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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All We Do
Non classifié
244
Piano & claviers
Instruments en Do
146
Piano seul
124
Piano, Voix et Guitare
80
Piano, Voix
79
2 Pianos, 4 mains
25
Piano Facile
19
Orgue
13
Accordéon
4
Accompagnement Piano
2
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
Piano (partie séparée)
1
2 Accordéons
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
24
Guitare
12
Basse electrique
8
Ligne De Mélodie, (Paroles) et Accords
5
Paroles et Accords
3
Ukulele
2
Banjo
1
4 Guitares (Quatuor)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
89
Chorale 3 parties
31
Chorale 2 parties
25
Chorale TTBB
16
Chorale Unison
16
Voix duo
8
Chorale SSAA
5
Voix duo, Piano
4
Voix haute
2
Voix Alto, Piano
2
Chorale SSATTB
1
Chorale SSAATTBB
1
Voix Soprano, Piano
1
Voix Tenor, Piano
1
Voix seule
1
Voix, Guitare
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
14
Hautbois, Piano (duo)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Flûte traversière
10
Quatuor de Saxophones: 4 saxophones
10
Clarinette et Piano
9
Saxophone Tenor et Piano
7
Saxophone Alto
7
Clarinette
6
Flûte, Hautbois, Clarinette, Basson
6
Saxophone Alto et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte et Guitare
5
Flûte à bec Soprano
5
Saxophone Tenor
5
Hautbois (partie séparée)
4
Saxophone Soprano et Piano
4
Saxophone Baryton, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
3
3 Clarinettes (trio)
3
Quintette de Saxophone: 5 saxophones
3
Flûte, Hautbois, Basson
3
3 Saxophones (trio)
3
Clarinette, Guitare (duo)
3
Saxophone Baryton
2
Hautbois
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone Soprano
2
Ensemble de Flûtes
2
Ensemble de Clarinettes
2
2 Flûtes traversières (duo)
2
Harmonica, Piano
1
Clarinette, Basson (duo)
1
2 Saxophones (duo)
1
Saxophone (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Cor anglais, Piano
1
Clarinette Basse, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Cor anglais et Harpe (duo)
1
Flûte, Saxophone (duo)
1
+ 37 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette, Piano
7
Trompette
7
Trombone
4
Cor et Piano
4
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium, Piano (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone et Piano
3
Tuba
2
Quatuor de cuivres: 4 trombones
2
Tuba et Piano
2
2 Trompettes (duo)
2
Cor anglais, Piano
1
Trompette, Euphonium (duo)
1
Trompette, Trombone (duo)
1
4 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais et Harpe (duo)
1
2 Trombones (duo)
1
Quatuor de Cuivres
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
19
Violon
14
Alto, Piano
8
Alto seul
8
Violoncelle, Piano
7
Trio à Cordes: violon, alto, violoncelle
7
Violon, Violoncelle (duo)
6
Harpe
5
Violoncelle
4
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
3
2 Violons (duo)
3
Trio à cordes: 3 violins
2
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Contre Basse
2
4 Violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto et Harpe
1
2 Altos (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto (partie séparée)
1
4 Contrebasses
1
Harpe, Voix
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Alto (duo)
1
Violon, Basson (duo)
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
58
Orchestre à Cordes
28
Ensemble de cuivres
20
Orchestre
17
Ensemble Jazz
8
Cloches
4
Jazz combo
4
Orchestre de chambre
3
Batterie
1
Fanfare
1
Piano et Orchestre
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
All We Do
Chorale TTBB
Partitions à imprimer
16 partitions trouvées
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1
What Shall We Do with the Drunken Sailor (TTBB) - Sea Shanty - men's choir (Blowboys)
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Chorale TTBB
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DÉBUTANT
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Traditional
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What Shall We Do with the Drun
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Martin Schröder
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.752502 Composed by Traditional. Arranged by Martin Schröder, Die Blowboys. Folk,Multicultural,World. Octavo. ...
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Choral Choir (TTBB) - Level 1 - SKU: A0.752502 Composed by Traditional. Arranged by Martin Schröder, Die Blowboys. Folk,Multicultural,World. Octavo. 4 pages. Martin Schröder #5024783. Published by Martin Schröder (A0.752502). The popular Sea Shanty 'What Shall We Do with the Drunken Sailor' arranged for men's choir (TTBB) by Martin Schröder as performed by German sea shanty group Die Blowboys. Score 2 pp.
