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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des Folk
Sheetmusicplus
Non classifié
1 777
Piano & claviers
Piano Facile
536
Piano seul
529
Piano, Voix
257
Accompagnement Piano
95
Piano, Voix et Guitare
93
Instruments en Do
83
1 Piano, 4 mains
37
Piano Trio: piano, violon, violoncelle
31
Orgue
31
Accordéon
18
2 Pianos, 4 mains
17
1 Piano, 6 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano grosses notes
2
Orgue, Piano (duo)
2
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
363
Ukulele
210
Mandoline
147
Guitare
127
Ukulele Baryton
26
2 Guitares (duo)
22
Dulcimer
18
Ligne De Mélodie, (Paroles) et Accords
16
Banjo
12
Paroles et Accords
10
Basse electrique
10
Ensemble de guitares
7
4 Guitares (Quatuor)
7
Piano, Guitare (duo)
6
Mandoline, Guitare (duo)
2
Mandoline, Piano (duo)
1
Guitare, Violon, Violoncelle (trio)
1
3 Guitares (trio)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
295
Chorale 3 parties
123
Chorale 2 parties
74
Chorale TTBB
61
Chorale Unison
60
Pack Instrumental pour Chorale
55
Chorale SSAA
36
Voix Alto, Piano
27
Voix Soprano, Piano
20
Voix Baryton, Piano
15
Voix Tenor, Piano
12
Voix duo
8
Voix haute
7
Voix duo, Piano
7
Voix moyenne, Piano
3
Chorale
2
Voix seule
2
Voix basse, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
227
Ocarina
201
2 Flûtes traversières (duo)
197
Flûte à bec Soprano
193
Harmonica
150
Flûte traversière
148
Flûte à bec Alto
145
Hautbois, Piano (duo)
117
Saxophone Alto et Piano
110
2 Saxophones (duo)
97
Clarinette et Piano
96
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
87
Quatuor de Saxophones: 4 saxophones
86
3 Clarinettes (trio)
69
2 Clarinettes (duo)
65
Clarinette
63
Flûte, Hautbois, Clarinette, Basson
61
Saxophone Tenor et Piano
59
Flûte et Guitare
56
Quatuor de Clarinettes: 4 clarinettes
54
Trio de Flûtes: 3 flûtes
42
Quintette de Saxophone: 5 saxophones
40
Quatuor de Flûtes : 4 flûtes
36
2 Flûte à bec (duo)
35
Saxophone Alto
35
Flûte à bec Alto, Piano
31
Clarinette, Violon (duo)
30
Hautbois
29
Flûte, Clarinette (duo)
27
3 Saxophones (trio)
25
Saxophone Soprano et Piano
24
Hautbois, Violoncelle
24
2 Hautbois (duo)
23
Hautbois, Basson (duo)
21
Ensemble de Clarinettes
21
Saxophone Baryton, Piano
20
Hautbois, Clarinette (duo)
20
Flûte, Trombone (duo)
15
Saxophone Tenor
15
Clarinette, Guitare (duo)
14
Flûte, Violon
14
Clarinette et Alto
14
Saxophone, Clarinette (duo)
13
Flûte, Violoncelle
13
Clarinette, Trompette (duo)
13
Flûte, Hautbois (duo)
13
Flûte à bec Soprano, Piano
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Alto (duo)
11
Clarinette, Basson (duo)
11
Clarinette, Violoncelle (duo)
10
Cor anglais, Piano
9
Flûte à Bec
9
Saxophone (partie séparée)
9
Flûte, Saxophone (duo)
9
Hautbois (partie séparée)
9
Quintette de Flûte : 5 flûtes
9
Saxophone Soprano
8
Flûte, Clarinette, Piano (trio)
8
Hautbois, violon (duo)
7
Saxophone et Guitare
7
Hautbois, Flûte
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Clarinette et Basson
7
Flûte, Violon, Piano
7
Ensemble de Flûtes
7
Ensemble de saxophones
7
Flûte, Trompette (duo)
6
3 Flûtes à bec (trio)
6
2 Flûtes traversières, Piano
5
Saxophone Baryton
5
Quatuor de Flûtes à bec
5
Hautbois, Guitare (duo)
5
Clarinette Basse, Piano
5
Piccolo
4
Flûte à bec, Guitare (duo)
4
Flûte, Hautbois, Basson
4
Clarinette, Harpe (duo)
4
Clarinette, Trombone (duo)
4
Saxophone et Harpe
4
2 Clarinettes, Piano
4
Hautbois et alto (duo)
4
