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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Know You
Non classifié
155
Piano & claviers
Piano Facile
104
Piano seul
92
Piano, Voix
68
Instruments en Do
31
Orgue
30
Piano, Voix et Guitare
24
Accompagnement Piano
14
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
5
Accordéon
4
Orgue, Piano (duo)
2
Clavier
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
15
Ukulele
9
Guitare
7
Mandoline
5
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
4
4 Guitares (Quatuor)
2
Paroles et Accords
2
3 Guitares (trio)
1
+ 4 instrumentations
Retracter
Voix
Chorale 3 parties
69
Chorale SATB
50
Chorale 2 parties
36
Voix duo, Piano
8
Chorale TTBB
7
Voix duo
6
Chorale Unison
5
Chorale SSAA
4
Voix seule
2
Voix Alto, Piano
1
Voix moyenne, Piano
1
Chorale SSAB, Piano
1
Voix haute
1
+ 8 instrumentations
Retracter
Vents
Flûte traversière et Piano
20
2 Saxophones (duo)
17
Clarinette et Piano
16
2 Clarinettes (duo)
14
Saxophone Alto
13
Flûte traversière
12
Saxophone
11
Saxophone Tenor
11
2 Flûtes traversières (duo)
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Saxophone Alto et Piano
10
Quatuor de Saxophones: 4 saxophones
10
Hautbois, Piano (duo)
10
Harmonica
9
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone, Clarinette (duo)
8
Clarinette
8
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Baryton, Piano
7
3 Clarinettes (trio)
7
Saxophone Tenor et Piano
6
Saxophone Soprano et Piano
6
Flûte, Clarinette (duo)
6
Cor anglais, Piano
5
Saxophone (partie séparée)
4
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
Clarinette et Alto
4
Hautbois, Clarinette (duo)
3
2 Hautbois (duo)
3
Hautbois (partie séparée)
2
Flûte, Clarinette, Piano (trio)
2
Clarinette Basse
2
Flûte, Alto (duo)
2
Flûte et Guitare
2
Quatuor de Flûtes à bec
2
Ensemble de Clarinettes
2
Saxophone Soprano
2
Hautbois, Basson (duo)
2
Hautbois
2
Saxophone Baryton
2
Flûte, Saxophone (duo)
2
Flûte, Trompette (duo)
2
Clarinette Basse, Piano
2
Cor Anglais
2
Ocarina
1
2 Flûtes traversières, Piano
1
Hautbois, Flûte
1
Flûte irlandaise
1
Quatuor de Flûtes : 4 flûtes
1
Quintette de Saxophone: 5 saxophones
1
Flûte à bec Soprano
1
Ensemble de Flûtes
1
2 Saxophones, Piano
1
+ 49 instrumentations
Retracter
Cuivres
Trompette, Piano
11
Trombone et Piano
10
Trompette
9
Trombone
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
2 Trombones (duo)
6
Trompette, Trombone (duo)
6
Cor et Piano
5
Cor anglais, Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
2 Trompettes (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres
3
Trompette, Saxophone (duo)
3
Tuba et Piano
3
Quatuor de cuivres: 4 trombones
2
Tuba
2
Euphonium
2
Cor
2
Cor Anglais
2
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trombones
1
2 Tubas (duo)
1
Trompette, Trombone, Piano
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
25
Violon et Piano
19
Violon
15
Violoncelle
15
Alto, Piano
14
Violoncelle, Piano
13
2 Violons (duo)
10
Violon, Alto (duo)
8
Violon, Violoncelle (duo)
7
2 Altos (duo)
7
Alto seul
5
Harpe
5
4 Violoncelles
5
Contrebasse, Piano (duo)
3
Contre Basse
3
Trio à Cordes: violon, alto, violoncelle
3
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
2 Harpes (duo)
2
2 Violons, Piano
2
Alto (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Guitare (duo)
1
Violoncelle, Orgue
1
Quatuor à cordes: 4 violons
1
Violoncelle , Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
18
Orchestre à Cordes
18
Fanfare
6
Ensemble Jazz
5
Batterie
5
Cloches
4
Marimba
4
Orchestre de chambre
3
Orchestre
3
Xylophone, Piano
2
Xylophone
2
Jazz combo
1
Ensemble de cuivres
1
Ensemble de Percussions
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
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Partitions Numériques
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
I Know You
facile
Chorale TTBB
Partitions à imprimer
7 partitions trouvées
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1
Who Do I Know In Dallas?
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Chorale TTBB
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FACILE
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Country
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Hank Cochran and Willie Nelson
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David Maddux
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Who Do I Know In Dallas?
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David Maddux
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1499211 Composed by Hank Cochran and Willie Nelson. Arranged by David Maddux. Country. 8 pages. Da...
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Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1499211 Composed by Hank Cochran and Willie Nelson. Arranged by David Maddux. Country. 8 pages. David Maddux #1075261. Published by David Maddux (A0.1499211). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.————————————————————Dive into the humor and charm of a quirky TTBB arrangement of the country-crooner song Who Do I Know In Dallas. This engaging piece features a soloist whose performance is humorously interrupted by the distinctive pings of the Grindr notification tone, playfully reminding them of connections in cities far and wide. Perfect for adding a light-hearted and contemporary twist to your concert repertoire, this arrangement offers both laughter and a relatable narrative through its clever integration of modern digital culture.TTBB choruspiano, synthesizer, electric guitar, electric bass, drum set2'56
$5.25
What Do I Know?
