TTBB) - Level 2 - SKU: A0.624062 Composed by Gustav Holst, Traditional. Arranged by Stephen DeCesare. Concert,Folk,Graduation,Holiday,Patriotic. Octavo. 9 pages. Exultet Music #4626251. Published by Exultet Music (A0.624062). Two of the most widely used patriotic songs have been combined together into one anthem and is scored for TTB with Piano accompaniment. Accessible and appropriate for any school, concert or church setting. Can be used on many occasions.
$3.99
Peace, Perfect Peace - TTBB
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Chorale TTBB
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FACILE
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Phil Beaman
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Peace, Perfect Peace - TTBB
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Phil Beaman
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.844467 Composed by Phil Beaman. 20th Century,Multicultural,New Age,World. Octavo. 1 pages. Phil Beaman #3387107....
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Choral Choir (TTBB) - Level 2 - SKU: A0.844467 Composed by Phil Beaman. 20th Century,Multicultural,New Age,World. Octavo. 1 pages. Phil Beaman #3387107. Published by Phil Beaman (A0.844467). Many years ago I was on a judging panel to select winning song entries to mark the United Nations World Peace Celebration. I remember being quite disappointed in the majority of entries because the lyrics proceeded to list all the current world conflicts and their proposed solutions. It made for overly long, and ultimately boring, songs. I was haunted by those entries when I went home that night. I lied in bed and thought all I wanted to hear was.... Finally, at a sleepless 2 a.m., I got up and went to the piano and wrote this piece as a response to that. (That line from my tortured dream; all I ever wanted even made it into the song.). I set it for TTBB voices to provide a closer, tighter harmony to indicate the brotherhood I was dreaming of. Its simplicity and extreme brevity are no doubt knee jerk reactions to the long, boring pieces I heard all day. This piece has been in my drawer for two decades because I thought it was too brief to be of any practical value for anyone, but all attempts I made to lengthen it seemed to spoil it. But it remains one of my favorite and most passionate pieces that I have written, so I have decided to post it 'as is' and let you creative types decide how to use it. Enjoy!. (recording is a simple piano reduction of the voice parts to show harmonies and progressions)
$1.99
Standing In The Presence Of The King
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Chorale TTBB
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FACILE
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Rusty Goodman
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Paul A
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Standing In The Presence Of Th
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522399 Composed by Rusty Goodman. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6077019. ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522399 Composed by Rusty Goodman. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6077019. Published by Paul A. Jorg (A0.522399). This arrangement is for 4 part male harmony (TTBB) a cappella.Here is a synopsis by Wikipedia of Rusty Goodman's musical background. He composed Who Am I? in 1965 and was actively singing within two weeks of his passing.Charles F. Rusty Goodman (September 2, 1933 – November 11, 1990) was an American singer/songwriter in the Southern Gospel Music industry. He was a prolific composer whose many songs included Standing in the Presence of the King, Leavin' On My Mind, Home, John the Revelator, Touch the Hand of the Lord, Had it Not Been I Believe He's Coming Back Look for Me and Who Am I? His songs have been covered by many of the top artists in the music industry including Elvis Presley, The Imperials, J. D. Sumner & The Stamps Quartet, The Speers, The Happy Goodman Family, Michael English and Gaither Vocal Band.
$4.59
Rock And Roll Is Here To Stay
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Chorale TTBB
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FACILE
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Danny and the Juniors
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Tom Gentry
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Rock And Roll Is Here To Stay
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Tom Gentry
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1191551 By Danny and the Juniors. By David White. Arranged by Tom Gentry. A Cappella,Barbershop,Rock. Octavo. 6 ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1191551 By Danny and the Juniors. By David White. Arranged by Tom Gentry. A Cappella,Barbershop,Rock. Octavo. 6 pages. Tom Gentry #791053. Published by Tom Gentry (A0.1191551). This one requires some explanation. This is Part 2 of my Rock and Rock Medley, the first song being Rock Around the Clock. Since the songs are owned by different publishers, you have to order each song separately. Each pdf and mp3 file includes only part of the medley, so no, uh, fudging is possible. But I have set the per-copy price at SMP's minimum, $1.99, so even with their 10-copy minimum order, you can get by pretty inexpensively. Oh . . . and this medley is high-energy fun!
$1.99
Rock Around The Clock
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Chorale TTBB
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FACILE
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Bill Haley & His Comets
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Tom Gentry
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Rock Around The Clock
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Tom Gentry
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1191553 By Bill Haley & His Comets. By Jimmy DeKnight and Max C. Freedman. Arranged by Tom Gentry. A Cappella,Ba...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1191553 By Bill Haley & His Comets. By Jimmy DeKnight and Max C. Freedman. Arranged by Tom Gentry. A Cappella,Barbershop,Rock. Octavo. 2 pages. Tom Gentry #791054. Published by Tom Gentry (A0.1191553). This one requires some explanation. This is Part 1 of my Rock and Rock Medley, the second part being Rock and Roll Is Here to Stay. Since the songs are owned by different publishers, you have to order each song separately. Each pdf and mp3 file includes only part of the medley, so no, uh, fudging is possible. But I have set the per-copy price at SMP's minimum, $1.99, so even with their 10-copy minimum order, you can get by pretty inexpensively. Oh . . . and this medley is high-energy fun!
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
At Calvary / Rugged Cross Medley
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Chorale TTBB
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FACILE
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Musique Sacrée
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Calvary - Words by WILLIAM R
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Paul A
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At Calvary / Rugged Cross Medl
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522473 Composed by Calvary - Words by WILLIAM R. NEWELL, Music by Daniel B.TOWNER -Old Rugged Cros. Arranged by ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522473 Composed by Calvary - Words by WILLIAM R. NEWELL, Music by Daniel B.TOWNER -Old Rugged Cros. Arranged by Paul A. Jorg. A Cappella,Christian,Easter,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #6234633. Published by Paul A. Jorg (A0.522473). This is an arrangement of two old gospel songs about Christ's crucifixion in medley form. I (the arranger) have not heard of anything like this heretofore. The arrangement is in 4 part male harmony (TTBB) a cappella.
$4.59
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