$2.25
What Shall We Do with the Drunken Sailor
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Chorale TTBB
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Folklorique/Traditionel
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What Shall We Do with the Drun
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
What Shall We Do with the Drunken Sailor - TTBB. Arranged by Alice Parker and Robert Shaw. Lawson Gould Choral. 14 pages. Alfred Music - Digital Sheet...
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What Shall We Do with the Drunken Sailor - TTBB. Arranged by Alice Parker and Robert Shaw. Lawson Gould Choral. 14 pages. Alfred Music - Digital Sheet Music #00-PO- 0003521. Published by Alfred Music - Digital Sheet Music
$2.20
Why Don't We Do This More Often
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Allie Wrubel
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Walter Latzko
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Why Don't We Do This More Ofte
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.872100 Composed by Allie Wrubel. Arranged by Walter Latzko. Contemporary. Octavo. 4 pages. Latzko Muzic #5755499...
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Choral Choir (TTBB) - Level 3 - SKU: A0.872100 Composed by Allie Wrubel. Arranged by Walter Latzko. Contemporary. Octavo. 4 pages. Latzko Muzic #5755499. Published by Latzko Muzic (A0.872100). THIS IS A WONDERFUL ARRANGEMENT OF A GREAT UP-TEMPO SONG.
$7.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
What The Law Can't Do
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Chorale TTBB
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INTERMÉDIAIRE
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Rod Cunningham
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Rod Cunningham
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What The Law Can't Do
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Rod Cunningham
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1321592 Composed by Rod Cunningham. Arranged by Rod Cunningham. Barbershop,Christian. 8 pages. Rod Cunnin...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1321592 Composed by Rod Cunningham. Arranged by Rod Cunningham. Barbershop,Christian. 8 pages. Rod Cunningham #910066. Published by Rod Cunningham (A0.1321592). The initial idea for this song came from a point in a sermon (in June of 2020) by a pastor at my church (who shall remain nameless to protect the guilty 😊).  The point was that we can’t get to heaven by following the Law.  Only the Gospel can do that.  Therefore, the song is a Gospel song, even though the word “gospel†never appears in it.The song opens with the statement that the Law can’t “save your soulâ€.  It also points out that the Law can’t do miracles (like physically healing the body).  The song also addresses what the Law CAN do.  The song also alludes to a game (croquet) and a food (cinnamon toast) to demonstrate that neither a “Rule book†nor a “Recipe Book†can get us to heaven.  These allusions are a bit humorous and unexpected and therefore fit well in the genre of the Barbershop Quartet style.).
$2.49
Mother-in-law
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Allen Toussaint
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Christopher Alexander
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Mother-in-law
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.839883 Composed by Allen Toussaint. Arranged by Christopher Alexander. Pop. 16 pages. Christopher Alexand...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.839883 Composed by Allen Toussaint. Arranged by Christopher Alexander. Pop. 16 pages. Christopher Alexander #6065469. Published by Christopher Alexander (A0.839883). Do you want your boys to have fun singing? Use this arrangement of the 1960s doo-wop hit by Ernie K. Doe for your men's chorus. We do love all of our mothers-in-law, so this song should be performed as only a joke.
$2.50
The Cry Of The Earth (TTB)
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Chorale TTBB
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FACILE
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Stephen DeCesare
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The Cry Of The Earth
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Exultet Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.623890 By Stephen DeCesare. By Stephen DeCesare. Instructional,Multicultural,New Age,Standards,World. Octavo. 9 ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.623890 By Stephen DeCesare. By Stephen DeCesare. Instructional,Multicultural,New Age,Standards,World. Octavo. 9 pages. Exultet Music #4602547. Published by Exultet Music (A0.623890). Dramatic yet poignant song about climate change/global warming. The chorus reads: Do you hear the cry of the earth? If we do not change and reverse all the damage, our children will inherit a dead planet: we will have killed Mother Nature. Scored for TTB with Piano accompaniment. Accessible and appropriate for any school, church or concert setting. Â Â
$3.99
Can't Stop The Feeling from TROLLS
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Chorale TTBB
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INTERMÉDIAIRE
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Justin Timberlake
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Timorell
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Can't Stop The Feeling from TR
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Timorell
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.501986 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.501986 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Timorell. A Cappella,Contest,Festival,Hip-Hop,Pop,R & B. 17 pages. Timorell #3594519. Published by Timorell (A0.501986). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com. An advanced intermediate-level a cappella cover of the classic Justin Timberlake song, close to the original funky style with an extended ending, good to get the audience clapping along. Written for male voices, some with high falsetto. Includes a breakdown section for basses in the middle. Also includes shout-out to 'Jus-tin' which can be tailored to most any two-syllable combo--we do 'New York!' Vocal percussion is considered a key component, though not notated, for a fully developed production.Video of the arrangement: https://youtu.be/tkyQTUK4rsQRange: low - (tessitura) - highT1: C4 - (G4) - E5 T2: A3 - (E4) - G4 Bari: F3 - (A3) - E4Bass: F2 - (D3) - C4
$2.00
Det förlorade paradiset
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Chorale TTBB
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Kjell Perder
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Det förlorade paradiset
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus and reciter - SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beet...
