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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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4
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2
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7
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6
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3
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2
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2
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1
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17
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12
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12
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11
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9
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8
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6
2 Trompettes (duo)
5
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5
Tuba et Piano
4
2 Tubas (duo)
4
2 Cors (duo)
4
Tuba
4
2 Trombones (duo)
3
Trompette (partie séparée)
2
Cor anglais, Piano
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Quatuor de Cuivres
2
Ensemble de Cors
2
Quatuor de cuivres: 4 cors
1
Cor (partie séparée)
1
Trombone (partie séparée)
1
Euphonium
1
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1
Bass Clef Instruments
1
Tuba (partie séparée)
1
Trompette, Trombone (duo)
1
Ensemble de Trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
4 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon
33
Violoncelle
25
Harpe
24
Violon et Piano
24
Alto seul
14
Violoncelle, Piano
11
Violon, Violoncelle (duo)
11
Alto, Piano
10
Harpe et mandoline
9
2 Violons (duo)
7
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: violon, alto, violoncelle
4
2 Altos (duo)
4
2 Violoncelles (duo)
4
Violon (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contre Basse
2
Violoncelle , Guitare (duo)
2
4 Contrebasses
1
Contrebasse (partie séparée)
1
Violon, Basson (duo)
1
Harpe et Piano
1
Harpe, Violon (duo)
1
Autoharp
1
Alto (partie séparée)
1
Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
Contrebasse, Piano (duo)
1
2 Harpes (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre
44
Orchestre d'harmonie
31
Ensemble Jazz
28
Orchestre à Cordes
27
Ensemble de cuivres
12
Orchestre de chambre
11
Jazz combo
8
Ensemble de Percussions
7
Fanfare
6
Batterie
3
Cloches
3
Vibraphone
1
Percussion
1
Marimba
1
Ensemble d'École
1
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AUTRES
Formation musicale - Solfège
1
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Can you do it
Chorale TTBB
Partitions à imprimer
17 partitions trouvées
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1
What The Law Can't Do
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1321592 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1321592 Composed by Rod Cunningham. Arranged by Rod Cunningham. Barbershop,Christian. 8 pages. Rod Cunningham #910066. Published by Rod Cunningham (A0.1321592). The initial idea for this song came from a point in a sermon (in June of 2020) by a pastor at my church (who shall remain nameless to protect the guilty 😊).  The point was that we can’t get to heaven by following the Law.  Only the Gospel can do that.  Therefore, the song is a Gospel song, even though the word “gospel†never appears in it.The song opens with the statement that the Law can’t “save your soulâ€.  It also points out that the Law can’t do miracles (like physically healing the body).  The song also addresses what the Law CAN do.  The song also alludes to a game (croquet) and a food (cinnamon toast) to demonstrate that neither a “Rule book†nor a “Recipe Book†can get us to heaven.  These allusions are a bit humorous and unexpected and therefore fit well in the genre of the Barbershop Quartet style.).
$2.49
2.28 €
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Chorale TTBB
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Rod Cunningham
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Rod Cunningham
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What The Law Can't Do
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Rod Cunningham
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SheetMusicPlus
A Song of Canute (male voice choir and piano)
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan Bullard. 20th Century,Classical. Octavo. 31 pages. Colne Edition / BullardMusic #654578. Published by Colne Edition / BullardMusic (A0.1050201). These three dramatic but humorous episodes in the life of the great king, to texts by Thackeray and the composer, tell us first of all how the elderly King Canute was tiring of life as, no longer young, he even yawned while his favourite male voice choir was performing. The second movement tells of all the victories he had won - but, as the third movement tells us, there was one thing left to do - conquer the sea!  Sadly, however, the sea disobeyed his commands, and 'King Canute is dead and gone, but the legend still lives on'. The story is untrue, of course, but if it happened, though it probably didn't, it would have been in the vicinity of the Battle of Ashingdon, near to the town of South Woodham Ferrers, Essex, UK - where the songs were first performed by the South Woodham Ferrers Male Voice Choir. A specimen copy of the songs is available at www.alanbullard.co.uk Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$2.99
2.73 €
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Chorale TTBB
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Alan Bullard
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A Song of Canute
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Colne Edition / BullardMusic
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SheetMusicPlus
Who Do You Think You Are Kidding Mr. Hit
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1292944 By Jimmy Pe…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1292944 By Jimmy Perry. By Jimmy Perry. Arranged by Liz Garnett. Barbershop,Film/TV. 6 pages. Liz Garnett #883547. Published by Liz Garnett (A0.1292944). This song was the theme tune for a classic 1970s sitcom, and is begging to be arranged in the barbershop style. This arrangement was written for a particular performance occasion, and thus builds the original song out into a somewhat longer form (and with a few quirks of lyric underlap related to that occasion), so if you wanted to sing only the length as it appeared on TV, you can cut from bar 40 straight to bar 91.Vocal ranges:Tenor: B4 - B5Lead: D3 - G4Bari: D3 - F4Bass: G2 - B flat 3www.HelpingYouHarmonise.com.
