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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des'ree
Non classifié
3 219
Piano & claviers
Piano seul
2 993
Piano Facile
633
Piano, Voix
501
Orgue
282
Piano, Voix et Guitare
245
Accordéon
190
Instruments en Do
118
Piano Trio: piano, violon, violoncelle
52
1 Piano, 4 mains
51
Accompagnement Piano
39
2 Pianos, 4 mains
37
Piano Quatuor: piano, violon, alto, violoncelle
9
Clavecin
8
Orgue, Piano (duo)
8
Orgue, Trompette (duo)
7
1 Piano, 6 mains
7
Piano grosses notes
3
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon, Voix
1
2 Pianos, 8 mains
1
Clavier
1
+ 17 instrumentations
Retracter
Guitares
Guitare
656
Basse electrique
312
Guitare notes et tablatures
235
Ukulele
76
Ligne De Mélodie, (Paroles) et Accords
28
Mandoline
22
Paroles et Accords
22
Dulcimer
16
Banjo
16
2 Guitares (duo)
15
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
11
Ukulele Baryton
6
Guitare (partie séparée)
6
3 Guitares (trio)
4
Ensemble de guitares
3
2 Dulcimers (duo)
3
Guitare, Quatuor à cordes
2
Orchestre à Plectres
1
Guitare Pedal Steel
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
739
Chorale 3 parties
324
Voix seule
214
Chorale Unison
107
Chorale 2 parties
99
Pack Instrumental pour Chorale
78
Chorale TTBB
61
Chorale SSAA
41
Voix Soprano, Piano
22
Chorale
18
Voix duo
16
Voix duo, Piano
15
Voix Alto, Piano
15
Voix haute
11
Voix Baryton, Piano
11
Voix moyenne, Piano
4
Chorale SSAATTBB
2
Voix Tenor, Piano
2
Male Voice
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB, Piano
1
Chorale SSATTB
1
Chorale SSATB
1
Voix Tenor
1
Voix Soprano
1
Voix, Guitare
1
+ 21 instrumentations
Retracter
Vents
Saxophone
1 171
Clarinette
663
Flûte traversière
658
Flûte traversière et Piano
314
2 Flûtes traversières (duo)
207
3 Clarinettes (trio)
152
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
134
2 Saxophones (duo)
129
Clarinette et Piano
123
Quatuor de Saxophones: 4 saxophones
120
Quatuor de Clarinettes: 4 clarinettes
111
Saxophone Alto et Piano
103
Hautbois
98
Hautbois, Piano (duo)
98
Trio de Flûtes: 3 flûtes
97
Flûte à Bec
96
Saxophone Alto
88
Flûte, Hautbois, Clarinette, Basson
84
Saxophone Tenor et Piano
84
Quatuor de Flûtes : 4 flûtes
81
Saxophone Tenor
80
2 Clarinettes (duo)
67
Flûte à bec Soprano
63
Quintette de Saxophone: 5 saxophones
60
Saxophone (partie séparée)
53
3 Saxophones (trio)
45
Saxophone Soprano et Piano
44
Flûte et Guitare
37
Hautbois (partie séparée)
37
Flûte, Clarinette (duo)
35
Ensemble de saxophones
32
Saxophone Baryton, Piano
31
Ensemble de Clarinettes
30
Hautbois, Basson (duo)
30
Saxophone, Clarinette (duo)
27
Clarinette, Violon (duo)
25
Flûte, Violon
23
Quintette de Clarinettes: 5 clarinettes
22
2 Hautbois (duo)
22
Quatuor de Flûtes à bec
22
Flûte, Violon, Piano
21
Hautbois, Flûte
19
Cor anglais, Piano
18
Clarinette, Guitare (duo)
16
Hautbois, Clarinette (duo)
15
Clarinette Basse, Piano
15
Flûte à bec Soprano, Piano
15
Ensemble de Flûtes
15
Ocarina
14
3 Flûtes à bec (trio)
14
2 Flûte à bec (duo)
14
Quintette de Flûte : 5 flûtes
14
Flûte, Hautbois, Clarinette (trio)
14
Saxophone Soprano
12
Clarinette, Trompette (duo)
12
Clarinette, Violoncelle (duo)
12
Clarinette, Basson (duo)
12
Clarinette (partie séparée)
12
Flûte, Violoncelle
11
Flûte, Clarinette, Piano (trio)
11
Harmonica
10
Flûte, Alto (duo)
9
Flûte, Basson et Piano
9
Flûte, Saxophone (duo)
9
Flûte, Trompette (duo)
9
Clarinette et Alto
9
Cor anglais, Guitare (duo)
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte à bec Alto
7
2 Flûtes traversières, Piano
7
Flûte, Clarinette et Basson
6
Flûte à Bec, Piano
6
Flute (partie séparée)
6
Flûte, Hautbois (duo)
6
Flûte, Violoncelle, Piano (trio)
6
Flûte, Violon et Violoncelle
6
Saxophone et Guitare
5
Flûte, Trombone (duo)
5
2 Saxophones, Piano
4
Flûte à bec Tenor
3
Flûte irlandaise
3
Flûte, Harpe et Violoncelle
3
2 Clarinettes, Basson
3
Flute, harpe et violon
