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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
And When I Die
Sheetmusicplus
Non classifié
365
Piano & claviers
Piano seul
304
Piano, Voix
107
Piano, Voix et Guitare
49
Piano Facile
31
Instruments en Do
19
Orgue
18
1 Piano, 4 mains
8
Orgue, Piano (duo)
8
2 Pianos, 4 mains
4
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
112
Ligne De Mélodie, (Paroles) et Accords
81
Guitare
52
Guitare notes et tablatures
22
Ukulele
7
3 Guitares (trio)
4
Basse electrique
4
4 Guitares (Quatuor)
4
Paroles et Accords
2
Banjo
2
Mandoline
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
91
Chorale 3 parties
20
Chorale 2 parties
14
Chorale SSAA
10
Chorale TTBB
9
Chorale Unison
6
Voix duo, Piano
6
Voix Alto, Piano
4
Voix Soprano, Piano
3
Pack Instrumental pour Chorale
2
Voix haute
2
Voix duo
2
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Chorale SSAATTBB
1
Voix Baryton, Piano
1
Voix Soprano
1
Voix Tenor
1
+ 14 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
196
Clarinette et Piano
173
Flûte traversière et Piano
162
Saxophone Alto et Piano
125
Saxophone Tenor et Piano
124
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
Quintette de Saxophone: 5 saxophones
45
Clarinette
32
2 Saxophones (duo)
28
Hautbois (partie séparée)
28
2 Flûtes traversières (duo)
18
Flûte traversière
17
Quatuor de Saxophones: 4 saxophones
17
Saxophone Alto
8
3 Clarinettes (trio)
7
Ensemble de Clarinettes
6
Clarinette (partie séparée)
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte et Guitare
6
Ensemble de Flûtes
5
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Baryton, Piano
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Tenor
3
Flute (partie séparée)
3
Quintette de Flûte : 5 flûtes
3
2 Clarinettes (duo)
3
Ensemble de saxophones
3
Flûte, Clarinette, Piano (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone (partie séparée)
2
Clarinette, Guitare (duo)
2
Saxophone Soprano et Piano
2
Cor anglais, Piano
2
3 Saxophones (trio)
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Guitare (duo)
1
2 Flûte à bec (duo)
1
Saxophone et Guitare
1
Flûte, Violon, Piano
1
Cor Anglais
1
Quatuor de Flûtes à bec
1
Flûte, Violoncelle
1
Harmonica
1
Flûte et Quatuor à Cordes
1
Saxophone et Orgue
1
Flûte à bec Soprano
1
Flûte, Clarinette (duo)
1
+ 43 instrumentations
Retracter
Cuivres
Trombone et Piano
142
Trompette
93
Trompette, Piano
64
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trombone
21
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette (partie séparée)
14
2 Trompettes (duo)
6
Cor
5
Trombone (partie séparée)
4
2 Trombones (duo)
4
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
3
Tuba
3
Cor et Piano
3
2 Tubas (duo)
2
Cor (partie séparée)
2
Ensemble de Trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Piano
2
Tuba et Piano
1
Ensemble de Tubas
1
Tuba (partie séparée)
1
Cor Anglais
1
Trompette, Euphonium (duo)
1
Trompette, Trombone (duo)
1
+ 21 instrumentations
Retracter
Cordes
Alto, Piano
163
Violon et Piano
147
Violoncelle, Piano
132
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon
26
Violoncelle
20
Harpe
17
2 Violons (duo)
11
Violon (partie séparée)
10
Alto (partie séparée)
9
Alto seul
9
Harpe, Voix
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
4
Ensemble d'Altos
4
Contrebasse (partie séparée)
3
Violon, Violoncelle (duo)
3
Violon, Alto (duo)
2
Violoncelle , Guitare (duo)
2
2 Violoncelles (duo)
2
4 Violoncelles
2
Contre Basse
2
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, violoncelle
1
2 Harpes (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Harpe et Piano
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
91
Orchestre
40
Orchestre à Cordes
21
Ensemble de cuivres
14
Ensemble Jazz
12
Orchestre de chambre
10
Cloches
7
Percussion (partie séparée)
4
Jazz combo
3
Ensemble de Percussions
3
Fanfare
3
Xylophone
1
Marimba
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
And When I Die
SheetMusicPlus
Partitions à imprimer
9 partitions trouvées
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1
When I Dream of Old Erin (I'm Dreaming of You)
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Chorale TTBB
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Leo Friedman
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When I Dream of Old Erin
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Composed by Leo Friedman. Bodies of water, Bridges, Mountains, Shamrocks, Homesickness, Love, Absences. Lester S. Levy Collection. 5 pages. Published by Johns H...
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Composed by Leo Friedman. Bodies of water, Bridges, Mountains, Shamrocks, Homesickness, Love, Absences. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8800). - - - Johns Hopkins University Sheridan Libraries
$5.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
The One I Love
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Chorale TTBB
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FACILE
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R
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M
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The One I Love
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Vocal Works
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.742114 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Berry. Arranged by M. Ryan Taylor. A C...
