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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Do You Hear What I Hear - Piccolo
Non classifié
170
Piano & claviers
Piano seul
115
Piano, Voix et Guitare
72
Piano Facile
44
Piano, Voix
30
Piano grosses notes
8
Instruments en Do
8
1 Piano, 4 mains
7
2 Pianos, 4 mains
3
Accordéon, Voix
2
Accordéon
2
Piano (partie séparée)
2
Orgue
2
Piano Trio: piano, violon, violoncelle
1
1 Piano, 6 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
23
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
12
Guitare
8
Basse electrique
5
Paroles et Accords
3
Ensemble de Ukulélés
2
Dulcimer
2
Guitare (partie séparée)
1
Mandoline
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Guitare Pedal Steel
1
+ 9 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
85
Chorale SATB
39
Chorale TTBB
18
Chorale 3 parties
17
Chorale 2 parties
13
Chorale SSAA
10
Chorale Unison
4
Voix duo, Piano
2
Voix Soprano, Piano
1
Voix moyenne, Piano
1
Voix haute
1
Chorale
1
Voix seule
1
Chorale SSAB a cappella
1
+ 9 instrumentations
Retracter
Vents
Flute (partie séparée)
9
Clarinette (partie séparée)
8
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone Tenor
7
Saxophone Alto
7
Quatuor de Saxophones: 4 saxophones
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
6
Flûte, Hautbois, Clarinette, Basson
5
2 Saxophones (duo)
5
Flûte traversière
5
Saxophone (partie séparée)
4
2 Clarinettes (duo)
4
Ensemble de Clarinettes
4
Hautbois, Basson (duo)
4
Clarinette
4
Ensemble de Flûtes
4
3 Saxophones (trio)
3
3 Clarinettes (trio)
3
Flûte traversière et Piano
3
Flûte, Clarinette (duo)
3
Clarinette et Piano
3
2 Flûtes traversières (duo)
3
Hautbois, Piano (duo)
2
Clarinette, Basson (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Harpe (duo)
2
Saxophone, Clarinette (duo)
2
Saxophone et Harpe
2
Flûte, Violon, Piano
2
Trio de Flûtes: 3 flûtes
2
2 Flûte à bec (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes, Basson
1
Clarinette, Violon (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Violon
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Harpe
1
Saxophone Soprano
1
Flûte, Violon
1
Ocarina
1
Hautbois (partie séparée)
1
Clarinette, Guitare (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Saxophone Soprano et Piano
1
Flute, harpe et violon
1
Flûte, Hautbois, Basson
1
Flûte irlandaise
1
Flûte et Guitare
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Clarinette et Basson
1
+ 52 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
9
Trompette
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trombone
6
Trombone et Piano
5
2 Trombones (duo)
5
Trombone (partie séparée)
5
2 Trompettes (duo)
4
Cor
4
Trompette, Piano
2
Quatuor de cuivres: 4 trombones
2
Clarinette, Cor (duo)
2
Cor (partie séparée)
2
Cor et Piano
2
2 Cors (duo)
1
3 Trompettes (trio)
1
2 Tubas (duo)
1
Trombone, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Harpe
1
Cor et Harpe
1
Tuba (partie séparée)
1
Trompette, Tuba (duo)
1
Cor, Tuba (duo)
1
Trompette, Trombone (duo)
1
3 Trombones (trio)
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon
11
Harpe
8
2 Violons (duo)
8
Trio à Cordes: violon, alto, violoncelle
6
Violoncelle, Piano
5
Violon et Piano
5
Violoncelle
5
Violon, Violoncelle (duo)
5
Alto seul
5
Alto, Piano
4
Alto, Violoncelle (duo)
3
Violon (partie séparée)
3
Alto (partie séparée)
3
Harpe, Violon (duo)
2
2 Harpes (duo)
2
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
2
2 Violoncelles (duo)
2
Trio à cordes: 3 violins
2
Harpe, Violoncelle (duo)
1
4 Violoncelles
1
Violon, Alto (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Violon, Violoncelle
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
Violoncelle (partie séparée)
1
Harpe, Voix
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
49
Orchestre
23
Ensemble de cuivres
16
Cloches
9
Orchestre à Cordes
8
Percussion (partie séparée)
6
Ensemble Jazz
4
Jazz combo
2
Orchestre de chambre
2
Timbales (partie séparée)
1
Ensemble de Percussions
1
Batterie (partie séparée)
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Librairie Musicale
Matériel de musique
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Partitions Numériques
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Librairie Musicale
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Matériel de Musique
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Do You Hear What I Hear - Piccolo
Chorale TTBB
Partitions à imprimer
18 partitions trouvées
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1
Do You Hear What I Hear
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Chorale TTBB
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FACILE
#
Carole King
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Jay Althof
#
Do You Hear What I Hear
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Lake Avenue Studios
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1149464 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Jay Althof. A Cappella,Barbershop,Christma...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1149464 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Jay Althof. A Cappella,Barbershop,Christmas,Comedy. Octavo. 9 pages. Lake Avenue Studios #749607. Published by Lake Avenue Studios (A0.1149464). A parody of Do You Hear What I Hear - Didn't I Get This Last Year sharing the fun of a male quartet giving each other white elephant gifts.
