Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Boy To A Man
Non classifié
180
Piano & claviers
Piano seul
78
Piano, Voix et Guitare
52
Piano, Voix
47
Orgue
35
Piano Facile
11
Accompagnement Piano
10
Instruments en Do
7
1 Piano, 4 mains
3
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
22
Paroles et Accords
8
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
7
Banjo
4
Ukulele
3
Basse electrique
3
Mandoline
2
3 Guitares (trio)
1
Piano, Guitare (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
53
Chorale 3 parties
27
Chorale 2 parties
26
Chorale TTBB
18
Chorale Unison
16
Chorale SSAA
11
Voix duo, Piano
7
Voix duo
4
Voix Alto, Piano
3
Voix Soprano
3
Voix Soprano, Piano
2
Voix seule
2
Voix Tenor, Piano
1
Voix Tenor
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
37
2 Saxophones (duo)
30
Saxophone, Clarinette (duo)
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
2 Clarinettes (duo)
14
2 Flûtes traversières (duo)
13
Clarinette et Piano
11
Hautbois, Piano (duo)
10
Saxophone Alto et Piano
10
Clarinette, Violon (duo)
9
Quatuor de Saxophones: 4 saxophones
9
2 Hautbois (duo)
8
Clarinette, Trompette (duo)
7
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Tenor et Piano
6
Hautbois, Clarinette (duo)
5
Flûte, Trompette (duo)
5
Hautbois, Flûte
5
Quatuor de Clarinettes: 4 clarinettes
5
Clarinette et Alto
5
Flûte, Clarinette (duo)
5
Flûte et Guitare
5
Saxophone Soprano et Piano
4
Hautbois, Basson (duo)
4
Flûte, Alto (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone Baryton, Piano
3
Quintette de Saxophone: 5 saxophones
3
Flûte, Saxophone (duo)
3
Flûte traversière
3
Clarinette
3
Saxophone Tenor
3
Saxophone Alto
2
Saxophone (partie séparée)
2
Hautbois (partie séparée)
2
Hautbois, Guitare (duo)
2
2 Flûte à bec (duo)
2
Clarinette Basse, Piano
2
Flûte, Violon
2
Harmonica
1
Clarinette, Guitare (duo)
1
Quintette de Flûte : 5 flûtes
1
Cor anglais, Guitare (duo)
1
Saxophone Soprano
1
Flûte à bec Alto
1
Cor anglais, Piano
1
Flûte irlandaise
1
Flûte, Clarinette et Basson
1
Quatuor de Flûtes : 4 flûtes
1
3 Saxophones (trio)
1
3 Clarinettes (trio)
1
Ensemble de saxophones
1
Ensemble de Clarinettes
1
Ensemble de Flûtes
1
+ 49 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Quatuor de cuivres: 4 trombones
13
Trompette, Saxophone (duo)
10
2 Trombones (duo)
9
Trompette, Piano
8
Cor et Piano
7
2 Trompettes (duo)
6
Trompette, Trombone (duo)
6
Trompette
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Ensemble de Trompettes
3
Trombone et Piano
3
Trombone
3
2 Cors (duo)
2
Tuba et Piano
2
Tuba
2
Euphonium, Piano (duo)
2
2 Euphoniums (duo)
2
Cor anglais, Guitare (duo)
1
Cor anglais, Piano
1
2 Tubas (duo)
1
Cor
1
Trompette (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Trombones
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
59
Trio à Cordes: 2 violons, violoncelle
15
Violon et Piano
14
Violon, Violoncelle (duo)
13
Trio à Cordes: violon, alto, violoncelle
11
2 Violoncelles (duo)
11
Violoncelle, Piano
10
Violon, Alto (duo)
8
Alto, Piano
7
Violon
7
2 Violons (duo)
6
2 Altos (duo)
5
Harpe
5
Violoncelle
5
4 Violoncelles
2
Violoncelle , Guitare (duo)
2
Harpe, Voix
2
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto seul
1
Contrebasse, Piano (duo)
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
31
Orchestre
18
Ensemble Jazz
8
Orchestre à Cordes
6
Orchestre de chambre
6
Ensemble de cuivres
4
Cloches
3
Fanfare
2
Marimba
1
Batterie
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
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€
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English
Partitions Gratuites
0
Partitions Numériques
18
Librairie Musicale
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Matériel de Musique
133
Partitions numériques
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
A Boy To A Man
Chorale TTBB
Partitions à imprimer
18 partitions trouvées
<
1
Danny Boy - TTBB, a cappella (Key - E-flat)
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Chorale TTBB
#
INTERMÉDIAIRE
#
Anthony Giamanco
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Danny Boy - TTBB, a cappella
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Whole Tone Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.773933 Arranged by Anthony Giamanco. A Cappella,Celtic,Concert,Contemporary,Standards. Octavo. 5 pages. Whole To...
