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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can Folk
Sheetmusicplus
Non classifié
3 068
Piano & claviers
Piano seul
1 430
Piano Facile
802
Piano, Voix
395
Orgue
357
Piano grosses notes
329
Piano, Voix et Guitare
229
Instruments en Do
215
Accordéon
133
Accompagnement Piano
95
1 Piano, 4 mains
79
2 Pianos, 4 mains
28
Clavier
25
Piano Trio: piano, violon, violoncelle
15
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano Quintette: piano, 2 violons, alto, violoncelle
5
1 Piano, 6 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
3
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
Orgue, Piano (duo)
2
Accordéon, Corde(s)
1
Concertina
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
292
Guitare
236
Ukulele
188
Ligne De Mélodie, (Paroles) et Accords
77
Paroles et Accords
70
Banjo
41
Mandoline
38
Mandoline, Piano (duo)
35
Ukulele Baryton
24
2 Guitares (duo)
21
Basse electrique
20
Dulcimer
19
Piano, Guitare (duo)
12
4 Guitares (Quatuor)
12
Ensemble de guitares
7
3 Guitares (trio)
5
Dobro
3
2 Dulcimers (duo)
2
Mandoline, Guitare (duo)
2
Guitare Pedal Steel
1
Guitare, Violon, Violoncelle (trio)
1
Guitare (partie séparée)
1
3 Dulcimers (trio)
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
638
Chorale 3 parties
337
Chorale 2 parties
252
Chorale TTBB
119
Chorale Unison
83
Chorale SSAA
70
Voix duo, Piano
42
Pack Instrumental pour Chorale
40
Voix duo
37
Chorale
18
Voix haute
18
Voix seule
15
Voix Alto, Piano
14
Voix Soprano, Piano
4
Voix moyenne, Piano
4
Voix Baryton, Piano
4
Voix Tenor, Piano
3
Voix Tenor
3
Voix basse
2
Voix basse, Piano
1
Chorale SATBB
1
Chorale SSAB, Piano
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
229
Flûte à bec Soprano
193
Clarinette et Piano
175
Hautbois, Piano (duo)
150
Saxophone Alto et Piano
137
2 Flûtes traversières (duo)
133
Flûte traversière
115
Quatuor de Saxophones: 4 saxophones
107
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
105
2 Saxophones (duo)
94
Saxophone Tenor et Piano
90
2 Clarinettes (duo)
84
Quatuor de Clarinettes: 4 clarinettes
76
Flûte, Hautbois, Clarinette, Basson
74
Clarinette
71
Flûte, Clarinette (duo)
52
Saxophone Soprano et Piano
51
Saxophone Alto
48
3 Clarinettes (trio)
47
Trio de Flûtes: 3 flûtes
45
Quatuor de Flûtes : 4 flûtes
41
Saxophone (partie séparée)
39
Hautbois, Basson (duo)
38
Quintette de Saxophone: 5 saxophones
37
Flûte et Guitare
35
Ensemble de Clarinettes
33
2 Hautbois (duo)
32
2 Flûte à bec (duo)
30
Saxophone Tenor
28
Ensemble de Flûtes
28
2 Flûtes traversières, Piano
26
Hautbois (partie séparée)
26
Cor anglais, Piano
24
Hautbois
24
Flûte irlandaise
20
Clarinette, Violon (duo)
18
3 Saxophones (trio)
17
Ocarina
16
Saxophone Baryton, Piano
16
Ensemble de saxophones
15
Flûte, Violon
14
Quintette de Clarinettes: 5 clarinettes
14
Hautbois, Clarinette (duo)
14
Clarinette (partie séparée)
13
Clarinette, Trompette (duo)
12
Saxophone, Clarinette (duo)
11
Clarinette, Basson (duo)
11
Flûte à Bec
11
Flûte à bec Alto
11
Clarinette, Guitare (duo)
10
Flûte, Violoncelle
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Harmonica
9
Clarinette et Alto
9
Saxophone Baryton
9
Flûte, Alto (duo)
9
Flûte, Hautbois (duo)
8
Quintette de Flûte : 5 flûtes
8
Saxophone Soprano
7
Flûte, Hautbois, Clarinette (trio)
7
Hautbois, Violoncelle
7
Hautbois, Flûte
7
Clarinette, Violoncelle (duo)
7
Flûte, Saxophone (duo)
6
Flute (partie séparée)
6
Quatuor de Flûtes à bec
6
Clarinette Basse, Piano
6
Flûte à bec, Guitare (duo)
5
Clarinette, Harpe (duo)
5
3 Flûtes à bec (trio)
4
Flûte à bec Alto, Piano
4
Saxophone et Piano
4
Flûte, Violon, Piano
3
Ensemble De Flûte à bec