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Chorale TTBB
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FACILE
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Pop musique
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Ed Sheeran
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Greg Mallett
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What Do I Know?
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Greg Mallett
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.879002 By Ed Sheeran. By Ed Sheeran, Foy Vance, and Johnny McDaid. Arranged by Greg Mallett. A Cappella,Pop. Oct...
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Choral Choir (TTBB) - Level 2 - SKU: A0.879002 By Ed Sheeran. By Ed Sheeran, Foy Vance, and Johnny McDaid. Arranged by Greg Mallett. A Cappella,Pop. Octavo. 7 pages. Greg Mallett #4596087. Published by Greg Mallett (A0.879002). Made famous by Ed Sheeran Arranged for 4-part TTBB a cappella (alternate voicings may be made available if requested). Notated in the barbershop style (T-L-Br-Bs). Minimum purchase quantity enforced by ArrangeMe is 10 copies. Please ensure you purchase enough copies for your ensemble. Contact for complete list of arrangements and commissions: gsmallett@rogers.com.
$1.99
I WANT TO BE THERE TO HEAR GOD SINGING - male quartet with piano accompaniment.
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Chorale TTBB
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FACILE
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Musique Sacrée
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Paul A
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Paul A
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I WANT TO BE THERE TO HEAR GOD
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522367 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. Christian,Gospel,Praise & Worship,Sacred. Octavo. 8 p...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522367 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. Christian,Gospel,Praise & Worship,Sacred. Octavo. 8 pages. Paul A. Jorg #6025989. Published by Paul A. Jorg (A0.522367). This is an original song written for 4 part male harmony with piano accompaniment. This is an original song written for mixed trio harmony with piano accompaniment. Did you know GOD SINGS?The following scriptures support the fact that God is a musician. He notonly composes, but He sings!
$4.59
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Waltz of the Roses (Think of My Love As A Rose), for TB Chorus Piano, Theme from The Snow Queen, A B
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Chorale TTBB
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FACILE
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. P...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. Published by James Nathaniel Holland (A0.730416). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged here for TB Male Chorus or Individual Tenor or Bass Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.25
Jesus bleibet meine Freude - TTBB (German lyrics) with organ/piano accompaniment
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Chorale TTBB
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FACILE
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Classique
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Johann Sebastian Bach
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Alex E,
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Jesus bleibet meine Freude - T
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1341741 Composed by Johann Sebastian Bach. Arranged by Alex E,. Baroque,Chamber,Classical,Easter,Sacred. ...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1341741 Composed by Johann Sebastian Bach. Arranged by Alex E,. Baroque,Chamber,Classical,Easter,Sacred. 4 pages. Müller Publishing company #927301. Published by Müller Publishing company (A0.1341741). Jesus bleibet meine Freude - TTBB (German lyrics) with organ/piano accompanimentI am pleased to present you with an excellent opportunity to enrich your repertoires and musical studies.  I am selling the digital score of the beautiful work Jesus bleibet meine Freude, arranged for TTBB vocal formation with piano/organ accompaniment.This creation offers several advantages:- It preserves the beauty of Bach's original melody, adapted for male choirs.- The vocal parts develop harmoniously, exploring the resources of the TTBB formation. - The score is clean and easy to read, suitable for conductors, pianists and singers.- It contains all parts in high resolution PDF format, with lyrics in German.In addition to maintaining musical quality, I offer a fair and affordable price so that more people can enjoy this treasure.I invite you to check out the advantages of this product and purchase your copy.Please let me know if you have any questions or suggestions to improve the announcement. I aim to promote Bach's art among you.
$1.99
Ameriican Requiem
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Chorale TTBB
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FACILE
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Beyonce
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Charles Beale
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Ameriican Requiem
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charliebmusic
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1450753 By Beyonce. By Atia Chade Chadeboggs, Beyonce, Beyonce Gisselle Knowles, Cam, Camaron Ochs, ...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1450753 By Beyonce. By Atia Chade Chadeboggs, Beyonce, Beyonce Gisselle Knowles, Cam, Camaron Ochs, Dan Walsh, Darius Dixson, Derek Dixie, Ink, Jonathan Batiste, Khirye Tyler, Michael Price, No I.d., Shawn Carter, Stephen Stills, and Tyler Johnson. Arranged by Charles Beale. 21st Century,Pop,R & B. 2 pages. Charliebmusic #1030297. Published by charliebmusic (A0.1450753). This powerful 45 second anthemic song by Beyoncé is about change. It points out that for things to stay the same, they have to change again. It speaks both to the African American experience in the US, and has a universal message that is applicable to climate change, LGBTQIA+ life, and indeed anyone who is going through grief or a time of change.The song went viral in Spring 2024, and many versions appeared on social media done by teens and choirs large and small.This TTBB arrangement would suit the opening of a Pride concert, a school concert or any context where you want to pull an audience in with simple strong church harmonies.
$1.99
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