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SATB chorus and reciter - SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beethoven. Secular. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1427. Published by Bo Ejeby Forlag - Digital (BJ.1427). 8.27 x 11.7 inches.In the symphony popularly known as the Pastoral, Beethoven delineates his deep love for nature, for the peace of the countryside along with the drama of a thunderstorm. Little could he know how industrialism, urbanisation, exploitation and a general lack of respect would come to be a threat to Mother Earth. When we hear the nightingale, the cuckoo, and the rumbling of thunder in Beethoven's sixth symphony, the aim of the composer is to express his emotions with regard to these sounds of nature rather than imitate them (Mehr Empfindung als Malerei!). Yet the Pastoral Symphony became a model for 19th century programme music composers who wished to renew the symphonic format with storytelling and a freer artistic idiom. The vocal work Det forlorade paradiset (The lost paradise) makes reference to Beethoven's ontologically anchored love for Creation, but also to the fundamental tension between the idyllic and encroaching threats, the very factors that give the Pastoral Symphony its richness and inevitability. The lyrics have nothing to do with John Milton's famous epos Paradise Lost, they foretell an approaching apocalypse created by mankind in this age of pollution and climate change. The choral text consists of fragments of Schiller's Ode an die Freude (used by LvB in his 9th Symphony). A few quotes by Beethoven will be recited as well.The basic principal of this composition is to present soothing parallel - tonally based - streams of nature sounds and idyllic surroundings with the gathering of ominous clouds of approaching disaster: ferocious fires, torrents of rain and stormy winds (where the singers make use of clusters, chanting, growl, stamping their feet, etc). Doch mehr Empfindung als Malerei! (emotion rather than mere imitation). A nod or two to Mr. Beethoven by way of droning and using chromatic runs. The performance can be choreographed for extra impact, but it is equally possible to perform the music as a concert piece. - Kjell Perder.
$6.40
Anonymous: What Shall We Do with the Drunken Sailor - choir (TTBB: tenor, bass)
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Anonymous
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Virtualsheetmusic
Instantly printable sheet music by Anonymous for choir (TTBB: tenor, bass) of MEDIUM skill level. / lawson gould choral
Instantly printable sheet music by Anonymous for choir (TTBB: tenor, bass) of MEDIUM skill level. / lawson gould choral
$5.18
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
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Chorale TTBB
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INTERMÉDIAIRE
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James Nathaniel Holland
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Indiana for Four Part A capell
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional....
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Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50
Der schöne Heinrich
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Chorale TTBB
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INTERMÉDIAIRE
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Georg Kreisler
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Bernhard Hofmann
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Der schöne Heinrich
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Schott Music - Digital
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SheetMusicPlus
TTBB chorus and piano - intermediate - SKU: S9.Q47096 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Bernhard Hofm...
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TTBB chorus and piano - intermediate - SKU: S9.Q47096 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Bernhard Hofmann. This edition: choral score. Humor - Love. Georg Kreisler für Chor. Downloadable, Choral score. Duration 6 minutes, 30 seconds. Schott Music - Digital #Q47096. Published by Schott Music - Digital (S9.Q47096). German.Georg Kreisler equals scathing, dark black humour on the piano! The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishes the corresponding music edition for men's choir TTBB with piano accompaniment (Georg Kreisler - Lieder und Chansons, ED 22735). In addition, all songs from the sheet music album are available in separate editions: Der schöne Heinrich pinches all petty bourgeois women in Vienna. But how does he do that? We can tell that this is not due to the fact that he does not slurp the soup. This pleasant arrangement with Kreisler's humorous text most certainly creates an exuberant atmosphere in the concert.
