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ACCORDEON
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CHORALE - CHAN…
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Non classifié
3590
PIANO & CLAVIERS
Piano seul
1641
Piano Facile
511
Piano, Voix
394
Piano, Voix et Guitare
278
Orgue
213
Instruments en Do
160
Piano grosses notes
100
1 Piano, 4 mains
34
Piano Trio: piano, violon, violoncelle
31
Accompagnement Piano
28
Accordéon
20
2 Pianos, 4 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
17
Piano (partie séparée)
13
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Clavier
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
2
Ligne De Mélodie, Piano
1
Clavecin
1
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GUITARES
Guitare
193
Basse electrique
115
Guitare notes et tablatures
79
Ligne De Mélodie, (Paroles) et Accords
36
Ukulele
30
Guitare (partie séparée)
24
2 Guitares (duo)
13
Mandoline
5
Dulcimer
4
Banjo
4
Paroles et Accords
3
3 Guitares (trio)
3
Piano, Guitare (duo)
3
Ensemble de guitares
3
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
Guitare, Violon, Violoncelle (trio)
1
Dobro
1
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VOIX
Chorale SATB
615
Chorale 3 parties
213
Chorale 2 parties
114
Chorale TTBB
83
Chorale Unison
78
Voix seule
69
Chorale SSAA
61
Voix duo, Piano
47
Voix Soprano, Piano
25
Voix duo
15
Voix moyenne, Piano
7
Voix Soprano
4
Chorale SSAATTBB
4
Voix Tenor, Piano
4
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
Chorale SSATB
1
Voix Baryton, Piano
1
Chorale SATBB
1
Voix Alto, Piano
1
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VENTS
Saxophone
423
Flûte traversière
255
Clarinette
242
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
220
Flûte traversière et Piano
212
Hautbois, Piano (duo)
195
Quintette de Saxophone: 5 saxophones
190
Quatuor de Saxophones: 4 saxophones
185
Clarinette et Piano
163
2 Saxophones (duo)
152
Flûte, Hautbois, Clarinette, Basson
141
Saxophone Alto et Piano
130
Saxophone (partie séparée)
115
Saxophone Tenor et Piano
101
Saxophone Alto
78
Hautbois (partie séparée)
71
Saxophone Soprano et Piano
71
Quatuor de Clarinettes: 4 clarinettes
64
Saxophone Baryton, Piano
62
Ensemble de Clarinettes
60
2 Flûtes traversières (duo)
58
Ensemble de saxophones
57
3 Saxophones (trio)
57
2 Clarinettes (duo)
51
2 Hautbois (duo)
36
Flûte, Clarinette (duo)
33
Quatuor de Flûtes : 4 flûtes
33
Saxophone Tenor
32
Quintette de Clarinettes: 5 clarinettes
31
Ensemble de Flûtes
29
Cor anglais, Piano
27
Flûte, Hautbois, Clarinette (trio)
27
Hautbois
27
Clarinette, Basson (duo)
27
Flûte à bec Soprano
24
Clarinette Basse, Piano
24
3 Clarinettes (trio)
24
Quintette de Flûte : 5 flûtes
24
Saxophone Soprano
23
Hautbois, Clarinette, Basson (trio d'anches)
22
2 Flûte à bec (duo)
20
Clarinette (partie séparée)
18
Saxophone Baryton
18
Flûte à bec Alto
17
Trio de Flûtes: 3 flûtes
17
Flûte à Bec
16
Flûte, Violoncelle
16
Hautbois, Basson (duo)
15
Clarinette, Violoncelle (duo)
15
Clarinette, Violon (duo)
15
Hautbois, Clarinette (duo)
14
Hautbois, Violoncelle
14
Flute (partie séparée)
13
Flûte, Hautbois (duo)
12
Flûte, Basson et Piano
11
Flûte, Violon
11
Flûte, Clarinette et Basson
11
Quatuor de Flûtes à bec
10
Flûte, Alto (duo)
10
Flûte à bec Tenor
9
Flûte et Guitare
8
Clarinette et Alto
8
Flûte, Clarinette, Cor, Basson (Quartet)
7
Flûte, Violon, Piano
6
Flute, harpe et violon
6
Hautbois et alto (duo)
6
Hautbois, violon (duo)
6
5 Flûtes à bec
6
Flûte, Saxophone (duo)
5
Flûte, Violon et Violoncelle
5
3 Flûtes à bec (trio)
5
Cor Anglais
4
Saxophone, Clarinette (duo)
4
Flûte, Trombone (duo)
3
Hautbois, Flûte
3
2 Saxophones, Piano
3
Ensemble à vent
3
2 Clarinettes, Basson
3
Clarinette, Trompette (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Hautbois, Basson
