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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Call it a Day
Non classifié
348
Piano & claviers
Piano seul
171
Piano, Voix
38
Piano, Voix et Guitare
36
Piano Facile
31
Instruments en Do
18
Orgue
15
1 Piano, 4 mains
5
Clavier
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano grosses notes
2
Orgue, Piano (duo)
1
Accompagnement Piano
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
17
Guitare
15
Ligne De Mélodie, (Paroles) et Accords
10
Ukulele
2
2 Guitares (duo)
2
Mandoline
1
Paroles et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
106
Chorale 3 parties
25
Chorale Unison
17
Chorale 2 parties
16
Chorale TTBB
12
Voix duo, Piano
8
Chorale SSAA
6
Voix Alto, Piano
3
Voix duo
3
Voix haute
3
Voix Soprano
2
Voix Baryton, Piano
2
Voix Tenor
1
Voix Soprano, Piano
1
Chorale SSAATTBB
1
Voix Tenor, Piano
1
Voix basse, Piano
1
Chorale SSATTB
1
+ 13 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Quintette de Saxophone: 5 saxophones
24
Saxophone Alto et Piano
22
Clarinette et Piano
21
Quatuor de Clarinettes: 4 clarinettes
21
Flûte traversière et Piano
21
Saxophone Soprano et Piano
19
Hautbois, Piano (duo)
16
2 Saxophones (duo)
14
Ensemble de Clarinettes
12
Flûte, Hautbois, Clarinette, Basson
12
Ensemble de Flûtes
11
3 Saxophones (trio)
11
Ensemble de saxophones
11
Clarinette
11
Saxophone Tenor et Piano
11
2 Flûtes traversières (duo)
10
Flûte traversière
8
Quintette de Clarinettes: 5 clarinettes
8
Quatuor de Flûtes : 4 flûtes
7
Hautbois (partie séparée)
7
Saxophone Alto
7
Saxophone Tenor
6
Saxophone (partie séparée)
6
2 Clarinettes (duo)
6
Saxophone Baryton, Piano
6
2 Flûte à bec (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Clarinette (duo)
5
Flûte, Hautbois (duo)
4
3 Clarinettes (trio)
4
Cor anglais, Piano
4
Clarinette Basse, Piano
4
Flute (partie séparée)
3
Clarinette, Basson (duo)
3
Quatuor de Flûtes à bec
3
2 Hautbois (duo)
3
Hautbois, Clarinette (duo)
2
Hautbois, Basson (duo)
2
Flûte à bec Soprano
2
Flûte et Guitare
1
Saxophone et Guitare
1
5 Flûtes à bec
1
Ensemble De Flûte à bec
1
Flûte, Violon
1
Flûte, Hautbois, Clarinette (trio)
1
3 Flûtes à bec (trio)
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette et Basson
1
Clarinette, Harpe (duo)
1
Ensemble de Hautbois
1
Trio de Flûtes: 3 flûtes
1
Flûte irlandaise
1
Flûte à Bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Harpe
1
Clarinette, Violon (duo)
1
Saxophone et Orgue
1
+ 54 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trompette
17
Trombone et Piano
13
Trompette, Piano
11
Cor et Piano
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
6
Cor
6
Ensemble de Trombones
6
Trombone
5
2 Cors (duo)
5
Euphonium, Piano (duo)
5
Cor anglais, Piano
4
2 Trombones (duo)
4
Tuba
4
2 Trompettes (duo)
4
Trompette, Trombone (duo)
3
Trompette, Cor (duo)
3
Quatuor de Cuivres
3
Ensemble de Trompettes
3
Quatuor de cuivres: 4 trombones
3
Trombone, Cor (duo)
2
Trombone, Tuba (duo)
2
2 Tubas (duo)
2
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
Trio de Cuivres
2
Cor et Orgue
1
Euphonium
1
Ensemble de Cors
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
4 Tubas
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violon et Piano
29
Alto, Piano
18
Violoncelle, Piano
17
Violon
13
Violoncelle
11
Trio à Cordes: violon, alto, violoncelle
9
2 Violons (duo)
7
Harpe
7
Violon, Violoncelle (duo)
6
2 Harpes (duo)
5
Contre Basse
5
2 Altos (duo)
4
Contrebasse, Piano (duo)
4
Violon, Alto (duo)
4
Alto seul
4
2 Violoncelles (duo)
4
Harpe, Voix
3
Alto, Violoncelle (duo)
3
Alto (partie séparée)
2
2 Contrebasses (duo)
2
4 Violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Ensemble d'Altos
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violon (duo)
1
Quatuor à cordes : 4 altos
1
Ensemble de Violons
1
Violon (partie séparée)
1
Harpe, Flûte (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
91
Orchestre
52
Orchestre à Cordes
25
Jazz combo
12
Ensemble de cuivres
10
Orchestre de chambre
8
Cloches
8
Ensemble Jazz
6
Ensemble de Percussions
3
Batterie
3
Marimba
1
Xylophone, Piano
1
Fanfare
1
Piano et Orchestre
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Call it a Day
Chorale TTBB
Partitions à imprimer
12 partitions trouvées
<
1
It's A Lovely Day Today
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Chorale TTBB
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FACILE
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Contemporain
#
Elmo Hope
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Jim Shubert
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It's A Lovely Day Today
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.971352 By Elmo Hope. By Irving Berlin. Arranged by Jim Shubert. Contemporary. Octavo. 3 pages. James W. Shubert ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.971352 By Elmo Hope. By Irving Berlin. Arranged by Jim Shubert. Contemporary. Octavo. 3 pages. James W. Shubert #6255011. Published by James W. Shubert (A0.971352). 4 part Male Barbershop Arrangement (TTBB) Early Intermediate Level. Irving Berlin's 1950 hit song from Call Me Madam set in the barbershop style.
