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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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VIOLONCELLE
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CLASSIQUE - BAROQUE …
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JEUX VIDEOS
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OPERA
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POLKA
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Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
20299
PIANO & CLAVIERS
Piano seul
3949
Piano, Voix
2062
Piano Facile
1341
Piano, Voix et Guitare
1246
Instruments en Do
512
Orgue
401
Accompagnement Piano
328
Piano grosses notes
186
1 Piano, 4 mains
182
Piano Trio: piano, violon, violoncelle
109
Piano (partie séparée)
88
2 Pianos, 4 mains
74
Accordéon
68
Piano Quatuor: piano, violon, alto, violoncelle
27
Orgue, Trompette (duo)
24
1 Piano, 6 mains
15
Piano Quatuor: piano, 2 violons, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Piano (duo)
9
Clavier
8
2 Pianos, 8 mains
7
Clavecin
7
2 Accordéons
2
Concertina
1
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GUITARES
Guitare notes et tablatures
641
Guitare
487
Basse electrique
403
Ligne De Mélodie, (Paroles) et Accords
235
Guitare (partie séparée)
184
Ukulele
180
Paroles et Accords
73
2 Guitares (duo)
64
4 Guitares (Quatuor)
43
Mandoline
29
Dulcimer
27
Piano, Guitare (duo)
27
3 Guitares (trio)
24
Ukulele Baryton
22
Banjo
21
Ensemble de guitares
12
Guitare, Violon, Violoncelle (trio)
7
Mandoline, Guitare (duo)
4
2 Mandolines (duo)
3
2 Dulcimers (duo)
3
Ensemble de Ukulélés
2
Mandoline, Piano (duo)
2
2 Ukuleles
1
Orchestre à Plectres
1
Guitare Pedal Steel
1
Instrumentations suivantes
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VOIX
Chorale SATB
2770
Chorale 3 parties
808
Chorale TTBB
643
Chorale 2 parties
551
Chorale SSAA
331
Chorale Unison
326
Voix Baryton, Piano
166
Voix duo, Piano
124
Voix seule
114
Voix duo
98
Voix Soprano, Piano
95
Voix Tenor, Piano
70
Voix Alto, Piano
70
Voix haute
54
Pack Instrumental pour Chorale
37
Chorale
27
Voix moyenne, Piano
15
Voix basse, Piano
10
Voix Tenor
9
Chorale SSAATTBB
9
Voix Soprano
8
Chorale SSATTB
6
Chorale SSATB
5
Soli, choeur mixte et accompagnement
4
Voix d'Enfants
4
Chorale SSAB, Piano
3
Voix Mezzo-Soprano, Piano
3
Voix Baryton
1
Voix basse
1
Voix, Guitare
1
Voix Soprano, Orchestre
1
Chorale SAATB A Cappella
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
2342
2 Saxophones (duo)
2155
Saxophone (partie séparée)
1926
Saxophone Alto et Piano
1373
Saxophone Alto
1328
Saxophone Tenor et Piano
1095
Saxophone Tenor
1039
Quintette de Saxophone: 5 saxophones
936
Saxophone Soprano et Piano
774
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
716
Saxophone
697
Flûte traversière et Piano
681
Flûte, Hautbois, Clarinette, Basson
627
Clarinette et Piano
554
3 Saxophones (trio)
549
Hautbois, Piano (duo)
483
2 Clarinettes (duo)
461
2 Flûtes traversières (duo)
446
Saxophone Baryton, Piano
445
Quatuor de Clarinettes: 4 clarinettes
398
Clarinette
372
Flûte traversière
352
Saxophone, Clarinette (duo)
342
Ensemble de saxophones
340
Clarinette, Violon (duo)
230
Flûte, Clarinette (duo)
213
Quatuor de Flûtes : 4 flûtes
185
Saxophone Soprano
184
Hautbois (partie séparée)
179
Clarinette, Trompette (duo)
176
2 Hautbois (duo)
163
Hautbois, Basson (duo)
160
Ensemble de Clarinettes
151
Hautbois, Clarinette (duo)
142
Ocarina
128
Flûte, Saxophone (duo)
126
3 Clarinettes (trio)
123
Clarinette et Alto
118
Ensemble de Flûtes
117
Quintette de Clarinettes: 5 clarinettes
116
Flûte, Violon
115
Hautbois, Flûte
99
Hautbois
98
Saxophone Baryton
97
2 Flûte à bec (duo)
97
Flûte, Alto (duo)
94
Cor anglais, Piano
89
Flûte, Trompette (duo)
88
Clarinette Basse, Piano
82
Flute (partie séparée)
75
Trio de Flûtes: 3 flûtes
75
Flûte et Guitare
74
Flûte à bec Soprano
72
Clarinette (partie séparée)
69
Quatuor de Flûtes à bec
65
Quintette de Flûte : 5 flûtes
48
Flûte, Violon, Piano
45
2 Saxophones, Piano
40
Flûte à Bec
39
Flûte, Hautbois (duo)
36
Clarinette, Basson (duo)
36
Flûte, Trombone (duo)
34
Hautbois, Violoncelle
31
Clarinette, Guitare (duo)
31
Clarinette, Trombone (duo)
30
2 Flûtes traversières, Piano
30
Instruments en Mib
