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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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METHODE : ETUDES
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OPERA
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POLKA
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Non classifié
642
PIANO & CLAVIERS
Piano seul
594
Piano, Voix
449
Piano Facile
220
Piano, Voix et Guitare
44
Accompagnement Piano
23
1 Piano, 4 mains
22
Orgue
18
Instruments en Do
16
Piano Trio: piano, violon, violoncelle
8
Piano (partie séparée)
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Accordéon
1
Clavecin
1
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GUITARES
Guitare notes et tablatures
187
Ukulele
32
Guitare
28
Basse electrique
22
Ligne De Mélodie, (Paroles) et Accords
11
Dulcimer
7
Paroles et Accords
5
Guitare (partie séparée)
5
Banjo
2
2 Guitares (duo)
2
Mandoline
1
Piano, Guitare (duo)
1
Orchestre à Plectres
1
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VOIX
Chorale SATB
100
Chorale 3 parties
29
Chorale SSAA
20
Chorale TTBB
14
Chorale Unison
13
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7
Voix moyenne, Piano
6
Voix Soprano, Piano
4
Voix duo
4
Voix haute
4
Voix basse, Piano
3
Voix duo, Piano
2
Voix seule
2
Voix Tenor, Piano
1
Voix Alto, Piano
1
Voix basse
1
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VENTS
Saxophone (partie séparée)
40
Flûte traversière et Piano
39
Clarinette
37
Flûte traversière
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Quatuor de Saxophones: 4 saxophones
22
Clarinette et Piano
20
Hautbois, Piano (duo)
20
Saxophone Tenor et Piano
19
2 Flûtes traversières (duo)
19
Saxophone Alto
18
Saxophone Alto et Piano
14
Saxophone Soprano et Piano
13
3 Saxophones (trio)
12
2 Clarinettes (duo)
12
Flûte à bec Soprano
11
Quatuor de Clarinettes: 4 clarinettes
10
2 Saxophones (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte, Hautbois, Clarinette, Basson
8
Flûte, Clarinette (duo)
8
Trio de Flûtes: 3 flûtes
7
Quintette de Saxophone: 5 saxophones
7
Quatuor de Flûtes : 4 flûtes
7
3 Clarinettes (trio)
6
Flûte et Guitare
6
Hautbois (partie séparée)
6
Ensemble de Flûtes
5
Cor anglais, Piano
4
2 Flûte à bec (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Quintette de Flûte : 5 flûtes
4
2 Hautbois (duo)
3
Flute, harpe et violon
3
Clarinette (partie séparée)
3
Ensemble de Clarinettes
3
Saxophone Tenor
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Violoncelle
2
Hautbois
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violoncelle
2
Saxophone Baryton, Piano
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Basson (duo)
1
Clarinette, trompette et piano
1
Hautbois, Flûte
1
Flûte, Violon, Piano
1
Flûte irlandaise
1
2 Saxophones, Piano
1
Flûte à bec Alto
1
Flûte, Clarinette et Basson
1
Ensemble de Hautbois
1
Flûte à bec Soprano, Piano
1
Cor Anglais
1
Harmonica
1
Clarinette, Basson (duo)
1
2 Flûtes traversières, Piano
1
Clarinette Basse, Piano
1
3 Flûtes à bec (trio)
1
Clarinette, Orgue
1
Flûte, Violon et Violoncelle
1
Flûte, Basson et Piano
1
Clarinette et Alto
1
Hautbois, Harpe
1
Flûte, Violon
1
Ensemble De Flûte à bec
1
Clarinette, Violoncelle (duo)
1
Ensemble de saxophones
1
Flûte et Trio à cordes
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Harpe (duo)
1
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CUIVRES
Trombone (partie séparée)
20
Trompette, Piano
19
Trompette
18
Trompette (partie séparée)
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trombone et Piano
13
Trombone
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor et Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Cor
6
Quatuor de Cuivres
6
2 Trompettes (duo)
5
Cor anglais, Piano
4
Euphonium, Piano (duo)
4
Tuba
4
Tuba et Piano
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 cors
3
Cor (partie séparée)
2
3 Trombones (trio)
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trompettes
1
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
3 Cors (trio)
1
3 Tubas (trio)
1
Trompette, Trombone, Piano
1
Cor Anglais
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trombones
1
Tuba (partie séparée)
1
Trombone, Orgue
1
2 Cors (duo)
1
Ensemble de Cors
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
84
Violon
72
Violon et Piano
58
Harpe
32
Alto, Piano
30
Violoncelle, Piano
24
Trio à Cordes: violon, alto, violoncelle
23
Violoncelle (partie séparée)
17
2 Violons (duo)
17
Violon, Violoncelle (duo)
15
Violon (partie séparée)
15
2 Violoncelles (duo)
14
Alto seul
13
Trio à Cordes: 2 violons, violoncelle
8
Violoncelle
8
Ensemble d'Altos
8
Contrebasse (partie séparée)
7
Alto, Violoncelle (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon, Alto (duo)
6
Alto (partie séparée)
5
Harpe, Voix
4
2 Altos (duo)
4
Contre Basse
4
Contrebasse, Piano (duo)
3
Violon, Guitare (duo)
3
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
Trio à Cordes: 3 violoncelles
2
2 Harpes (duo)
2
4 Violoncelles
2
Harpe, Violon (duo)
1
Alto, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
2 Contrebasses (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
2 Violoncelles, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
301
Orchestre à Cordes
120
Orchestre
55
Ensemble Jazz
38
Orchestre de chambre
16
Ensemble de cuivres
14
Ensemble de Percussions
8
Cloches
7
Jazz combo
4
Fanfare
2
Batterie (partie séparée)
2
Percussion (partie séparée)
1
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AUTRES
Vous avez sélectionné:
A.D.G. Productions
Chorale TTBB
Partitions à imprimer
14 partitions trouvées
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1
Like A Sad Song
