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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Non classifié
324
PIANO & CLAVIERS
Piano seul
160
Piano, Voix et Guitare
45
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43
Piano Facile
32
Orgue
17
Piano grosses notes
12
Piano Trio: piano, violon, violoncelle
5
Instruments en Do
3
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
2
1 Piano, 6 mains
1
Clavier
1
2 Pianos, 4 mains
1
Accompagnement Piano
1
Orgue, Piano (duo)
1
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GUITARES
Guitare
26
Ligne De Mélodie, (Paroles) et Accords
10
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9
2 Guitares (duo)
4
4 Guitares (Quatuor)
1
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1
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Chorale SATB
71
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25
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19
Chorale TTBB
16
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6
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6
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3
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3
Voix Tenor
3
Voix duo
3
Voix haute
1
Chorale SSAB, Piano
1
Chorale SSATTB
1
Chorale
1
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2 Saxophones (duo)
59
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31
2 Clarinettes (duo)
29
2 Flûtes traversières (duo)
29
2 Flûtes traversières, Piano
25
Clarinette, Violon (duo)
21
Clarinette, Trompette (duo)
19
Flûte traversière et Piano
13
Hautbois, Clarinette (duo)
12
2 Hautbois (duo)
12
Flûte, Violon
12
Flûte, Clarinette (duo)
11
Flûte, Trompette (duo)
11
Hautbois, Flûte
11
Flûte traversière
10
Flûte, Saxophone (duo)
9
Flûte, Alto (duo)
9
Hautbois, Basson (duo)
8
Clarinette et Alto
8
Saxophone (partie séparée)
7
Quatuor de Saxophones: 4 saxophones
6
Clarinette et Piano
6
Hautbois, Piano (duo)
6
Flûte, Hautbois, Clarinette, Basson
6
Clarinette
5
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Tenor et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone Alto et Piano
3
Ensemble de Flûtes
3
Saxophone Soprano et Piano
3
Saxophone Alto
3
Flûte, Hautbois (duo)
2
Ensemble de Clarinettes
2
Clarinette (partie séparée)
2
Flûte irlandaise
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de saxophones
1
Hautbois, violon (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Basson
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette et Basson
1
Flûte, Clarinette, Piano (trio)
1
Flûte et Guitare
1
Trio de Flûtes: 3 flûtes
1
Quintette de Saxophone: 5 saxophones
1
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CUIVRES
Trompette, Saxophone (duo)
23
Trompette, Trombone (duo)
16
2 Trompettes (duo)
14
2 Trombones (duo)
14
Trompette
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trombone
6
Cor et Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette, Piano
3
Trombone et Piano
3
Trio de Cuivres
2
2 Euphoniums et 2 Tubas
2
Tuba et Orgue
1
Quatuor de cuivres: 4 trombones
1
Trompette (partie séparée)
1
2 Tubas (duo)
1
2 Cors, Piano
1
2 Cors (duo)
1
Tuba
1
Quatuor de cuivres: 4 cors
1
Trombone (partie séparée)
1
Cor (partie séparée)
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
178
Violon, Violoncelle (duo)
153
Trio à Cordes: violon, alto, violoncelle
114
Violon
114
Violon et Piano
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Harpe
18
Alto, Piano
17
Violon, Alto (duo)
17
Violoncelle, Piano
16
2 Violoncelles (duo)
14
2 Altos (duo)
13
2 Violons (duo)
12
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle (partie séparée)
5
Violoncelle
4
Contrebasse, Piano (duo)
3
4 Violoncelles
3
Alto seul
3
2 Harpes (duo)
2
Alto (partie séparée)
2
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon (duo)
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Alto et Basson
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contre Basse
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
106
Orchestre d'harmonie
43
Ensemble Jazz
21
Orchestre
14
Ensemble de cuivres
11
Orchestre de chambre
11
Jazz combo
8
Cloches
6
Percussion (partie séparée)
3
Fanfare
3
Marimba
2
Ensemble de Percussions
2
Piano et Orchestre
1
Ensemble d'École
1
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AUTRES
Vous avez sélectionné:
Always There
Chorale TTBB
Partitions à imprimer
16 partitions trouvées
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1
I'm Always Chasing Rainbows
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930160 Composed by Harry C…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930160 Composed by Harry Carroll, Joseph McCarthy. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella. Octavo. 7 pages. Donald A Mills #24577. Published by Donald A Mills (A0.930160). This long-time favorite is a song that will bring back memories to the older set and introduce a gold-standard to the younger ones. The ups and downs of the world economy and catching that ever-elusive rainbow with its pot of gold is the hope of the song. There are two intuitive key changes here, in a cappella format, TTBB, with a medium high level of difficulty. Music by Harry Carroll, melody adapted from Fantaisie-Impromptu by Frédéric Chopin. Lyrics by Joseph McCarthy.