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Choral Choir (TTBB) - Level 3 - SKU: A0.773933 Arranged by Anthony Giamanco. A Cappella,Celtic,Concert,Contemporary,Standards. Octavo. 5 pages. Whole Tone Press #6136297. Published by Whole Tone Press (A0.773933). This well-known song (AKA Londonderry Aire) is sensitively arranged for men's voices, a cappella. Most of the melody is given to the 2nd tenor, with the high G's in the refrain given to the 1st tenor. Ideal for a quartet or full chorus. Appropriate for concert/recital, both live and virtual. Intermediate. Key of E-flat. Also available in the key of F.(Please note that the recording is in the key of A-flat major).Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$2.10
"What Carol Is This?" (A Christmas Carol Medley/Mashup)
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Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
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Various, Traditional
#
Ash
#
"What Carol Is This?"
#
Music by Ash
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.919859 Composed by Various, Traditional. Arranged by Ash. A Cappella,Christmas,Sacred,Spiritual. Octavo. 21 page...
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Choral Choir (TTBB) - Level 4 - SKU: A0.919859 Composed by Various, Traditional. Arranged by Ash. A Cappella,Christmas,Sacred,Spiritual. Octavo. 21 pages. Music by Ash #6591569. Published by Music by Ash (A0.919859). A unique, compelling, and show-stopping 7-minute medley/mashup of Christmas Carols for a cappella ensembles!Christmas Carols included are (in order of appearance):O Come, O Come, EmmanuelWe Three KingsLittle Drummer BoyMary, Did You Know?What Child Is This?Silent NightHoly NightCarol of the Bells (brief)Joy to the WorldThe First Noeland Do You Hear What I Hear? (brief)General Details4 main voice parts with solo line(s)Divisi in T1 and T2 linesSolo(s) throughout entire medley; works great to have different soloists for each section/songOptional trio for We Three Kings and optional duet for The First NoelMinimum of 8 voices requiredWell-suited for small ensembles (8-16 voices), large choruses (100+), or in betweenDuration: approx. 7:00Vocal RangesSolo(s): B2-C5Tenor 1: C3-C5Tenor 2: C3-F#4Baritone: A2-E4Bass: E2-D4 Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$3.50
Ol' Man River
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Chorale TTBB
#
FACILE
#
Jerome Kern and Oscar Hammerst
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Ol' Man River
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Dominic Caudill
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.518711 Composed by Jerome Kern and Oscar Hammerstein. Arranged by Brian Wilson and Dominic Caudill. A Cappella,B...
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Choral Choir (TTBB) - Level 2 - SKU: A0.518711 Composed by Jerome Kern and Oscar Hammerstein. Arranged by Brian Wilson and Dominic Caudill. A Cappella,Broadway,Folk,Musical/Show,Spiritual,Traditional. Octavo. 1 pages. Dominic Caudill #129423. Published by Dominic Caudill (A0.518711). Recorded in 1968 and released as a bonus track to the Friends and 20/20 albums, the Beach Boys' rendition of the classic Ol' Man River is serene and simple, yet deeply emotional and beautiful. Trademark soft soaring falsetto with flexible bass and a singular perfectly placed non-diatonic chord insertion, this arrangement is suited best for barbershop quartets or men's ensembles.
$2.00
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
#
INTERMÉDIAIRE
#
Traditional
#
Laurie Betts Hughes
#
When Cockle Shells Turn Silver
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
#
INTERMÉDIAIRE
#
Traditional
#
Laurie Betts Hughes
#
I'm Sad and I'm Lonely, from &
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Cowboy Songs of the American Southwest [TTBB]
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Chorale TTBB
#
INTERMÉDIAIRE
#
Traditional
#
Laurie Betts Hughes
#
Cowboy Songs of the American S
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
Ain't Too Proud To Beg
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Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
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The Rolling Stones
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Aaron Dale
#
Ain't Too Proud To Beg
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Aaron Dale
#
SheetMusicPlus
Voice (TTBB) - Level 4 - SKU: A0.1364482 By The Rolling Stones. By Edward Holland Jr. and Norman Whitfield. Arranged by Aaron Dale. A Cappella,Barbersho...
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Voice (TTBB) - Level 4 - SKU: A0.1364482 By The Rolling Stones. By Edward Holland Jr. and Norman Whitfield. Arranged by Aaron Dale. A Cappella,Barbershop. Barbershop Quartet. 7 pages. Aaron Dale #948773. Published by Aaron Dale (A0.1364482). Male barbershop arrangement   As sung by Musical Island Boys.
$29.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
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Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Africa
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
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Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
End Of The Road from the Paramount Motion Picture BOOMERANG
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Chorale TTBB
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INTERMÉDIAIRE
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Boyz II Men
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Kenny Robinson
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End Of The Road from the Param
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Kenny Robinson
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.887672 By Boyz II Men. By Babyface, Daryl Simmons, and L.A. Reid. Arranged by Kenny Robinson. Contemporary,R & B...
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Choral Choir (TTBB) - Level 3 - SKU: A0.887672 By Boyz II Men. By Babyface, Daryl Simmons, and L.A. Reid. Arranged by Kenny Robinson. Contemporary,R & B. Octavo. 21 pages. Kenny Robinson #4321759. Published by Kenny Robinson (A0.887672). The hit song End of the Road by Boyz II Men from the motion picture BOOMERANG. This emotional ballad is enjoyed by many today, young and old. Arranged for a quartet of men, 2 tenors, baritone, and bass. Challenge your baritone with a solo in his higher register while also giving your tenors a chance to shine. If you would like the individual parts, please message me at https://www.facebook.com/KennyRentertain/.
$12.99
Proud Of Your Boy
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Alan Menken and Howard Ashman
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David Wright
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Proud Of Your Boy
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David Wright
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SheetMusicPlus
TTBB Chorus,Voice - Level 4 - SKU: A0.1432497 Composed by Alan Menken and Howard Ashman. Arranged by David Wright. A Cappella,Barbershop. Barbershop Qua...
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TTBB Chorus,Voice - Level 4 - SKU: A0.1432497 Composed by Alan Menken and Howard Ashman. Arranged by David Wright. A Cappella,Barbershop. Barbershop Quartet. 4 pages. David Wright #1012977. Published by David Wright (A0.1432497). This arrangement is for men's barbershop quartet, suitable for contest. The price entitles the purchaser to four copies.
$12.99
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
One Sweet Day
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Mariah Carey And Boyz Ii Men
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Absalon Figueroa
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One Sweet Day
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Absalon Figueroa
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1224868 By Mariah Carey And Boyz Ii Men. By Mariah Carey, Michael McCary, Nathan Morris, Shawn Stockman, Walter ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1224868 By Mariah Carey And Boyz Ii Men. By Mariah Carey, Michael McCary, Nathan Morris, Shawn Stockman, Walter Afanasieff, and Wanya Morris. Arranged by Absalon Figueroa. Contemporary,Pop,Soul,Spiritual. Octavo. 18 pages. Absalon Figueroa #820980. Published by Absalon Figueroa (A0.1224868). This lush arrangement will provide a highlight to any Men's Chorus performance, both musically and emotionally. A GALA Chorus must-have, singers will enjoy the tight harmonies supported by an exquisite piano accompaniment.
$5.00
I Want It That Way
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Chorale TTBB
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INTERMÉDIAIRE
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The Backstreet Boys
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Ryan Noakes
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I Want It That Way
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Ryan Alexander Noakes
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.932371 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Ryan Noakes. A ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.932371 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Ryan Noakes. A Cappella,Dance,Pop. Octavo. 6 pages. Ryan Alexander Noakes #6030019. Published by Ryan Alexander Noakes (A0.932371). Arrangement of the Backstreet Boys signature song I Want It That Way for a cappella quartet, as sung by Slow No Tempo [https://slownotempo.ca]. This song is sure to inspire excited nostalgia for the late 90s/early 2000s and make many of your audience members swoon. Typically a highlight of every one of SNT's performances, this TTBB arrangement is a great choice for a quartet with a little bit of experience under their belts.
$3.99
The Parting Before the Battle- Ní neart go cur le chéile (There is no strength without unity)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James W
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The Parting Before the Battle-
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Knox Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.942885 Composed by James W. Knox. Contemporary. Octavo. 21 pages. Knox Music #6383215. Published by Knox Music (...