$2.99
2.73 €
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Chorale TTBB
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Jimmy Perry
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Liz Garnett
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Who Do You Think You Are Kidding Mr. Hit
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Liz Garnett
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SheetMusicPlus
It Is No Secret (what God Can Do)
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522424 By Jo Stafford. By …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522424 By Jo Stafford. By Stuart Hamblen. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6108897. Published by Paul A. Jorg (A0.522424). This is one of Stuart Hamblen's earlier compositions, but still very popular. You can watch the attached YouTube rendition by Jim Reeves.This arrangement is for male voices (TTBB) in a cappella harmony.
$4.59
4.2 €
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Chorale TTBB
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Jo Stafford
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Paul A
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It Is No Secret
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Paul A. Jorg
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SheetMusicPlus
What Did You Say Was The Baby's Name?
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522323 Composed by Bill Ga…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522323 Composed by Bill Gaither. Arranged by Paul A. Jorg. A Cappella. Octavo. 5 pages. Paul A. Jorg #5800103. Published by Paul A. Jorg (A0.522323). This is an arrangement for a cappella male voices (TTBB) of a happy Gaither song. It moves right along and you can't help but tap your toes; enjoyable to do and to hear.
$4.59
4.2 €
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Chorale TTBB
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Bill Gaither
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Paul A
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What Did You Say Was The Baby's Name?
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Paul A. Jorg
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SheetMusicPlus
I Can’t Tell Why I Love You, But I Do (TTBB, a cappella)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1278350 By Dinah Shore. By…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1278350 By Dinah Shore. By Music by Gus Edwards. Lyrics by William D. Cobb. Arranged by Cathy Stamegna. A Cappella,Contest,Festival,Jazz,Ragtime,Traditional. Octavo. 13 pages. Cathy Stamegna #870068. Published by Cathy Stamegna (A0.1278350). This 1900 hit was originally recorded by Harry MacDonough, one of the most popular singers of the early twentieth century, with a later rendition by Dinah Shore.  It begins in the traditional 3/4 and repeats in 4/4 halfway through with a change in tempo and style.  Appropriate for a TTBB quartet as well as a larger men’s choral ensemble.  Performance Time: approximately 3:50.
$2.25
2.06 €
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Chorale TTBB
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Dinah Shore
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Cathy Stamegna
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I Can’t Tell Why I Love You, But I Do
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Cathy Stamegna
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SheetMusicPlus
Do You Know Where You're Going To?
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1229092 By Diana Ross. By …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1229092 By Diana Ross. By Gerry Goffin and Michael Masser. Arranged by Charles Beale. Pop,Soul. Octavo. 8 pages. Charliebmusic #824994. Published by charliebmusic (A0.1229092). This Diana Ross classic ballad is originally from the 1975 movie 'Mahogany', and was number one in the BillBoard hot 100 chart in January 1976. It is a reflection on the uncertainty of life. This TTBB arrangement has space for one long solo, or can be split into several shorter ones.
$1.99
1.82 €
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Chorale TTBB
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Diana Ross
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Charles Beale
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Do You Know Where You're Going To?
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charliebmusic
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SheetMusicPlus
I Will Sing and Praise Your Name - TTBB Ensemble
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1144882 Composed by Mark R…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1144882 Composed by Mark R Lewis. A Cappella,Religious,Sacred. Octavo. 12 pages. Mark R Lewis #745197. Published by Mark R Lewis (A0.1144882). I Will Sing and Praise the Lord is an original piece by Mark Lewis. Written for a cappella choir, the lyrics are adapted from Psalm 61 and the tune is entirely original. It begins with a fanfare asking God to listen and moves into a dance-like prayer for God's blessing with the chorus repeating a simple statement of praise to God. This piece is quite achievable by most groups. The tenor 1 and basses do spend a fair bit of time towards the extreme of their ranges. There is only one (optional) note that can only be reached by a true bass and the tenor 1s do go up to a G4 but most singers will have little difficulty performing it.
