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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Every You Every Me
Non classifié
174
Piano & claviers
Piano seul
114
Piano, Voix et Guitare
78
Piano, Voix
46
Piano Facile
26
Instruments en Do
19
Orgue
4
1 Piano, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
Accordéon
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10
Basse electrique
9
Guitare
9
Ligne De Mélodie, (Paroles) et Accords
5
Paroles et Accords
2
Piano, Guitare (duo)
1
Banjo
1
Mandoline
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
48
Chorale 3 parties
14
Chorale 2 parties
13
Chorale Unison
9
Chorale TTBB
8
Voix Soprano, Piano
5
Voix duo, Piano
5
Chorale SSAA
5
Voix duo
3
Voix moyenne, Piano
1
+ 5 instrumentations
Retracter
Vents
Saxophone Tenor et Piano
8
Quatuor de Clarinettes: 4 clarinettes
7
Flûte traversière et Piano
7
Ensemble de Flûtes
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Saxophone Alto et Piano
6
Clarinette et Piano
6
Flûte traversière
5
Flûte, Hautbois, Clarinette, Basson
5
Quatuor de Saxophones: 4 saxophones
4
Saxophone Alto
4
Clarinette
4
Hautbois, Piano (duo)
4
Saxophone (partie séparée)
3
Saxophone Soprano et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois, Guitare (duo)
2
Flûte et Guitare
2
2 Saxophones (duo)
2
2 Flûtes traversières (duo)
2
Quintette de Saxophone: 5 saxophones
2
2 Clarinettes (duo)
2
Flûte irlandaise
2
Flûte, Clarinette, Piano (trio)
1
Clarinette, Harpe (duo)
1
Saxophone et Orgue
1
Clarinette Basse, Piano
1
2 Cors Anglais Et Pianoforte
1
Saxophone Tenor
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Guitare (duo)
1
Ensemble de Clarinettes
1
3 Clarinettes (trio)
1
Saxophone Baryton, Piano
1
Cor anglais, Guitare (duo)
1
+ 30 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Quatuor de cuivres: 4 trombones
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette
4
Trombone et Piano
3
Trompette, Trombone (duo)
3
Trombone
3
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
2
Tuba et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Trombones (trio)
1
Tuba
1
Ensemble de Trombones
1
4 Tubas
1
2 Cors Anglais Et Pianoforte
1
Euphonium
1
Trompette, Piano
1
Cor anglais, Guitare (duo)
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon et Piano
9
Violon, Violoncelle (duo)
7
Harpe
6
Violoncelle, Piano
5
Trio à Cordes: violon, alto, violoncelle
5
Alto, Piano
4
Violon
4
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle , Guitare (duo)
2
Harpe, Voix
2
Violon, Alto (duo)
2
2 Harpes (duo)
2
Violoncelle
1
2 Violoncelles (duo)
1
4 Violoncelles
1
Alto seul
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
47
Orchestre à Cordes
14
Orchestre
14
Ensemble de cuivres
11
Batterie
10
Jazz combo
8
Orchestre de chambre
7
Ensemble Jazz
6
Fanfare
3
Quintette de Cuivres: autres combinaisons
1
Ensemble de Percussions
1
Cloches
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
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difficulté (tous)
débutant
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Vous avez sélectionné:
Every You Every Me
Chorale TTBB
Partitions à imprimer
8 partitions trouvées
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1
Everytime We Touch
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Chorale TTBB
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FACILE
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Contemporain
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Cascada
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Henrik Schaanning
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Everytime We Touch
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Henrik Schaanning
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.887257 By Cascada. By Maggie Reilly, Peter Risavy, and Stuart Mackillop. Arranged by Henrik Schaanning. Contempo...
