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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
TUBA
UKULELE
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NOËL
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OPERA
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Piano seul
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83
Orgue
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Piano, Voix et Guitare
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Accompagnement Piano
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Piano Trio: piano, violon, violoncelle
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Accordéon
4
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4
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
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GUITARES
Guitare notes et tablatures
20
Ligne De Mélodie, (Paroles) et Accords
15
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6
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5
Guitare
5
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4
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1
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VOIX
Chorale SATB
222
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85
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62
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45
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30
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16
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11
Voix seule
9
Chorale SSAA
3
Chorale SAATB A Cappella
2
Chorale
2
Voix Soprano
1
Voix haute
1
Chorale SSAB, Piano
1
Voix Soprano, Piano
1
Chorale SSATTB
1
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VENTS
2 Saxophones (duo)
38
Quatuor de Saxophones: 4 saxophones
37
Flûte, Hautbois, Clarinette, Basson
31
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27
Flûte traversière et Piano
22
Hautbois, Piano (duo)
16
2 Clarinettes (duo)
15
Saxophone, Clarinette (duo)
14
Saxophone Alto et Piano
14
Saxophone Tenor et Piano
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Clarinette
13
Flûte, Clarinette (duo)
13
Saxophone (partie séparée)
12
Flûte traversière
12
2 Flûtes traversières (duo)
12
Quatuor de Clarinettes: 4 clarinettes
11
Saxophone Soprano et Piano
11
Clarinette, Violon (duo)
10
Saxophone Alto
10
3 Saxophones (trio)
9
Quintette de Saxophone: 5 saxophones
7
Hautbois, Basson (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone
7
Clarinette et Alto
6
2 Hautbois (duo)
6
Cor anglais, Piano
6
Saxophone Baryton, Piano
5
Flûte, Saxophone (duo)
4
Hautbois, Flûte
4
3 Clarinettes (trio)
4
Ensemble de Clarinettes
4
Flûte, Violon
4
Quatuor de Flûtes à bec
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Hautbois (partie séparée)
4
Clarinette Basse, Piano
4
Saxophone Tenor
3
Hautbois, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
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3
Flûte à bec Soprano, Piano
3
Flûte et Guitare
2
2 Saxophones, Piano
2
Flûte, Trompette (duo)
2
Clarinette, Trompette (duo)
2
3 Flûtes à bec (trio)
1
4 Hautbois
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Alto (duo)
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Basson
1
3 Hautbois
1
Clarinette, Trombone (duo)
1
Clarinette, Guitare (duo)
1
2 Clarinettes, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Piano (trio)
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Trompette
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trompette, Piano
17
Trombone et Piano
15
2 Trombones (duo)
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette, Saxophone (duo)
10
Trombone
10
2 Trompettes (duo)
9
Cor et Piano
6
Cor anglais, Piano
6
Trompette, Trombone (duo)
6
Quatuor de Cuivres
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trio de Cuivres
4
Tuba et Piano
3
Trompette, Cor (duo)
3
Cor
3
Euphonium
3
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
2
2 Tubas (duo)
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Piano (duo)
1
Tuba
1
4 Tubas
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
2 Trompettes, Clavier (piano ou orgue)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
57
Alto, Piano
24
Violon et Piano
23
Violon
18
2 Violons (duo)
17
Violoncelle, Piano
16
2 Violoncelles (duo)
13
Alto seul
13
2 Altos (duo)
12
Violon, Violoncelle (duo)
11
Violon, Alto (duo)
8
Violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à Cordes: violon, alto, violoncelle
7
Piano Trio: Violon, Alto, Piano
6
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle (partie séparée)
4
Harpe
4
Trio à cordes
3
Quatuor à cordes: 4 violons
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
2
Contrebasse, Piano (duo)
2
Alto (partie séparée)
2
2 Violons, Piano
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
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PERCUSSIONS & ORCHESTRES
Cloches
56
Orchestre d'harmonie
17
Ensemble de cuivres
15
Orchestre à Cordes
13
Orchestre de chambre
10
Ensemble de Percussions
4
Orchestre
3
Quintette de Cuivres: autres combinaisons
1
Fanfare
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Ensemble Jazz
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AUTRES
Vous avez sélectionné:
Our God
facile
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
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1
God of our Strength
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977523 Composed by Joseph …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.977523 Composed by Joseph Schrock. Arranged by Schrock Music. Christian,Sacred. Octavo. 12 pages. Schrock Music #4601651. Published by Schrock Music (A0.977523). This setting of God of Our Strength is especially suited for male choir or ensemble. Beginning in unison, the rhythmic tempo builds to Our sure defense forever be. It ends quietly with God of our strength, we wait on Thee.Appropriate for general worship, special occasions, concert or festival.Duration approx. 3:15 min Length 12 pages
$2.25
2.07 €
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Chorale TTBB
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Joseph Schrock
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Schrock Music
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God of our Strength
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Schrock Music
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SheetMusicPlus
God Rest Ye Merry, Gentlemen – 2 Part Men
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.882510 Composed by …
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.882510 Composed by Traditional. Arranged by Charles A. Gravenhorst. A Cappella,Christmas,Folk,Sacred. 7 pages. CG Publications #6428285. Published by CG Publications (A0.882510). This traditional carol is arranged here for 2-Part Men’s Voices with Optional 3rd Part and Optional Drum Part (included). This setting is intended to allow men’s groups with even the most modest resources to accomplish an impressive display of vocal pyrotechnics. The parts, unison throughout until the end, set forth the well-known melody in a variety of treatments. The final cadence allows for a very pleasing finish.