3
Flûte, trombone et piano
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Hautbois, Basson
3
2 Clarinettes, Piano
3
Flûte, Tuba (duo)
2
Ensemble de Hautbois
2
Hautbois, Violoncelle
2
Hautbois, Guitare (duo)
2
Flûte à bec Alto, Piano
2
5 Flûtes à bec
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, violon (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, trompette et piano
2
Clarinette, Harpe (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Cor anglais et Harpe (duo)
1
Hautbois, Harpe
1
Saxophone Baryton
1
Flûte, Clarinette, Violon (trio)
1
Flûte de Pan
1
Flûte et Quatuor à Cordes
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
Clarinette Basse
1
Flûte, Violoncelle, Guitare
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone, Violon (duo)
1
Piccolo
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
4 Hautbois
1
Piccolo, Piano
1
Ensemble De Flûte à bec
1
Flûte et Trio à cordes
1
+ 115 instrumentations
Retracter
Cuivres
Trompette
526
Trombone
466
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
141
Quatuor de Cuivres : 2 trompettes, trombone, tuba
95
Trombone et Piano
88
Trompette, Piano
84
Cor
61
Cor et Piano
48
Euphonium
41
Tuba
40
Quatuor de Cuivres
36
2 Trompettes (duo)
34
Tuba et Piano
33
2 Trombones (duo)
33
Trombone (partie séparée)
29
Euphonium, Piano (duo)
29
Trompette, Trombone (duo)
28
Trompette (partie séparée)
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Trompette, Saxophone (duo)
24
Ensemble de Trombones
21
Quatuor de cuivres: 4 trombones
21
2 Cors (duo)
20
Cor anglais, Piano
18
Ensemble de Trompettes
15
2 Tubas (duo)
12
Trio de Cuivres
11
3 Trompettes (trio)
10
Quatuor de cuivres: 4 cors
10
3 Trombones (trio)
8
Cor anglais, Guitare (duo)
8
Ensemble de Cors
7
Quatuor de cuivres: 4 trompettes
7
Trombone basse
6
Euphonium, Tuba (duo)
6
Cor (partie séparée)
6
4 Tubas
6
Cor, Violoncelle (duo)
4
Bass Clef Instruments
4
Trompette, violon (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Trombone, Piano
3
Cor, Tuba (duo)
3
Trombone basse et Piano
3
Tuba (partie séparée)
3
2 Euphoniums (duo)
3
Trompette, Cor (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
3 Cors (trio)
2
3 Euphoniums
2
Cor anglais et Harpe (duo)
1
Trombone, Cor (duo)
1
Trombone et orchestre
1
Tuba et Orgue
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle (duo)
1
2 Trombones, Piano
1
3 Tubas (trio)
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 141
Violon
776
Trio à Cordes: violon, alto, violoncelle
588
Violoncelle
449
Alto seul
376
Violon et Piano
255
Trio à cordes: 3 violins
240
Quintette à cordes: 2 violons, alto, violoncelle, basse
138
Trio à Cordes: 2 violons, violoncelle
117
Violoncelle, Piano
109
Alto, Piano
108
Harpe
106
Violon, Violoncelle (duo)
93
2 Violons (duo)
69
Trio à Cordes: 3 violoncelles
68
Violon, Alto (duo)
53
2 Violoncelles (duo)
46
2 Altos (duo)
41
Contre Basse
39
Quatuor à cordes: 4 violons
32
Violon (partie séparée)
27
4 Violoncelles
26
Trio à cordes: 3 altos
23
2 Harpes (duo)
19
Contrebasse, Piano (duo)
19
Trio à Cordes: 2 violons, alto
16
Quatuor à cordes : 4 altos
16
Alto (partie séparée)
14
Trio à cordes
14
Contrebasse (partie séparée)
14
Violon, Guitare (duo)
14
Violoncelle, Contrebasse (duo)
11
Harpe, Flûte (duo)
10
Alto, Violoncelle (duo)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Harpe et Piano
9
2 Contrebasses (duo)
8
Ensemble de Violons
8
Piano Trio: Violon, Alto, Piano
7
Violoncelle , Guitare (duo)
7
Ensemble d'Altos
6
Flûte, Contrebasse (duo)
5
Alto, Guitare (duo)
5
Violon, Clarinette, Piano (trio)
5
Harpe, Voix
5
4 Contrebasses
4
Violoncelle (partie séparée)
3
Harpe, Violoncelle (duo)
3
2 Violoncelles, Piano
2
Violon, Violoncelle, Clarinette
2
Harpe et mandoline
2
Harpe, Violon (duo)
1
Violon, Basson (duo)
1
Alto et Basson
1
Harpe, Quatuor à cordes
1
2 Violons, Piano
1
Ensemble de Violoncelles
1
4 Harpes