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Choral Choir (TTBB) - Level 4 - SKU: A0.942885 Composed by James W. Knox. Contemporary. Octavo. 21 pages. Knox Music #6383215. Published by Knox Music (A0.942885). THE PARTING BEFORE THE BATTLE was written by Thomas Moore (1779-1852) an Irish writer, poet and lyricist celebrated for his Irish Melodies. He is best remembered for the lyrics of The Minstrel Boy and The Last Rose of Summer and one of the first recognized champions of freedom in Ireland. As an impressionable young man with a quick Irish temper, the execution of a close college friend during the United Irishmen's Rebellion aroused in Moore a patriotic fervor that provided his greatest literary inspiration. Thomas Moore's best known work included a brilliant biographical masterpiece taken from the confidential memoirs of Lord Byron. His own Memoirs, Journal, and Correspondence are an invaluable social record of life in England and Ireland during the first half of the nineteenth century. James W. Knox, composer, depicts a battle of the brave Irish men and women who have courageously fought against those who seek destruction. The chorus should sing with great boldness and display a sense of honorable pride. To create a dramatic affect, James also used Erse or Gaelic with an ancient proverb, Nà neart go cur le chéile. (There is no strength without unity.) This text is used throughout the piece in addition to the poem. The proverb is set to the melody of Dies irae , which is a famous Gregorian chant dating back to the 13th century and is found as part of the Latin sequence in the Requiem. .
$3.50
How Great Thou Art
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Martina McBride
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Charles A
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How Great Thou Art
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CG Publications
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.882512 By Martina McBride. By Traditional Swedish Folk Tune and William Thomas Emmanuel. Arranged by Charles A. ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.882512 By Martina McBride. By Traditional Swedish Folk Tune and William Thomas Emmanuel. Arranged by Charles A. Gravenhorst. A Cappella,Country. Octavo. 5 pages. CG Publications #6427977. Published by CG Publications (A0.882512). NEW SETTINGS SERIES: The inspiring words of Stuart Hine are joined to the timeless lyrical melody of Danny Boy (Londonderry Air) in this arrangement for 4-Part Men’s Voices (TTBB) suitable for Quartet or Full Men’s Chorus. The melody begins in the 2nd Tenors and shifts to 1st Tenors at the Refrain.
$1.99
Shenandoah (3-part)
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Chorale TTBB
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DÉBUTANT
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Bonnie V
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Shenandoah
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Clifford W. King
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.901103 Arranged by Bonnie V. King. Contemporary,Folk,Instructional,Standards. Octavo. 8 pages. Clifford W. King ...
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Choral Choir (TTBB) - Level 1 - SKU: A0.901103 Arranged by Bonnie V. King. Contemporary,Folk,Instructional,Standards. Octavo. 8 pages. Clifford W. King #6460757. Published by Clifford W. King (A0.901103). 3-Part for changing voices. Piano accompaniment, Key of F.Boys just want to sing! This arrangement of Shenandoah accommodates unchanged voices, changing voices, and newly changed voices. The piece includes unison singing, voice doubling in different octaves, and some 2 and 3-part harmony with note preparation and support in the accompaniment. The arrangement is easy to learn and easy for singers to make adjustments if needed as they mature. Legato singing is usually a challenge for boys and this piece teaches skills in connecting pitches. So many times boys feel unsuccessful in choral ensembles because of the challenges of their changing voice. This arrangement will overcome those feelings and give these young singers a rewarding experience- not to mention confidence.
$1.99
EINS-ZWEI-DREI-VIER
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Chorale TTBB
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FACILE
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Dierk Oliver Wölbern
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EINS-ZWEI-DREI-VIER
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Dierk Oliver Wölbern
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1008439 Composed by Dierk Oliver Wölbern. Christmas,Contemporary,Pop. Octavo. 45 pages. Dierk Oliver Wölbe...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1008439 Composed by Dierk Oliver Wölbern. Christmas,Contemporary,Pop. Octavo. 45 pages. Dierk Oliver Wölbern #4791777. Published by Dierk Oliver Wölbern (A0.1008439). - Here is a cheerful tune to sing for the boys at your Christmas concert- score (voices and piano) and parts- D-major- language: German- Accompaniment available at https://www.amazon.de/Eins-zwei-drei-vier-Oliver-Woelbern/dp/B076SR2PRG?SubscriptionId=AKIAILSHYYTFI...
$10.00
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A Boy To A Man