$5.00
Do You Hear What I Hear
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Chorale TTBB
#
FACILE
#
Carole King
#
Jay Althof
#
Do You Hear What I Hear
#
Lake Avenue Studios
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1316797 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Jay Althof. A Cappella,Barbershop,C...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1316797 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Jay Althof. A Cappella,Barbershop,Christmas,Comedy. 9 pages. Lake Avenue Studios #905476. Published by Lake Avenue Studios (A0.1316797). A fun parody of the classic Christmas tune: Do You Hear What I Hear. Perfect for a Barbershop Quartet.
$4.75
Do You Hear What I Hear
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Chorale TTBB
#
INTERMÉDIAIRE
#
Carrie Underwood
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Larry Wright
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not contestable
#
Do You Hear What I Hear
#
Larry Wright
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.853891 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Larry Wright. A Cappella,Barber...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.853891 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Larry Wright. A Cappella,Barbershop. 5 pages. Larry Wright #4735723. Published by Larry Wright (A0.853891). A MEN'S 4-part, a cappella, barbershop medium tempo'd arrangement of this popular Christmas/holiday song recorded by Andy Williams and others; not contestable. IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from SMP for a low $1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second COMBO of your choice from my website FREE!!!! Of course, you'll still need to pay the publisher controlling the song licensing their per-copy fee for this second song. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
Do You Hear What I Hear
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Chorale TTBB
#
Musique Sacrée
#
David Maddux
#
Do You Hear What I Hear
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SheetMusicPlus
Arranged by David Maddux. Set of Parts. 49 pages. Published by David Maddux
Arranged by David Maddux. Set of Parts. 49 pages. Published by David Maddux
$5.25
Do You Hear What I Hear
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Chorale TTBB
#
AVANCÉ
#
Barbershop
#
Third Day
#
Jon Nicholas
#
Do You Hear What I Hear
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Jon Nicholas
#
SheetMusicPlus
By Third Day. Arranged by Jon Nicholas. Sheet Music Single. 6 pages. Published by Jon Nicholas...
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By Third Day. Arranged by Jon Nicholas. Sheet Music Single. 6 pages. Published by Jon Nicholas
$2.99
Do You Hear What I Hear
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Chorale TTBB
#
INTERMÉDIAIRE
#
Carrie Underwood
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Andrew Emmet
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Do You Hear What I Hear
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1492654 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Andrew Emmet. A Cappella,...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1492654 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Andrew Emmet. A Cappella,Christian,Christmas,Praise & Worship,Spiritual. 6 pages. Andrew J Emmet #1069332. Published by Andrew J Emmet (A0.1492654). TTBB A Cappella arrangement, plus two Tenor solos.
$4.00
Do You Hear What I Hear? (arr. Joe Liles)
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Chorale TTBB
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Joe Liles
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Do You Hear What I Hear?
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Barbershop Harmony Society
#
SheetMusicPlus
Choral Choir,Choral,Voice (TTBB) - SKU: HX.453390 Arranged by Joe Liles. This edition: scorch. Barbershop. Octavo. 6 pages. Barbershop Harmony Society #...
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Choral Choir,Choral,Voice (TTBB) - SKU: HX.453390 Arranged by Joe Liles. This edition: scorch. Barbershop. Octavo. 6 pages. Barbershop Harmony Society #0. Published by Barbershop Harmony Society (HX.453390).
$3.20
Do You Hear What I Hear (arr. Craig Courtney)
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Chorale TTBB
#
Craig Courtney
#
Do You Hear What I Hear
#
Hal Leonard - Digital
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SheetMusicPlus
(TTBB) - SKU: HX.420391 Arranged by Craig Courtney. Advent,Carol,Christmas. Choral. 15 pages. Duration 290. Published by Hal Leonard - Digital (HX.42039...
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(TTBB) - SKU: HX.420391 Arranged by Craig Courtney. Advent,Carol,Christmas. Choral. 15 pages. Duration 290. Published by Hal Leonard - Digital (HX.420391).
$2.25
Do You Hear What I Hear (arr. Robert Sterling)
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Chorale TTBB
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Noël
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Gloria Shayne, Noel Regney, an
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Robert Sterling
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Do You Hear What I Hear
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Hal Leonard - Digital
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SheetMusicPlus
Choral Choir,Choral,Voice (TTBB) - SKU: HX.473488 Composed by Gloria Shayne, Noel Regney, and Noel Regney and Gloria Shayne. Arranged by Robert Sterling...