3
Flûte, Hautbois, Violon
3
Flûte à bec Soprano, Piano
3
Flûte, Trompette (duo)
3
2 Clarinettes, Piano
3
Hautbois, Guitare (duo)
3
Flûte, Hautbois, Basson
3
Saxophone et Orgue
3
Saxophone et Guitare
3
Hautbois, violon (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Violon et Violoncelle
2
Hautbois, Harpe
2
5 Flûtes à bec
2
2 Clarinettes, Basson
2
Saxophone et Harpe
2
Flûte, Clarinette et Basson
2
Hautbois, Basson et Piano
2
Flûte, Clarinette, Piano (trio)
2
Hautbois et alto (duo)
2
Clarinette Basse
2
Flûte et Trio à cordes
1
2 Hautbois, Piano
1
Clarinette, Trombone (duo)
1
Flûte, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Clarinette, Tuba
1
Harmonica, Piano
1
Cor anglais, Guitare (duo)
1
Flute, Cor (duo)
1
Flûte, Harpe et Violoncelle
1
Hautbois, Trompette (duo)
1
Flûte à bec, Harpe
1
3 Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Cornemuse
1
Saxophone
1
Cor Anglais
1
Hautbois, trombone (duo)
1
Clarinette, Contrebasse (duo)
1
4 Hautbois
1
+ 111 instrumentations
Retracter
Cuivres
Trompette, Piano
131
Cor et Piano
119
Trombone et Piano
111
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
109
Trompette
98
Quatuor de Cuivres : 2 trompettes, trombone, tuba
87
Quatuor de Cuivres
62
Trombone
37
Tuba et Piano
34
Quatuor de cuivres: 4 trombones
33
Cor
32
2 Trompettes (duo)
31
2 Trombones (duo)
30
Cor anglais, Piano
24
Trompette (partie séparée)
18
Trompette, Trombone (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Tuba
17
Trombone (partie séparée)
16
2 Cors (duo)
14
Trompette, Cor (duo)
13
Euphonium, Piano (duo)
11
Ensemble de Trombones
11
Trompette, Saxophone (duo)
10
Ensemble de Trompettes
10
Trio de Cuivres
7
4 Tubas
7
Tuba (partie séparée)
6
Quatuor de cuivres: 4 cors
5
3 Trombones (trio)
5
Cor (partie séparée)
5
2 Tubas (duo)
5
Trompette, Tuba (duo)
4
Cor, Violoncelle (duo)
3
Ensemble de Cors
3
Trompette, violon (duo)
3
2 Euphoniums et 2 Tubas
3
3 Trompettes (trio)
3
Trombone, Tuba (duo)
3
Trompette, Violoncelle et Piano
2
Euphonium, Tuba (duo)
2
Trompette, Trombone, Piano
2
Trompette, Violoncelle (duo)
2
Cor et Harpe
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Harpe
2
Trompette, Basson (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Ensemble de Tubas
1
Clarinette, Cor (duo)
1
Cor anglais, Guitare (duo)
1
Tuba et Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba ou Euphonium ou Saxhorn
1
Cor Anglais
1
Trombone, Cor (duo)
1
3 Tubas (trio)
1
Cornet et orchestre
1
+ 53 instrumentations
Retracter
Cordes
Violon et Piano
345
Quatuor à cordes: 2 violons, alto, violoncelle
323
Harpe
316
Violoncelle, Piano
191
Alto, Piano
174
Violon
164
Violon, Violoncelle (duo)
116
2 Violons (duo)
105
Violoncelle
92
Trio à Cordes: violon, alto, violoncelle
77
Harpe, Flûte (duo)
62
Alto seul
55
2 Harpes (duo)
54
Violon, Alto (duo)
48
2 Violoncelles (duo)
46
Violon (partie séparée)
34
Trio à Cordes: 2 violons, violoncelle
31
Harpe, Violon (duo)
26
2 Altos (duo)
26
Contrebasse, Piano (duo)
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Violon, Guitare (duo)
19
Contre Basse
18
Trio à cordes: 3 violins
17
Alto, Violoncelle (duo)
17
Piano Trio: Violon, Alto, Piano
15
Alto (partie séparée)
12
4 Violoncelles
11
Trio à Cordes: 3 violoncelles
11
Violoncelle (partie séparée)
10
Violoncelle , Guitare (duo)
10
2 Contrebasses (duo)
8
Contrebasse (partie séparée)
8
Trio à cordes: 3 altos
7
Violon, Basson (duo)
6
Harpe, Voix
6
Alto, Guitare (duo)
6
Harpe et Piano
5
Alto et Basson
5
Violoncelle, Contrebasse (duo)
5
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
4
Ensemble de Violons
4
4 Contrebasses
3
Alto et Harpe
3
Autoharp
3
2 Violons, Piano
3
Trio à cordes