2 Saxophones, Piano
3
Flûte irlandaise
3
Clarinette, Basson, Piano (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Flute, harpe et violon
3
Clarinette, Contrebasse (duo)
3
Clarinette, Tuba
3
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Hautbois, trombone (duo)
2
Flûte, trombone et piano
2
3 Hautbois
2
Cor anglais, Guitare (duo)
2
Flûte, Alto et Piano
2
Hautbois, Trompette (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Violon et Violoncelle
2
Hautbois, Harpe
2
Piccolo, Piano
1
Flûte, Harpe et Violoncelle
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone et Orgue
1
Flûte et Trio à cordes
1
2 Clarinettes, Basson
1
Clarinette (partie séparée)
1
Flûte, Tuba (duo)
1
Flute (partie séparée)
1
5 Flûtes à bec
1
+ 107 instrumentations
Retracter
Cuivres
Trompette, Piano
87
Cor et Piano
66
Trombone et Piano
66
Trompette
61
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Quatuor de Cuivres
59
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trombone
36
Trompette, Trombone (duo)
32
Cor
31
2 Trompettes (duo)
26
Quatuor de cuivres: 4 trombones
26
2 Trombones (duo)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Tuba et Piano
18
Tuba
17
Quatuor de cuivres: 4 cors
15
2 Cors (duo)
13
Trompette, Saxophone (duo)
13
Euphonium, Piano (duo)
11
Cor anglais, Piano
9
Ensemble de Trombones
9
Ensemble de Trompettes
9
2 Tubas (duo)
7
Trompette, Cor (duo)
7
Cor, Violoncelle (duo)
6
Quatuor de cuivres: 4 trompettes
6
Trompette (partie séparée)
6
Trompette, Tuba (duo)
5
3 Trompettes (trio)
4
3 Cors (trio)
3
Trompette, Basson (duo)
3
3 Trombones (trio)
3
Trombone, Tuba (duo)
3
Trompette, Violoncelle (duo)
3
Ensemble de Cors
3
Trompette, Violoncelle et Piano
3
2 Trompettes, Clavier (piano ou orgue)
2
Cor, Tuba (duo)
2
Cor et Harpe
2
Tuba et Orgue
2
Cor anglais, Guitare (duo)
2
4 Tubas
2
Trompette, Harpe
2
Trombone (partie séparée)
1
Euphonium, Tuba (duo)
1
Cor (partie séparée)
1
Trombone, Violon (duo)
1
Trompette, violon (duo)
1
Cor et Basson (duo)
1
Trombone, Alto (duo)
1
Trio de Cuivres
1
Bass Clef Instruments
1
Trombone, Cor (duo)
1
Trompette, Trombone, Piano
1
Ensemble de Tubas
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 791
Violon et Piano
323
Trio à Cordes: violon, alto, violoncelle
301
Quintette à cordes: 2 violons, alto, violoncelle, basse
161
Violoncelle, Piano
142
Trio à Cordes: 2 violons, violoncelle
134
Alto, Piano
122
Violon
117
Violon, Violoncelle (duo)
105
Trio à cordes: 3 violins
97
Harpe
86
2 Violons (duo)
76
Trio à Cordes: 3 violoncelles
69
Quatuor à cordes: 4 violons
47
Alto seul
44
Violon, Alto (duo)
43
2 Violoncelles (duo)
42
Violoncelle
37
Trio à cordes: 3 altos
35
2 Harpes (duo)
28
Quatuor à cordes : 4 altos
27
Violoncelle , Guitare (duo)
26
Contrebasse, Piano (duo)
23
2 Altos (duo)
22
Violon, Basson (duo)
21
Alto, Guitare (duo)
20
Trio à Cordes: 2 violons, alto
20
Violon, Guitare (duo)
15
Quintette à cordes : 2 violons, alto et 2 violoncelles
14
Contre Basse
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
13
Alto, Violoncelle (duo)
13
Violon (partie séparée)
11
Alto (partie séparée)
9
4 Violoncelles
7
Alto et Basson
6
Piano Trio: Violon, Alto, Piano
6
2 Contrebasses (duo)
6
Harpe et Piano
5
Violoncelle, Contrebasse (duo)
5
Ensemble de Violons
5
Harpe, Flûte (duo)
4
Flûte, Contrebasse (duo)
3
Violon, Violoncelle, Clarinette
3
Harpe, Voix
3
Contrebasse (partie séparée)
3
Autoharp
3
Ensemble d'Altos
3
Violon, Tuba (duo)
2
2 Violons, Piano
2
Harpe, Violon (duo)
2
