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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fear
Sheetmusicplus
Non classifié
255
Piano & claviers
Piano seul
222
Piano, Voix
122
Piano, Voix et Guitare
86
Piano Facile
57
Instruments en Do
27
Orgue
20
Accordéon
5
1 Piano, 4 mains
5
Accompagnement Piano
4
Piano grosses notes
3
Piano Trio: piano, violon, violoncelle
3
Piano (partie séparée)
1
2 Pianos, 4 mains
1
Clavecin
1
Orgue, Trompette (duo)
1
+ 10 instrumentations
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Guitares
Guitare notes et tablatures
43
Guitare
19
Ligne De Mélodie, (Paroles) et Accords
19
Basse electrique
14
Paroles et Accords
13
Ukulele
6
4 Guitares (Quatuor)
1
Mandoline
1
Banjo
1
Ensemble de guitares
1
Basse électrique (partie séparée)
1
3 Guitares (trio)
1
Guitare (partie séparée)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
220
Chorale 3 parties
44
Chorale 2 parties
34
Chorale Unison
19
Voix duo, Piano
17
Chorale TTBB
13
Voix Soprano, Piano
13
Pack Instrumental pour Chorale
11
Chorale SSAA
10
Voix haute
5
Voix Baryton, Piano
4
Voix duo
4
Voix seule
3
Chorale
3
Chorale SSAATTBB
2
Voix Alto, Piano
1
Chorale SSATB
1
Voix basse, Piano
1
Chorale SATBB
1
Voix, Guitare
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
+ 17 instrumentations
Retracter
Vents
Saxophone (partie séparée)
20
Flûte traversière
17
Clarinette
14
Saxophone Alto
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Clarinette (partie séparée)
11
Flûte traversière et Piano
10
Saxophone Tenor
9
Quatuor de Clarinettes: 4 clarinettes
8
Clarinette et Piano
7
2 Saxophones (duo)
7
Quatuor de Saxophones: 4 saxophones
7
Saxophone, Clarinette (duo)
6
Hautbois, Piano (duo)
6
Clarinette, Violon (duo)
4
2 Flûtes traversières (duo)
4
Hautbois (partie séparée)
4
2 Clarinettes (duo)
4
Quatuor de Flûtes : 4 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte et Guitare
2
Flûte, Clarinette (duo)
2
Flûte, Alto (duo)
2
Ensemble de saxophones
2
Hautbois, Basson (duo)
2
Flûte, Saxophone (duo)
2
Saxophone Tenor et Piano
2
Flûte, Violon
2
Hautbois, Flûte
2
Hautbois, Clarinette (duo)
2
Clarinette, Trompette (duo)
2
Saxophone Alto et Piano
2
Quintette de Saxophone: 5 saxophones
2
Flute (partie séparée)
2
Clarinette, Basson, Piano (trio)
1
Saxophone Baryton, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
2 Flûte à bec (duo)
1
Clarinette, Guitare (duo)
1
2 Hautbois (duo)
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Basson et Piano
1
Flûte, Violoncelle
1
Cor Anglais
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
Ensemble de Flûtes
1
Quatuor de Flûtes à bec
1
Ensemble de Clarinettes
1
Flûte à bec Soprano
1
Hautbois
1
Cor anglais, Piano
1
Flûte, Alto et Piano
1
Saxophone Soprano et Piano
1
Ensemble De Flûte à bec
1
Trio de Flûtes: 3 flûtes
1
Flûte, Basson et Piano
1
Cor anglais, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Violoncelle et Piano
1
Saxophone Baryton
1
Ensemble à vent
1
Flûte à Bec
1
Saxophone et Guitare
1
Clarinette et Alto
1
Hautbois, Violon, Piano
1
Flûte, Trompette (duo)
1
Flûte, Violon, Piano
1
+ 65 instrumentations
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Cuivres
Trompette (partie séparée)
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trombone (partie séparée)
11
Cor
8
Trompette
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone
7
Trompette, Saxophone (duo)
4
Trompette, Piano
4
Trompette, Trombone (duo)
3
Tuba et Piano
3
Tuba
2
Trombone et Piano
2
2 Trombones (duo)
2
Cor et Piano
2
2 Trompettes (duo)
2
2 Euphoniums et 2 Tubas
2
Tuba (partie séparée)
2
Cor Anglais
1
Ensemble de Trombones
1
Euphonium, Piano (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Cor anglais, Piano
1
Cor (partie séparée)
1
Trompette, Trombone, Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 23 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon et Piano
30
Violon
20
Violoncelle
13
Harpe
10
Alto seul
8
Violoncelle, Piano
7
Alto, Piano
7
Contre Basse
6
Violon, Violoncelle (duo)
4