2
5 Harpes
2
Trio à Cordes: 2 violons, alto
2
3 Harpes
2
Ensemble d'Altos
2
Harpe, Violoncelle (duo)
2
Harpe et mandoline
2
Flûte, Contrebasse (duo)
1
Violoncelle, Basse continue
1
2 Altos, Piano
1
4 Harpes
1
2 Violoncelles, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
591
Orchestre à Cordes
212
Cloches
127
Orchestre
125
Ensemble de cuivres
85
Orchestre de chambre
50
Ensemble Jazz
47
Ensemble de Percussions
17
Jazz combo
17
Percussion (partie séparée)
14
Fanfare
14
Marimba
8
Percussion
6
Xylophone, Piano
5
Batterie
4
Batterie (partie séparée)
4
2 Xylophones
3
Xylophone
2
Timbales
2
Timbales (partie séparée)
1
+ 15 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Can Folk
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Partitions à imprimer
119 partitions trouvées
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101
Three Mexican Folk Songs (Downloadable Piano/Choral Score)
#
Chorale TTBB
#
FACILE
#
David Conte
#
Three Mexican Folk Songs
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
TTBB choir, guitar, 2 violins and double bass (or piano) - Moderately Easy - SKU: MQ.8196-E Composed by David Conte. 23 pages. E. C. Schirmer Music Comp...
(+)
TTBB choir, guitar, 2 violins and double bass (or piano) - Moderately Easy - SKU: MQ.8196-E Composed by David Conte. 23 pages. E. C. Schirmer Music Company - Digital #8196-E. Published by E. C. Schirmer Music Company - Digital (MQ.8196-E). Spanish.Commissioned by the San Francisco symphony, this three movement suite of folk songs well known in Mexico comes in three separate voicings: SATB, SSAA, and TTBB. A piano accompaniment is provided although the original scoring can also be used. (Guitar, two violins, and double bass or piano.) The Spanish texts straddle the macabre and the humorous in a way that is charming and engaging. Full translations are provided in the forward.1. La Martiniana (The Martiniana)2. La Bruja (The Witch)3. La Llorona (The Weeping Woman)Instrumental Parts include:GuitarViolin IViolin IIDouble Bass.
$4.10
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Traditional
#
Laurie Betts Hughes
#
When Cockle Shells Turn Silver
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Traditional
#
Laurie Betts Hughes
#
I'm Sad and I'm Lonely, from &
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Cowboy Songs of the American Southwest [TTBB]
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Traditional
#
Laurie Betts Hughes
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Cowboy Songs of the American S
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
Three American Folk Songs For Men
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Chorale TTBB
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Kirke Mechem
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Collection
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Three American Folk Songs For
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Arranged by Kirke Mechem. TTBB. American; Collection; Concert; Folk. Choral. 23 pages. Duration 4:00. Published by Hal Leonard - Digital Sheet Music ...
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Arranged by Kirke Mechem. TTBB. American; Collection; Concert; Folk. Choral. 23 pages. Duration 4:00. Published by Hal Leonard - Digital Sheet Music
$3.95
How Can I Keep From Singing? (Downloadable)
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Chorale TTBB
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INTERMÉDIAIRE
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Stephen Caracciolo
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How Can I Keep From Singing?