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Choral Choir (TTBB) - Level 2 - SKU: A0.742114 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Berry. Arranged by M. Ryan Taylor. A Cappella,Pop,Rock. Octavo. 8 pages. Vocal Works #6325261. Published by Vocal Works (A0.742114). May be sung acapella, with strummed chordal accompaniment (lute, gittern, renaissance guitar, etc.), or with a consort of renaissance or medieval instruments doubling the vocals (recorders, viols, cornetts, sackbuts, etc.) on the SATB version (available separately) or 8va top 3 staves, and optional percussion (see below). When performing with singers and a consort, the intro and first section before the repeat should be played instrumentally with a bass vocal soloist (tutti men of a soloist is not available).
$3.49
When Will I Be Loved
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Linda Ronstadt
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John C
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When Will I Be Loved
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John C. Quillin
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.995535 By Linda Ronstadt. By Phil Everly. Arranged by John C. Quillin. Contemporary. Octavo. 7 pages. John C. Qu...
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Choral Choir (TTBB) - Level 3 - SKU: A0.995535 By Linda Ronstadt. By Phil Everly. Arranged by John C. Quillin. Contemporary. Octavo. 7 pages. John C. Quillin #5040919. Published by John C. Quillin (A0.995535). The ultimate in audience favorites, there's no chance they won't sing along. This arrangement for TTBB with piano, guitar, bass, and drums follows Linda Ronstadt's 1975 version of this 1960 Everly Brothers hit. Easily accessible by your TTBB ensemble.
$2.50
The Impression That I Get
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Chorale TTBB
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AVANCÉ
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The Mighty Mighty Bosstones
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Corey Cerullo
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The Impression That I Get
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Cerullo Music LLC
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.540600 By The Mighty Mighty Bosstones. By Dicky Barrett and Joe Gittleman. Arranged by Corey Cerullo. A Cappella...
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Choral Choir (TTBB) - Level 5 - SKU: A0.540600 By The Mighty Mighty Bosstones. By Dicky Barrett and Joe Gittleman. Arranged by Corey Cerullo. A Cappella. Octavo. 12 pages. Cerullo Music LLC #4301113. Published by Cerullo Music LLC (A0.540600). Your advanced male a cappella group is going to love this arrangement! As true to the original as can be with just voices, this is going to knock the socks off of your audiences. If you are dying to showcase your male singers, this is the tune to do it with!Arranged for TTBB with some divisi and a Solo/duet on top. It's going to be a rockin' good time when you put all of this together!
$4.00
Three Mexican Folk Songs: 1. La Martiniana (Downloadable Piano/Choral Score)
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Chorale TTBB
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FACILE
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David Conte
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Three Mexican Folk Songs: 1. L
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir, piano - Moderately Easy - SKU: MQ.8203-E Composed by David Conte. 9 pages. E. C. Schirmer Music Company - Digital #8203-E. Published by E. C...
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TTBB choir, piano - Moderately Easy - SKU: MQ.8203-E Composed by David Conte. 9 pages. E. C. Schirmer Music Company - Digital #8203-E. Published by E. C. Schirmer Music Company - Digital (MQ.8203-E). Spanish.Little girl, when I diedon't cry over my graveSing me a beautiful song, oh mothersing to me La Sandunga.
$2.25
Lullabye (Goodnight, My Angel)
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Billy Joel
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Deb Jones
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Lullabye
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Deb Jones
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.984180 By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 20 pages. Deb Jones #4737103. Publ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.984180 By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 20 pages. Deb Jones #4737103. Published by Deb Jones (A0.984180). Lullabye (Goodnight My Angel) This absolutely gorgeous song was written by Billy Joel in response, I believe, to his young daughter asking him what happens when people die and, as he didn’t believe in the afterlife, he was trying to avoid answering her. I was asked to arrange this as a duet with a cello and a ‘smattering of (SSA) choir.’ As I was listening to recordings of this song, a second voice emerged for me, possibly someone who has passed on, calmly lulling the child to sleep whilst her father is trying to distract her from her questions. This was indeed the interpretation felt by people I played it to who found it very moving. This version has been reformatted for male voices, so duet, cello, smattering of TTBB. I hope you enjoy it. Included in this pack are a full score, vocal score and cello part with what I hope are useful cues for you to navigate your way around the piece. Other formats will be available shortly with more choir involvement and for those without access to a cello. Formats available Duet, cello, SSA Duet, cello, TTBB
$1.99
All 4 Love
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Chorale TTBB
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Color Me Badd
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Eddie Holmes
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All 4 Love
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Eddie Holmes
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.1007807 By Color Me Badd. By Bryan Kyeth Abrams, Howard Thompson, Isaac Hayes, Kevin Kraig Thornton, Mark Calderon, Sam Wa...
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Choral Choir (TTBB) - SKU: A0.1007807 By Color Me Badd. By Bryan Kyeth Abrams, Howard Thompson, Isaac Hayes, Kevin Kraig Thornton, Mark Calderon, Sam Watters, and Steve Cropper. Arranged by Eddie Holmes. A Cappella. Octavo. 5 pages. Eddie Holmes #4991713. Published by Eddie Holmes (A0.1007807). From the opening bell chords to the bass post at the tag this is a loving tribute to 90s pop. Audiences will enjoy this fun arrangement of Color Me Badd's iconic All 4 Love.When Purchasing: A single $12.99 purchase grants you permission to make 4 legal copies of this arrangement. Larger groups should please round up to the nearest 4 to suit your needs. (i.e. A chorus of 39 should purchase 10 copies.)
$12.99
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
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