29
Hautbois, Clarinette, Basson (trio d'anches)
29
Flûte, Violoncelle
26
Flûte, Hautbois, Clarinette (trio)
26
Flûte à bec Alto
25
Clarinette, Violoncelle (duo)
24
3 Flûtes à bec (trio)
22
5 Flûtes à bec
22
Harmonica
22
Ensemble De Flûte à bec
20
Cor Anglais
19
Hautbois, violon (duo)
18
Flûte, Clarinette et Basson
17
Saxophone et Guitare
15
Flûte, Violon et Violoncelle
14
4 Hautbois
13
Flûte, Hautbois, Basson
13
Saxophone et Orgue
13
Saxophone, Violon (duo)
12
Piccolo, Piano
12
Hautbois, Guitare (duo)
12
Flûte à bec Soprano, Piano
11
Flûte, Clarinette, Cor, Basson (Quartet)
11
Flûte, Clarinette, Piano (trio)
10
Flute, harpe et violon
9
Clarinette, Violoncelle, Piano (trio)
9
Piccolo
9
3 Hautbois
9
Flûte, Violoncelle, Piano (trio)
8
Saxophone et Harpe
8
Saxophone et Piano
7
Cor anglais, Guitare (duo)
7
Flûte, Hautbois, Piano (trio)
7
Clarinette Basse
6
Flûte à bec Alto, Piano
6
Ensemble à vent
6
2 Clarinettes, Piano
5
Hautbois, trombone (duo)
5
Hautbois et alto (duo)
5
Flûte et Trio à cordes
5
Flûte, Violon, Violoncelle et Piano
4
Flûte irlandaise
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte, Alto et Piano
3
Flûte, Harpe et Violoncelle
3
2 Cors Anglais Et Pianoforte
3
Flûte, Basson et Piano
3
Flûte à bec Tenor
3
Flûte, trombone et piano
3
Flûte, Clarinette, Violon (trio)
3
Clarinette, Harpe (duo)
3
Flûte, alto et harpe
2
Saxophone, Basson (duo)
2
Flûte traversière, Basse continue
2
Clarinette, trompette et piano
2
Hautbois, Violon, Piano
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Saxophone, Tuba (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Clarinette, Contrebasse (duo)
1
Hautbois, Basson et Piano
1
Flûte, Violoncelle, Guitare
1
Flûte à Bec, Piano
1
Flûte, Hautbois, Violon
1
Flûte traversière, Orgue (duo)
1
Clarinette, Orgue
1
Ensemble de Hautbois
1
Clarinette, Orchestre
1
Clarinette, Basson, Piano (trio)
1
Flûte à bec, Guitare (duo)
1
Clarinette, Tuba
1
Flûte de Pan
1
Clarinette, Alto et Piano (trio)
1
Flûte, Tuba (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2286
Trombone et Piano
1321
Trombone
1313
Trombone (partie séparée)
1271
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1198
2 Trombones (duo)
678
Quatuor de Cuivres: 2 trompettes, Cor, trombone
543
Quatuor de Cuivres
400
Trompette
388
Trompette, Piano
379
Trompette, Trombone (duo)
376
Trompette (partie séparée)
347
Cor et Piano
321
Quatuor de cuivres: 4 trombones
318
Trompette, Saxophone (duo)
256
2 Trompettes (duo)
205
Ensemble de Trombones
200
Cor
198
Tuba
177
Tuba et Piano
164
Euphonium, Piano (duo)
134
Ensemble de Trompettes
104
2 Cors (duo)
91
3 Trombones (trio)
89
Cor anglais, Piano
89
Cor (partie séparée)
80
Trio de Cuivres
74
Tuba (partie séparée)
66
2 Tubas (duo)
45
Trompette, Cor (duo)
43
Quatuor de cuivres: 4 cors
38
Instruments en Sib
36
Bass Clef Instruments
36
Euphonium
35
Trombone, Tuba (duo)
32
2 Euphoniums et 2 Tubas
31
Trombone basse
28
2 Euphoniums (duo)
28
Quatuor de cuivres: 2 trompettes, 2 trombones
25
Ensemble de Cors
25
Trombone, Cor (duo)
21
Trombone basse et Piano
20
4 Tubas
20
Cor Anglais
19
Tuba ou Euphonium ou Saxhorn
18
Quatuor de cuivres: 4 trompettes
17
Trombone, Orgue
16
Euphonium, Tuba (duo)
16
Trompette, Trombone, Piano
16
Trompette, Basson (duo)
13
Trombone, violoncelle (duo)
12
2 Trombones, Piano
11
Trombone, Violon (duo)
11
Cor, Violoncelle (duo)
9
Trompette, Violoncelle (duo)
8
3 Trompettes (trio)
7
Tuba et Orgue
7
Cor anglais, Guitare (duo)
7
Cor et Basson (duo)
7
3 Tubas (trio)
5
Trompette, Tuba (duo)
4
2 Trompettes, Clavier (piano ou orgue)
4
3 Cors (trio)
4
Trompette, Violoncelle et Piano
3
Trombone et orchestre
3
2 Cors Anglais Et Pianoforte
3
Cor, Tuba (duo)
2
Cor, Trompette, Trombone (trio)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Cor et Orgue
2
3 Euphoniums
2
Trompette, violon (duo)
1
Trompette, Euphonium (duo)
1
Trombone, Alto (duo)
1
2 Cors, Piano
1
Ensemble de Tubas
1
Trompette et Guitare
1
Cornet et orchestre
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1791
Violon et Piano
777
Violon
755
Violon, Violoncelle (duo)
618
Violoncelle, Piano
576
Violoncelle
472
Trio à Cordes: violon, alto, violoncelle
450
Harpe
449
Alto, Piano
441
2 Violons (duo)
293
Quintette à cordes: 2 violons, alto, violoncelle, basse