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Galaxy Music Corporation - Digital
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SheetMusicPlus
TTBB choir divisi - Medium - SKU: MQ.1.3398-E Composed by Stephen Caracciolo. 8 pages. Galaxy Music Corporation - Digital #1.3398-E. Published by Galaxy...
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TTBB choir divisi - Medium - SKU: MQ.1.3398-E Composed by Stephen Caracciolo. 8 pages. Galaxy Music Corporation - Digital #1.3398-E. Published by Galaxy Music Corporation - Digital (MQ.1.3398-E). English.Commissioned by Cantus in 2014 for their album A Harvest Home and subsequent tours through Northern Europe, the BalticStates, and United States. Written as a companion piece to the composer's setting of Simple Gifts (also commissioned by Cantus four years earlier) this is an arrangement of this iconic folk hymn that sounds traditionally American, immediately recognizable, and not overly arranged, while still having something fresh to say musically using the sonorous sounds of men’s voices.Knowing that Cantus planned to place How Can I Keep From Singing? at the end of their tour program, the final bars were fitted with an extended cadence to bring their staged performances to a satisfying and heartfelt close.
$2.65
Westward Ho! Songs of the American West (Medley)
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Chorale TTBB
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John Purifoy
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Westward Ho! Songs of the Amer
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Hal Leonard - Digital
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SheetMusicPlus
(TTBB) - SKU: HX.311039 Arranged by John Purifoy. Choral. American,Folk,Standards. Choral. 10 pages. Published by Hal Leonard - Digital (HX.311039). ...
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(TTBB) - SKU: HX.311039 Arranged by John Purifoy. Choral. American,Folk,Standards. Choral. 10 pages. Published by Hal Leonard - Digital (HX.311039).
$2.25
Vive la Canadienne
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Chorale TTBB
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FACILE
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Folk Song
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Walter Scholtes
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Vive la Canadienne
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SCHOLTES EDITIONS
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1354085 Composed by Folk Song. Arranged by Walter Scholtes. Folk,Historic,Multicultural,Traditional,World...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1354085 Composed by Folk Song. Arranged by Walter Scholtes. Folk,Historic,Multicultural,Traditional,World. 1 pages. SCHOLTES EDITIONS #938798. Published by SCHOLTES EDITIONS (A0.1354085). Vive la Canadienne praises the French girls and women in Canada. It is a traditional melody arranged in an appealing setting for TTBB male choir.
$1.99
Scarborough Fair/canticle
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Chorale TTBB
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Simon And Garfunkel
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Scarborough Fair/canticle
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Manthano Collaborations
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SheetMusicPlus
By Simon And Garfunkel. By Paul Simon and Art Garfunkel. Arranged by Alex Edwards and Caden Dukes. A Cappella, Folk, Medieval, Traditional. Octavo. 7 ...
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By Simon And Garfunkel. By Paul Simon and Art Garfunkel. Arranged by Alex Edwards and Caden Dukes. A Cappella, Folk, Medieval, Traditional. Octavo. 7 pages. Manthano Collaborations #809263. Published by Manthano Collaborations
$2.00
Happy Birthday Canon (for TTB)
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Chorale TTBB
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FACILE
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Mildred and Patty Hill
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Stephen DeCesare
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Happy Birthday Canon
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Exultet Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.618885 Composed by Mildred and Patty Hill. Arranged by Stephen DeCesare. Folk,Holiday,Instructional,Standards,Tr...
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Choral Choir (TTBB) - Level 2 - SKU: A0.618885 Composed by Mildred and Patty Hill. Arranged by Stephen DeCesare. Folk,Holiday,Instructional,Standards,Traditional. Octavo. 8 pages. Exultet Music #2329215. Published by Exultet Music (A0.618885). Your TTB choir will have a lot of fun with this one at either a concert or someone's special birthday. This chorale has a very nice upbeat accompaniment which enhances the chorale that develops into a 3-part canon. Scored for TTB and Piano. 2016 Choral Contest Entry
$3.99
How Can I Keep from Singing?
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Robert Lowry
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Daniel Blosser
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How Can I Keep from Singing?
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Hedgerow Music Publishing
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1485657 Composed by Robert Lowry. Arranged by Daniel Blosser. A Cappella,Christian,Contest,Festival,...