$1.99
1.82 €
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Chorale TTBB
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Mark R Lewis
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I Will Sing and Praise Your Name - TTBB Ensemble
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Mark R Lewis
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Sweet Adeline
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928977 Composed by Harry W…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.928977 Composed by Harry W. Armstrong, Music and Richard H. Gerard, and words. Arranged by Donald A. Mills. A Cappella,Folk,Traditional. Octavo. 7 pages. Donald A Mills #4718775. Published by Donald A Mills (A0.928977). Sweet Adeline...A new version, a newly-thought barbershop arrangement. The tenors really need to tank up for the finish. Can they do it? (Okay, catch breaths are allowed if needed.) TTBB or mixed voices, a cappella. For quartet, very large quartet (VLQ), or for a four-part chorus. This one would be super for any concert venue.For intermediate to advanced-intermediate singers. Use your own feeling for the words to interpret the musical lines.
$2.99
2.73 €
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Chorale TTBB
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Harry W
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Donald A
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Sweet Adeline
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Donald A Mills
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SheetMusicPlus
Shivers
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.928200 By Ed Sheeran. By E…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.928200 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kal Lavelle, and Steve Mac. Arranged by Michael Stewart. Pop. Octavo. 19 pages. Michael D Stewart #6776487. Published by Michael D Stewart (A0.928200). This is an upbeat and amazing song to get your students moving. I've written this in a way that you can take and use whatever you need to make this piece work. You can exclude parts or use any that you would like. Part 2 is the melody throughout the entire piece except for the bridge section. It moves to the Part 1.It is in the original key, so if you buy the instrumental version of the song done by Ed Sheeran himself, you can actually do my arrangement with those instrumentals. If you would like the piano accompaniment, please email me at newamericanmichael@gmail.com.
$1.99
1.82 €
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Chorale TTBB
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Ed Sheeran
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Michael Stewart
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Shivers
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Michael D Stewart
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SheetMusicPlus
The Impression That I Get
Chorale TTBB
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.540600 By The Mighty Might…
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Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.540600 By The Mighty Mighty Bosstones. By Dicky Barrett and Joe Gittleman. Arranged by Corey Cerullo. A Cappella. Octavo. 12 pages. Cerullo Music LLC #4301113. Published by Cerullo Music LLC (A0.540600). Your advanced male a cappella group is going to love this arrangement! As true to the original as can be with just voices, this is going to knock the socks off of your audiences. If you are dying to showcase your male singers, this is the tune to do it with!Arranged for TTBB with some divisi and a Solo/duet on top. It's going to be a rockin' good time when you put all of this together!
$4.00
3.66 €
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Chorale TTBB
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The Mighty Mighty Bosstones
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Corey Cerullo
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The Impression That I Get
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Cerullo Music LLC
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SheetMusicPlus
Under Pressure
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1306513 By David Bo…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1306513 By David Bowie. By Brian May, David Bowie, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Paul Saccone. Contemporary,Pop,Rock. 11 pages. Paul Saccone #895867. Published by Paul Saccone (A0.1306513). This TTBB arrangement of Under Pressure is a huge crowd pleaser and singers love performing it. You can do it as an ensemble piece or with an optional soloist layered on top. Check out the YouTube video or MP3 recording to hear it sung by the ensembles of SFGMC with special guest Britney Coleman.
$2.50
2.29 €
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Chorale TTBB
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David Bowie
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Paul Saccone
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Under Pressure
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Paul Saccone
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SheetMusicPlus
I Get Around
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1014355 By The Beach Boys.…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1014355 By The Beach Boys. By Brian Wilson and Mike Love. Arranged by Brian Cromer. Pop,Rock. Octavo. 7 pages. Brian A Cromer #6858431. Published by Brian A Cromer (A0.1014355). Barbershop style arrangement featuring the tenors throughout. The most challenging part of this arrangement is just the vocal range of the tenor and lead, but you can do it big guy! Side note, I actually wrote this a half-step up but it just looked like an absolute nightmare. Anyway, contact the arranger Brian Cromer for a different key or how to get tracks to this baby. BrianCromer85@gmail.comVocal RangesTenor: G#3-F5 (yikes)Lead: F#3-G#4Baritone:E3-E4Bass: F2-A3
$1.99
1.82 €
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Chorale TTBB
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The Beach Boys
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Brian Cromer
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I Get Around
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Brian A Cromer
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SheetMusicPlus
Africa
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David P…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
4.57 €
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Chorale TTBB
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James N…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50
4.11 €
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Chorale TTBB
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James Nathaniel Holland
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Indiana for Four Part A capella Men's Chorus
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James Nathaniel Holland
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SheetMusicPlus
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