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.888075 By John Denver. By …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.888075 By John Denver. By John Denver. Arranged by Ken Potter. Rock. Octavo. 4 pages. Ken Potter #4355249. Published by Ken Potter (A0.888075). TTBB Barbershop style quartet arrangement of Like a Sad Song. Form is exactly as John Denver sang it. Ranges: Bass Low G to high C. Bari Low D to high F. Lead Low D to high G. Tenor B to high C. .
$12.99
12.14 €
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Chorale TTBB
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John Denver
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Ken Potter
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Like A Sad Song
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Ken Potter
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.73 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Impossible Year
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.500719 By Panic! At the Di…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.500719 By Panic! At the Disco. By Brendon Urie, Jacob Sinclair, and Sam Hollander. Arranged by G. M. Morley. A Cappella,Pop. Octavo. 11 pages. G. M. Morley #6142399. Published by G. M. Morley (A0.500719). Taken from their fifth studio album, Death of a Bachelor, Impossible Year by Panic! At the Disco is a fantastic song for an a cappella group's repertoire, made all the more relevant by the year of lockdowns and global strife of 2020. This is a faithful transcription of the original. The accompaniment voices are simple enough and changeable as necessary.If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.00
2.8 €
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Chorale TTBB
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Panic! At the Disco
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G
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Impossible Year
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G. M. Morley
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SheetMusicPlus
Real Love
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.500712 By The Beatles. By …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.500712 By The Beatles. By John Lennon. Arranged by G. M. Morley. A Cappella,Rock. Octavo. 7 pages. G. M. Morley #5990205. Published by G. M. Morley (A0.500712). In 2014 John Lewis launched a Christmas advertising campaign that melted hearts worldwide, featuring a song written by John Lennon performed by Tom Odell, Real Love. The song was originally recorded by Lennon in 1979 and 1980 and released posthumously in 1988. His demo recording was completed by his former Beatles bandmates (Paul McCartney, George Harrison, and Ringo Starr) as part of the Beatles Anthology project released in 1995. It is the last single by the Beatles to become a top 40 hit in the US, the last released record of new material credited to the Beatles, and the last to originate and be included on an album. This arrangement is faithful tribute to both versions, building on the emotional textures of the Odell version by including the additional second and third verses of the original. Â If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.00
2.8 €
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Chorale TTBB
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The Beatles
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G
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Real Love
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G. M. Morley
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SheetMusicPlus
Perfect
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.500705 By Ed Sheeran. By E…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.500705 By Ed Sheeran. By Ed Sheeran. Arranged by G. M. Morley. A Cappella,Pop. Octavo. 11 pages. G. M. Morley #5033775. Published by G. M. Morley (A0.500705). A simple but effective a cappella SATB a cappella arrangement of the Ed Sheeran song, Perfect, from the 2017 album ÷ (Divide). This version is suitable for weddings and pop or community choir performances.If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.50
3.27 €
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Chorale TTBB
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Ed Sheeran
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G
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Perfect
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G. M. Morley
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SheetMusicPlus
Creep
Chorale TTBB
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.762489 By Radiohead. By Al…
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Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.762489 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Rowena Harper. A Cappella,Barbershop,Pop,Rock. Octavo. 12 pages. Rowena Harper #4301755. Published by Rowena Harper (A0.762489). This male / mixed barber-pop arrangement is a fun arrangement of a rock anthem in the original key, with chords that are true to the song and a little humour injected into it (including air guitar if you wish) to lighten an otherwise fairly intense song! The well known lead line She's running out the door... descant could be sung by either the lead, tenor, a mix of both, or a soloist, sliding back into the correct part near the end, as needed (see performance notes). Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass D-Eb, Baritone D-C, Lead B-D, Tenor B-G - High Descant (Lead) = F-B. Baritone and Tenor are suitable for female voices.Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Tenor (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The Treble clef parts are sung an octave lower than written.) Contact: acappellatenor@gmail.com.