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Autoharp
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
1 187
Orchestre d'harmonie
912
Batterie
405
Orchestre
370
Ensemble Jazz
164
Ensemble de cuivres
120
Cloches
92
Jazz combo
70
Fanfare
60
Orchestre de chambre
59
Ensemble de Percussions
36
Marimba
10
Percussion
10
Percussion (partie séparée)
7
Vibraphone
4
Batterie (partie séparée)
3
Orchestre, Violon
2
Xylophone, Piano
2
3 Percussions
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Des'ree
Chorale TTBB
Partitions à imprimer
61 partitions trouvées
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1
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51
Creep
#
Chorale TTBB
#
AVANCÉ
#
Radiohead
#
Rowena Harper
#
Creep
#
Rowena Harper
#
SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.762489 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Phi...
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Choral Choir (TTBB) - Level 5 - SKU: A0.762489 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Rowena Harper. A Cappella,Barbershop,Pop,Rock. Octavo. 12 pages. Rowena Harper #4301755. Published by Rowena Harper (A0.762489). This male / mixed barber-pop arrangement is a fun arrangement of a rock anthem in the original key, with chords that are true to the song and a little humour injected into it (including air guitar if you wish) to lighten an otherwise fairly intense song! The well known lead line She's running out the door... descant could be sung by either the lead, tenor, a mix of both, or a soloist, sliding back into the correct part near the end, as needed (see performance notes). Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass D-Eb, Baritone D-C, Lead B-D, Tenor B-G - High Descant (Lead) = F-B. Baritone and Tenor are suitable for female voices.Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Tenor (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The Treble clef parts are sung an octave lower than written.) Contact: acappellatenor@gmail.com.
$3.00
Creep
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Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Radiohead
#
Joseph Gargaro
#
Creep
#
Joseph Gargaro
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.485138 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Phi...
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Choral Choir (TTBB) - Level 4 - SKU: A0.485138 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Joseph Gargaro. Pop,Rock. Octavo. 9 pages. Joseph Gargaro #104142. Published by Joseph Gargaro (A0.485138). A TTBB arrangement for Male Voice choir and piano. This arrangement is a darker, more epic arrangement of the piece in a pop/rock ballad style. The gentle beginning is soon contrasted with a loud and powerful chorus. A quiet, more introspective A Cappella brige provides a brief respite before the grand finale of the final chorus. The rich harmonies, exciting piano part, and expressive melodies and harmony lines make this a standout performance for your group in any setting.
$1.99
How far is it to Bethlehem? TBB Three part Choir
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Noël
#
Frances Chesterton, Traditiona
#
Martin Dover
#
How far is it to Bethlehem? TB
#
Martin Dover
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.787000 Composed by Frances Chesterton, Traditional. Arranged by Martin Dover. Christmas,Sacred. Octavo. 6 pages....
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Choral Choir (TTBB) - Level 3 - SKU: A0.787000 Composed by Frances Chesterton, Traditional. Arranged by Martin Dover. Christmas,Sacred. Octavo. 6 pages. Martin Dover #6625863. Published by Martin Dover (A0.787000). A simple but effective three-part (TBB - Tenor, Baritone, Bass) choral arrangement or trio with piano accompaniment. The piece concludes with a delightful echo of the parts as the piece fades to a close.