278
Violon, Alto (duo)
247
Alto seul
241
2 Violoncelles (duo)
237
2 Altos (duo)
201
Contre Basse
156
Contrebasse, Piano (duo)
144
Contrebasse (partie séparée)
138
Trio à Cordes: 2 violons, violoncelle
133
Violon (partie séparée)
86
Alto (partie séparée)
72
Alto, Violoncelle (duo)
69
4 Violoncelles
54
Trio à cordes: 3 violins
42
2 Harpes (duo)
40
2 Contrebasses (duo)
37
Violon, Guitare (duo)
35
Violoncelle, Contrebasse (duo)
32
Piano Trio: Violon, Alto, Piano
31
Trio à cordes: 3 altos
27
Trio à Cordes: 3 violoncelles
26
Ensemble de Violons
23
Violon, Basson (duo)
22
Quatuor à cordes: 4 violons
22
Ensemble d'Altos
20
Violoncelle , Guitare (duo)
20
Quatuor à cordes : 4 altos
19
Violoncelle (partie séparée)
14
Harpe, Voix
13
Harpe, Flûte (duo)
12
Trio à Cordes: 2 violons, alto
11
Alto et Basson
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Alto, Guitare (duo)
10
Flûte, Contrebasse (duo)
7
Trio à cordes
6
Harpe, Violon (duo)
6
2 Violons, Piano
5
Harpe, Trombone (duo)
5
Violoncelle, Orgue
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Harpe, Violon, Violoncelle
4
4 Contrebasses
4
3 Harpes
3
Violon, Clarinette, Piano (trio)
3
Alto et Harpe
3
Ensemble de Violoncelles
3
Alto et orchestre
2
Harpe et Piano
2
Harpe, Violoncelle (duo)
2
5 Harpes
2
Violon, Basse continue
1
Autoharp
1
Violoncelle, Basse continue
1
2 Violoncelles, Piano
1
Harpe, Quatuor à cordes
1
Violoncelle, Orchestre
1
3 Contrebasses
1
4 Harpes
1
Harpe et mandoline
1
Violon, Tuba (duo)
1
Violon, Trompette et Piano
1
Harpe (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4648
Ensemble Jazz
1353
Orchestre
978
Orchestre à Cordes
828
Ensemble de cuivres
798
Fanfare
361
Orchestre de chambre
337
Cloches
331
Jazz combo
253
Ensemble de Percussions
167
Batterie
112
Batterie (partie séparée)
95
Xylophone
58
Xylophone, Piano
53
Marimba
51
Percussion (partie séparée)
51
Percussion
25
2 Xylophones
21
Vibraphone
17
Ensemble d'École
8
Instrumentation Flexible
5
Xylophone ou Marimba ou Vibraphone
4
Vibraphone et Marimba
3
Orchestre, Violon
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Caisse Claire
2
3 Marimbas
2
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
2
Quintette à Vent
1
Timbales (partie séparée)
1
Marimba ou Xylophone et Piano
1
Marimba, Saxophone (duo)
1
Bongos
1
Marimba, Piano (duo)
1
Marimba et Orgue
1
Big band
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
4
Vous avez sélectionné:
All For One
Chorale TTBB
Partitions à imprimer
643 partitions trouvées
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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
The Leaves of the Fall
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik.…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
1.83 €
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Chorale TTBB
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Gone Too Soon
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1378737 By Simple P…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1378737 By Simple Plan. By Charles Comeau, Emanuel Kiriakou, and Pierre Bouvier. Arranged by Kathleen McGuire. 21st Century,Pop,Punk,Rock. 12 pages. Kathleen McGuire #963445. Published by Kathleen McGuire (A0.1378737). This arrangement for men's choir (TTBB) was commissioned by the Buffalo Gay Men's Chorus in dedicated to a devoted member whom they lost far too soon. The ebb and flow of dynamics, constrasts of legato and marcato, a dramatic piano accompaniment, plus some unresolved vocal harmonies, allow for a series of emotions to be painted such as those experienced in the grief cycle. From Canadian band Simple Plan, ‘Gone Too Soon’ was first released in 2011. The inspiration for the song was the tragic loss of so many talented artists, actors and musicians to drug overdoses or suicide. On the Simple Plan website, drummer Chuck Corneau explained: “We thought it was so sad to see so much talent being wasted. Also there were people in our family and some great friends we lost. So the song is a combination of all that. Yes the song is about missing someone who is goneâ€. Singer Pierre Bouvier added: “Hopefully this song can help people that are going through similar situations where they feel like someone in their family or one of their friends has gone too soon.â€.