$3.00
2.8 €
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Chorale TTBB
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Radiohead
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Rowena Harper
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Creep
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Rowena Harper
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SheetMusicPlus
Easy
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1395889 By The Comm…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1395889 By The Commodores. By Lionel Richie. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. 5 pages. Rowena Harper #979266. Published by Rowena Harper (A0.1395889). This is a fun arrangement of the Lionel Richie / Commodores song Easy where the singer celebrates and chooses to be single life and being free - easy like Sunday morning. (BHS contestable = Yes)Range (Lowest-Highest): Bass D-Eb, Baritone D-C, Lead B-D, Tenor B-G - High Descant (Lead) = F-B. Baritone and Tenor are suitable for female voices.Purchasing allows printing of one copy, and one copy per singer is required.  Also available at a quartet price - see my other listings.(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Tenor (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The Treble clef parts are sung an octave lower than written.)Contact: acappellatenor@gmail.com.
$1.99
1.86 €
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Chorale TTBB
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The Commodores
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Rowena Harper
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Easy
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Rowena Harper
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SheetMusicPlus
Those Were The Days
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1259016 By Mary Ric…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1259016 By Mary Rice Hopkins. By Gene Raskin. Arranged by Andrew Emmet. A Cappella,Folk,Pop,Rock. 22 pages. Andrew J Emmet #852279. Published by Andrew J Emmet (A0.1259016). TTBB A Cappella arrangement.Tenor 1 goes up to Bb.Tenor 2 goes down to C.Bass 1 goes down to G.Bass 2 goes down to F.Tenor 1 has melody in verses 1 and 3.Bass 1 has melody in verses 2 and 4.Goes up one semitone after verse 3.Ends on major chord.I've included in the PDF two versions, one goes from D minor to Eb minor, and the other from D minor to D# minor. Whichever the choir finds easiest to read, though once it's gone up a semitone, it's pretty much all the same as before.
$4.25
3.97 €
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Chorale TTBB
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Mary Rice Hopkins
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Andrew Emmet
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Those Were The Days
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Andrew J Emmet
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SheetMusicPlus
Ain't No Mountain High Enough
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 5 - Digital Download SKU: A0.1426911 By Mar…
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Choral Choir,Choral,TTBB Chorus - Level 5 - Digital Download SKU: A0.1426911 By Marvin Gaye & Tammi Terrell. By Nickolas Ashford and Valerie Simpson. Arranged by Gabriel Lawson. 20th Century,A Cappella,Pop,Soul. 12 pages. Gabriel Lawson #1007617. Published by Gabriel Lawson (A0.1426911). “Ain’t No Mountain High Enough” was written in 1966 and was made famous by Marvin Gaye and Tammi Terrell in 1967. This arrangement is for four-part a cappella Men’s Chorus (TTBB) with the melody primarily in the Tenor 2, Tenor 1, and Baritone parts. Includes finger snap, hand clap, and knee slap notation.Key B Major to C Major (original key D Major to Eb Major).Difficulty 9/10 (for range, rhythm, and melody).Tenor 1 D#3-D5.Tenor 2 D#3-C5.Baritone G#2-A4.Bass E2-E#4.