$2.20
Streets of Laredo (Downloadable)
#
Chorale TTBB
#
John David Earnest
#
Streets of Laredo
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
TTBB choir, piano - SKU: MQ.8035-E Composed by John David Earnest. 15 pages. Duration 5 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #803...
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TTBB choir, piano - SKU: MQ.8035-E Composed by John David Earnest. 15 pages. Duration 5 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8035-E. Published by E. C. Schirmer Music Company - Digital (MQ.8035-E). Also known as The Cowboy’s Lament, this song was passed along in the oral tradition of folk music. Earnest selected only those verses that outline the poignant narrative of the dying cowboy: his realization of having “done wrong,†his acceptance of his tragic youthful death, and his plaintive appeal to his comrades for a final resting place. In keeping with the spirit of that story, the work should be performed with a quiet sustained nobility. Duration: 5:30.
$2.80
The Streets of Laredo, Streets of Laredo, The Cowboy's Lament
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Lyrics attributed to Frank H
#
Donald A
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The Streets of Laredo, Streets
#
Donald A Mills
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.928966 Composed by Lyrics attributed to Frank H. Maynard, 1853-1926. Arranged by Donald A. Mills, 2018. A Cappel...
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Choral Choir (TTBB) - Level 3 - SKU: A0.928966 Composed by Lyrics attributed to Frank H. Maynard, 1853-1926. Arranged by Donald A. Mills, 2018. A Cappella,Concert,Folk. Octavo. 5 pages. Donald A Mills #3544217. Published by Donald A Mills (A0.928966). Your men's chorus or quintet will love this song and its harmonies...and your audiences will as well. This old standard Cowboy song, also known as The Cowboy's Lament, has been sung for hundreds of years. It has accumulated hundreds of chorus lines, some tame, some ribald. Treat your audience to this new arrangement, to be sung by an a cappella TTBB chorus or quartet plus a bass/baritone soloist. From Wikipedia, the free encyclopedia: Members of the Western Writers of America chose this song as one of the top 100 Western Sonngs of all time. The song title refers to the city of Laredo, Texas. The authorship of the words were claimed by Frank H. Maynard (1853-1926) of Colorado Springs, Colorado. The song was first published in 1910. The tune appears to be descended from an Irish song from the late 18th century called, The Unfortunate Rake.
$2.99
Never Creep Up on a Sheep from Behind
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Garth Davies
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Never Creep Up on a Sheep from
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Garth Davies
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1015894 Composed by Garth Davies. Contemporary. Octavo. 7 pages. Garth Davies #6039977. Published by Garth Davie...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1015894 Composed by Garth Davies. Contemporary. Octavo. 7 pages. Garth Davies #6039977. Published by Garth Davies (A0.1015894). A comedy barbershop song (not suitable for contest or a family audience) arranged for men's voices. Lyrics tell of a misunderstanding that takes place on a countryside stroll. Ends with a short post for tenor. Teach tracks for this arrangement are available from the author. Free loan of a sheep costume (pay only for postage) comes with the purchase in the UK. Tracks are available - contact me for details. The $12.99 minimum price includes four legal copies.
$12.99
Breezeblocks
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Alt-J
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Nicholas Wright
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Breezeblocks
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Nicholas Wright
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.827509 By Alt-J. By Augustus Unger-Hamilton, Charles Andrew, Gwilym Sainsbury, Joe Newman, and Thomas Green. Arr...
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Choral Choir (TTBB) - Level 4 - SKU: A0.827509 By Alt-J. By Augustus Unger-Hamilton, Charles Andrew, Gwilym Sainsbury, Joe Newman, and Thomas Green. Arranged by Nicholas Wright. A Cappella,Contemporary,Folk,Rock. Octavo. 11 pages. Nicholas Wright #6328889. Published by Nicholas Wright (A0.827509). Voicing: TTBB (all-male)Parts: 7 (includes solos/divisi)Pages: 10Range: D#2 - A#4Key: F# major
$3.99
All The Young Dudes
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Bruce Dickinson
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Charles Beale
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All The Young Dudes
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865862 By Bruce Dickinson. By David Bowie. Arranged by Charles Beale. Contemporary. Octavo. 13 pages. Charliebmu...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865862 By Bruce Dickinson. By David Bowie. Arranged by Charles Beale. Contemporary. Octavo. 13 pages. Charliebmusic #5294095. Published by charliebmusic (A0.865862). 'All the Young Dudes' is a fun period piece and a mid-tempo glam rock classic from the early 1970s, originally sung by Mott the Hoople but made more famous by David Bowie. The lyric is partly about being young and free, and partly about gender. and being a ‘dude’. It tells the story of several 'dudes' and celebrates what they get up to. Like many Bowie lyrics, it is double-edged, and the melody is catchy and fun to sing. Originally sung by the New York City Gay Men's Chorus, the arrangement sticks closely to the original groove and form, and is designed for an intermediate level group. There is also a solo for a Baritenor with pop sound.