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Choral Choir (TTBB) - Level 2 - SKU: A0.887257 By Cascada. By Maggie Reilly, Peter Risavy, and Stuart Mackillop. Arranged by Henrik Schaanning. Contemporary. Octavo. 7 pages. Henrik Schaanning #3876731. Published by Henrik Schaanning (A0.887257). Arranged for mens choir (TTBB). Concact me if you want this rearranged for another choral ensemble.
$4.50
This Is Me
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Benj Pasek and Justin Paul
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Shelton Ridge Love
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I am bruised
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This Is Me
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. S...
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Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME! - Shelton
$1.99
Give Me Jesus
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Chorale TTBB
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Christopher Aspaas
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Give Me Jesus
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Aspen Hill Music - Digital
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SheetMusicPlus
TTBB choir and soloist a cappella - Moderately Difficult - SKU: MQ.AHM-11-E Composed by Christopher Aspaas. 12 pages. Aspen Hill Music - Digital #AHM-11...
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TTBB choir and soloist a cappella - Moderately Difficult - SKU: MQ.AHM-11-E Composed by Christopher Aspaas. 12 pages. Aspen Hill Music - Digital #AHM-11-E. Published by Aspen Hill Music - Digital (MQ.AHM-11-E). English.This sonorous a cappella setting gives everyone a chance at the traditional and memorable melody. The arrangement takes the singer through “dark midnight†and weaves in a moment of another favorite Spiritual, Were you there while exploring the full range of dynamics.
$2.65
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Bring Me Sunshine
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Chorale TTBB
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INTERMÉDIAIRE
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Willie Nelson
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Nathan Jones
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Bring Me Sunshine
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Nathan Jones Music
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1422424 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Nathan Jones. 20th Century,Come...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1422424 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Nathan Jones. 20th Century,Comedy,Pop. 8 pages. Nathan Jones Music #1003763. Published by Nathan Jones Music (A0.1422424). Originally arranged for Rechoir (SATB) to perform at a member's wedding, the arrangements is now available for TTBB, arranged for The Morriston Orpheus Choir.This jovial choral arrangement of 'Bring Me Sunshine' is sure to get feet tapping, and bring a smile to any audience. This piece would fit well into any Spring or Summer programme, or even into a Winter one, if you're trying to cheer everyone up!Made famous in the UK as the signature tune of Morcambe & Wise.This arrangement is for standard TTBB with no splits, slightly simplified rhythms (compared to the SATB version) and identical repeats, all to aid learning. The melody moves between the sections, giving everyone a chance to shine!Intended for choirs of intermediate ability.Essential skills for this piece - Smiling and having fun!The YouTube link is of a live performance by Swansea University Choral Society (SATB). I updated the arrangement following this recording (which is the one available for sale here), but the video gives the gist of the cheery feel and an idea of the harmony.
$3.50
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
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Chorale TTBB
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INTERMÉDIAIRE
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James Nathaniel Holland
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Indiana for Four Part A capell
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional....
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Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50
Pressure
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Billy Joel
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Bob Eggers
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Pressure
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.940460 By Billy Joel. By Billy Joel. Arranged by Bob Eggers. Pop,Rock. Octavo. 14 pages. ROBERT J EGGERS #530779...
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Choral Choir (TTBB) - Level 4 - SKU: A0.940460 By Billy Joel. By Billy Joel. Arranged by Bob Eggers. Pop,Rock. Octavo. 14 pages. ROBERT J EGGERS #5307791. Published by ROBERT J EGGERS (A0.940460). A bit wild and definitely driven, Pressure captures Joel's own experience trying to complete enough songs for The Nylon Curtain album. But the pressure to succeed, to provide, to compete and win - all the pressures of everyday life are wonderfully expressed in this song. The signature synth melody is sung here with lyrics touching on these themes, driving things forward at almost a madcap pace and culminating in the exciting and exasperated exclamation, Pressure! This is a very exciting arrangement for both the soloist and for the ensemble which your audiences will love.Orchestration: Tenor solo + TTBBb + Hand claps. Duration 3:55Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$1.99
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