English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Boy\\\\\\\'s Will
Non classifié
95
Piano & claviers
Piano, Voix
34
Piano, Voix et Guitare
31
Piano seul
31
Piano Facile
8
Instruments en Do
7
1 Piano, 4 mains
4
Orgue
3
Piano grosses notes
2
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Basse electrique
4
Guitare notes et tablatures
3
Guitare
2
Dulcimer
1
3 Guitares (trio)
1
Banjo
1
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
38
Chorale 2 parties
14
Chorale TTBB
14
Chorale 3 parties
14
Chorale Unison
10
Chorale SSAA
6
Voix Soprano
3
Voix duo
2
Voix Alto, Piano
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
8
Hautbois, Piano (duo)
7
Saxophone Alto et Piano
7
Clarinette et Piano
5
2 Saxophones (duo)
5
Quintette de Saxophone: 5 saxophones
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Quatuor de Clarinettes: 4 clarinettes
4
Flûte, Hautbois, Clarinette (trio)
4
Saxophone Tenor et Piano
4
Flûte, Hautbois, Basson
4
Saxophone, Clarinette (duo)
3
3 Clarinettes (trio)
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Clarinette et Basson
3
Saxophone Soprano et Piano
3
Clarinette, Violon (duo)
2
Saxophone Baryton, Piano
2
Clarinette, Trompette (duo)
2
Flûte traversière
2
Saxophone (partie séparée)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Clarinettes (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette (partie séparée)
2
Flûte, Trompette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
2 Hautbois (duo)
1
Saxophone Tenor
1
Cor anglais, Piano
1
Hautbois, Guitare (duo)
1
Clarinette et Alto
1
Flûte et Guitare
1
Flûte, Saxophone (duo)
1
Hautbois (partie séparée)
1
Hautbois, Flûte
1
2 Flûtes traversières (duo)
1
Clarinette
1
Flûte, Clarinette (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Clarinette (duo)
1
Ensemble de Flûtes
1
Flûte à bec Alto
1
Saxophone Alto
1
Clarinette Basse, Piano
1
Flûte, Violon
1
+ 41 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Quatuor de cuivres: 4 trombones
12
Cor et Piano
5
Trombone et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Piano
4
2 Trompettes (duo)
3
Trompette (partie séparée)
3
Ensemble de Trompettes
2
Euphonium, Piano (duo)
2
Trompette, Saxophone (duo)
2
Trompette, Trombone (duo)
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais, Piano
1
2 Trombones (duo)
1
Trompette
1
Ensemble de Trombones
1
Trombone (partie séparée)
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
59
Trio à Cordes: 2 violons, violoncelle
12
Violon et Piano
11
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
8
2 Violoncelles (duo)
6
Violoncelle, Piano
5
2 Harpes (duo)
4
Alto, Piano
4
Violon
4
Violon, Alto (duo)
3
Violoncelle
2
Harpe, Voix
2
2 Altos (duo)
1
Harpe
1
2 Violons (duo)
1
Violoncelle , Guitare (duo)
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
99
Orchestre
11
Orchestre à Cordes
10
Ensemble de cuivres
5
Ensemble Jazz
4
Percussion (partie séparée)
3
Batterie
3
Cloches
2
Orchestre de chambre
2
Fanfare
1
Jazz combo
1
+ 6 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
A Boy\\\\\\\'s Will
Chorale TTBB
Partitions à imprimer
14 partitions trouvées
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1
(ghost) Riders In The Sky (a Cowboy Legend)
Chorale TTBB
Voice (TTBB) - Level 2 - Digital Download SKU: A0.1298167 By Johnny Cash. By Stan J…
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Voice (TTBB) - Level 2 - Digital Download SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages. Anastasio Rossi #888121. Published by Anastasio Rossi (A0.1298167). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. Stan Jones said he was told the story when he was 12 years old, by an old Native American Apache. He related this story to a boyhood friend. As both boys were looking at the clouds one day, Stan shared the story with him, both looking in amazement as the cloudy shapes were identified as the ghost riders. Years later the story was transposed into lyrics. The melody is based on the Civil War-era popular song When Johnny Comes Marching Home.Ghost Riders In The Sky has a haunting quality that will capture the imaginations of children of all ages from young to old!Hundreds of performers have recorded this song, including Vaughn Monroe, Bing Crosby, Peggy Lee, Lawrence Welk, Frankie Laine, Burl Ives, The Outlaws, The Ramrods, Stan Jones, and Johnny Cash.Learning tracks and the Orchestral Accompniment Track (MP3) available at no cost from the arranger: AAR@prodigy.net.