$1.99
Jesu, joy of man's desiring by Bach for Choir TTBB and Piano
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Chorale TTBB
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.957349 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christian,Easter,Standards,Wedding. ...
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Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.957349 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christian,Easter,Standards,Wedding. 10 pages. Woods Only, Arrangements #6854499. Published by Woods Only, Arrangements (A0.957349). This easy arrangement for choir ttbb and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$7.99
Streets Of Philadelphia
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Chorale TTBB
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INTERMÉDIAIRE
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Bruce Springsteen
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Philip Lapatha
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Streets Of Philadelphia
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Philip Lapatha
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1454905 By Bruce Springsteen. By Bruce Springsteen. Arranged by Philip Lapatha. A Cappella,Contempor...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1454905 By Bruce Springsteen. By Bruce Springsteen. Arranged by Philip Lapatha. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Philip Lapatha #1033976. Published by Philip Lapatha (A0.1454905). Here is a great song by a great song-writer. Bruce Springsteen wrote this song for the movie Philadelphia. The song explores themes of loss, decline, wasting away, due to societal discrimination. It is masterful story-telling. This arrangement endevaours to capture the spirit of Springsteen's words and music.The duo descant at the end is both a wail of hurt and a cry or triumph.Vocal percussion or cajon may be added to bring some rhythm to the performance.
$2.99
I Want To Break Free
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Queen
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Kathleen McGuire
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I Want To Break Free
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Kathleen McGuire
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.890483 By Queen. By John Deacon. Arranged by Kathleen McGuire. Rock. Octavo. 26 pages. Kathleen McGuire #6339473...
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Choral Choir (TTBB) - Level 3 - SKU: A0.890483 By Queen. By John Deacon. Arranged by Kathleen McGuire. Rock. Octavo. 26 pages. Kathleen McGuire #6339473. Published by Kathleen McGuire (A0.890483). Written by John Deacon, Queen’s bass guitarist, I Want to Break Free was a single from the 1984 Queen album THE WORKS. The song is best known for its video, in which all the band members dress up in women’s clothing as a parody of the long running British TV show, CORONATION STREET. It was considered controversial and banned from MTV in the US, but in the UK, Europe and South America is was a huge hit, viewed as an anthem of fight against oppression. This uncomplicated, fun arrangement is mostly in two parts, with accessible vocal ranges for most choirs. The 5-piece accompaniment (available separately) includes two synths, giving it a true '80s synth-pop groove.
$2.50
Silent Night - TTB and piano with FREE BACKING TRACK to sing along!
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Noël
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F
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Austin Ralphson
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Silent Night - TTB and piano w
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Austin Ralphson
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.563745 Composed by F. Gruber, Mohr, and j. Arranged by Austin Ralphson. Christmas,Standards. 9 pages. Aus...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.563745 Composed by F. Gruber, Mohr, and j. Arranged by Austin Ralphson. Christmas,Standards. 9 pages. Austin Ralphson #4844869. Published by Austin Ralphson (A0.563745). This is a lovely arrangement for TTB with piano. It includes a different arrangement for each of the three verses and is ideal for Christmas Concert programmes and other performances. Fun to learn, to sing and to listen to!This piece can either be sung with a live pianist, or can be sung along with the free backing track which is available from https://youtu.be/x0oY4Gya50Q
$1.99
Three Little Birds
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Chorale TTBB
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INTERMÉDIAIRE
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Bob Marley
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Konrad Harley
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Three Little Birds
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Konrad Harley
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.831559 By Bob Marley. By Bob Marley. Arranged by Konrad Harley. Barbershop,Blues,Multicultural,World. Octavo. 6 ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.831559 By Bob Marley. By Bob Marley. Arranged by Konrad Harley. Barbershop,Blues,Multicultural,World. Octavo. 6 pages. Konrad Harley #4776049. Published by Konrad Harley (A0.831559). The reggae classic arranged for TBB Men's Choir + Piano. Includes chord symbols.