$7.99
Angel Down (work Tape)
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Chorale TTBB
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INTERMÉDIAIRE
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Lady Gaga
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Javon Byam
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Angel Down
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Javon Byam
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1093509 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Javon Byam. A Cappella,Contemporary,Po...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1093509 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Javon Byam. A Cappella,Contemporary,Pop. Octavo. 7 pages. Javon Byam #697569. Published by Javon Byam (A0.1093509). This is a TTBB arrangement of Lady Gaga's Angel Down (Work Tape). Angel Down is a piece written about pain, loss, and feeling motivated to help. My arrangement both incorporates sparseness emulating feelings of emptiness and powerful homophonic sections emphasizing the strength of the group. As a people, we can all save an angel down and it is easier to do when we work together. That feeling inspired this arrangement.
$4.99
Come Together
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Chorale TTBB
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FACILE
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Rock
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The Beatles
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Tidda Durrogan
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Come Together
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Blokes Notes Music Director
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1106229 By The Beatles. By John Lennon and Paul McCartney. Arranged by Tidda Durrogan. A Cappella,Pop,Rock. Octa...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1106229 By The Beatles. By John Lennon and Paul McCartney. Arranged by Tidda Durrogan. A Cappella,Pop,Rock. Octavo. 5 pages. Blokes Notes Music Director #708354. Published by Blokes Notes Music Director (A0.1106229). A fun to perform TTBB acapella arrangement with optional percussion and chest thumping! 5 pages. This is another arrangement written for and successfully performed by Blokes Notes a non-auditioned community men’s choir in Port Macquarie Australia, raising eyebrows since 2009. At the time (2014) we had less tenors so the pdf actually states TBBB but tenor 2s can easily do part 2. Easy intermediate 5pages.
$4.00
Honey, I'm Good
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Chorale TTBB
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FACILE
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Andy Grammer
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Timorell
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Honey, I'm Good
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Timorell
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.555244 By Andy Grammer. By Andy Grammer and Nolan Sipe. Arranged by Timorell. A Cappella,Contemporary,Cou...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.555244 By Andy Grammer. By Andy Grammer and Nolan Sipe. Arranged by Timorell. A Cappella,Contemporary,Country,Pop. 14 pages. Timorell #164851. Published by Timorell (A0.555244). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com. An easy intermediate level cover of the Andy Grammer song, close to the original style and structure. TONEWALL performs the song as a twist of a straight man being hit on by a gay man by adding a second voice to a few solo lines in the second verse. And, we change the second chorus to Honey, I'm good. I could do a brother, but I probably should not.
$2.00
"What Carol Is This?" (A Christmas Carol Medley/Mashup)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Various, Traditional
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Ash
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"What Carol Is This?"
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Music by Ash
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.919859 Composed by Various, Traditional. Arranged by Ash. A Cappella,Christmas,Sacred,Spiritual. Octavo. 21 page...
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Choral Choir (TTBB) - Level 4 - SKU: A0.919859 Composed by Various, Traditional. Arranged by Ash. A Cappella,Christmas,Sacred,Spiritual. Octavo. 21 pages. Music by Ash #6591569. Published by Music by Ash (A0.919859). A unique, compelling, and show-stopping 7-minute medley/mashup of Christmas Carols for a cappella ensembles!Christmas Carols included are (in order of appearance):O Come, O Come, EmmanuelWe Three KingsLittle Drummer BoyMary, Did You Know?What Child Is This?Silent NightHoly NightCarol of the Bells (brief)Joy to the WorldThe First Noeland Do You Hear What I Hear? (brief)General Details4 main voice parts with solo line(s)Divisi in T1 and T2 linesSolo(s) throughout entire medley; works great to have different soloists for each section/songOptional trio for We Three Kings and optional duet for The First NoelMinimum of 8 voices requiredWell-suited for small ensembles (8-16 voices), large choruses (100+), or in betweenDuration: approx. 7:00Vocal RangesSolo(s): B2-C5Tenor 1: C3-C5Tenor 2: C3-F#4Baritone: A2-E4Bass: E2-D4 Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$3.50
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