$1.99
1.86 €
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Chorale TTBB
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Marvin Gaye & Tammi Terrell
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Gabriel Lawson
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Ain't No Mountain High Enough
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Gabriel Lawson
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SheetMusicPlus
Weirdos Make Great Superheroes
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.500715 Composed by Sara Ba…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.500715 Composed by Sara Bareilles and Sara Beth Bareilles. Arranged by G. M. Morley. A Cappella,Contemporary. Octavo. 11 pages. G. M. Morley #6073681. Published by G. M. Morley (A0.500715). Taken from the soundtrack to the new musical show, Central Park, on Apple TV+, Weirdo's Make Great Superheroes is an instant classic waiting to be explored by pop and community choirs everywhere. If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.00
2.8 €
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Chorale TTBB
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Sara Bareilles and Sara Beth Bareilles
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G
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Weirdos Make Great Superheroes
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G. M. Morley
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SheetMusicPlus
You're The Inspiration
Chorale TTBB
Voice (TTBB) - Level 5 - Digital Download SKU: A0.762495 By Peter Cetera Featuring …
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Voice (TTBB) - Level 5 - Digital Download SKU: A0.762495 By Peter Cetera Featuring AZ Yet. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 9 pages. Rowena Harper #4882897. Published by Rowena Harper (A0.762495). An old favourite love song that transcends time and has been played at many a wedding. This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Range (Lowest-Highest): Bass E-G, Baritone C-D, Lead F-F, Tenor A-A. Transposed down from the original by a flattened fourth - starting in D major. Singers are welcome to pitch it up again to their most comfortable tessatura.Also available at a per copy price with a minimum buy of ten copies.(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Lead (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The treble clef parts are sung an octave lower than written.Contact: acappellatenor@gmail.com.
$15.95
14.91 €
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Chorale TTBB
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Peter Cetera Featuring AZ Yet
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Rowena Harper
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You're The Inspiration
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Rowena Harper
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SheetMusicPlus
You're The Inspiration
Chorale TTBB
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.762496 By Chicago. By Davi…
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Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.762496 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #4882901. Published by Rowena Harper (A0.762496). An old favourite love song that transcends time and has been played at many a wedding. This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-G, Baritone C-D, Lead F-F, Tenor A-A. Transposed down from the original by a flattened fourth - starting in D major. Singers are welcome to pitch it up again to their most comfortable tessatura.This is per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Lead (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The treble clef parts are sung an octave lower than written.Contact: acappellatenor@gmail.com.
$3.00
2.8 €
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Chorale TTBB
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Chicago
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Rowena Harper
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You're The Inspiration
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Rowena Harper
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SheetMusicPlus
You're The Best
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1309276 Composed by…
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1309276 Composed by Allee Willis and Bill Conti. Arranged by Gabriel Lawson. 20th Century,A Cappella,Pop,Rock. 9 pages. Gabriel Lawson #898460. Published by Gabriel Lawson (A0.1309276). “You're The Best†is featured in the classic 1984 film, The Karate Kid. Arranged for four-part a cappella Men's Chorus (TTBB), the melody is primarily in the Tenor 2 part.Key of C# Minor/E Major (Original Key E Minor/G Major).Difficulty 7/10.Tenor 1 C#3-B4.Tenor 2 C#3-G#4.Baritone C#3-F#4.Bass F#2-D#4.
$1.99
1.86 €
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Chorale TTBB
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Allee Willis and Bill Conti
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Gabriel Lawson
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You're The Best
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Gabriel Lawson
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SheetMusicPlus
Nighttime in Dixieland / One Step Dixieland Band (men)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.817440 Composed by D. J. L…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.817440 Composed by D. J. LaRocca, G. Crandall, Irving Berlin, and J. R. Robinson. Arranged by Brent Graham. Folk,Traditional. Octavo. 7 pages. Brent Graham #3570783. Published by Brent Graham (A0.817440). A wonderful combination of two classic Barbershop songs, arranged for a men's Barbershop ensemble. Contestable in the Barbershop Harmony Society.
$4.99
4.67 €
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Chorale TTBB
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D
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Brent Graham
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Nighttime in Dixieland / One Step Dixieland Band
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Brent Graham
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SheetMusicPlus
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