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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Be Still And Know
Non classifié
186
Piano & claviers
Piano seul
80
Piano Facile
46
Piano, Voix
41
Piano, Voix et Guitare
20
Instruments en Do
18
Orgue
9
Piano grosses notes
4
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
3
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
8
Guitare notes et tablatures
3
Paroles et Accords
3
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
1
Basse electrique
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
70
Chorale Unison
19
Chorale 3 parties
12
Chorale 2 parties
11
Voix duo, Piano
8
Voix seule
6
Chorale TTBB
5
Chorale SSAA
3
Voix duo
2
Chorale
2
Voix Baryton, Piano
1
Voix basse
1
Voix haute
1
Pack Instrumental pour Chorale
1
+ 9 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
21
Flûte traversière et Piano
14
2 Flûtes traversières (duo)
13
Hautbois (partie séparée)
13
2 Saxophones (duo)
12
Clarinette et Piano
11
Saxophone Alto et Piano
10
Quintette de Saxophone: 5 saxophones
9
Clarinette
9
Flûte, Hautbois, Clarinette, Basson
8
Clarinette (partie séparée)
8
Saxophone Tenor et Piano
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Hautbois, Piano (duo)
6
Ensemble de saxophones
5
Quatuor de Clarinettes: 4 clarinettes
5
Ensemble de Flûtes
5
3 Saxophones (trio)
4
Saxophone Baryton, Piano
4
Saxophone Soprano et Piano
4
2 Clarinettes (duo)
3
Ensemble de Clarinettes
3
Flute (partie séparée)
3
Flûte à bec Alto
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Alto, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Quintette de Flûte : 5 flûtes
2
3 Clarinettes (trio)
2
Flûte traversière
1
Hautbois, Violoncelle
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson (duo)
1
Flûte, Clarinette (duo)
1
Clarinette Basse, Piano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Tenor
1
Flûte à bec Soprano
1
Saxophone Alto
1
Flûte à Bec
1
3 Flûtes à bec (trio)
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
5 Flûtes à bec
1
2 Flûte à bec (duo)
1
Cor anglais, Piano
1
+ 42 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone et Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette (partie séparée)
5
Trompette, Piano
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trombone (partie séparée)
4
Trompette
3
Cor (partie séparée)
3
Cor et Piano
3
Ensemble de Trombones
2
Euphonium, Piano (duo)
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 4 cors
2
Trombone
1
2 Trombones (duo)
1
Ensemble de Trompettes
1
4 Tubas
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais, Piano
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon et Piano
16
Violoncelle, Piano
14
Trio à Cordes: violon, alto, violoncelle
9
2 Violons (duo)
8
Violon (partie séparée)
8
Alto, Piano
5
Violon, Violoncelle (duo)
3
Violon, Alto (duo)
3
2 Violoncelles (duo)
3
4 Violoncelles
3
Contrebasse (partie séparée)
3
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle
3
Harpe
2
Violoncelle (partie séparée)
2
2 Harpes (duo)
2
Trio à cordes: 3 violins
2
Violon
2
Alto, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
1
2 Altos (duo)
1
Harpe (partie séparée)
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Voix
1
Violon, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Ensemble de Violons
1
Trio à Cordes: 3 violoncelles
1
Ensemble d'Altos
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
23
Orchestre
22
Orchestre à Cordes
8
Cloches
5
Percussion (partie séparée)
3
Ensemble de cuivres
3
Ensemble de Percussions
2
Orchestre de chambre
2
Jazz combo
1
+ 4 instrumentations
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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PUNK
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Vous avez sélectionné:
Be Still And Know
Chorale TTBB
Partitions à imprimer
5 partitions trouvées
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1
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
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Chorale TTBB
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DÉBUTANT
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Musique Sacrée
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Paul A
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Paul A
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IS THERE STILL A DROP OF BLOOD
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo....
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Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Lullaby Of Birdland
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Chorale TTBB
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INTERMÉDIAIRE
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George Shearing
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Larry Wright
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for assistance
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Lullaby Of Birdland
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Larry Wright
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.853846 Composed by George Shearing. Arranged by Larry Wright. A Cappella,Barbershop. 4 pages. Larry Wrigh...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.853846 Composed by George Shearing. Arranged by Larry Wright. A Cappella,Barbershop. 4 pages. Larry Wright #4642187. Published by Larry Wright (A0.853846). A MEN'S 4-part, a cappella, barbershop arrangement of this mid-tempo'd tune recorded by many well-known artists. Check out the brief audio sample. IMPORTANT NOTE: by FIRST purchasing the COMBO of this arrangement from my website store <www.larrywrightmusic.com>, you'll be getting the EXCELLENT part-predominant, vocal learning trax from my website store... and be able to purchase the sheet music from SMP for their lowest $1.89 to $1.99 per-copy price,... and NOT the much higher $14.25 per-copy price. PLUS you get to select a second COMBO from my website FREE!!!! Of course, you'll still need to pay the per-copy fee to the publisher who controls the song copyright licensing. After FIRST purchasing the COMBO on my website store, if the Sheet Music Plus (SMP) website per-copy price is anything more than $1.99, DON'T PAY IT!!!!  Email me <larry@larrywrightmusic.com> for assistance. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent, part-predominany, vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
Where Everybody Knows Your Name Theme from the Paramount Television Series CHEERS
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Chorale TTBB
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INTERMÉDIAIRE
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Gary Portnoy and Judy Hart Ang
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Larry Wright
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a fun tune
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Where Everybody Knows Your Nam
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Larry Wright
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.853832 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by Larry Wright. A Cappella,Barbershop. 4 ...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.853832 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by Larry Wright. A Cappella,Barbershop. 4 pages. Larry Wright #4638541. Published by Larry Wright (A0.853832). A MEN'S 4-part, a cappella, uptempo'd, barbershop arrangement of this Cheers TV show theme song; a fun tune; short, and probably contestable for BHS. IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store and get it FREE!!!! Of course, you'll still need to pay the per-copy fees to SMP... or whatever publisher controls the song licensing. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
Waltz of the Roses (Think of My Love As A Rose), for TB Chorus Piano, Theme from The Snow Queen, A B
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Chorale TTBB
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FACILE
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. P...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. Published by James Nathaniel Holland (A0.730416). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged here for TB Male Chorus or Individual Tenor or Bass Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.25
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Be Still And Know