$2.50
2.29 €
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Chorale TTBB
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Simple Plan
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Kathleen McGuire
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Gone Too Soon
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Kathleen McGuire
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SheetMusicPlus
Honey, I'm Good
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.555244 By Andy Gram…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.555244 By Andy Grammer. By Andy Grammer and Nolan Sipe. Arranged by Timorell. A Cappella,Contemporary,Country,Pop. 14 pages. Timorell #164851. Published by Timorell (A0.555244). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com. An easy intermediate level cover of the Andy Grammer song, close to the original style and structure. TONEWALL performs the song as a twist of a straight man being hit on by a gay man by adding a second voice to a few solo lines in the second verse. And, we change the second chorus to Honey, I'm good. I could do a brother, but I probably should not.
$2.00
1.83 €
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Chorale TTBB
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Andy Grammer
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Timorell
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Honey, I'm Good
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Timorell
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SheetMusicPlus
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
2 €
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Chorale TTBB
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verbum supernum prodiens"
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Matthew Alan Edwards
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SheetMusicPlus
Herzliebster Jesu from St. Matthew Passion - for Men's Choir (Am)
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1324266 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1324266 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred. 3 pages. Müller Publishing company #912464. Published by Müller Publishing company (A0.1324266). Herzliebster Jesu from St. Matthew Passion - for Men's Choir (A minor)Delve into the profound beauty of Herzliebster Jesu from the St. Matthew Passion with this high-resolution digital score. Specially crafted for male choirs in A minor, this musical gem enables your ensemble to explore the emotional depths of this composition with ease.**Why Choose This Digital Score?****Impeccable Quality:** Immerse yourselves in a high-resolution score that accentuates every musical nuance, ensuring a visually engaging experience for all male choir members.**Tailored for Lower Voices (TTBB):** This score is thoughtfully adapted for male choirs with lower voices (Tenor 1, Tenor 2, Baritone, Bass), providing a comfortable vocal range for each member to delve into the harmonies, enhancing accessibility and enjoyment.**Deep Emotional Atmosphere:** Herzliebster Jesu is renowned for its profound emotional resonance. Feel the intensity of passion and savor the beauty of melodies as your male choir breathes life into this masterpiece.**Convenient Digital Format:** Bid farewell to concerns about lost or damaged physical scores. The digital score's versatility facilitates easy sharing among male choir members, promoting efficient and collaborative preparation.**Ideal for Male Choral Performance:** Tuned in A minor, the score creates an optimal sonic environment for male choirs, allowing voices to harmonize powerfully and leaving a lasting impression on the audience.**Deep Musical Exploration:** Enable your male choir to explore the emotional nuances of St. Matthew's work with a score that illuminates harmonic and melodic complexities.**How to Acquire:**Seize the opportunity to enrich your male choral repertoire with the magnificent digital score of Herzliebster Jesu from the St. Matthew Passion. Elevate the expressiveness and musical quality of your male choir. Purchase now and embark on a unique emotional journey through the pages of this classical masterpiece.