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Choral Choir,Choral,Voice (TTBB) - SKU: HX.473488 Composed by Gloria Shayne, Noel Regney, and Noel Regney and Gloria Shayne. Arranged by Robert Sterling. This edition: scorch. Christmas,Holiday,Sacred. Octavo. 18 pages. Duration 245. Hal Leonard - Digital #198537. Published by Hal Leonard - Digital (HX.473488).
$2.50
Do You Hear What I Hear? - 10 Prints by Craig Courtney - TTBB Choir + Piano
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Chorale TTBB
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Noël
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Musique Sacrée
#
Craig Courtney
#
Do You Hear What I Hear? - 10
#
Musicnotes
Performed by: Craig Courtney: Do You Hear What I Hear? Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet m...
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Performed by: Craig Courtney: Do You Hear What I Hear? Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: TTBB Choir + Piano, instruments: TTBB Choir;Piano Accompaniment;Alto Saxophone; 17 pages -- Holiday & Special Occasion~~Christmas~~Choral~~Christmas - Religious
$2.65
Do You Know What It Means To Miss New Orleans
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Chorale TTBB
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INTERMÉDIAIRE
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Jazz
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Louis Alter
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Deke Sharon
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Do You Know What It Means To M
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Deke Sharon
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SheetMusicPlus
Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479852 Composed by Louis Alter. Arranged by Deke Sharon. T...
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Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479852 Composed by Louis Alter. Arranged by Deke Sharon. This edition: Interactive Download. Jazz. Octavo. Duration 117. Deke Sharon #o4zEmZeECEsZukkcZDe5K. Published by Deke Sharon (A0.479852). Key: F major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
"What Carol Is This?" (A Christmas Carol Medley/Mashup)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Noël
#
Various, Traditional
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Ash
#
"What Carol Is This?"
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Music by Ash
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.919859 Composed by Various, Traditional. Arranged by Ash. A Cappella,Christmas,Sacred,Spiritual. Octavo. 21 page...
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Choral Choir (TTBB) - Level 4 - SKU: A0.919859 Composed by Various, Traditional. Arranged by Ash. A Cappella,Christmas,Sacred,Spiritual. Octavo. 21 pages. Music by Ash #6591569. Published by Music by Ash (A0.919859). A unique, compelling, and show-stopping 7-minute medley/mashup of Christmas Carols for a cappella ensembles!Christmas Carols included are (in order of appearance):O Come, O Come, EmmanuelWe Three KingsLittle Drummer BoyMary, Did You Know?What Child Is This?Silent NightHoly NightCarol of the Bells (brief)Joy to the WorldThe First Noeland Do You Hear What I Hear? (brief)General Details4 main voice parts with solo line(s)Divisi in T1 and T2 linesSolo(s) throughout entire medley; works great to have different soloists for each section/songOptional trio for We Three Kings and optional duet for The First NoelMinimum of 8 voices requiredWell-suited for small ensembles (8-16 voices), large choruses (100+), or in betweenDuration: approx. 7:00Vocal RangesSolo(s): B2-C5Tenor 1: C3-C5Tenor 2: C3-F#4Baritone: A2-E4Bass: E2-D4 Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$3.50
Gloria Shayne: Do You Hear What I Hear (arr. Robert Sterling) - choir (TTBB: tenor, bass)
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Chorale TTBB
#
INTERMÉDIAIRE
#
Noël
#
Gloria Shayne
#
Virtualsheetmusic
Instantly printable sheet music by Gloria Shayne for choir (TTBB: tenor, bass) of MEDIUM skill level. / christmas,holiday,sacred,advent,carol,festival
Instantly printable sheet music by Gloria Shayne for choir (TTBB: tenor, bass) of MEDIUM skill level. / christmas,holiday,sacred,advent,carol,festival
$6.48
Gloria Shayne: Do You Hear What I Hear? (arr. Joe Liles) - choir (TTBB: tenor, bass)
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Chorale TTBB
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INTERMÉDIAIRE
#
Barbershop
#
Gloria Shayne
#
Virtualsheetmusic
Instantly printable sheet music by Gloria Shayne for choir (TTBB: tenor, bass) of MEDIUM skill level. / barbershop
Instantly printable sheet music by Gloria Shayne for choir (TTBB: tenor, bass) of MEDIUM skill level. / barbershop
$6.18
Gloria Shayne: Do You Hear What I Hear (arr. Craig Courtney) - choir (TTBB: tenor, bass)
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Chorale TTBB
#
INTERMÉDIAIRE
#
Noël
#
Gloria Shayne
#
Virtualsheetmusic
Instantly printable sheet music by Gloria Shayne for choir (TTBB: tenor, bass) of MEDIUM skill level. / christmas,carol,advent,festival
Instantly printable sheet music by Gloria Shayne for choir (TTBB: tenor, bass) of MEDIUM skill level. / christmas,carol,advent,festival
$6.23
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
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Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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Africa
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
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Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
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