3 Contrebasses
2
Violoncelle (partie séparée)
2
Harpe et mandoline
2
Alto et Harpe
2
Harpe, Violon, Violoncelle
2
Violon, Clarinette, Piano (trio)
1
Alto et orchestre
1
4 Harpes
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
898
Orchestre d'harmonie
408
Orchestre
75
Ensemble de cuivres
49
Ensemble Jazz
37
Ensemble de Percussions
24
Cloches
23
Fanfare
19
Orchestre de chambre
15
Jazz combo
13
Batterie
8
2 Xylophones
6
Xylophone
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Marimba
2
Xylophone, Piano
1
Percussion (partie séparée)
1
Vibraphone
1
+ 13 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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ASIE
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Partitions à imprimer
61 partitions trouvées
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1
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51
Both Sides Now
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Joni Mitchell
#
Brevis Minim
#
Both Sides Now
#
Brevis Minim
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1366000 By Joni Mitchell. By Joni Mitchell. Arranged by Brevis Minim. 20th Century,A Cappella,Contemporar...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1366000 By Joni Mitchell. By Joni Mitchell. Arranged by Brevis Minim. 20th Century,A Cappella,Contemporary,Contest,Festival,Folk. 15 pages. Brevis Minim #950354. Published by Brevis Minim (A0.1366000). An a cappella TTBB arrangement of the original 1967 release. Unlike the later rerecording, this version maintains the upbeat optimistic feel of the song, and features some lovely crunchy chords towards the end. Splits optional, and a real opportunity to tell the story whilst showing off the dynamic range of your group.
$2.50
Cowboy Songs of the American Southwest [TTBB]
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Traditional
#
Laurie Betts Hughes
#
Cowboy Songs of the American S
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Traditional
#
Laurie Betts Hughes
#
When Cockle Shells Turn Silver
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Traditional
#
Laurie Betts Hughes
#
I'm Sad and I'm Lonely, from &
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Down By The Riverside – TTBB with Piano
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Chorale TTBB
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INTERMÉDIAIRE
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Gospel Spirituel
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Charles A
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Down By The Riverside – TTBB
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CG Publications
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SheetMusicPlus
Piano/Vocal/Chords, Voice, TTBB, TTBB with Piano Accompaniment - Intermediate - Arranged by Charles A. Gravenhorst (Traditional Spiritual). Gospel, ...
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Piano/Vocal/Chords, Voice, TTBB, TTBB with Piano Accompaniment - Intermediate - Arranged by Charles A. Gravenhorst (Traditional Spiritual). Gospel, Spiritual, General Worship, Folk, Old-time. Octavo. 9 pages. Published by CG Publications
Clean, straightforward, arrangement of the traditional spiritual for Men?s a cappella Quartet (TTBB) and piano with chord symbols that may be played as written, or improvised by more skillful players if desired. Also, suitable for larger men?s group, chorus or Glee Club.