$1.99
Three Lions
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Chorale TTBB
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INTERMÉDIAIRE
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The Lightning Seeds
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Liz Garnett
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Three Lions
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Liz Garnett
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.856261 By The Lightning Seeds. By David Baddiel, Frank Skinner, and Ian Zachary Broudie. Arranged by Liz Garnett...
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Choral Choir (TTBB) - Level 3 - SKU: A0.856261 By The Lightning Seeds. By David Baddiel, Frank Skinner, and Ian Zachary Broudie. Arranged by Liz Garnett. A Cappella. Octavo. 6 pages. Liz Garnett #6458705. Published by Liz Garnett (A0.856261). This classic anthem of support for the England football team blends endless optimism with the awareness of all the times those hopes have come to nothing, and is thus emotionally relevant whether the team wins or loses. It also has some great chords in it, so is eminently suitable for close-harmony a cappella singing.The arrangement includes space to include some quotes from classic football commentary should you want to add that to your performance, and also comes with both a low and a high ending. If you're aiming for a wistful feel evoking the fade-out of the original song, the low tag will be best; if you are expecting a high-energy, audience-singalong occasion, building to the high tag will work better.Vocal Ranges:Tenor: B3 - B4Lead: E3 - E4Bari: E3 - G4Bass: G2 - C4www.HelpingYouHarmonise.com
$2.99
You Gotta Be
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Chorale TTBB
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FACILE
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Des'ree
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LABBS Music Category
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The sound clip
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You Gotta Be
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LABBS - Ladies Association of British Barbershop Singers
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.892466 By Des'ree. By Ashley Ingram and Des'ree. Arranged by LABBS Music Category. A Cappella,Contemporary. Octa...
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Choral Choir (TTBB) - Level 2 - SKU: A0.892466 By Des'ree. By Ashley Ingram and Des'ree. Arranged by LABBS Music Category. A Cappella,Contemporary. Octavo. 7 pages. LABBS - Ladies Association of British Barbershop Singers #6254211. Published by LABBS - Ladies Association of British Barbershop Singers (A0.892466). An uplifting, motivational and inspirational song arranged by members of the LABBS Music Judging Category in 4 part close harmony, transposed for men's voicings, in the barbershop style (internal melody). The sound clip is of the female voiced version, for information.Very much inspired by the original song as sung by Des'ree in 1995, the arrangement features different textures of voicings and homorhythm, taking the singer and audience on the journey through levels of empathy and encouragment to feel empowered.
$2.49
Kissing You
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Des'ree Weekes and Tim Attack
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Kit Grahame
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Kissing You
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Kit Grahame
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.962445 Composed by Des'ree Weekes and Tim Attack. Arranged by Kit Grahame. Contemporary. Octavo. 9 pages. Kit Gr...
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Choral Choir (TTBB) - Level 3 - SKU: A0.962445 Composed by Des'ree Weekes and Tim Attack. Arranged by Kit Grahame. Contemporary. Octavo. 9 pages. Kit Grahame #3553733. Published by Kit Grahame (A0.962445). Des'ree's Kissing You, from the Baz Luhrmann motion picture, Romeo + Juliet, arranged for TTBB male choir.
$2.99
You Gotta Be
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Chorale TTBB
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FACILE
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Des'ree
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Ash
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You Gotta Be
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Music by Ash
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.919834 By Des'ree. By Ashley Ingram and Des'ree. Arranged by Ash. A Cappella,Contemporary. Octavo. 9 pages. Musi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.919834 By Des'ree. By Ashley Ingram and Des'ree. Arranged by Ash. A Cappella,Contemporary. Octavo. 9 pages. Music by Ash #6114109. Published by Music by Ash (A0.919834). General DetailsA cappella4 voice parts (T1 split)Written for 8-16 voicesDuration: approx. 3:15Vocal RangesTenor 1: G3-C5Â Tenor 2: G3-G4Baritone: E3-D4Bass: E2-A3Looking for alterations for your ensemble? Contact ash@musicbyash.comwww.MusicByAsh.com
$2.00
O Christmas Tree, O Kindest Tree
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Chorale TTBB
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FACILE
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Georg Eisenbach
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Gert Th
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O Christmas Tree, O Kindest Tr
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Gert Th. Walter
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.677958 Composed by Georg Eisenbach. Arranged by Gert Th. Walter. Children,Christian,Christmas. Octavo. 11 pages....