$2.29
2.12 €
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Chorale TTBB
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Harry Carroll, Joseph McCarthy
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Donald A
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I'm Always Chasing Rainbows
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Donald A Mills
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SheetMusicPlus
Musik ist stets bei Dir (The Music's Always There With You)
Chorale TTBB
SATB chorus (with divisions) and piano or chamber orchestra - Digital Download SKU: OX.…
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SATB chorus (with divisions) and piano or chamber orchestra - Digital Download SKU: OX.9780193566002 Composed by John Rutter. Sheet music. Octavo. 10 pages. Oxford University Press Digital #9780193566002. Published by Oxford University Press Digital (OX.9780193566002). ISBN 9780193566002.For SATB (with divisions) and piano or chamber orchestra. Rutter's charming piece sets a secular text by the composer that emphasises the significance of music and harmony in an ephemeral world. A simple accompaniment figure in the piano provides the backdrop to alternating unison and polyphonic verses.
$3.65
3.37 €
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Chorale TTBB
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John Rutter
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Musik ist stets bei Dir
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Oxford University Press Digital
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SheetMusicPlus
There Is Always One More Time
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1183470 Composed by Doc Po…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1183470 Composed by Doc Pomus and Ken Hirsch. Arranged by Michael Webber. A Cappella,Barbershop. Octavo. 3 pages. Michael Webber #783141. Published by Michael Webber (A0.1183470). Purchase learning tracks for this chart @ www.mwarrangements.com This version is for TTBB chorus / choir.
$1.99
1.84 €
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Chorale TTBB
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Doc Pomus and Ken Hirsch
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Michael Webber
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There Is Always One More Time
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Michael Webber
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SheetMusicPlus
There Is Always One More Time
Chorale TTBB
Voice (TTBB) - Level 2 - Digital Download SKU: A0.1183469 Composed by Doc Pomus and…
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Voice (TTBB) - Level 2 - Digital Download SKU: A0.1183469 Composed by Doc Pomus and Ken Hirsch. Arranged by Michael Webber. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Michael Webber #783140. Published by Michael Webber (A0.1183469). Purchase learning tracks for this chart @ www.mwarrangements.com This version is for TTBB / Barbershop Quartet.
$12.99
12 €
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Chorale TTBB
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Doc Pomus and Ken Hirsch
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Michael Webber
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There Is Always One More Time
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Michael Webber
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SheetMusicPlus
There's Always Tomorrow
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.850654 Composed by Johnny …
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.850654 Composed by Johnny Marks. Arranged by Stephen DeCesare. Children,Christmas,Contest,Festival,Film/TV,Holiday. Octavo. 4 pages. Exultet Music #457324. Published by Exultet Music (A0.850654). The tender ballad from the 1964 Christmas stop motion animated television special Rudolph the Red-Nosed Reindeer has been freshly arranged for TTB with Piano accompaniment. True to the original source material. Accessible and appropriate for any concert setting.
$1.99
1.84 €
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Chorale TTBB
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Johnny Marks
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Stephen DeCesare
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There's Always Tomorrow
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Exultet Music
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SheetMusicPlus
There's Always Tomorrow
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1156647 Composed by Johnny…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1156647 Composed by Johnny Marks. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop,Film/TV. Octavo. 3 pages. Kevin Keller #756972. Published by Kevin Keller (A0.1156647). TTBB a cappella chart in the barbershop style with solo voice in soprano/mezzo or falsetto tenor voice (high C).
$2.99
2.76 €
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Chorale TTBB
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Johnny Marks
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Kevin Keller
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There's Always Tomorrow
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Kevin Keller
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.69 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Africa
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David P…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
4.62 €
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Chorale TTBB
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Baba O'riley
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1117341 By The Who. By Pet…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1117341 By The Who. By Pete Townshend. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. Octavo. 12 pages. Bluesilhouettes Music #718904. Published by Bluesilhouettes Music (A0.1117341). I’ve always been interested in Baba O’Riley; it always felt like a combination of Disney’s Electric Light Parade, minimalism, and rock. Take what you want (as to the story) behind this piece - you cannot deny that the title refers to Maher Baba and Terry O’Riley - a combination of Indian spiritualism and musical minimalism. The main melody is there. The voices bounce around with short vocalises/ostinatos to simulate a synth. The piano also becomes integral to the iconic chord progression. This version helps to use what the choir is excellent for - dynamic and textural contrasts while delivering a familiar tune. Enjoy this interactive rendition of Baba O'Riley!