$2.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
The Diamantina Drover
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Hugh Thomas Mcdonald
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Sandra Milliken
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The Diamantina Drover
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.774726 Composed by Hugh Thomas Mcdonald. Arranged by Sandra Milliken. Contemporary. Octavo. 17 pages. Sandra Mil...
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Choral Choir (TTBB) - Level 3 - SKU: A0.774726 Composed by Hugh Thomas Mcdonald. Arranged by Sandra Milliken. Contemporary. Octavo. 17 pages. Sandra Milliken #4346163. Published by Sandra Milliken (A0.774726). The Diamantina Drover is a song about life in the saddle in outback Queensland written by Australian singer-songwriter Hugh McDonald (1954-2016). Hugh was probably best known as a member of the folk-rock group Redgum. From 1986 to 1990 he was their lead singer and wrote a number of the group's hit songs, including The Diamantina Drover.The Diamantina Drover tells the story of a drover who leaves behind his family in Sydney and sets out to find work on Cork Station on the banks of the Diamantina River in the channel country of far western Queensland. He promises his family that he’ll return home when the droving is finished. But ten years go by and, despite the hardships of the drover’s life, he still finds it hard to leave behind the wide-open spaces and return to city life.The Diamantina in the song title refers to the Diamantina River, one of several large Queensland river systems that make their way towards Lake Eyre, in South Australia. Because the Lake Eyre basin is located entirely in desert and semi desert country, the rivers flow only intermittently following periods of heavy rain. For most of the time, the shallow river channels are dry and dusty, and Lake Eyre is an expansive salt plain.
$2.20
Love Summer Joy
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Robert Sund
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Love Summer Joy
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Schott Music - Digital
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SheetMusicPlus
TTBB chorus and piano - intermediate to advanced - SKU: S9.Q51819 6 Folksongs in Swedish and German. Arranged by Robert Sund. This edition: choir...
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TTBB chorus and piano - intermediate to advanced - SKU: S9.Q51819 6 Folksongs in Swedish and German. Arranged by Robert Sund. This edition: choir book. Männerchor - Gesang - Vocal. Downloadable, Choir book. Schott Music - Digital #Q51819. Published by Schott Music - Digital (S9.Q51819). German • Swedish.Ein Auftragswerk des Kultursommer Rheinland-Pfalz für die Uraufführung durch den Männerchor Orphei Drängar im Rahmen der Deutschland-Tournee Oktober 2019.
$13.99
The Parting Glass
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Brad Meader
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The Parting Glass
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Brad Meader
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.927222 Arranged by Brad Meader. A Cappella,Celtic,Folk,Holiday,Pop,World. Octavo. 10 pages. Brad Meader #3568027...
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Choral Choir (TTBB) - Level 4 - SKU: A0.927222 Arranged by Brad Meader. A Cappella,Celtic,Folk,Holiday,Pop,World. Octavo. 10 pages. Brad Meader #3568027. Published by Brad Meader (A0.927222). An all-male (TTBB with divisi) a cappella arrangement of the traditional Irish song The Parting Glass. This piece is designed for larger groups and the high tenor part even lends itself to female voices if desired. The entire piece continually builds to a powerful chord in the last verse, with creative dissonances and driving rhythms sprinkled in throughout. A full vocal demo of the arrangement can be found at https://soundcloud.com/brad-meader/the-parting-glass-a-cappella-demo. Individual, part-by-part learning tracks can be provided upon purchase by emailing bradmeadermusic@gmail.com.