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Harpe (duo)
3
Clarinette, Guitare (duo)
3
Flûte, Clarinette, Piano (trio)
2
Hautbois, Violon, Piano
2
2 Flûtes traversières, Piano
2
Flûte, Harpe et Violoncelle
2
Flûte à bec Alto, Piano
2
Flûte traversière, Basse continue
2
Flûte, trombone et piano
2
Flûte, Trompette (duo)
2
Clarinette, trompette et piano
2
Flûte, Violon, Violoncelle et Piano
2
Piccolo, Piano
2
Clarinette Basse
2
2 Clarinettes, Piano
2
Flûte à bec Soprano, Piano
2
Saxophone et Orgue
2
Flûte et Trio à cordes
2
Hautbois, Harpe
2
Hautbois, Guitare (duo)
1
Saxophone et Harpe
1
Flûte, Tuba (duo)
1
Flûte, alto et harpe
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cor anglais et Harpe (duo)
1
Flûte, Alto et Piano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Orgue
1
Clarinette, Tuba
1
Hautbois, trombone (duo)
1
Flûte irlandaise
1
Hautbois, Basson et Piano
1
Flûte à bec Alto, Basse continue
1
Saxophone et Guitare
1
Ensemble de Hautbois
1
Harmonica
1
Piccolo
1
Ensemble De Flûte à bec
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
282
Trompette
247
Trombone
203
Trombone et Piano
153
Trompette, Piano
140
Cor et Piano
135
Cor
105
Tuba et Piano
98
Quatuor de Cuivres : 2 trompettes, trombone, tuba
84
Tuba
75
Quatuor de Cuivres: 2 trompettes, Cor, trombone
74
Trombone (partie séparée)
57
Euphonium, Piano (duo)
54
Trompette (partie séparée)
51
Quatuor de Cuivres
41
2 Trompettes (duo)
38
2 Trombones (duo)
32
2 Cors (duo)
32
Trompette, Trombone (duo)
28
Cor anglais, Piano
27
Quatuor de cuivres: 4 trombones
26
Ensemble de Trombones
19
2 Tubas (duo)
17
Ensemble de Trompettes
15
Tuba (partie séparée)
12
Ensemble de Cors
11
Cor (partie séparée)
11
Quatuor de cuivres: 4 cors
7
Quatuor de cuivres: 4 trompettes
7
Trompette, Cor (duo)
7
4 Tubas
5
Cor Anglais
4
Trompette et Guitare
4
3 Trombones (trio)
4
Trompette, Basson (duo)
4
Trompette, Saxophone (duo)
4
Cor, Violoncelle (duo)
3
2 Euphoniums (duo)
3
Tuba et Orgue
3
Trompette, Violoncelle (duo)
3
Trombone basse
2
Trio de Cuivres
2
Trombone basse et Piano
2
3 Trompettes (trio)
2
Cor et Basson (duo)
2
Trombone, Tuba (duo)
1
3 Cors (trio)
1
Trombone, Orgue
1
Euphonium
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
Euphonium, Tuba (duo)
1
Trompette, Harpe
1
2 Euphoniums et 2 Tubas
1
Trombone, Violon (duo)
1
Trompette, Tuba (duo)
1
Trombone, Cor (duo)
1
3 Tubas (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
427
Violon et Piano
256
Violon
203
Violoncelle, Piano
189
Alto, Piano
177
Alto seul
101
Violon, Violoncelle (duo)
98
Violoncelle (partie séparée)
89
Quintette à cordes: 2 violons, alto, violoncelle, basse
78
Contre Basse
74
Harpe
69
Trio à Cordes: violon, alto, violoncelle
67
2 Violons (duo)
67
Contrebasse, Piano (duo)
60
Violoncelle
60
2 Violoncelles (duo)
59
Violon, Alto (duo)
57
2 Altos (duo)
43
Trio à Cordes: 2 violons, violoncelle
33
Alto (partie séparée)
27
Violon (partie séparée)
27
Contrebasse (partie séparée)
23
Alto, Violoncelle (duo)
20
Piano Trio: Violon, Alto, Piano
17
Violon, Basson (duo)
14
Trio à Cordes: 3 violoncelles
13
4 Violoncelles
12
Trio à cordes: 3 violins
10
Quatuor à cordes: 4 violons
10
2 Contrebasses (duo)
9
Violon, Guitare (duo)
9
Ensemble d'Altos
7
Ensemble de Violons
7
2 Harpes (duo)
7
Trio à Cordes: 2 violons, alto
7
Alto et Basson
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Harpe, Flûte (duo)
6
Violon, Clarinette, Piano (trio)
6
Quatuor à cordes : 4 altos
5
Trio à cordes: 3 altos
5
Violoncelle, Contrebasse (duo)
4
Violoncelle , Guitare (duo)
4
Harpe, Voix
4
Violoncelle, Basse continue
3
Harpe, Violon (duo)
3
Harpe, Violon, Violoncelle
2
Violon, Tuba (duo)
2
Ensemble de Violoncelles
2
Violoncelle, Orchestre
1
Harpe et mandoline
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Violoncelle, Orgue
1
Alto et Harpe
1
4 Harpes
1
3 Harpes
1
Flûte, Contrebasse (duo)
1
Violon, Basse continue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
961
Orchestre à Cordes
296
Orchestre
213
Batterie
148
Orchestre de chambre
139
Cloches
112
Ensemble Jazz
109
Jazz combo
67
Ensemble de cuivres
60
Ensemble de Percussions
19
Fanfare
18
Batterie (partie séparée)
13
Xylophone, Piano
8
Big band
8
Percussion (partie séparée)
8
Marimba
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Ensemble d'École
3
Xylophone
3
Vibraphone
2
Orchestre, Violon
2
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Caisse Claire
1
Piano et Orchestre
1
2 Percussions
1
2 Xylophones
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
6
Vous avez sélectionné:
Cat Hat
Chorale TTBB
Partitions à imprimer
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Top Hat, White Tie And Tails
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.874656 Composed by Irving …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.874656 Composed by Irving Berlin. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4288021. Published by Chris Arnold (A0.874656). A classic Irving Berlin song first made famous by Fred Astaire.Written for men's barbershop ensemble, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
$1.99
1.81 €
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Chorale TTBB
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Irving Berlin
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Chris Arnold
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Top Hat, White Tie And Tails
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Chris Arnold
#
SheetMusicPlus
Top Hat, White Tie And Tails
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.874655 Composed by Irving …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.874655 Composed by Irving Berlin. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4288019. Published by Chris Arnold (A0.874655). A classic Irving Berlin song first made famous by Fred Astaire.Written for men's barbershop ensemble, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
$12.99
11.85 €
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Chorale TTBB
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Irving Berlin
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Chris Arnold
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Top Hat, White Tie And Tails
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Chris Arnold
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SheetMusicPlus
My Lord! What a Mourning - TTBB, a cappella
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.773928 Arranged by Anthony…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.773928 Arranged by Anthony Giamanco. A Cappella,African,Concert,Folk,Spiritual,Standards. Octavo. 4 pages. Whole Tone Press #6132501. Published by Whole Tone Press (A0.773928). A beautiful African-American Spiritual sensitively arranged for 4-part men's voices. Intermediate. My Lord! what a mourning when the stars begin to fall.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$2.10
1.92 €
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Chorale TTBB
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Anthony Giamanco
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My Lord! What a Mourning - TTBB, a cappella
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Whole Tone Press
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SheetMusicPlus
Fantastic, That's You
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.816153 Composed by George …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.816153 Composed by George Cates, Mort Greene, and Robert Thiele. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop. Octavo. 5 pages. Kevin Keller #4110875. Published by Kevin Keller (A0.816153). Men's TTBB chart - melody in T2 - Barbershop.
$2.99
2.73 €
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Chorale TTBB
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George Cates, Mort Greene, and Robert Thiele
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Kevin Keller
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Fantastic, That's You
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Kevin Keller
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SheetMusicPlus
That Spirit Of Christmas
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1328312 Composed by…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1328312 Composed by Joel Webster, Mable John, and Parnell Davison. Arranged by Jeff Tincher. Blues,Christmas,Film/TV,Holiday. 14 pages. Jeff Tincher #916305. Published by Jeff Tincher (A0.1328312). Here is a Christmas song from the great blues artist Ray Charles. In the original key from the single, this song was featured in National Lampoon's Christmas Vacation movie where Clark Griswall was locked in the attic and he was playing old family home movies. Duration = 5:23. Visit my websites: https://jtp.spread.name/, efftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99
1.81 €
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Chorale TTBB
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Joel Webster, Mable John, and Parnell Davison
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Jeff Tincher
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That Spirit Of Christmas
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Jeff Tincher
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SheetMusicPlus
That's A Plenty
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.874652 Composed by Lew Pol…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.874652 Composed by Lew Pollack and Ray Gilbert. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4288011. Published by Chris Arnold (A0.874652). Originally written to be suitable for barbershop contests; please check with judges within your organization to confirm its suitability against current standards.Written for men's barbershop ensemble, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
$1.99
1.81 €
#
Chorale TTBB
#
Lew Pollack and Ray Gilbert
#
Chris Arnold
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That's A Plenty
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Chris Arnold
#
SheetMusicPlus
That's A Plenty
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.874651 Composed by Lew Pol…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.874651 Composed by Lew Pollack and Ray Gilbert. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4288009. Published by Chris Arnold (A0.874651). Originally written to be suitable for barbershop contests; please check with judges within your organization to confirm its suitability against current standards.Written for men's barbershop ensemble, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
$12.99
11.85 €
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Chorale TTBB
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Lew Pollack and Ray Gilbert
#
Chris Arnold
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That's A Plenty
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Chris Arnold
#
SheetMusicPlus
Oh What A Savior
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522360 Composed by Marvin …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522360 Composed by Marvin Dalton. Arranged by Paul A. Jorg. A Cappella. Octavo. 3 pages. Paul A. Jorg #6019423. Published by Paul A. Jorg (A0.522360). The Stamps, Statesmen, Cathedrals and others have great recordings of this wonderful song.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
4.19 €
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Chorale TTBB
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Marvin Dalton
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Paul A
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Oh What A Savior
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Paul A. Jorg
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SheetMusicPlus
I Want It That Way (Tell Me Why) TTBB - arr. Julien Neel
Chorale TTBB
By The Backstreet Boys. Arranged by Julien Neel. Score. 7 pages. Published by Julien Ne…
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By The Backstreet Boys. Arranged by Julien Neel. Score. 7 pages. Published by Julien Neel (Trudbol)
"I Want It That Way" is a 1999 hit song by American boy band the Backstreet Boys on their third studio album Millennium. Their catchy pop ballad was nominated for three Grammy Awards, and reached the number-one spot in more than 25 countries. This original 4-part a cappella arrangement for male voices will be the perfect addition to your show repertoire. With melody sung by Tenor 2 (A.K.A. "Lead" in the barbershop quartet setting), it will stay comfortable for all the singers, while keeping the energy and feeling strong for the audience.
$5.00
4.56 €
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Chorale TTBB
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The Backstreet Boys
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Julien Neel
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I Want It That Way
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Julien Neel
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SheetMusicPlus
Don't Tell Me
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.500725 By Hudson Taylor. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.500725 By Hudson Taylor. By Alfred Hudson Taylor, Harry Hudson Taylor, and Michael Aaron Einziger. Arranged by G. M. Morley. A Cappella,Contemporary. Octavo. 9 pages. G. M. Morley #6450807. Published by G. M. Morley (A0.500725). Taken from the 2015 album Singing for Strangers, Don't Tell Me has potential to be a loud and raucous anthem of defiance for any performance. While my arrangement was originally intended to be performed at a Pride event, due to restrictions across the UK regarding choral groups we were unable to perform it.Although not officially part of the LGBTQ community, interviews indicate that Hudson Taylor are LGBTQ Allies. This song can be performed as a rallying cry for any march or protest for equality.
$4.49
4.09 €
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Chorale TTBB
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Hudson Taylor
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G
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Don't Tell Me
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G. M. Morley
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SheetMusicPlus
I'm Always Chasing Rainbows
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930160 Composed by Harry C…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930160 Composed by Harry Carroll, Joseph McCarthy. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella. Octavo. 7 pages. Donald A Mills #24577. Published by Donald A Mills (A0.930160). This long-time favorite is a song that will bring back memories to the older set and introduce a gold-standard to the younger ones. The ups and downs of the world economy and catching that ever-elusive rainbow with its pot of gold is the hope of the song. There are two intuitive key changes here, in a cappella format, TTBB, with a medium high level of difficulty. Music by Harry Carroll, melody adapted from Fantaisie-Impromptu by Frédéric Chopin. Lyrics by Joseph McCarthy.
$2.29
2.09 €
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Chorale TTBB
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Harry Carroll, Joseph McCarthy
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Donald A
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I'm Always Chasing Rainbows
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Donald A Mills
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.64 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
I'll Be Waiting
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1475739 By Cia…
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Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1475739 By Cian Ducrot. By Cian Ducrot and Lauren Frawley. Arranged by Dustin S. Cates. Pop,Rock,Singer/Songwriter. 15 pages. Dustin S Cates #1053296. Published by Dustin S Cates (A0.1475739). I’ll Be Waiting was released as a single in 2022 by Irish singer-songwriter Cian Ducrot. Despite its catchy chorus, the piece addresses the often complex nature of human relationships. The contrasting themes of loss, regret, hope and love are all part of the story of the song. A story that the singer describes as the emotions involved in, “waiting for someone you love to show up.” Ducrot, who also studied flute performance at the Royal Academy of Music in London, is one of a growing number of musicians gaining popularity through leveraging the power of social media, in particular TikTok, to share their music with the world. I’ll Be Waiting went viral as Ducrot posted videos of flash mob performances of the song taking place in subway trains, shopping malls and even on NBC’s Today Show.
$2.50
2.28 €
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Chorale TTBB
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Cian Ducrot
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Dustin S
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I'll Be Waiting
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Dustin S Cates
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SheetMusicPlus
(ghost) Riders In The Sky (a Cowboy Legend)
Chorale TTBB
Voice (TTBB) - Level 2 - Digital Download SKU: A0.1298167 By Johnny Cash. By Stan J…
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Voice (TTBB) - Level 2 - Digital Download SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages. Anastasio Rossi #888121. Published by Anastasio Rossi (A0.1298167). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. Stan Jones said he was told the story when he was 12 years old, by an old Native American Apache. He related this story to a boyhood friend. As both boys were looking at the clouds one day, Stan shared the story with him, both looking in amazement as the cloudy shapes were identified as the ghost riders. Years later the story was transposed into lyrics. The melody is based on the Civil War-era popular song When Johnny Comes Marching Home.Ghost Riders In The Sky has a haunting quality that will capture the imaginations of children of all ages from young to old!Hundreds of performers have recorded this song, including Vaughn Monroe, Bing Crosby, Peggy Lee, Lawrence Welk, Frankie Laine, Burl Ives, The Outlaws, The Ramrods, Stan Jones, and Johnny Cash.Learning tracks and the Orchestral Accompniment Track (MP3) available at no cost from the arranger: AAR@prodigy.net.
$12.99
11.85 €
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Chorale TTBB
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Johnny Cash
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Anastasio Rossi
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(ghost) Riders In The Sky
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Anastasio Rossi
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SheetMusicPlus
Invictus
Chorale TTBB
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.1196607 Composed by John A…
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Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.1196607 Composed by John Allison. A Cappella,Contemporary,Contest,Festival. Octavo. 8 pages. John Allison #795770. Published by John Allison (A0.1196607). This is an a capella setting for six-part male voice choir (TTBarBarBB) of a C19th poem that remains remarkably relevant to any contemporary struggle against injustice. The poem was a favourite of Nelson Mandela's during his 27 years of imprisonment. The piece opens with a haunting evocation of the darkness and cruelty of unjust incarceration; a rhythmic middle section portrays the prisoner's stubborn refusal to lose hope and human dignity, whatever obstacles and punishments must be overcome. The final, maestoso section is a rousing hymn, a joyful celebration of determination to remain true to one's beliefs and ideals, and pride in being the master of one's own fate.Audiences will appreciate the variety of moods and tempos within the piece; ending on a huge emotional high makes it the perfect number to end a performance. Male voice choirs will relish the challenge and the opportunity to demonstrate their control of dynamics, rhythmic ensemble singing and a full range of timbres from ghostly to triumphant.
$2.50
2.28 €
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Chorale TTBB
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John Allison
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Invictus
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John Allison
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SheetMusicPlus
Gone Too Soon
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1378737 By Simple P…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1378737 By Simple Plan. By Charles Comeau, Emanuel Kiriakou, and Pierre Bouvier. Arranged by Kathleen McGuire. 21st Century,Pop,Punk,Rock. 12 pages. Kathleen McGuire #963445. Published by Kathleen McGuire (A0.1378737). This arrangement for men's choir (TTBB) was commissioned by the Buffalo Gay Men's Chorus in dedicated to a devoted member whom they lost far too soon. The ebb and flow of dynamics, constrasts of legato and marcato, a dramatic piano accompaniment, plus some unresolved vocal harmonies, allow for a series of emotions to be painted such as those experienced in the grief cycle. From Canadian band Simple Plan, ‘Gone Too Soon’ was first released in 2011. The inspiration for the song was the tragic loss of so many talented artists, actors and musicians to drug overdoses or suicide. On the Simple Plan website, drummer Chuck Corneau explained: “We thought it was so sad to see so much talent being wasted. Also there were people in our family and some great friends we lost. So the song is a combination of all that. Yes the song is about missing someone who is goneâ€. Singer Pierre Bouvier added: “Hopefully this song can help people that are going through similar situations where they feel like someone in their family or one of their friends has gone too soon.â€.
$2.50
2.28 €
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Chorale TTBB
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Simple Plan
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Kathleen McGuire
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Gone Too Soon
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Kathleen McGuire
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SheetMusicPlus
Jesus Shall Reign - TTBB voices, a cappella
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.773922 Composed by John Ha…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.773922 Composed by John Hatton. Arranged by Anthony Giamanco. A Cappella,Christian,Concert,Sacred. Octavo. 3 pages. Whole Tone Press #6129425. Published by Whole Tone Press (A0.773922). A bold arrangement of the classic hymn (DUKE STREET) for men's choir, a cappella. Perfect for church services and concerts, live and virtual. Intermediate.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$2.10
1.92 €
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Chorale TTBB
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John Hatton
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Anthony Giamanco
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Jesus Shall Reign - TTBB voices, a cappella
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Whole Tone Press
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SheetMusicPlus
Cowboy Songs of the American Southwest [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
3.83 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American Southwest [TTBB]
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Dandelion Music Press
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SheetMusicPlus
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.92 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.92 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
Sing Loud (TTB)
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.723492 Composed by Garrett…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.723492 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 13 pages. Lagom Music #6760221. Published by Lagom Music (A0.723492). This upbeat and empowering original song by composer Garrett Breeze is a synth pop-infused statement of confidence and joy full of catchy hooks and fun vocal moments. It was commissioned and premiered by the combined 7th and 8th grade choir of Sioux Center Middle School in Iowa. Available in: SATB: https://bit.ly/3vZ0g95 SAB: https://bit.ly/35EAtbH SSA: https://bit.ly/3CwakYj TTB: https://bit.ly/3pUWQQV Two-Part: https://bit.ly/3vQxqI1 Rhythm Section Accompaniment: https://bit.ly/3IYOwXV Visit https://garrettbreeze.com to read my blog and discover new music! Check out my catalog of choral music at https://holidaychoirmusic.com! Subscribe to my YouTube channel at https://bit.ly/35HZC2d! Lyrics: Your voice is stronger than you know. Sing until they hear you. Your word can lift someone that's low. Speak until they trust you. There's a song that only you can sing; so sing it! (We need your voice) There's music only you can dream. So let's sing loud! We don't need to wait for a chance to celebrate. So let's sing loud! We don't need to wait for our time. So let's sing loud! Your light grows brighter every day. Shine until they see you. Your heart will always lead the way. Love until they follow you. You're the only one who knows your voice; let's hear it! (So make the choice) Come on, it's time to make some noise! So let's sing loud together, friends forever, voices strong! We will rise together, help each other, sing our song!
$2.50
2.28 €
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Chorale TTBB
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Garrett Breeze
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Sing Loud
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Lagom Music
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SheetMusicPlus
Brisbane Ladies (Augathella Station)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditi…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
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Chorale TTBB
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Horizon
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1200843 By Shelton Ridge L…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1200843 By Shelton Ridge Love. By Shelton Ridge Love. Contemporary,Sacred,Spiritual. Octavo. 19 pages. Shelton Ridge Love #799497. Published by Shelton Ridge Love (A0.1200843). For TTBB Chorus, Piano and optional Violin (Violin part included with the score)2022 holds a significant milestone for my family. This year, my grandmother, Bobbie Kay Turner, celebrates her ninetieth birthday. In planning for the celebration, I was stumped about what to give her. I wanted it to be unique, something no one else would think of. Finally, I had the idea to compose a new song. I contacted my friend, James, and he was immediately on board. In fact, he had the first draft of a new poem back to me within the day!  When my grandmother (“Mimi†to her grandkids) was 36 years old, she and my grandfather moved to Cayman Brac, Cayman Islands with their six children to serve as missionaries; and she has been there since. So, when I think of Mimi, I can’t help but think of the many times I’ve sat and watched the ocean with her. Knowing this, James created a text that depicts life as a ship’s journey across the sea. Throughout the song, you will catch snippets of my grandmother’s favorite hymn Amazing Grace which, like Horizon, is a song about a journey. My grandmother has lived a full, long life and continues to joyfully live each day. James’s beautiful lyrics perfectly capture her journey, particularly the final stanza. Mimi is known for being full of energy and abounding in love for those around her, and she never stops telling anyone who will listen about the divine light of an eternal home. –    Shelton, October 18, 2022.
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Chorale TTBB
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Shelton Ridge Love
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and she has been there since
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Horizon
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Shelton Ridge Love
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