$1.99
Omnia Mutantur (for TTBB Choir, a cappella)
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Chorale TTBB
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INTERMÉDIAIRE
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Aaron Lee
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Omnia Mutantur
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J. Aaron Lee
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1033409 Composed by Aaron Lee. 20th Century,A Cappella,Classical,Contemporary,Contest,Festival. Octavo. 16 pages...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1033409 Composed by Aaron Lee. 20th Century,A Cappella,Classical,Contemporary,Contest,Festival. Octavo. 16 pages. J. Aaron Lee #638433. Published by J. Aaron Lee (A0.1033409). Omnia Mutantur addresses the ever-present reality of life these days. Everything changes. However, this work intends to affirm for the listener that while things may change, we always adapt to keep up, and that nothing is ever truly lost to change. This work approaches the matter of change, perhaps ironically, via minimalistic techniques and an uplifting perspective. This song is an entirely secular work in Latin. It touches on some minimalist techniques and could be integrated into secondary school music lessons as a means of discussing minimalism and also as a means to introduce students to singing in Latin while avoiding religious ties. This work has been arranged for TTBB choir (a cappella) from the original SATB version and is approximately 4.5 minutes in duration. The choral parts are largely diatonic and should be accessible to most audiences/ensembles. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$2.49
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
The Christmas Waltz
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Chorale TTBB
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FACILE
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Frank Sinatra
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Anastasio Rossi
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The Christmas Waltz
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Anastasio Rossi
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SheetMusicPlus
Voice (TTBB) - Level 2 - SKU: A0.1240950 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Ho...
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Voice (TTBB) - Level 2 - SKU: A0.1240950 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Holiday,Pop. Barbershop Quartet. 4 pages. Anastasio Rossi #836345. Published by Anastasio Rossi (A0.1240950). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.' Â So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$12.99
The Christmas Waltz
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Chorale TTBB
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FACILE
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Noël
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Frank Sinatra
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Anastasio Rossi
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The Christmas Waltz
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Anastasio Rossi
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1240952 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbersho...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1240952 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Holiday,Pop. 4 pages. Anastasio Rossi #836343. Published by Anastasio Rossi (A0.1240952). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.' Â So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$2.00
The Christmas Waltz
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Chorale TTBB
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FACILE
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Noël
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Frank Sinatra
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Anastasio Rossi
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The Christmas Waltz
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Anastasio Rossi
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1240040 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbersho...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1240040 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Pop. 4 pages. Anastasio Rossi #835405. Published by Anastasio Rossi (A0.1240040). Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.' Â So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$2.00
Angel, Blow that Trumpet
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Chorale TTBB
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INTERMÉDIAIRE
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Ken Litton
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 2...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 22 pages. Artist of Note, Inc. #1025450. Published by Artist of Note, Inc. (A0.1445608). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
Togetherness
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Leroy Brathwaite
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Charles Beale
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Togetherness
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865879 Composed by Leroy Brathwaite. Arranged by Charles Beale. Contemporary. Octavo. 24 pages. Charliebmusic #5...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865879 Composed by Leroy Brathwaite. Arranged by Charles Beale. Contemporary. Octavo. 24 pages. Charliebmusic #5313675. Published by charliebmusic (A0.865879). ‘Togetherness’ is a Soca Carnival hit from the 2007 Trinidad carnival, and was sung originally by Alison Hinds on her ‘Soca Queen’ album, with music and lyrics by Leroy Brathwaite, who happens to be Rhianna’s uncle.Suitable for Pride, a Holiday celebration or any show about community, the song contains powerful lyrics about unity, community and togetherness, as well as mentions of stopping the fighting and gun violence. The half time reggae in the middle 8 leads to a defiant unison section where the entire ensemble declares ‘They can’t be believe that we love one another’. This leads to a final explosion of joy. Especially infectious, this tune demands audience participation and choir movement of some kind.The song itself is relatively repetitive and builds in energy with every return of the main chorus. It is vocally demanding and high energy throughout, demanding some vocal stamina and knowledge of Trinidad pronunciation. It could also be an opportunity to learn about the history and practice of carnival across the world, both as celebration of individuality and also as fighting oppression.