$2.50
2.31 €
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Chorale TTBB
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The Who
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David R
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Baba O'riley
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Bluesilhouettes Music
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SheetMusicPlus
In My Room
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
1.84 €
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Chorale TTBB
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Sing Loud (TTB)
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.723492 Composed by Garrett…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.723492 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 13 pages. Lagom Music #6760221. Published by Lagom Music (A0.723492). This upbeat and empowering original song by composer Garrett Breeze is a synth pop-infused statement of confidence and joy full of catchy hooks and fun vocal moments. It was commissioned and premiered by the combined 7th and 8th grade choir of Sioux Center Middle School in Iowa. Available in: SATB: https://bit.ly/3vZ0g95 SAB: https://bit.ly/35EAtbH SSA: https://bit.ly/3CwakYj TTB: https://bit.ly/3pUWQQV Two-Part: https://bit.ly/3vQxqI1 Rhythm Section Accompaniment: https://bit.ly/3IYOwXV Visit https://garrettbreeze.com to read my blog and discover new music! Check out my catalog of choral music at https://holidaychoirmusic.com! Subscribe to my YouTube channel at https://bit.ly/35HZC2d! Lyrics: Your voice is stronger than you know. Sing until they hear you. Your word can lift someone that's low. Speak until they trust you. There's a song that only you can sing; so sing it! (We need your voice) There's music only you can dream. So let's sing loud! We don't need to wait for a chance to celebrate. So let's sing loud! We don't need to wait for our time. So let's sing loud! Your light grows brighter every day. Shine until they see you. Your heart will always lead the way. Love until they follow you. You're the only one who knows your voice; let's hear it! (So make the choice) Come on, it's time to make some noise! So let's sing loud together, friends forever, voices strong! We will rise together, help each other, sing our song!
$2.50
2.31 €
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Chorale TTBB
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Garrett Breeze
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Sing Loud
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Lagom Music
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SheetMusicPlus
Angel, Blow that Trumpet
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1445608 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 22 pages. Artist of Note, Inc. #1025450. Published by Artist of Note, Inc. (A0.1445608). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
1.84 €
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Chorale TTBB
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Ken Litton
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
Rainbow
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1417916 By Kac…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1417916 By Kacey Musgraves. By Kacey Musgraves, Natalie Hemby, and Shane McAnally. Arranged by Mark A. Brymer. Country,Folk,Pop,Singer/Songwriter. 7 pages. Brymark Publishing #999460. Published by Brymark Publishing (A0.1417916). Now available as an TTBB, the song Rainbow,  bears the distinction of winning the 2019 Grammy® Award for Album of the Year, Kacey Musgraves has seamlessly married pop and country--and the effervescent ballad Rainbow is the result. When all seems lost, remember “there's always been a rainbow hanging over your head.â€.
$2.15
1.99 €
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Chorale TTBB
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Kacey Musgraves
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Mark A
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Rainbow
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Brymark Publishing
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SheetMusicPlus
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James N…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50
4.16 €
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Chorale TTBB
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James Nathaniel Holland
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Indiana for Four Part A capella Men's Chorus
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James Nathaniel Holland
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SheetMusicPlus
Blood Red Roses
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.972803 Composed by Traditi…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.972803 Composed by Traditional Sea Shanty. Arranged by John Sandford. Folk,World. Octavo. 5 pages. John A Sandford #6261425. Published by John A Sandford (A0.972803). The sea shanty is to be sung by male voices. The performance notes state that the shanty is to be sung with great gusto. However, there is room for artistic choice in the rhythm patterns of the verses and the amount of rubato used. Always be guided by the words is the general maxim to be observed. The first tenor part could be a soloist in keeping with the 'call and response' nature of the song or by a few voices.https://www.facebook.com/NoStringsAttached/videos/751426595497632
$1.99
1.84 €
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Chorale TTBB
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Traditional Sea Shanty
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John Sandford
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Blood Red Roses
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John A Sandford
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SheetMusicPlus
Rise Up, O Men of God!
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1256812 Composed by Willia…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1256812 Composed by William H. Walter. Arranged by Tuaimanu B. Petaia. A Cappella,Religious,Sacred,Spiritual,Traditional. Octavo. 9 pages. Tuaimanu Byron Petaia #850197. Published by Tuaimanu Byron Petaia (A0.1256812). I became aware of the hymn Rise Up, O Men of God! whilst playing through the hymnal used by my congregation a few years before I tried my hand at writing this arrangement in 2021. I drew part of my inspiration from a recording of the hymn made by the Tabernacle Choir, as well as from a very popular arrangement of the hymn Nearer My God to Thee by BYU Vocal Point.I’ve always been impressed by the immense power found in the unison singing of any choir, which is why I find the opening to this hymn so compelling and captivating. There is a grand and almost orchestral quality to this hymn that I find almost impossible to replicate in an ensemble that is singing acapella, and so in a way I think it almost inevitable that this arrangement is anti-climactic. I tried my best to write in a way that I thought imitated the triumphal and regal sounds of brass instruments and the organ. Even so, this hymn remains one of my favorites of all time, and I hope this arrangement does it justice, especially because it is ultimately written with the express purpose encouraging the saints to have a greater love and greater sense of jubilation in praising our Lord. Â
$3.99
3.69 €
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Chorale TTBB
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William H
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Tuaimanu B
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Rise Up, O Men of God!
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Tuaimanu Byron Petaia
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SheetMusicPlus
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