$4.99
CHILDREN OF THE HEAVENLY FATHER
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Chorale TTBB
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FACILE
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Musique Sacrée
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Lyrics by CAROLINE V
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Paul A
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CHILDREN OF THE HEAVENLY FATHE
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522389 Composed by Lyrics by CAROLINE V. SANDELL-BERG to a Swedish Folk Melody. Arranged by Paul A. Jorg. A Capp...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522389 Composed by Lyrics by CAROLINE V. SANDELL-BERG to a Swedish Folk Melody. Arranged by Paul A. Jorg. A Cappella,Gospel,Praise & Worship,Sacred. Octavo. 3 pages. Paul A. Jorg #6064959. Published by Paul A. Jorg (A0.522389). The song is a grand, old Swedish Folk Melody with Christian lyrics, composed in the late 1800's. The song talks of how God loves, guides and protects His Children in every stage of life.This arrangement is for 4 part male harmony (TTBB) a cappella, with the melody floating through three verses, each with a different part carrying it.
$4.59
Streets of Laredo (Downloadable)
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Chorale TTBB
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John David Earnest
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Streets of Laredo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir, piano - SKU: MQ.8035-E Composed by John David Earnest. 15 pages. Duration 5 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #803...
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TTBB choir, piano - SKU: MQ.8035-E Composed by John David Earnest. 15 pages. Duration 5 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8035-E. Published by E. C. Schirmer Music Company - Digital (MQ.8035-E). Also known as The Cowboy’s Lament, this song was passed along in the oral tradition of folk music. Earnest selected only those verses that outline the poignant narrative of the dying cowboy: his realization of having “done wrong,†his acceptance of his tragic youthful death, and his plaintive appeal to his comrades for a final resting place. In keeping with the spirit of that story, the work should be performed with a quiet sustained nobility. Duration: 5:30.
$2.80
Shenandoah
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Chorale TTBB
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INTERMÉDIAIRE
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American Folk Song
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Brad Meader
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Shenandoah
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Brad Meader
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.927218 Composed by American Folk Song. Arranged by Brad Meader. A Cappella,Folk,Patriotic,Traditional,World. Oct...
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Choral Choir (TTBB) - Level 3 - SKU: A0.927218 Composed by American Folk Song. Arranged by Brad Meader. A Cappella,Folk,Patriotic,Traditional,World. Octavo. 6 pages. Brad Meader #3545597. Published by Brad Meader (A0.927218). An all-male (TTBB with divisi) a cappella arrangement of the American Folk Song Oh Shenandoh. This piece will be perfect for any group. Dissonance is used to create a shimmering feel, while staggered ascending and descending lines create the impression of a river in the echo-filled Shenandoah Valley. A full demo of the arrangement can be found at https://soundcloud.com/brad-meader/shenandoah-american-folk-song-a-cappella-cover-demo. Individual, part-by-part learning tracks can be provided upon purchase by emailing bradmeadermusic@gmail.com.
$4.99
Limu limu lima
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Chorale TTBB
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Traditional
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Sofia Söderberg
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Limu limu lima
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBB divisi chorus - SKU: BJ.1279 Composed by Traditional. Arranged by Sofia Söderberg. Christian, Folk. Octavo. 8 pages. Bo Ejeby Forlag - Digital #...
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TTBB divisi chorus - SKU: BJ.1279 Composed by Traditional. Arranged by Sofia Söderberg. Christian, Folk. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1279. Published by Bo Ejeby Forlag - Digital (BJ.1279). 8.27 x 11.7 inches.Limu limu lima is one of the most wellknown traditional Swedish folk songs, originally possibly a medieval Maria hymn. The arrangement was written for the male choir Svanholm Singers, which is conducted by Sofia Soderberg. The mixed voices version has order no. 1280. Sofia Soderberg (former Eberhard) (b. 1972) has been the choral master at Malmo Opera and leads the new Malmo Live Vocal Ensemble besides the well established and internationally renowned Svanholm Singers.