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Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1485657 Composed by Robert Lowry. Arranged by Daniel Blosser. A Cappella,Christian,Contest,Festival,Folk,Jazz. 20 pages. Hedgerow Music Publishing #1062726. Published by Hedgerow Music Publishing (A0.1485657). This enduring hymn about gratitude in all circumstances is given a lush a cappella treatment for tenors and basses that is equally suitable for worship services and secular performances.
$2.99
You Can't Pray The Gay Away
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Chorale TTBB
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INTERMÉDIAIRE
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John Bohlinger and Laura Bundy
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Dave Volpe
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You Can't Pray The Gay Away
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David J Volpe
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1345061 Composed by John Bohlinger and Laura Bundy. Arranged by Dave Volpe. Broadway,Comedy,Folk,Musical/...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1345061 Composed by John Bohlinger and Laura Bundy. Arranged by Dave Volpe. Broadway,Comedy,Folk,Musical/Show,Pop. 11 pages. David J Volpe #930014. Published by David J Volpe (A0.1345061).
$4.99
How Can I Keep From Singing A Cappella TTBB [original lyrics]
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Chorale TTBB
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INTERMÉDIAIRE
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R
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Andrew Emmet
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How Can I Keep From Singing A
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.719076 Composed by R. W. Lowry. Arranged by Andrew Emmet. A Cappella,Christian,Folk,Multicultural,Spiritu...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.719076 Composed by R. W. Lowry. Arranged by Andrew Emmet. A Cappella,Christian,Folk,Multicultural,Spiritual,World. 3 pages. Andrew J Emmet #5336053. Published by Andrew J Emmet (A0.719076). TTBB A Cappella arrangement.Original Christian lyrics.
$4.00
Three Mexican Folk Songs: 1. La Martiniana (Downloadable Piano/Choral Score)
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Chorale TTBB
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FACILE
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David Conte
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Three Mexican Folk Songs: 1. L
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir, piano - Moderately Easy - SKU: MQ.8203-E Composed by David Conte. 9 pages. E. C. Schirmer Music Company - Digital #8203-E. Published by E. C...
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TTBB choir, piano - Moderately Easy - SKU: MQ.8203-E Composed by David Conte. 9 pages. E. C. Schirmer Music Company - Digital #8203-E. Published by E. C. Schirmer Music Company - Digital (MQ.8203-E). Spanish.Little girl, when I diedon't cry over my graveSing me a beautiful song, oh mothersing to me La Sandunga.
$2.25
Three Mexican Folk Songs: 3. La Llorona (Downloadable Piano/Choral Score)
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Chorale TTBB
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FACILE
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David Conte
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Three Mexican Folk Songs: 3. L
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir, piano - Moderately Easy - SKU: MQ.8205-E Composed by David Conte. 7 pages. E. C. Schirmer Music Company - Digital #8205-E. Published by E. C...
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TTBB choir, piano - Moderately Easy - SKU: MQ.8205-E Composed by David Conte. 7 pages. E. C. Schirmer Music Company - Digital #8205-E. Published by E. C. Schirmer Music Company - Digital (MQ.8205-E). Spanish.You were going out of the temple, lloronaWhen I saw you passing by.A beautiful huipil you were wearing, lloronaThat I thought you were the virgin.
$1.95
REAL AMERICAN FOLK SONG, THE (IS A RAG)
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Chorale TTBB
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INTERMÉDIAIRE
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Folklorique/Traditionel
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George and Ira Gershwin
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Walter Latzko
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REAL AMERICAN FOLK SONG, THE
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.871720 Composed by George and Ira Gershwin. Arranged by Walter Latzko. Traditional. Octavo. 4 pages. Latzko Muzi...
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Choral Choir (TTBB) - Level 3 - SKU: A0.871720 Composed by George and Ira Gershwin. Arranged by Walter Latzko. Traditional. Octavo. 4 pages. Latzko Muzic #5325625. Published by Latzko Muzic (A0.871720). WONDERFUL, LITTLE-KNOWN 1918 ARRANGEMENT OF A GREAT GERSHWIN SONG.
$6.99
Shenandoah
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Chorale TTBB
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INTERMÉDIAIRE
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American Folk Song
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Brad Meader
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Shenandoah
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Brad Meader
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.927218 Composed by American Folk Song. Arranged by Brad Meader. A Cappella,Folk,Patriotic,Traditional,World. Oct...
