English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
8
Librairie
Musicale
5
Matériel
de Musique
495
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
780
PIANO & CLAVIERS
Piano seul
168
Piano Facile
45
Piano, Voix
42
Piano, Voix et Guitare
36
Instruments en Do
19
Orgue
13
Accompagnement Piano
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
2
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
Piano grosses notes
1
Clavier
1
Orgue, Trompette (duo)
1
Accordéon
1
1 Piano, 4 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
22
Guitare notes et tablatures
19
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
5
Guitare (partie séparée)
4
Banjo
3
Piano, Guitare (duo)
3
Paroles et Accords
2
Dulcimer
1
Ensemble de guitares
1
Mandoline
1
2 Guitares (duo)
1
Ukulele
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
110
Chorale 3 parties
33
Chorale 2 parties
22
Chorale TTBB
8
Chorale SSAA
5
Voix Soprano, Piano
5
Voix seule
3
Chorale Unison
3
Voix duo
2
Voix duo, Piano
2
Chorale SSAATTBB
1
Voix haute
1
Chorale SSATB
1
Voix Tenor, Piano
1
Instrumentations suivantes
Retracter
VENTS
Saxophone
119
Quatuor de Clarinettes: 4 clarinettes
101
Quatuor de Saxophones: 4 saxophones
90
Flûte traversière
54
Clarinette
47
Flûte, Hautbois, Clarinette, Basson
42
Flûte traversière et Piano
36
Saxophone (partie séparée)
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Saxophone Alto et Piano
28
Ensemble de saxophones
27
Saxophone Alto
24
Quintette de Saxophone: 5 saxophones
21
Hautbois, Piano (duo)
19
Saxophone Tenor et Piano
19
Clarinette et Piano
17
2 Flûtes traversières (duo)
15
Saxophone Tenor
8
Ensemble de Clarinettes
8
Saxophone Soprano
6
Saxophone Soprano et Piano
6
Hautbois (partie séparée)
6
Ensemble de Flûtes
6
Saxophone Baryton, Piano
5
2 Saxophones (duo)
5
Quintette de Flûte : 5 flûtes
4
Flûte et Guitare
4
3 Clarinettes (trio)
4
Clarinette, Guitare (duo)
4
3 Saxophones (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Quintette de Clarinettes: 5 clarinettes
3
Flute (partie séparée)
3
Clarinette, Basson (duo)
3
Flûte à Bec
2
Clarinette (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette Basse, Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violon et Violoncelle
2
Cor anglais, Guitare (duo)
2
Flûte, Clarinette et Basson
2
Piccolo, Piano
1
Hautbois, Flûte
1
5 Flûtes à bec
1
Flûte, Hautbois (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
2 Clarinettes (duo)
1
Clarinette, Violoncelle (duo)
1
Ensemble De Flûte à bec
1
Clarinette, Violon (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte, Hautbois, Basson
1
Clarinette, Alto et Piano (trio)
1
Saxophone et Guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Trompette
51
Trombone
41
Ensemble de Trompettes
29
Trombone et Piano
18
Trompette, Piano
15
Trompette (partie séparée)
14
Cor et Piano
12
Trombone (partie séparée)
12
Quatuor de Cuivres
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Ensemble de Trombones
7
Euphonium, Piano (duo)
7
Tuba
6
Trompette, Trombone (duo)
5
Ensemble de Cors
5
Tuba et Piano
4
Cor
4
Tuba (partie séparée)
4
Cor (partie séparée)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trio de Cuivres
2
2 Trompettes (duo)
2
Cor anglais, Guitare (duo)
2
Quatuor de cuivres: 4 trombones
2
2 Trombones (duo)
1
Trombone basse
1
4 Tubas
1
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
315
Violon, Violoncelle (duo)
221
Violon
190
Trio à Cordes: violon, alto, violoncelle
189
Quintette à cordes: 2 violons, alto, violoncelle, basse
80
Violon et Piano
38
Alto, Piano
25
Violoncelle, Piano
22
Violon, Alto (duo)
19
2 Violons (duo)
18
Violoncelle (partie séparée)
15
Alto seul
15
Alto, Violoncelle (duo)
11
Harpe
11
Alto (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
6
Violoncelle
5
Contrebasse (partie séparée)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Violoncelles (duo)
3
Contrebasse, Piano (duo)
3
4 Violoncelles
2
Harpe, Flûte (duo)
2
Contre Basse
2
Violon, Guitare (duo)
2
2 Altos (duo)
2
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Ensemble d'Altos
1
Violoncelle, Orchestre
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
165
Orchestre à Cordes
141
Orchestre
46
Ensemble Jazz
46
Ensemble de cuivres
33
Orchestre de chambre
18
Cloches
8
Ensemble de Percussions
5
Fanfare
2
Orchestre, Violon
2
Jazz combo
2
Xylophone, Piano
2
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Back to work - drums
Chorale TTBB
Partitions à imprimer
8 partitions trouvées
<
1
Voices Answering Back: The Vampires
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1031323 Composed by John P…
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1031323 Composed by John Plant. 20th Century,Contemporary,Halloween. Octavo. 26 pages. JWP Music #3108015. Published by JWP Music (A0.1031323). This setting of Lawrence Raab's poem 'Voices Answering Back: The Vampires' was commissioned and first performed by Coastal Voices Men's Choir, under the direction of Janet Gaskin. Approximate duration: 7 minutes. The text is used by permission of the poet. Coastal Voices is an unauditioned but very hard-working choir; my commission was to write a work which would be challenging, but feasible for them, and they responded splendidly to the occasion. I made MIDI soundfiles of the individual parts for the singers to rehearse with, and I would be happy to provide these to choirs who plan to perform the work. Voices Answering Back requires a skilled pianist. You can reach me through my website at www.johnplantmusic.com. My performing rights organization is SOCAN. Please note: 2017 Choral Contest Entry.