$12.99
11.91 €
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Chorale TTBB
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Johnny Cash
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Anastasio Rossi
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(ghost) Riders In The Sky
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Anastasio Rossi
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SheetMusicPlus
A Bridge Between an Ocean
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.888994 Composed by Quinn M…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.888994 Composed by Quinn McMath. 20th Century,Contemporary. Octavo. 16 pages. Quinn McMath #6130747. Published by Quinn McMath (A0.888994). 6.75 x 10.5 inchesA Bridge Between an Ocean is an experimental contemporary piece that deals with the elusive and sometimes damaging transition away from childhood. The premise behind the piece is that the first tenor represents a boy realizing that his childhood is fleeting away. The other sections represent his collective internal self in the form of past, present, and future, offering consoling words towards the boy. This piece is to be driven with passion and emotion, as the premise is something most listeners will find connections to in their own lives. A Bridge Between an Ocean is a great piece for an advanced men's group and would work well in any classical contemporary performance setting. This piece may also be appropriate for advanced high school and collegiate level groups. It is suggested that a pianist sit in rehearsals (not for performance) to help the members of the choir learn their parts.
$3.50
3.21 €
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Chorale TTBB
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Quinn McMath
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A Bridge Between an Ocean
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Quinn McMath
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SheetMusicPlus
Boys Will Be Boys
Chorale TTBB
Choral Choir (TTBB) - Digital Download SKU: A0.596830 By The Ordinary Boys. By Math…
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Choral Choir (TTBB) - Digital Download SKU: A0.596830 By The Ordinary Boys. By Mathew Murphy, Samuel Preston, and William Brown. Arranged by Steve Milloy. Contemporary. Octavo. 7 pages. Steve Milloy #5321195. Published by Steve Milloy (A0.596830). Take your audience to to a 1930's Berlin cabaret with this Goldfrapp remake of a song by The Ordinary Boys.
$1.99
1.83 €
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Chorale TTBB
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The Ordinary Boys
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Steve Milloy
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Boys Will Be Boys
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Steve Milloy
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SheetMusicPlus
The Streets of Laredo, Streets of Laredo, The Cowboy's Lament
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928966 Composed by Lyrics …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928966 Composed by Lyrics attributed to Frank H. Maynard, 1853-1926. Arranged by Donald A. Mills, 2018. A Cappella,Concert,Folk. Octavo. 5 pages. Donald A Mills #3544217. Published by Donald A Mills (A0.928966). Your men's chorus or quintet will love this song and its harmonies...and your audiences will as well. This old standard Cowboy song, also known as The Cowboy's Lament, has been sung for hundreds of years. It has accumulated hundreds of chorus lines, some tame, some ribald. Treat your audience to this new arrangement, to be sung by an a cappella TTBB chorus or quartet plus a bass/baritone soloist. From Wikipedia, the free encyclopedia: Members of the Western Writers of America chose this song as one of the top 100 Western Sonngs of all time. The song title refers to the city of Laredo, Texas. The authorship of the words were claimed by Frank H. Maynard (1853-1926) of Colorado Springs, Colorado. The song was first published in 1910. The tune appears to be descended from an Irish song from the late 18th century called, The Unfortunate Rake.
$2.99
2.74 €
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Chorale TTBB
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Lyrics attributed to Frank H
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Donald A
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The Streets of Laredo, Streets of Laredo, The Cowboy's Lament
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Donald A Mills
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SheetMusicPlus
Smalltown Boy
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1124605 Composed by James …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1124605 Composed by James William Somerville and Steven William Bronski. Arranged by Adam Summers. Pop. Octavo. 20 pages. The Sunday Boys #725349. Published by The Sunday Boys (A0.1124605). A beautiful TTBB arrangement of the classic 80's synth-pop ballad and debut single for Bronksi Beat. Smalltown Boy has been arranged by Adam Summers, a member of the Sunday Boys for their Our Manchester Home performance in July 2018. Invoking the pain of leaving your past behind and rebirth of moving to a new town with a soaring tenor solo and piano accompaniment. Included are separate piano and vocal and vocal scores.
$1.99
1.83 €
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Chorale TTBB
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James William Somerville and Steven William Bronski
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Adam Summers
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Smalltown Boy
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The Sunday Boys
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SheetMusicPlus
Beautiful Boy (darling Boy)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928996 By John Lennon. By …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928996 By John Lennon. By John Lennon. Arranged by Donald A. Mills. A Cappella,Rock. Octavo. 5 pages. Donald A Mills #5316253. Published by Donald A Mills (A0.928996). This arrangement of Beautiful Boy by John Lennon is TTBB a cappella. Perfect for a barbershop quartet or chorus, as well as non-barbershop men's chorus groups. This is a beautiful lullaby that your singing group and your audiences will love. Of course, remembering John Lennon during the performance will be a very real part of the listening experience.
$2.99
2.74 €
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Chorale TTBB
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John Lennon
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Donald A
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Beautiful Boy
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Donald A Mills
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SheetMusicPlus
At The Ball, That's All - Barbershop Men, TTBB, Chorus, Quartet
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.836319 Composed by J. Leub…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.836319 Composed by J. Leubrie Hill. Arranged by Mark Goodney. Broadway,Contemporary,Film/TV,Folk,Traditional. Octavo. 6 pages. Mark Goodney #5218853. Published by Mark Goodney (A0.836319). Laurel & Hardy danced to this song, sung by the Avalon Boys in the 1937 film Way Out West. Chill Wills added a Ziggity Boom bass and then a yodel lay-he-hoo tenor part. This arrangement has both. (at the same time!) Great novelty number.