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Choral Choir (TTBB) - Level 3 - SKU: A0.927218 Composed by American Folk Song. Arranged by Brad Meader. A Cappella,Folk,Patriotic,Traditional,World. Octavo. 6 pages. Brad Meader #3545597. Published by Brad Meader (A0.927218). An all-male (TTBB with divisi) a cappella arrangement of the American Folk Song Oh Shenandoh. This piece will be perfect for any group. Dissonance is used to create a shimmering feel, while staggered ascending and descending lines create the impression of a river in the echo-filled Shenandoah Valley. A full demo of the arrangement can be found at https://soundcloud.com/brad-meader/shenandoah-american-folk-song-a-cappella-cover-demo. Individual, part-by-part learning tracks can be provided upon purchase by emailing bradmeadermusic@gmail.com.
$4.99
Star in the East - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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American Folk Hymn
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Mark R Lewis
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Star in the East - TTBB Ensemb
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1045085 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Oct...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1045085 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Octavo. 41 pages. Mark R Lewis #649649. Published by Mark R Lewis (A0.1045085). The tune for Star in the East first appears in print in The Southern Harmony collection, but is well attested as an American Folk Hymn. The lyrics are partially anonymous but most published versions include verses that seem to have been added by the arranger of that version. This Epiphany song has similar themes to We Three Kings but is definitely a refreshing change from that well known tune. This fun arrangement by Mark R Lewis is for Baritone soloist, TTB choir, a woodwind instrument, and bass instrument. Included is sheet music for C, Bb, and Eb instruments and a bass line which can be played by many different bass instruments depending on what the group has available. The instrumentalists can transpose their parts to different octaves for ease of playing if necessary. The Baritone soloist should be a well experienced intermediate singer and the bass line is very active at times, but the choir and woodwind parts should be performable by most intermediate groups. Also available for Baritone solo w/ SATB ensemble. Vocal Range: f minor Baritone solo - 1 1/2 octaves (Bb2 to F4) Tenor 1 - 1+ octaves (Eb3 to F4) Tenor 2 - 1 octave (C3 to C4) Bass - 1+ octaves (F2 to Gb3) Instrument Range: Clarinet - max 3 1/2 octaves (F3 to A5) can be smaller if octaves are transposed Bass instrument - 1 1/2 octaves (F2 to C4).
$1.99
Cindy ( t t b b + guitar + fiddle [or piano] )
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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American Folk Song
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Clifford W
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Cindy
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Clifford W. King
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SheetMusicPlus
Composed by American Folk Song. Arranged by Clifford W. King. World, Folk, Old-time, Americana, Bluegrass. Octavo. 8 pages. Published by Clifford W. K...
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Composed by American Folk Song. Arranged by Clifford W. King. World, Folk, Old-time, Americana, Bluegrass. Octavo. 8 pages. Published by Clifford W. King
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
BATTLE HYMN OF THE REPUBLIC (for TB Men's Choir with piano)
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Chorale TTBB
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INTERMÉDIAIRE
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Musique Sacrée
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American Folk Melody
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Gary Lanier
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BATTLE HYMN OF THE REPUBLIC
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The Lanier Company
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.617087 Composed by American Folk Melody. Arranged by Gary Lanier. Holiday,Patriotic,Praise & Worship. Octavo. 13...
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Choral Choir (TTBB) - Level 3 - SKU: A0.617087 Composed by American Folk Melody. Arranged by Gary Lanier. Holiday,Patriotic,Praise & Worship. Octavo. 13 pages. The Lanier Company #4362399. Published by The Lanier Company (A0.617087). BATTLE HYMN OF THE REPUBLIC for TB Men's Choir with piano is an arrangement by Gary Lanier of one of our most popular patriot songs/hymns. It is often considered a candidate for the National Anthem. It works great for special music where Patriotism or God and Country is the emphasis... or for the joy of singing an inspired song about the coming of the Lord and His final victory (13 pages).