$1.99
Winter Song
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Ingrid Michaelson and Sara Bar
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Charles Beale
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Winter Song
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865876 Composed by Ingrid Michaelson and Sara Bareilles. Arranged by Charles Beale. Pop. Octavo. 14 pages. Charl...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865876 Composed by Ingrid Michaelson and Sara Bareilles. Arranged by Charles Beale. Pop. Octavo. 14 pages. Charliebmusic #5313409. Published by charliebmusic (A0.865876). Co-written by Sara Bareilles and Ingrid Michaelson, 'Winter Song' is a Holiday (Christmas) song, which does not mention the season in the lyric. Written in 2008, it wistfully expresses a universal longing to be with your loved one in December, when the world and nature itself can feel loveless. The polyphonic outro 'round and round' section, which builds to a spectacular and colorful conclusion, expresses a yearning for connection with the lyric 'Is Love Alive?'. Optimistically, it reminds us that Spring will come and we will rebuild.
$1.99
Silver Echo Taps (for double men's chorus)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Union Army Brigadier General D
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Donald A
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Words by Horace Lorenzo Trim
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Silver Echo Taps
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.930161 Composed by Union Army Brigadier General Daniel Butterfield (1862), Horace Lorenzo Trim. Arranged by Dona...
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Choral Choir (TTBB) - Level 4 - SKU: A0.930161 Composed by Union Army Brigadier General Daniel Butterfield (1862), Horace Lorenzo Trim. Arranged by Donald A. Mills. A Cappella,Contemporary,Folk,Patriotic,Spiritual. Octavo. 11 pages. Donald A Mills #3074007. Published by Donald A Mills (A0.930161). This Taps is an echo version of Taps. It is a TTBB / TTBB double men's chorus, chorus and quartet, or double quartet. You audiences will love this new arrangement, revised on 5.10.17. Keep this one in your repertoire for the appropriate holidays, for concert performance (including choral contests), or for the occasional military use. It is also appropriate for a call for lights out in scouting. The two singing groups may stand together, but also consider standing front and back in the hall, or side to side of the hall to intensify the surround-sound effect. Music by Union Army Brigadier General Daniel Butterfield 1862; Words by Horace Lorenzo Trim.
$2.29
Spirit In The Night
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Chorale TTBB
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INTERMÉDIAIRE
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Bruce Springsteen
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Bob Eggers
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Spirit In The Night
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 15 pages. ROBERT ...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 15 pages. ROBERT J EGGERS #935324. Published by ROBERT J EGGERS (A0.1350517). Wild Billy, Hazy Davy, Crazy Janey, Killer Joe, G-Man and Mission Man take a trip up to Greasy Lake for a wild night of fun and freedom in this Bruce Springsteen hit from the 1972 album, Greetings From Asbury Park. It's all temendous fun, and the beauty of the driving rock/gospel treatment is the audience gets to participate in the rockin' call and response of the chorus. Nothing like that to bring an audience to its feet!This arrangement features a tenor solo and TTBB voices singing an active background, so the entire choir participates in furthering Mission Man's narrative of wild times on Saturday night. The style is an educated doo-wop with influences classical choral arranging. While not perfectly suited to average church social, the song's redeeming qualities are the straight up blues and gospel influences of the early 1970s while the content is safely PG-13.The difficulty level is Intermediate with a desire to tear the house down. A strong tenor soloist is required. This is a showstopper!Duration: 4:40.
$1.99
This Is Me
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Benj Pasek and Justin Paul
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Shelton Ridge Love
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I am bruised
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This Is Me
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. S...
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Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME! - Shelton
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Call it a Day