$4.51
4.14 €
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Chorale TTBB
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J
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Mark Goodney
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At The Ball, That's All - Barbershop Men, TTBB, Chorus, Quartet
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Mark Goodney
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SheetMusicPlus
Childhood (theme From "free Willy 2")
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.816163 By Michael Jackson.…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.816163 By Michael Jackson. By Michael Jackson. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop,Pop. Octavo. 5 pages. Kevin Keller #4745417. Published by Kevin Keller (A0.816163). As sung by Musical Island Boys. Men's barbershop arrangement.
$2.99
2.74 €
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Chorale TTBB
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Michael Jackson
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Kevin Keller
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Men's barbershop arrangement
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Childhood
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Kevin Keller
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.66 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Let It Snow
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1477345 By Boy…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1477345 By Boyz II Men. By Brian McKnight and Wanya Morris. Arranged by James Morgan. A Cappella,Barbershop,Holiday,Jazz,R & B. 9 pages. Modern Vocals Online - James Morgan #1054769. Published by Modern Vocals Online - James Morgan (A0.1477345). Bring the warmth and soul of the holiday season to your performance with this a cappella arrangement of Boyz II Men and Brian McKnight’s “Let It Snow.” This contemporary Christmas classic, arranged for a male TTBB quartet, captures the rich R&B stylings and intricate harmonies of the original song.This arrangement features complex jazz and R&B-style harmonies, presenting an exciting challenge for skilled quartets. The intricate vocal lines and lush chord progressions provide a perfect showcase for your ensemble’s technical precision and expressive capabilities.Although not suitable for traditional barbershop contests, this chart is ideal for holiday concerts, festive events, and special performances. The smooth, emotive delivery and rhythmic sophistication will resonate with audiences, making it a standout piece in your holiday repertoire.Embrace the challenge and joy of singing this unique Christmas classic. With its captivating harmonies and rhythmic flair, “Let It Snow” promises to add a touch of modern elegance to your holiday season.
$3.99
3.66 €
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Chorale TTBB
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Boyz II Men
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James Morgan
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Let It Snow
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Modern Vocals Online - James Morgan
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SheetMusicPlus
One Sweet Day
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1224868 By Mariah Carey An…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1224868 By Mariah Carey And Boyz Ii Men. By Mariah Carey, Michael McCary, Nathan Morris, Shawn Stockman, Walter Afanasieff, and Wanya Morris. Arranged by Absalon Figueroa. Contemporary,Pop,Soul,Spiritual. Octavo. 18 pages. Absalon Figueroa #820980. Published by Absalon Figueroa (A0.1224868). This lush arrangement will provide a highlight to any Men's Chorus performance, both musically and emotionally. A GALA Chorus must-have, singers will enjoy the tight harmonies supported by an exquisite piano accompaniment.
$5.00
4.59 €
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Chorale TTBB
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Mariah Carey And Boyz Ii Men
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Absalon Figueroa
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One Sweet Day
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Absalon Figueroa
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SheetMusicPlus
How Great Thou Art
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.882512 By Martina McBride.…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.882512 By Martina McBride. By Traditional Swedish Folk Tune and William Thomas Emmanuel. Arranged by Charles A. Gravenhorst. A Cappella,Country. Octavo. 5 pages. CG Publications #6427977. Published by CG Publications (A0.882512). NEW SETTINGS SERIES: The inspiring words of Stuart Hine are joined to the timeless lyrical melody of Danny Boy (Londonderry Air) in this arrangement for 4-Part Men’s Voices (TTBB) suitable for Quartet or Full Men’s Chorus. The melody begins in the 2nd Tenors and shifts to 1st Tenors at the Refrain.
$1.99
1.83 €
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Chorale TTBB
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Martina McBride
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Charles A
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How Great Thou Art
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CG Publications
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SheetMusicPlus
In My Room
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
1.83 €
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Chorale TTBB
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
I Want It That Way
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.762504 By The Backstreet B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.762504 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #5719549. Published by Rowena Harper (A0.762504). Who said that Back Street Boys needed five people? Here's an arrangement that says that four boys would have done!This pop song was originally written to cover quite a vocal range, and therefore aspects of the tune are also shared with solo segments that also feature baritone and tenor, plus a small solo for the bass so they wouldn't miss out. The arrangement features the expected and let's face it, much anticipated, key change. It also includes a nice gentle finish which stays in keeping with the original song. This is a must-have in your a cappella repertoire - but will likely require leads to be able to sing harmony, unless parts are switched.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#-B, Baritone D#-B, Lead E-F#, Tenor B-C#. MIXED options: Baritone, Lead and Tenor are suitable for female voices.This is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Tenor (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The Treble clef parts are sung an octave lower than written.)Contact: acappellatenor@gmail.com.
$3.00
2.75 €
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Chorale TTBB
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The Backstreet Boys
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Rowena Harper
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I Want It That Way
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Rowena Harper
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SheetMusicPlus
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