$3.50
My Tennessee Mountain Home
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Chorale TTBB
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INTERMÉDIAIRE
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Dolly Parton
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Clifford W
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My Tennessee Mountain Home
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Clifford W. King
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1197834 By Dolly Parton. By Dolly Parton. Arranged by Clifford W. King. A Cappella,Contest,Festival,Folk,Spiritu...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1197834 By Dolly Parton. By Dolly Parton. Arranged by Clifford W. King. A Cappella,Contest,Festival,Folk,Spiritual,Traditional. Octavo. 11 pages. Clifford W. King #797011. Published by Clifford W. King (A0.1197834). ( t t b b ) a cappellaoptional piano or bluegrass ensemble ad lib. Commissioned by the Gay Men's Chorus of Washington D.C., Thea Kano, Artistic DirectorThis is an incredibly beautiful a cappella choral arrangement of one of Dolly Parton's most sincere and memorable songs is now available for TTBB choir! The longing lyrics and simple melody are enhanced with rich and soothing harmonies. The piece begins with calming and reassuring chords that 'hum' and 'ooh' as the tone is set for evoking childhood memories. An optional tenor solo, a few meter changes, some simple divisi and melody shifts between voices add to the uniqueness of the arrangement. Excellent for bluegrass, Americana, folk, or reminiscence-themed concerts.Duration: 3'50.
$2.10
What Wondrous Love Is This - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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American Folk Hymn
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Mark R Lewis
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What Wondrous Love Is This - T
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1213360 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred,Traditional. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1213360 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred,Traditional. Octavo. 12 pages. Mark R Lewis #810545. Published by Mark R Lewis (A0.1213360). What Wondrous Love Is This is an American folk hymn that became popular during the early 1800s. It was first published in 1811 in the various hymnbooks that came out during the Second Great Awakening with various lyricists credited. Many publications attributed the song's tune to The Ballad of Captain Kidd, a popular, though much older, song and tune at the time. Earlier versions of the text are slightly different, but as with many folk tunes, it is difficult to tell which transcriptions are regional variants and which are errors by the transcriber.This arrangement of the tune by Mark Lewis is for a cappella TTBB Ensemble. All four voice parts are featured for a verse with different accompaniment each time. There are key changes to better place the melody in the ranges of each voice and there are moving notes in many background voices through most of the piece. As with many of Mark's arrangements, the outer voices will be pushed towards the extremes of their ranges even though the notes and rhythms are not incredibly difficult. Most intermediate choirs should enjoy performing this piece.
$1.99
Saints bound for heaven
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Chorale TTBB
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Mack Wilberg
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Saints bound for heaven
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Oxford University Press Digital
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SheetMusicPlus
SATB chorus and piano (4 hands) or chamber orchestra or full orchestra - SKU: OX.9780193542792 No. 1 of 'Four American Folk Hymns'. Arranged by M...
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SATB chorus and piano (4 hands) or chamber orchestra or full orchestra - SKU: OX.9780193542792 No. 1 of 'Four American Folk Hymns'. Arranged by Mack Wilberg. Sheet music. Octavo. 14 pages. Oxford University Press Digital #9780193542792. Published by Oxford University Press Digital (OX.9780193542792). ISBN 9780193542792.For SATB and piano (4 hands) or chamber orchestra or full orchestra. This is No. 1 of Four American Folk Hymns which draw on the rich folk traditions of New England and rural Southern United States. Mack Wilberg has taken a low-key approach in his arrangements allowing the pure folk flavour to shine through. Orchestral material is available on hire.
$4.00
Shenandoah (TTBB)
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Chorale TTBB
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INTERMÉDIAIRE
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Michael Ware
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Michael Ware
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Shenandoah
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Michael Ware Music
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1514497 By Michael Ware. By American Folk Song. Arranged by Michael Ware. 19th Century,A Cappella,...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1514497 By Michael Ware. By American Folk Song. Arranged by Michael Ware. 19th Century,A Cappella,Folk,Historic,Traditional. 8 pages. Michael Ware Music #1088982. Published by Michael Ware Music (A0.1514497). Experience the timeless beauty of Shenandoah, a quintessential American folk song, in Michael Ware’s stunning unaccompanied arrangement for SATB or TTBB choir. This setting captures the song's soaring melody and rich harmonies, creating a deeply moving performance piece for your ensemble. Perfect for concerts or special events, it showcases your choir’s vocal abilities and brings this beloved traditional tune to life. Across the wide Missouri.
$2.99
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