$2.99
2.75 €
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Chorale TTBB
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Traditional
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Charles A
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God Rest Ye Merry, Gentlemen – 2 Part Men
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CG Publications
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SheetMusicPlus
This Land Is Your Land
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.631326 By New Christy Mins…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.631326 By New Christy Minstrels. By Woody Guthrie. Arranged by Stephen DeCesare. Folk. Octavo. 10 pages. Exultet Music #6532111. Published by Exultet Music (A0.631326). One of the United States' most famous folk songs. which was written in critical response to Irving Berlin's God Bless America. When Guthrie was tired of hearing Kate Smith sing God Bless America on the radio in the late 1930s, he wrote this song and it has been freshly arranged for TTB with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$1.99
1.83 €
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Chorale TTBB
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New Christy Minstrels
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Stephen DeCesare
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This Land Is Your Land
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Exultet Music
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SheetMusicPlus
I Thank God
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.781509 By Maverick City Mu…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.781509 By Maverick City Music And Upperroom. By Aaron Moses, Charles Butler, Dante Bowe, Enrique Holmes, Jesse Cline, and Maryanne George. Arranged by Jeff Tincher. Praise & Worship,Rock,Sacred,Spiritual. Octavo. 37 pages. Jeff Tincher #388935. Published by Jeff Tincher (A0.781509). Here is one of Maverick City Music and Upperroom's popular hits. In the original key from their Move Your Heart CD, this song will have you dancing in the pews. Duration = 8:35. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$1.99
1.83 €
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Chorale TTBB
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Maverick City Music And Upperroom
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Jeff Tincher
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I Thank God
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Jeff Tincher
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SheetMusicPlus
All Creatures Of Our God And King
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.683156 Composed by Traditi…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.683156 Composed by Traditional. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Gert Th. Walter #5994581. Published by Gert Th. Walter (A0.683156). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$1.99
1.83 €
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Chorale TTBB
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Traditional
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Gert Th
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All Creatures Of Our God And King
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Gert Th. Walter
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SheetMusicPlus
This Is Our God
Chorale TTBB
By Phil Wickham. By Brandon Lake, Patrick Barrett, Phil Wickham, and Steven Furtick. …
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By Phil Wickham. By Brandon Lake, Patrick Barrett, Phil Wickham, and Steven Furtick. Arranged by Jeff Tincher. 163, Christian, Contemporary, Praise & Worship, Sacred. Octavo. 13 pages. Jeff Tincher #768916. Published by Jeff Tincher
$1.99
1.83 €
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Chorale TTBB
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Phil Wickham
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Jeff Tincher
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Worship, Sacred
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This Is Our God
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Jeff Tincher
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.66 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
O For A Thousand Tongues
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522488 Composed by Babbie …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522488 Composed by Babbie Mason and David Binion. Arranged by Paul A. Jorg. A Cappella. Octavo. 3 pages. Paul A. Jorg #6295795. Published by Paul A. Jorg (A0.522488). A song that gives a heart-felt exposure of our dependence on God in our daily activities.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
4.21 €
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Chorale TTBB
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Babbie Mason and David Binion
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Paul A
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O For A Thousand Tongues
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Paul A. Jorg
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SheetMusicPlus
The Leaves of the Fall
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik.…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
1.84 €
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Chorale TTBB
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
MARY, DON'T YOU WEEP (O, Mary, Don't You Weep)
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522344 Composed by Traditi…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522344 Composed by Traditional Spiritual - circa 1840. Arranged by Paul A. Jorg. A Cappella,Spiritual,Traditional. Octavo. 5 pages. Paul A. Jorg #5971195. Published by Paul A. Jorg (A0.522344). This arrangement is for 4-part male voices (TTBB) a cappella. The melody is passed around to each part during the presentation, which makes it interesting to sing or to hear it sung.This Spiritual was created before the Civil War, circa 1840. Mary Don't You Weep (alternately titled O Mary Don't You Weep, Oh Mary, Don't You Weep, Don't You Mourn, or variations thereof) is a Spiritual that originates from before the American Civil War – thusit describes their origins among the enslaved, and it contains coded messages of hope and resistance. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh's army got drown-ded, and to God's rainbow covenant to Noah after the Great Flood. There are many verses that developed over the years, here are just a few.
$4.59
4.21 €
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Chorale TTBB
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Traditional Spiritual - circa 1840
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Paul A
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MARY, DON'T YOU WEEP
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Paul A. Jorg
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SheetMusicPlus
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