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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ENTR'ACTE
Non classifié
71
Piano & claviers
Piano seul
43
Piano Facile
12
2 Pianos, 4 mains
8
Piano, Voix
6
Piano, Voix et Guitare
4
Orgue
3
Piano Trio: piano, violon, violoncelle
3
Instruments en Do
1
Clavecin
1
+ 4 instrumentations
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Guitares
Guitare
5
Guitare notes et tablatures
2
Ukulele
1
Voix
Chorale SATB
15
Chorale TTBB
5
Chorale SSAA
2
Chorale 2 parties
1
Chorale Unison
1
Chorale 3 parties
1
+ 1 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Quatuor de Clarinettes: 4 clarinettes
11
Quatuor de Saxophones: 4 saxophones
10
Clarinette et Piano
9
Flûte traversière et Piano
8
Flûte, Hautbois, Clarinette, Basson
6
Flûte traversière
5
Clarinette
5
Saxophone Alto
5
Saxophone Alto et Piano
4
2 Hautbois (duo)
3
2 Clarinettes (duo)
3
Ensemble de Flûtes
3
2 Saxophones (duo)
3
2 Flûtes traversières (duo)
3
Saxophone Tenor
3
Ensemble de saxophones
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone et Guitare
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone
2
Hautbois, Piano (duo)
2
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Basson
1
Hautbois, Clarinette (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Hautbois, Piano (trio)
1
Piccolo, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone (partie séparée)
1
Saxophone Tenor et Piano
1
+ 29 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Trombones (duo)
3
Trombone et Piano
3
2 Trompettes (duo)
2
Trompette, Piano
2
Tuba et Piano
1
Trombone
1
+ 4 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
21
Violon, Violoncelle (duo)
17
Violon et Piano
10
Violoncelle
8
Harpe
8
Violoncelle, Piano
6
Violon
6
Alto, Piano
3
Trio à Cordes: violon, alto, violoncelle
3
Piano Trio: Violon, Alto, Piano
2
Contre Basse
2
Trio à Cordes: 2 violons, violoncelle
2
Alto seul
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 violins
2
2 Violons (duo)
2
Violoncelle , Guitare (duo)
1
2 Violoncelles (duo)
1
+ 13 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
17
Orchestre à Cordes
9
Orchestre
6
Ensemble de cuivres
4
Orchestre de chambre
4
Ensemble de Percussions
2
Cloches
2
Ensemble Jazz
1
Piano et Orchestre
1
Marimba
1
Orchestre, Violon
1
+ 6 instrumentations
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Instruments
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COR ANGLAIS
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EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
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GUITARE PED…
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HARPE
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LUTH, THEOR…
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OUD
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
MARIMBA
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ORGUE
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PIANO
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METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
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OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
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Vous avez sélectionné:
ENTR'ACTE
Chorale TTBB
Partitions à imprimer
5 partitions trouvées
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Ave vivens hostia - Motet for Male choir (TTBB) a cappella
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Chorale TTBB
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INTERMÉDIAIRE
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Santino Cara
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Ave vivens hostia - Motet for
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Santino Cara
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.516768 Composed by Santino Cara. A Cappella,Sacred. Octavo. 4 pages. Santino Cara #2150937. Published by Santino...
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Choral Choir (TTBB) - Level 3 - SKU: A0.516768 Composed by Santino Cara. A Cappella,Sacred. Octavo. 4 pages. Santino Cara #2150937. Published by Santino Cara (A0.516768). 2016 Choral Contest EntrySacred motet - Eucharistic song for male choir (TTBB) a cappella, composed by Santino Cara in Rome in 2009 on Text extracted from the manuscripts of Codes of Trent of the 1400s (tr89 292v-293r)
$4.20
Crossing the Bar (Downloadable)
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Chorale TTBB
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David Conte
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Crossing the Bar
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir (a cappella) - SKU: MQ.7720-E Composed by David Conte. 9 pages. E. C. Schirmer Music Company - Digital #7720-E. Published by E. C. Schirmer M...
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TTBB choir (a cappella) - SKU: MQ.7720-E Composed by David Conte. 9 pages. E. C. Schirmer Music Company - Digital #7720-E. Published by E. C. Schirmer Music Company - Digital (MQ.7720-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king..
$1.95
Cowboy Songs of the American Southwest [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American S
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from &
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
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