$3.20
Aura Lee
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Chorale TTBB
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FACILE
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Folklorique/Traditionel
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George R
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Alex Nunes Rodrigues
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Aura Lee
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Alex Rodrigues
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1264041 Composed by George R. Poulton. Arranged by Alex Nunes Rodrigues. Folk. Octavo. 7 pages. Alex Rodrigues #...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1264041 Composed by George R. Poulton. Arranged by Alex Nunes Rodrigues. Folk. Octavo. 7 pages. Alex Rodrigues #856951. Published by Alex Rodrigues (A0.1264041). Aura Lee is an American folk song that gained popularity in the 19th century. With a sweet and romantic melody, the song evokes a feeling of love and nostalgia. The lyrics describe a beloved person as a celestial aura that brightens the protagonist's life. The beauty and simplicity of the melody have made Aura Lee a beloved song that has been frequently performed by musicians over the years. Its enchanting melody and sentimental lyrics continue to captivate listeners and convey a sense of tenderness and affection.
$1.99
Aura Lee
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Chorale TTBB
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FACILE
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Folklorique/Traditionel
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George R
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Alex Nunes Rodrigues
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Aura Lee
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Alex Rodrigues
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1264040 Composed by George R. Poulton. Arranged by Alex Nunes Rodrigues. Folk. Octavo. 7 pages. Alex Rodrigues #...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1264040 Composed by George R. Poulton. Arranged by Alex Nunes Rodrigues. Folk. Octavo. 7 pages. Alex Rodrigues #856950. Published by Alex Rodrigues (A0.1264040). Aura Lee is an American folk song that gained popularity in the 19th century. With a sweet and romantic melody, the song evokes a feeling of love and nostalgia. The lyrics describe a beloved person as a celestial aura that brightens the protagonist's life. The beauty and simplicity of the melody have made Aura Lee a beloved song that has been frequently performed by musicians over the years. Its enchanting melody and sentimental lyrics continue to captivate listeners and convey a sense of tenderness and affection.
$1.99
Aura Lee
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Chorale TTBB
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FACILE
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Folklorique/Traditionel
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George R
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Alex Nunes Rodrigues
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Aura Lee
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Alex Rodrigues
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1264042 Composed by George R. Poulton. Arranged by Alex Nunes Rodrigues. Folk. Octavo. 7 pages. Alex Rodrigues #...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1264042 Composed by George R. Poulton. Arranged by Alex Nunes Rodrigues. Folk. Octavo. 7 pages. Alex Rodrigues #856952. Published by Alex Rodrigues (A0.1264042). Aura Lee is an American folk song that gained popularity in the 19th century. With a sweet and romantic melody, the song evokes a feeling of love and nostalgia. The lyrics describe a beloved person as a celestial aura that brightens the protagonist's life. The beauty and simplicity of the melody have made Aura Lee a beloved song that has been frequently performed by musicians over the years. Its enchanting melody and sentimental lyrics continue to captivate listeners and convey a sense of tenderness and affection.
$1.99
Aura Lee
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Chorale TTBB
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FACILE
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Folklorique/Traditionel
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George R
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Alex Nunes Rodrigues
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Aura Lee
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Alex Rodrigues
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1264043 Composed by George R. Poulton. Arranged by Alex Nunes Rodrigues. Folk. Octavo. 7 pages. Alex Rodrigues #...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1264043 Composed by George R. Poulton. Arranged by Alex Nunes Rodrigues. Folk. Octavo. 7 pages. Alex Rodrigues #856953. Published by Alex Rodrigues (A0.1264043). Aura Lee is an American folk song that gained popularity in the 19th century. With a sweet and romantic melody, the song evokes a feeling of love and nostalgia. The lyrics describe a beloved person as a celestial aura that brightens the protagonist's life. The beauty and simplicity of the melody have made Aura Lee a beloved song that has been frequently performed by musicians over the years. Its enchanting melody and sentimental lyrics continue to captivate listeners and convey a sense of tenderness and affection.
$1.99
Wild Mountain Thyme
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Chorale TTBB
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Francis McPeake
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Matt Clifford Sharp
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Wild Mountain Thyme
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Matthew Sharp
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1495649 By Francis McPeake. By Francis McPeake, Robert Archibald Smith, and Robert Tanahill. Arran...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1495649 By Francis McPeake. By Francis McPeake, Robert Archibald Smith, and Robert Tanahill. Arranged by Matt Clifford Sharp. Folk,Traditional. 7 pages. Matthew Sharp #1072172. Published by Matthew Sharp (A0.1495649). This beautiful Scottish folk melody is arranged creatively for male voice choir (TTBB). Verse 1: optional soloVerse 2: bass melody, tenor 'descant'Verse 3: tenor melody, bass 'descant'Verse 4: optional soloThe choruses are all the same =)The idea is everyone gets something interesting to learn and sing! A VOCAL SCORE AND FULL SET OF REHEARSAL TRACKS IS AVAILABLE FOR FREE. Contact: msharp93@live.co.uk www.matthewsharppianist.com
$2.99
March of the Men of Harlech
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Chorale TTBB
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FACILE
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John Hyatt Brewer
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Philip Le Bas
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March of the Men of Harlech
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Philip Le Bas
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1423826 Composed by John Hyatt Brewer (1856-1931). Arranged by Philip Le Bas. A Cappella,Folk,Histor...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1423826 Composed by John Hyatt Brewer (1856-1931). Arranged by Philip Le Bas. A Cappella,Folk,Historic,Patriotic,Traditional. 7 pages. Philip Le Bas #1005052. Published by Philip Le Bas (A0.1423826). March of the Men of Harlech is the Welsh National Hymn. Here it is arranged by John Hyatt Brewer (1856-1931) and adapted by Philip Le Bas for a cappella TTBB choir (plus solo.) It is admittedly a thoroughly violent, anti-Saxon (yes, that ancient!) marching song, but it deserves to be sung as the melody is so well-loved and it is so full of drama and excitement. Extra sound effects are introduced by the solo part imitating trumpets and drums, and by all the singers with loud (on the spot?) bootsteps! Brewer's harmonization also keeps the interest up through both verses. Pace Welshmen, perhaps this could be hammed up a little?
$1.99
Kiss From A Rose
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Chorale TTBB
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AVANCÉ
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Seal
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Liz Garnett
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Kiss From A Rose
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Liz Garnett
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.856133 By Seal. By Henry Olusegun Adeola Samuel. Arranged by Liz Garnett. A Cappella,Contemporary,Pop. Octavo. 5...
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Choral Choir (TTBB) - Level 5 - SKU: A0.856133 By Seal. By Henry Olusegun Adeola Samuel. Arranged by Liz Garnett. A Cappella,Contemporary,Pop. Octavo. 5 pages. Liz Garnett #3022339. Published by Liz Garnett (A0.856133). Seal's haunting melody creates a folk-song like atmosphere within a complex and fluid harmonic world. Modes shift, phrases overlap: the whole is flexible, nuanced and poignant.
$12.99
One Meat Ball
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Chorale TTBB
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Pop musique
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The Andrews Sisters
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Jim Shubert
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One Meat Ball
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.971247 By The Andrews Sisters. By Hy Zaret and Louis Singer. Arranged by Jim Shubert. Pop. Octavo. 3 pages. James W. Shube...
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Choral Choir (TTBB) - SKU: A0.971247 By The Andrews Sisters. By Hy Zaret and Louis Singer. Arranged by Jim Shubert. Pop. Octavo. 3 pages. James W. Shubert #6069747. Published by James W. Shubert (A0.971247). 4 part Male Barbershop Arrangement (TTBB) In 1855, while living in Cambridge, Massachusetts, Lane wrote the song The Lone Fish Ball; after decades as a staple of Harvard undergraduates', it was modernized into One Meat Ball. The song is composed upon an old English folk song entitled Sucking Cider Through a Straw. In 1944, the song was revived by Tin Pan Alley songwriters Hy Zaret and Lou Singer in a more bluesy format as One Meat Ball
$1.99
If I Had My Way
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Lyrics: Lou Klein
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Donald A
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If I Had My Way
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928947 Composed by Lyrics: Lou Klein. Music: James Kendis. Arranged by Donald A. Mills (aka Beachtanned). 20th C...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928947 Composed by Lyrics: Lou Klein. Music: James Kendis. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella,Classical,Folk,Instructional,Traditional. Octavo. 14 pages. Donald A Mills #54695. Published by Donald A Mills (A0.928947). This TTBB a cappella arrangement is in the barbershop, close harmony style. It was originally written in the age of the Tin Pan Alley of New York City, and has been a favorite of millions over many decades. It's a heartfelt wish and plea to live long and never grow old along with your partner. This new arrangement will delight your singers and audiences alike. This may be sung by a quartet, octet/small ensemble or chorus, and would be considered of medium to medium-high difficulty. The song's duration is only 2:58, sung in a ballad format. Try performing it in a straight tone, with vibrato used sparingly or not at all. For a teaching opportunity, concentrate on dynamics where appropriate to the lyrics, and also (sometimes overlapping) breath control. Tags: If I Had My Way, TTBB, a cappella, barbershop, close harmony, ballad, quartet, octet, chorus, small ensemble, Donald A. Mills, Beachtanned.
$2.99
Bound for the Promised Land - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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Musique Sacrée
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M
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Mark R Lewis
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Bound for the Promised Land -
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1046792 Composed by M. Durham, Samuel Stennett, and The Sacred Harmony. Arranged by Mark R Lewis. A Cappella,Fol...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1046792 Composed by M. Durham, Samuel Stennett, and The Sacred Harmony. Arranged by Mark R Lewis. A Cappella,Folk,Praise & Worship,Sacred,Spiritual. Octavo. 11 pages. Mark R Lewis #651304. Published by Mark R Lewis (A0.1046792). Bound for the Promised Land was a very popular revivalist spiritual in 19th century America. The text was written by Samuel Stennett in 1787 and the tune, popularized by the hymnbook The Sacred Harmony, was written by M. Durham in 1835. The text focuses on the singer's desire to get to the Promised Land. This version was arranged for a cappella TTBB Ensemble by Mark R Lewis. All parts get a chance at the melody and there are several interesting key changes. Also available for SATB Ensemble Vocal Range: Keys of D minor, Eb minor, and E minor Tenor 1 - 1 octave (D3 to D4) Tenor 2 - 1+ octave (C3 to E4) Baritone - 11/2 octaves (B2 to E4) Bass - 11/2 octaves ([opt. E2] A2 to E4).
$1.99
The Nights
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Chorale TTBB
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FACILE
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Avicii
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Carolyn Goates
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The Nights
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Carolyn Goates
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1284705 By Avicii. By Ash Pournouri, Avicii, Gabriel Benjamin Budin Smither, John Feldmann, Jordan Suecof...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1284705 By Avicii. By Ash Pournouri, Avicii, Gabriel Benjamin Budin Smither, John Feldmann, Jordan Suecof, and Nicholas Furlong. Arranged by Carolyn Goates. 21st Century,Pop,Rock. 6 pages. Carolyn Goates #875881. Published by Carolyn Goates (A0.1284705). This is described as a progressive house song with elements of folk rock. Apparently an ode to a father, the idea conceived in a bar in Ireland. This arrangement has been set at a fairly upbeat pace, but would work equally well as a slow, atmospheric ballad.
$2.99
Our Dreams
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Chorale TTBB
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FACILE
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Christopher S
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Our Dreams
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Crewdog Productions
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1504238 By Christopher S. Daria. By C.S. Daria & Langston Hughs. 21st Century,A Cappella,Barbersho...
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Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1504238 By Christopher S. Daria. By C.S. Daria & Langston Hughs. 21st Century,A Cappella,Barbershop,Folk. 1 pages. Crewdog Productions #1079696. Published by Crewdog Productions (A0.1504238). A haunting ballad about holding onto your goals and dreams despite adversity. Arranged for men's chorus.
$2.99
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