$4.00
3.68 €
#
Chorale TTBB
#
John Plant
#
Voices Answering Back: The Vampires
#
JWP Music
#
SheetMusicPlus
I Won't Back Down
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.890872 By Tom Petty. By Je…
(+)
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.890872 By Tom Petty. By Jeff Lynne and Tom Petty. Arranged by Pax Ressler. Pop,Rock. Octavo. 7 pages. Pax Ressler #6714167. Published by Pax Ressler (A0.890872). This is a 3-minute intermediate arrangement of Tom Petty & Jeff Lynne's I Won't Back Down for TTBB chorus and piano.Pax Ressler (they/them) is a Philadelphia-based theatre and music artist composing and arranging soul-stirring choral music for ensembles across the United States and beyond. To see more of Pax's work, visit https://www.sheetmusicplus.com/publishers/pax-ressler/14943 or their website: www.paxressler.com
$1.99
1.83 €
#
Chorale TTBB
#
Tom Petty
#
Pax Ressler
#
I Won't Back Down
#
Pax Ressler
#
SheetMusicPlus
Facetime With My Mom Tonight
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1406776 Compos…
(+)
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1406776 Composed by Bo Burnham. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Film/TV. 11 pages. Jacob Klingsten #989524. Published by Jacob Klingsten (A0.1406776). “FaceTime with my Mom (Tonight)†by Bo Burnham is a song from the comedy special Inside. This arrangement is for TTBB a cappella groups, and sits at an easy-intermediate difficulty for high school/collegiate groups. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one.This arrangement features the main soloist, who sings quite lyrically and seriously (satirical, of course) about the relatable experience of FaceTiming with their parents. The echoes in the original recording are included in the score for the soloist to sing, if they wish. Additionally, the piece is relatively easy to learn, with a very repetative chord progression. As the arranger, I imagine the background vocalists miming the various lyrics that the soloist sings when they aren't looking, only for them to appear 'normal' when the soloist turns back. This song also works as a great low-key piece for your set if you're looking to add a subtle, satirical aspect of comedy. Additional Details: Key: Db major 11 Pages Length: 2m 20s Ranges: Solo: Bb2-Db4 Tenor 1: Bb3-Gb4 Tenor 2: Gb3-Db4 Baritone: Eb3-Bb3 Bass: Eb2-F3 If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges around $50 per commissioned arrangement. Jacob would love to work with you and your ensemble!Jacob Klingsten is an undergraduate student pursuing their B.A. in Music Education, and is expected to graduate in May 2025. He hopes to become a middle school and/or high school choir teacher to not only teach the choral art, but also the art of Contemporary A Cappella. He hopes you will enjoy singing his arrangements!
$2.49
2.29 €
#
Chorale TTBB
#
Bo Burnham
#
Jacob Klingsten
#
Facetime With My Mom Tonight
#
Jacob Klingsten
#
SheetMusicPlus
The Parting Before the Battle- Ní neart go cur le chéile (There is no strength without unity)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.942885 Composed by James W…
(+)
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.942885 Composed by James W. Knox. Contemporary. Octavo. 21 pages. Knox Music #6383215. Published by Knox Music (A0.942885). THE PARTING BEFORE THE BATTLE was written by Thomas Moore (1779-1852) an Irish writer, poet and lyricist celebrated for his Irish Melodies. He is best remembered for the lyrics of The Minstrel Boy and The Last Rose of Summer and one of the first recognized champions of freedom in Ireland. As an impressionable young man with a quick Irish temper, the execution of a close college friend during the United Irishmen's Rebellion aroused in Moore a patriotic fervor that provided his greatest literary inspiration. Thomas Moore's best known work included a brilliant biographical masterpiece taken from the confidential memoirs of Lord Byron. His own Memoirs, Journal, and Correspondence are an invaluable social record of life in England and Ireland during the first half of the nineteenth century. James W. Knox, composer, depicts a battle of the brave Irish men and women who have courageously fought against those who seek destruction. The chorus should sing with great boldness and display a sense of honorable pride. To create a dramatic affect, James also used Erse or Gaelic with an ancient proverb, Nà neart go cur le chéile. (There is no strength without unity.) This text is used throughout the piece in addition to the poem. The proverb is set to the melody of Dies irae , which is a famous Gregorian chant dating back to the 13th century and is found as part of the Latin sequence in the Requiem. .