$1.99
1.82 €
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Chorale TTBB
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Johann Sebastian Bach
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Alex E
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Herzliebster Jesu from St. Matthew Passion - for Men's Choir
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Müller Publishing company
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SheetMusicPlus
For Unto Us A Child Is Born (from “MESSIAH”) for Men’s Chorus (TTB) – VOCAL PARTS
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1227062 By George Frideric…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1227062 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Octavo. 6 pages. CG Publications #823069. Published by CG Publications (A0.1227062). Vocal Score from the full arrangement of Handel’s inspiring chorus from “MESSIAH†re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). Difficult melismatic passages have been simplified, without diminishing their musical integrity, to allow for an effective and impressive, but easier, performance for groups of even modest resources. May be performed with Keyboard accompaniment only from any available Messiah edition. Performance Notes provided in score. The Full Arrangement of this piece, including Score & Parts for all instruments, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, may be obtained from CG Publications here through Sheet Music Direct/Sheet Music Plus.
$2.99
2.73 €
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Chorale TTBB
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George Frideric Handel
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Charles A
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For Unto Us A Child Is Born
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CG Publications
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SheetMusicPlus
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
2 €
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Chorale TTBB
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verbum supernum prodiens"
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Matthew Alan Edwards
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SheetMusicPlus
Lascia ch'io pianga (for TTBB choir - with piano accompaniment)
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449265 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449265 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028411. Published by Rodrigo Faleiros (A0.1449265). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Chord Symbols Included: Enhance your performance by incorporating chord symbols, allowing accompanists or instrumentalists to provide harmonic support. Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ➡️ Check out my other choir arrangements by clicking here ⬅️
$1.99
1.82 €
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Chorale TTBB
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George Frideric Handel
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Rodrigo Faleiros
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Lascia ch'io pianga
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Rodrigo Faleiros
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SheetMusicPlus
Spend All Your Money (while you're still alive)
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971253 Composed by James S…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971253 Composed by James Shubert. Contemporary. Octavo. 3 pages. James W. Shubert #6079191. Published by James W. Shubert (A0.971253). 4 part Male Barbershop Arrangement (TTBB). This early intermediate level arrangement takes a comedic look at senior living. Works for almost all adult chorus's or quartets, but especially for older groups. In addition to really entertaining your audience, this arrangement is contestable.4 part Learning Tracks are available for all four parts, Tenor, Lead, Baritone, Bass. They can be found as Item# S0.885075, S0.885077, S0.885079, S0.885081.
$4.99
4.56 €
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Chorale TTBB
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James Shubert
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Spend All Your Money
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James W. Shubert
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SheetMusicPlus
Who Do I Know In Dallas?
Chorale TTBB
Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1499211 Comp…
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Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1499211 Composed by Hank Cochran and Willie Nelson. Arranged by David Maddux. Country. 8 pages. David Maddux #1075261. Published by David Maddux (A0.1499211). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.————————————————————Dive into the humor and charm of a quirky TTBB arrangement of the country-crooner song Who Do I Know In Dallas. This engaging piece features a soloist whose performance is humorously interrupted by the distinctive pings of the Grindr notification tone, playfully reminding them of connections in cities far and wide. Perfect for adding a light-hearted and contemporary twist to your concert repertoire, this arrangement offers both laughter and a relatable narrative through its clever integration of modern digital culture.TTBB choruspiano, synthesizer, electric guitar, electric bass, drum set2'56
$5.25
4.8 €
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Chorale TTBB
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Hank Cochran and Willie Nelson
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David Maddux
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Who Do I Know In Dallas?
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David Maddux
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SheetMusicPlus
Be Thou My Vision - Baritone Solo w/ TTBB ensemble
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1045497 Composed by Irish …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1045497 Composed by Irish Folk Song. Arranged by Mark R Lewis. Celtic,Folk,Irish,Sacred,Standards,Traditional. Octavo. 9 pages. Mark R Lewis #650074. Published by Mark R Lewis (A0.1045497). This ancient Irish text has been arranged by Mark R Lewis for baritone solo with 4 part men's harmony and optional bass handbells. The text is an old Irish poem and was translated by Mary E. Bryne in 1905. The tune is old Irish folk tune. The Baritone solo line is not too difficult though it does push towards the high end of the baritone range. The choir parts are not difficult at all and the optional handbell line is playable by one person but will be a challenge. If more than two people share the handbell part, it will not be difficult for them. Vocal range: Key of F Major ​ Baritone solo - 1+ octave (C3 to F4) Tenor 1 - 1 octave (E3 to D4) Tenor 2 - 1 octave (E3 to C4) Bass 1 - 1 octave (C3 to F3) Bass 2 - 1 octave (F2 to F3) Handbells: F3, G3, A3, Bb3, C4, D4.
$1.99
1.82 €
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Chorale TTBB
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Irish Folk Song
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Mark R Lewis
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Be Thou My Vision - Baritone Solo w/ TTBB ensemble
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Mark R Lewis
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SheetMusicPlus
Silver Echo Taps (for double men's chorus)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930161 Composed by Union A…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930161 Composed by Union Army Brigadier General Daniel Butterfield (1862), Horace Lorenzo Trim. Arranged by Donald A. Mills. A Cappella,Contemporary,Folk,Patriotic,Spiritual. Octavo. 11 pages. Donald A Mills #3074007. Published by Donald A Mills (A0.930161). This Taps is an echo version of Taps. It is a TTBB / TTBB double men's chorus, chorus and quartet, or double quartet. You audiences will love this new arrangement, revised on 5.10.17. Keep this one in your repertoire for the appropriate holidays, for concert performance (including choral contests), or for the occasional military use. It is also appropriate for a call for lights out in scouting. The two singing groups may stand together, but also consider standing front and back in the hall, or side to side of the hall to intensify the surround-sound effect. Music by Union Army Brigadier General Daniel Butterfield 1862; Words by Horace Lorenzo Trim.
$2.29
2.09 €
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Chorale TTBB
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Union Army Brigadier General Daniel Butterfield
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Donald A
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Words by Horace Lorenzo Trim
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Silver Echo Taps
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Donald A Mills
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SheetMusicPlus
AMORI: 8 madrigals for male chorus
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1399301 Composed by…
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Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pages. A work by Alessandro Palazzani #982575. Published by A work by Alessandro Palazzani (A0.1399301). AMORI (Loves): Eight madrigals on texts by Giovan Battista Marinofor four-part male choirCONTENTS:1. OCCHI (Eyes)2. ERRORI DI BELLA CHIOMA (Beautiful hair wanderings)3. BELTA’ CRUDELE (Cruel Beauty)4. BELLA CANTATRICE (Beautiful Singer)5. AMOR SECRETO (Secret Love)6. PENDENTI IN FORMA DI SERPI (Pendants in the Shape of Snakes)7. LONTANANZA CONSOLATA (Consoled Distance)8. OCCHI (Eyes)The collection comprises eight Madrigals that alternate between different musical styles. In odd numbers, there are more meditative pieces that closely follow the text, faithfully illustrating its keywords; instead, in even numbers, there is a more regular treatment of musical form, with bipartite or tripartite structures and thematic returns of the music, organized into livelier and more rhythmic movements. To give unity to the composition, the author adopted a series of chordal motifs that serve as leitmotifs, formed by two or three chords symbolizing some basic concepts that cyclically reappear in the various pieces (love, life, death, etc.).The ensemble comprises four parts: first tenor, second tenor, baritone, bass, which can be performed by soloists or by a choral group. In the piece Bella Cantatrice, it is possible to entrust the main melody to a tenor soloist. Although a reduction for piano is printed in the score, its purpose is only to support the voices during rehearsal. Public performance is intended for a cappella voices.
$3.00
2.74 €
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Chorale TTBB
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Alessandro Palazzani
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AMORI: 8 madrigals for male chorus
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A work by Alessandro Palazzani
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SheetMusicPlus
One Meat Ball
Chorale TTBB
Choral Choir (TTBB) - Digital Download SKU: A0.971247 By The Andrews Sisters. By Hy…
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Choral Choir (TTBB) - Digital Download SKU: A0.971247 By The Andrews Sisters. By Hy Zaret and Louis Singer. Arranged by Jim Shubert. Pop. Octavo. 3 pages. James W. Shubert #6069747. Published by James W. Shubert (A0.971247). 4 part Male Barbershop Arrangement (TTBB) In 1855, while living in Cambridge, Massachusetts, Lane wrote the song The Lone Fish Ball; after decades as a staple of Harvard undergraduates', it was modernized into One Meat Ball. The song is composed upon an old English folk song entitled Sucking Cider Through a Straw. In 1944, the song was revived by Tin Pan Alley songwriters Hy Zaret and Lou Singer in a more bluesy format as One Meat Ball
$1.99
1.82 €
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Chorale TTBB
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The Andrews Sisters
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Jim Shubert
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One Meat Ball
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James W. Shubert
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SheetMusicPlus
What Shall He Have That Killed the Deer?
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.917261 Composed by Robert …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.917261 Composed by Robert Chamberlin. Contemporary. Octavo. 5 pages. Robert Chamberlin #4780825. Published by Robert Chamberlin (A0.917261). This is arrangement is for two tenors and two basses. It was written to be used in a production of Shakespeare's As You Like It. It can also be done with a larger ensemble as a concert piece. The score calls for a conch shell tuned to the pitch A. If a conch shell is not available, any horn that can produce an A (any octave) will work.
$2.00
1.83 €
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Chorale TTBB
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Robert Chamberlin
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What Shall He Have That Killed the Deer?
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Robert Chamberlin
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SheetMusicPlus
Spare These Thy Children, sacred music for TTBB Men's Choir
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1124758 Composed by Kevin …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1124758 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #725522. Published by Kevin G. Pace (A0.1124758). Beautiful, sacred music for TTBB Men's Choir. Music by Kevin G. Pace. Text by Mary Ann W. Snowball. Text: Spare these thy children who have believed, These who believed on my Name. As I present each child to Thee I will, Myself, take each shame. Father, behold my suff’ring and death, I, who was most without sin. Honor my blood, the blood of thy Son. O, let thy child enter in. Spare these thy children placed before Thee; For each I offer to stand. As I approach thy holiest throne O, accept scars on my hands. Father, behold each one of thy own! Mercy was gifted by Me. All to thy glory, thy sacred Name, So these, thy children, could be. Chorus: Spare these thy children; I’ve paid the price. O, receive each to thy care. Father, accept their works and my grace. This is my sanctified prayer.
$1.99
1.82 €
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Chorale TTBB
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Kevin G
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For each I offer to stand
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Spare These Thy Children, sacred music for TTBB Men's Choir
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Kevin G. Pace
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SheetMusicPlus
Psalm 42 for Men’s Choir (TTBB) with Organ Accompaniment
Chorale TTBB
Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1503598 Comp…
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Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1503598 Composed by Anonimous. Arranged by L. Müller. Christian,Classical,Religious,Sacred,Spiritual. 6 pages. Müller Publishing company #1079062. Published by Müller Publishing company (A0.1503598). Psalm 42 for Men’s Choir (TTBB) with Organ Accompaniment Explore the profound beauty of Psalm 42 with this specially arranged piece for Men’s Choir (TTBB) with organ accompaniment by L. Müller. Designed to capture the deep longing and spiritual yearning expressed in the original psalm, this adaptation brings a powerful and moving choral performance to life, enhanced by the rich tones of the organ.Lyrics Adaptation by L. Müller:As seeks the hart for cooling streams,When heated in the chase,So longs our souls, O God, for Thee.For Thee, our God, the living God,Our thirsty soul doth pine;When shall we behold Thy face?The tears at all times are our repast,When wicked men cry out too fast,“Where now is God our guide?”Why restless, why cast down, our souls?Why such disquiet and distress?O Trust in God, for we will yet see Your face.As seeks the hart for cooling streams,So we sigh for Thee, our God.This arrangement is perfect for choirs looking to add a touch of spiritual depth and emotional resonance to their repertoire. The organ accompaniment provides a majestic and supportive foundation, making it ideal for concerts, worship services, or special events. This piece is sure to move both singers and listeners alike.Key Features:Composer: AnonymousArranger: L. MüllerVoicing: Men’s Choir (TTBB)Accompaniment: OrganText: Adaptation of Psalm 42 by L. MüllerIdeal for lessons, concerts, or simply enjoying a musical journey through one of the most heartfelt psalms, this arrangement will bring a piece of spiritual history to life. Don’t miss the opportunity to bring this beautiful piece to your choir. Contact us today to purchase your copy and elevate your choral performances with this stunning arrangement of Psalm 42.
$2.99
2.73 €
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Chorale TTBB
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Anonimous
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L
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Psalm 42 for Men’s Choir
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Müller Publishing company
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SheetMusicPlus
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.92 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
Lascia ch'io pianga (for TTBB choir - with piano accompaniment)
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449264 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449264 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028410. Published by Rodrigo Faleiros (A0.1449264). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ➡️ Check out my other choir arrangements by clicking here ⬅️
$1.99
1.82 €
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Chorale TTBB
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George Frideric Handel
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Rodrigo Faleiros
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Lascia ch'io pianga
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Rodrigo Faleiros
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SheetMusicPlus
Forever Now
Chorale TTBB
TTBB Chorus,Voice - Level 4 - Digital Download SKU: A0.1456196 By Michael Buble. By…
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TTBB Chorus,Voice - Level 4 - Digital Download SKU: A0.1456196 By Michael Buble. By Alan Chang, Michael Buble, Ryan Lerman, and Tom Jackson. Arranged by Theo Hicks. 21st Century,A Cappella,Barbershop,Contemporary,Pop. Barbershop Quartet. 9 pages. Theo Hicks Music #1035346. Published by Theo Hicks Music (A0.1456196). *Quartet pricing: One (1) purchase allows for 4 copies*As sung by the 2023 Barbershop Harmony Society International Quartet Finalists, Artistic License. This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.For more information or arrangement titles from Theodore Hicks, visit Theo Hicks Music.
$25.00
22.86 €
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Chorale TTBB
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Michael Buble
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Theo Hicks
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Forever Now
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Theo Hicks Music
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SheetMusicPlus
Lascia ch'io pianga (for TTBB choir)
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449263 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449263 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028408. Published by Rodrigo Faleiros (A0.1449263). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Chord Symbols Included: Enhance your performance by incorporating chord symbols, allowing accompanists or instrumentalists to provide harmonic support. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ➡️ Check out my other choir arrangements by clicking here ⬅️
$1.99
1.82 €
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Chorale TTBB
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George Frideric Handel
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Rodrigo Faleiros
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Lascia ch'io pianga
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Rodrigo Faleiros
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SheetMusicPlus
Psalm 42 for Men’s Choir (TTBB) a capella
Chorale TTBB
Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1503597 Comp…
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Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1503597 Composed by Anonimous. Arranged by L. Müller. A Cappella,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1079061. Published by Müller Publishing company (A0.1503597). Psalm 42 for Men’s Choir (TTBB) a capella Explore the profound beauty of Psalm 42 with this specially arranged piece for Men’s Choir (TTBB) by L. Müller. Designed to capture the deep longing and spiritual yearning expressed in the original psalm, this adaptation brings a powerful and moving choral performance to life.Lyrics Adaptation by L. Müller:As seeks the hart for cooling streams,When heated in the chase,So longs our souls, O God, for Thee.For Thee, our God, the living God,Our thirsty soul doth pine;When shall we behold Thy face?The tears at all times are our repast,When wicked men cry out too fast,“Where now is God our guide?”Why restless, why cast down, our souls?Why such disquiet and distress?O Trust in God, for we will yet see Your face.As seeks the hart for cooling streams,So we sigh for Thee, our God.This arrangement is perfect for choirs looking to add a touch of spiritual depth and emotional resonance to their repertoire. Whether for a concert, worship service, or special event, this piece is sure to move both singers and listeners alike.Key Features:Composer: AnonymousArranger: L. MüllerVoicing: Men’s Choir (TTBB)Format: Closed Score (two voices per staff)Text: Adaptation of Psalm 42 by L. MüllerIdeal for lessons, concerts, or simply enjoying a musical journey through one of the most heartfelt psalms, this arrangement will bring a piece of spiritual history to life. Don’t miss the opportunity to bring this beautiful piece to your choir. Contact us today to purchase your copy and elevate your choral performances with this stunning arrangement of Psalm 42.
$2.99
2.73 €
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Chorale TTBB
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Anonimous
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L
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Psalm 42 for Men’s Choir
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Müller Publishing company
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SheetMusicPlus
After All That I Have Been to You
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928946 Composed by 1912, C…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928946 Composed by 1912, Chris Smith, and Jack Drislane. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella,Classical. Octavo. 5 pages. Donald A Mills #50389. Published by Donald A Mills (A0.928946). TTBB a cappella, duration 2:14 Life is full of ups and downs. It is certainly true that the few downs in life allow us to more fully appreciate all of the more numerous ups in life. Sometimes we sing about the difficult parts of life as well as the great ones. The loss of a relationship is one of life's most traumatic downers. But all is not lost, life will go on, and we will survive even this. Just believe... This ballad in three-quarter waltz time is great for a men's quartet or chorus. Tags: After All That I've Been To You! TTBB a cappella barbershop close harmony beachtanned Donald A. Mills.
$2.99
2.73 €
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Chorale TTBB
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1912, Chris Smith, and Jack Drislane
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Donald A
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After All That I Have Been to You
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Donald A Mills
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SheetMusicPlus
Thunderball
Chorale TTBB
Tenor Voice, Baritone Voice, Bass Voice, Choir, TTBB - Intermediate - Digital Downlo…
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Tenor Voice, Baritone Voice, Bass Voice, Choir, TTBB - Intermediate - Digital Download By Tom Jones. Arranged by Anders Lindqvist. Score. 3 pages. Published by Anders Lindqvist
A close harmony arrangement of this James Bond soundtrack hit, written by John Barry & Don Black and performed by Tom Jones. Suitable for a male acapella quartet or chorus of intermediate skills.A close harmony arrangement of this James Bond soundtrack hit, written by John Barry & Don Black and performed by Tom Jones. Suitable for a male acapella quartet or chorus of intermediate skills.
$12.99
11.88 €
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Chorale TTBB
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Tom Jones
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Anders Lindqvist
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Thunderball
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Anders Lindqvist
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SheetMusicPlus
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