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Choral Choir (TTBB) - Level 2 - SKU: A0.677958 Composed by Georg Eisenbach. Arranged by Gert Th. Walter. Children,Christian,Christmas. Octavo. 11 pages. Gert Th. Walter #3220967. Published by Gert Th. Walter (A0.677958). Christmas Song. Very easy arrangement for pupil and beginners.
$1.99
Ballade
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Chorale TTBB
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AVANCÉ
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Film/TV
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Bohuslav Martinu
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Ballade
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Schott Music - Digital
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SheetMusicPlus
4 male voices (TTBB) and piano - advanced - Digital Download From the film opera The Three Wishes or Inconstancy of the Life. Composed by Bohuslav Ma...
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4 male voices (TTBB) and piano - advanced - Digital Download From the film opera The Three Wishes or Inconstancy of the Life. Composed by Bohuslav Martinu (1890-1959). This edition: Sheet music. Downloadable. Duration 3 minutes. Schott Music - Digital #Q6945. Published by Schott Music - Digital
French - Czech - German.
'Ballade' was taken unaltered from Bohuslav Martinu's film opera 'Die drei W.nsche oder Die Wechself.lle des Lebens' - .as a quartet like .the original with piano accompaniment only. The mainly homophonic and traditionally harmonic piece full of .vigour cannot only be sung as a solo, but is also ideal for male choir. In addition to the original French text, this first edition also contains the Czech and German translations.
The 28 August 2009 marks the 50th anniversary of the Czech composer's death.
$11.99
Cowboy Songs of the American Southwest [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American S
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from &
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
For the Beauty of the Earth (TTB)
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Chorale TTBB
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DÉBUTANT
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Musique Sacrée
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Conrad Kocher, Folliott Pierpo
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Garrett Breeze
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For the Beauty of the Earth
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Lagom Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.723356 Composed by Conrad Kocher, Folliott Pierpont. Arranged by Garrett Breeze. Holiday,Praise & Worship,Sacred...
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Choral Choir (TTBB) - Level 1 - SKU: A0.723356 Composed by Conrad Kocher, Folliott Pierpont. Arranged by Garrett Breeze. Holiday,Praise & Worship,Sacred. Octavo. 6 pages. Lagom Music #6118557. Published by Lagom Music (A0.723356). This is a beautiful choral arrangement of For the Beauty of the Earth, one of the most recognizable hymns in all of Christendom. It is generally associated with Thanksgiving, but is sung frequently in many other contexts, including in concert settings. It begins with the first verse in unison, adds a harmony part for the second, and concludes with a key change and a verse full of harmony.Also available in:SATB: http://bit.ly/38hDyNgSAB: http://bit.ly/2LwPqSMSSA: http://bit.ly/3om3xbZTwo-Part Choir: http://bit.ly/3pYPwl4Visit https://garrettbreeze.com to read my blog and discover new music!
$2.25
Spirit In The Night
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Chorale TTBB
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INTERMÉDIAIRE
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Bruce Springsteen
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Bob Eggers
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Spirit In The Night
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 15 pages. ROBERT ...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 15 pages. ROBERT J EGGERS #935324. Published by ROBERT J EGGERS (A0.1350517). Wild Billy, Hazy Davy, Crazy Janey, Killer Joe, G-Man and Mission Man take a trip up to Greasy Lake for a wild night of fun and freedom in this Bruce Springsteen hit from the 1972 album, Greetings From Asbury Park. It's all temendous fun, and the beauty of the driving rock/gospel treatment is the audience gets to participate in the rockin' call and response of the chorus. Nothing like that to bring an audience to its feet!This arrangement features a tenor solo and TTBB voices singing an active background, so the entire choir participates in furthering Mission Man's narrative of wild times on Saturday night. The style is an educated doo-wop with influences classical choral arranging. While not perfectly suited to average church social, the song's redeeming qualities are the straight up blues and gospel influences of the early 1970s while the content is safely PG-13.The difficulty level is Intermediate with a desire to tear the house down. A strong tenor soloist is required. This is a showstopper!Duration: 4:40.
$1.99
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