$3.50
3.22 €
#
Chorale TTBB
#
James W
#
The Parting Before the Battle- Ní neart go cur le chéile
#
Knox Music
#
SheetMusicPlus
Make You Feel My Love
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1035850 By Bob Dylan. By B…
(+)
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1035850 By Bob Dylan. By Bob Dylan. Arranged by Alexander Koller. A Cappella,Pop. Octavo. 5 pages. Alexander Koller #6905687. Published by Alexander Koller (A0.1035850). This is a four-part a cappella arrangement in the barbershop style (for male voices). The arrangement follows the Adele version more closely than the Bob Dylan version, but leaves out some of her stylizations. It should be fine for barbershop contests.There are already several barbershop arrangements of the song. My goal was to write one that is accessible for beginning barbershoppers, but still has some fun moments and a musical development that supports the story. I have tried to maintain the quiet and introspective mood of the original, while still giving you the opportunity for some musical contrasts.The back half (which you can't see in the preview) has the third verse as a lead solo and the fourth verse as a lead-tenor duet, with the other parts singing doo-doo accompaniment. The second bridge (the storms are raging) has a higher tessitura and musical intensity than the first one.The arrangement is for male voices. It should also work for a mixed quartet with a male bass. If you want to sing it with four high voices, please get in touch and I'll see if I can make it more accessible to you.If you choose to sing this arrangement, I would love to hear about your experiences at akoller@gmail.com; your feedback will make me a better arranger.
$1.99
1.83 €
#
Chorale TTBB
#
Bob Dylan
#
Alexander Koller
#
Make You Feel My Love
#
Alexander Koller
#
SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.67 €
#
Chorale TTBB
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & His Strange Daughter
#
Edition Craig Hanson
#
SheetMusicPlus
Harlem Night Song from Harlem Songs
Chorale TTBB
TTBB choir and piano - Digital Download SKU: MQ.7295-E Composed by Gwyneth W. Walke…
(+)
TTBB choir and piano - Digital Download SKU: MQ.7295-E Composed by Gwyneth W. Walker. African American Heritage. 16 pages. E. C. Schirmer Music Company - Digital #7295-E. Published by E. C. Schirmer Music Company - Digital (MQ.7295-E). English.Harlem Night Song is infused with the language of blues: mixed major and minor tonalities, a gentle tempo, humming. The music is also nocturnal and atmospheric. The chorus sings I love you, as if calling back and forth across the Harlem rooftops. A change of pace follows in the middle of the piece: Down in the street, a band is playing... Scat singing, percussive vocal effects and random patterns of I love you bring this work to a close.
$2.85
2.62 €
#
Chorale TTBB
#
Gwyneth W
#
Harlem Night Song from Harlem Songs
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
The Diamantina Drover
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.774726 Composed by Hugh Th…
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.774726 Composed by Hugh Thomas Mcdonald. Arranged by Sandra Milliken. Contemporary. Octavo. 17 pages. Sandra Milliken #4346163. Published by Sandra Milliken (A0.774726). The Diamantina Drover is a song about life in the saddle in outback Queensland written by Australian singer-songwriter Hugh McDonald (1954-2016). Hugh was probably best known as a member of the folk-rock group Redgum. From 1986 to 1990 he was their lead singer and wrote a number of the group's hit songs, including The Diamantina Drover.The Diamantina Drover tells the story of a drover who leaves behind his family in Sydney and sets out to find work on Cork Station on the banks of the Diamantina River in the channel country of far western Queensland. He promises his family that he’ll return home when the droving is finished. But ten years go by and, despite the hardships of the drover’s life, he still finds it hard to leave behind the wide-open spaces and return to city life.The Diamantina in the song title refers to the Diamantina River, one of several large Queensland river systems that make their way towards Lake Eyre, in South Australia. Because the Lake Eyre basin is located entirely in desert and semi desert country, the rivers flow only intermittently following periods of heavy rain. For most of the time, the shallow river channels are dry and dusty, and Lake Eyre is an expansive salt plain.
$2.20
2.03 €
#
Chorale TTBB
#
Hugh Thomas Mcdonald
#
Sandra Milliken
#
The Diamantina Drover
#
Sandra Milliken
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale