Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come On And See
Non classifié
404
Piano & claviers
Piano, Voix et Guitare
399
Piano seul
174
Piano, Voix
57
Piano Facile
48
Instruments en Do
40
Orgue
27
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
8
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
Piano (partie séparée)
1
Accordéon
1
+ 10 instrumentations
Retracter
Guitares
Ukulele
37
Guitare notes et tablatures
23
Guitare
20
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
4
2 Guitares (duo)
3
Piano, Guitare (duo)
1
Banjo
1
3 Guitares (trio)
1
Paroles et Accords
1
Mandoline
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
138
Chorale 3 parties
29
Chorale 2 parties
13
Chorale TTBB
10
Chorale Unison
9
Chorale SSAA
5
Pack Instrumental pour Chorale
5
Voix duo, Piano
4
Voix Soprano, Piano
4
Voix Alto, Piano
3
Voix seule
2
Voix basse, Piano
2
Voix haute
2
Voix duo
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Voix Tenor
1
+ 12 instrumentations
Retracter
Vents
2 Saxophones (duo)
27
2 Flûtes traversières (duo)
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quatuor de Saxophones: 4 saxophones
22
Flûte traversière et Piano
20
Clarinette
16
Saxophone Alto et Piano
16
Clarinette et Piano
16
Hautbois, Piano (duo)
14
Hautbois (partie séparée)
13
3 Saxophones (trio)
13
2 Clarinettes (duo)
12
Flûte, Hautbois, Clarinette, Basson
11
3 Clarinettes (trio)
11
Ensemble de Flûtes
10
Saxophone Tenor et Piano
9
Saxophone Soprano et Piano
8
Quintette de Saxophone: 5 saxophones
8
Ensemble de Clarinettes
7
Flûte traversière
7
Saxophone Baryton, Piano
7
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Tenor
6
2 Hautbois (duo)
5
Quatuor de Flûtes : 4 flûtes
5
Saxophone Alto
5
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Clarinette (duo)
4
Flûte, Clarinette et Basson
4
Saxophone Baryton
3
Trio de Flûtes: 3 flûtes
3
Saxophone Soprano
3
Ensemble de saxophones
3
Saxophone
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois
3
Quatuor de Flûtes à bec
2
Flûte à bec Alto
2
Cor anglais, Piano
2
Flûte à bec Tenor
2
Flûte à bec Soprano
2
Clarinette Basse, Piano
2
Clarinette, Harpe (duo)
1
Flûte à bec Soprano, Piano
1
2 Clarinettes, Piano
1
Ensemble De Flûte à bec
1
Piccolo, Piano
1
Clarinette Basse
1
Hautbois, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Guitare
1
Flûte, Violon
1
Quintette de Flûte : 5 flûtes
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violoncelle (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Guitare (duo)
1
Saxophone (partie séparée)
1
Hautbois, Clarinette (duo)
1
+ 54 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
13
Trombone et Piano
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Cor et Piano
11
Trompette
10
2 Trompettes (duo)
8
Trombone
8
2 Cors (duo)
7
2 Trombones (duo)
7
Trompette, Piano
6
2 Tubas (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Tuba
4
Trompette, Trombone (duo)
3
Ensemble de Trombones
3
Cor
3
Euphonium, Piano (duo)
3
2 Euphoniums (duo)
2
Cor anglais, Piano
2
Cor, Tuba (duo)
2
Trompette, Cor (duo)
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
1
Tuba et Orgue
1
Quatuor de Cuivres
1
2 Cors Anglais Et Pianoforte
1
Trombone, Tuba (duo)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon et Piano
27
Violoncelle, Piano
17
Trio à Cordes: violon, alto, violoncelle
16
Alto, Piano
14
2 Violons (duo)
13
Violon
13
Violon, Violoncelle (duo)
12
2 Violoncelles (duo)
10
Violoncelle
8
Harpe
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto seul
6
Contre Basse
5
2 Altos (duo)
5
2 Contrebasses (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Contrebasse, Piano (duo)
4
Violon, Alto (duo)
3
Harpe, Voix
3
Violoncelle, Orgue
2
Violoncelle , Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
2 Harpes (duo)
1
Ensemble de Violons
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
Violon, Violoncelle, Clarinette
1
Trio à Cordes: 2 violons, alto
1
4 Violoncelles
1
2 Violons, Piano
1
Ensemble d'Altos
1
Trio à cordes: 3 violins
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
60
Orchestre
36
Ensemble de cuivres
25
Orchestre à Cordes
18
Ensemble Jazz
16
Orchestre de chambre
14
Cloches
11
Batterie
2
Ensemble de Percussions
1
Marimba
1
Orchestre, Violon
1
Piano et Orchestre
1
Fanfare
1
Xylophone
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
10
Librairie Musicale
4
Matériel de Musique
129
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Come On And See
Chorale TTBB
Partitions à imprimer
10 partitions trouvées
<
1
The Story Of Reuben Clamzo & His Strange Daughter
#
Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
O Come to the Stable
#
Chorale TTBB
#
FACILE
#
John van Gulik
#
John van Gulik
#
O Come to the Stable
#
John van Gulik
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244634 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Holiday,Religious. Octavo. 1...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1244634 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Holiday,Religious. Octavo. 17 pages. John van Gulik #839588. Published by John van Gulik (A0.1244634). A simple setting to an original text by John van Gulik, this is arranged for 4 part men's choir. Suitable for Christmas concertsO come to the stable, O come to the BabeSee there in a manger, The Holy One is laid.O come to the stable, O come to the BabeA child like no other, A message of loveSinging Gloria in Excelcis, On a cold winter's breezeAngels guided the shepherds, To fall on their kneesO come to the stable. Whisper softly to findHis mother now resting, Sleeping Saviour of manThe wise men from asia, Being led by a starA call to come worship, The King of heaven's SonThe prophets of old days, Spoke a message of loveAnd mercy for all man, The Messiah has comeFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
WAYFARING STRANGER (Poor Wayfaring Stranger)
#
Chorale TTBB
#
DÉBUTANT
#
Unknown - traditional
#
Paul A
#
peripatetic country preachers
#
WAYFARING STRANGER
#
Paul A. Jorg
#
SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
(+)
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
Sing Loud (TTB)
#
Chorale TTBB
#
FACILE
#
Garrett Breeze
#
Sing Loud
#
Lagom Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.723492 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 13 pages. Lagom Music #6760221. Pu...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.723492 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 13 pages. Lagom Music #6760221. Published by Lagom Music (A0.723492). This upbeat and empowering original song by composer Garrett Breeze is a synth pop-infused statement of confidence and joy full of catchy hooks and fun vocal moments. It was commissioned and premiered by the combined 7th and 8th grade choir of Sioux Center Middle School in Iowa. Available in: SATB: https://bit.ly/3vZ0g95 SAB: https://bit.ly/35EAtbH SSA: https://bit.ly/3CwakYj TTB: https://bit.ly/3pUWQQV Two-Part: https://bit.ly/3vQxqI1 Rhythm Section Accompaniment: https://bit.ly/3IYOwXV Visit https://garrettbreeze.com to read my blog and discover new music! Check out my catalog of choral music at https://holidaychoirmusic.com! Subscribe to my YouTube channel at https://bit.ly/35HZC2d! Lyrics: Your voice is stronger than you know. Sing until they hear you. Your word can lift someone that's low. Speak until they trust you. There's a song that only you can sing; so sing it! (We need your voice) There's music only you can dream. So let's sing loud! We don't need to wait for a chance to celebrate. So let's sing loud! We don't need to wait for our time. So let's sing loud! Your light grows brighter every day. Shine until they see you. Your heart will always lead the way. Love until they follow you. You're the only one who knows your voice; let's hear it! (So make the choice) Come on, it's time to make some noise! So let's sing loud together, friends forever, voices strong! We will rise together, help each other, sing our song!
$2.50
A Child Is Born Upon This Night (TTB)
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Noël
#
Martin Luther, J
#
Garrett Breeze
#
A Child Is Born Upon This Nigh
#
Lagom Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.723480 Composed by Martin Luther, J.O. Wallin. Arranged by Garrett Breeze. Christmas. Octavo. 14 pages. Lagom Mu...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.723480 Composed by Martin Luther, J.O. Wallin. Arranged by Garrett Breeze. Christmas. Octavo. 14 pages. Lagom Music #6655851. Published by Lagom Music (A0.723480). Based on the popular Swedish Christmas carol Ett barn är fött på denna dag (which is itself based on the German carol Vom Himmel hoch, da komm ich her) this arrangement uses various English translations to create a new expressive text brought to life by a sweeping and energetic orchestration! Available in: SATB: https://bit.ly/3pm1LKE SAB: https://bit.ly/32gICkE SSA: https://bit.ly/3mq7jCl TTB: https://bit.ly/3H8lbbY String Orchestra Accompaniment: https://bit.ly/3yRuJFv Find more Christmas music at https://holidaychoirmusic.com Visit https://garrettbreeze.com for choral commissions, blog, and resources for teachers. LYRICS: A child is born upon this night beneath a star so bright, from heaven above to earth has come, the dark to save us from. This newborn babe of lowly birth brings light to all the earth. The God who once created all rests in a manger small. Now let us all with gladsome cheer go with the shepherds near to see the crib marked by a star with Wise Men from afar. Were earth a thousand times as far, crowned with gold and jewels rare, she yet were far too poor to be a cradle, Lord, for Thee. My heart for very joy doth leap; I cannot silence keep! With angel choirs I sing along the ancient cradle song of peace on earth, good will to men, until He comes again to fill the world with truth and light; a Child is born this night! © 2021 LAGOM MUSIC.
$2.75
Scooby Doo, Where Are You?
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Ben Raleigh and David Monk
#
Alex Frank
#
Scooby Doo, Where Are You?
#
Alex Frank
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
#
Chorale TTBB
#
DÉBUTANT
#
Musique Sacrée
#
Paul A
#
Paul A
#
IS THERE STILL A DROP OF BLOOD
#
Paul A. Jorg
#
SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo....
(+)
Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
Gone Too Soon
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Simple Plan
#
Kathleen McGuire
#
Gone Too Soon
#
Kathleen McGuire
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1378737 By Simple Plan. By Charles Comeau, Emanuel Kiriakou, and Pierre Bouvier. Arranged by Kathleen McG...
(+)
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1378737 By Simple Plan. By Charles Comeau, Emanuel Kiriakou, and Pierre Bouvier. Arranged by Kathleen McGuire. 21st Century,Pop,Punk,Rock. 12 pages. Kathleen McGuire #963445. Published by Kathleen McGuire (A0.1378737). This arrangement for men's choir (TTBB) was commissioned by the Buffalo Gay Men's Chorus in dedicated to a devoted member whom they lost far too soon. The ebb and flow of dynamics, constrasts of legato and marcato, a dramatic piano accompaniment, plus some unresolved vocal harmonies, allow for a series of emotions to be painted such as those experienced in the grief cycle. From Canadian band Simple Plan, ‘Gone Too Soon’ was first released in 2011. The inspiration for the song was the tragic loss of so many talented artists, actors and musicians to drug overdoses or suicide. On the Simple Plan website, drummer Chuck Corneau explained: “We thought it was so sad to see so much talent being wasted. Also there were people in our family and some great friends we lost. So the song is a combination of all that. Yes the song is about missing someone who is goneâ€. Singer Pierre Bouvier added: “Hopefully this song can help people that are going through similar situations where they feel like someone in their family or one of their friends has gone too soon.â€.
$2.50
The Leaves of the Fall
#
Chorale TTBB
#
FACILE
#
John van Gulik
#
John van Gulik
#
The Leaves of the Fall
#
John van Gulik
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
Na Na Hey
#
Chorale TTBB
#
FACILE
#
Contemporain
#
Dj Chroma
#
Bob Eggers
#
Na Na Hey
#
ROBERT J EGGERS
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.940470 By Dj Chroma. By Arthur D. Frashuer, Chris Bangs, Dale Frashuer, Gary Carlo, Kent Brainerd, Paul Leka, an...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.940470 By Dj Chroma. By Arthur D. Frashuer, Chris Bangs, Dale Frashuer, Gary Carlo, Kent Brainerd, Paul Leka, and Simon Grant. Arranged by Bob Eggers. Contemporary. Octavo. 3 pages. ROBERT J EGGERS #6666199. Published by ROBERT J EGGERS (A0.940470). Na Na Hey has become an anthem at sports arenas, but the song almost did not see the light of day. The song was originally recorded in 1969 as a B side for the then fictitious group Steam. The group cobbled together some drum tracks from other recordings and improvised the now famous chorus without penning actual lyrics to satisfy the need for a song on the flip side of one for their better songs. The B side went on to become a number one hit on the US Billboard charts.This arrangement captures the sweetness of the verses and then falls into the rollicking chorus, letting the energy build -- a fine opportunity to engage your audience to sing and clap along.Orchestration: Tenor solo + TtTtBBDuration: 1:59Please visit the YouTube link for a full presentation of this arrangement.
$1.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Come On And See