Violon, Alto (duo)
3
Contrebasse (partie séparée)
3
2 Violoncelles (duo)
2
2 Violons (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violon (partie séparée)
2
Violon, Clarinette, Piano (trio)
2
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 3 violoncelles
1
Violoncelle (partie séparée)
1
Harpe, Voix
1
2 Altos (duo)
1
4 Violoncelles
1
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse, Piano (duo)
1
Trio à cordes: 3 violins
1
Alto (partie séparée)
1
Alto et Harpe
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
152
Ensemble Jazz
34
Orchestre
33
Cloches
16
Batterie
15
Orchestre à Cordes
13
Percussion (partie séparée)
5
Ensemble de cuivres
4
Fanfare
4
Batterie (partie séparée)
3
Orchestre de chambre
3
Ensemble de Percussions
3
Percussion
2
Xylophone
2
Vibraphone
2
Xylophone, Piano
1
2 Marimbas
1
Jazz combo
1
Timbales (partie séparée)
1
+ 14 instrumentations
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FLUTE A BEC
FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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Vous avez sélectionné:
Fear
SheetMusicPlus
Partitions à imprimer
13 partitions trouvées
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1
Where Angels Fear To Tread
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Chorale TTBB
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FACILE
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Guy Lawrence, Howard Lawrence,
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E
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Where Angels Fear To Tread
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Eleanor Hudd
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.534767 Composed by Guy Lawrence, Howard Lawrence, John H Mercer, Reuben James, and Rube Bloom. Arranged by E.C. ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.534767 Composed by Guy Lawrence, Howard Lawrence, John H Mercer, Reuben James, and Rube Bloom. Arranged by E.C. Hudd. A Cappella,Standards,Traditional,Wedding. Octavo. 6 pages. Eleanor Hudd #145000. Published by Eleanor Hudd (A0.534767). Close harmony-style arrangement of Mercer and Bloom's Fools Rush In (Where Angels Fear to Tread). Runs about two minutes. TTBB a cappella with occasional baritone splits.
$1.99
On Bethlehem's Silent Plain : TTBB Acapella
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Chorale TTBB
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M
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On Bethlehem's Silent Plain :
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Vocal Works
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. Vocal Works #484...
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Choral Choir (TTBB) - SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. Vocal Works #484815. Published by Vocal Works (A0.741930). Live performance video: https://www.youtube.com/watch?v=KfUmiJdfVwM 1. On Bethlehem's silent plain, The stars shone bright, While faithful shepherds watched Their flocks by night. And as they watching lay Upon the ground, A glory came from heaven, And shone around. 2. The simple shepherds' hearts Were filled with fear: For lo! an angel stood Among them there. Fear not, the angel said, Good news I bring, This night to you is born A Saviour King. 3. In swaddling clothes the babe Shall be arrayed, And you shall find Him in A manger laid. And lo! a shining host Was with Him there, And filled with songs of praise, The midnight air. 4. And now on Christmas Eve, When stars are bright, We sing with joy the song They sung that night; Glad tidings of great joy Proclaim again; Of peace upon the earth Good will to men.
$1.99
DILUVIUM
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Chorale TTBB
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AVANCÉ
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Ivo Antognini
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DILUVIUM
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Ivo Antognini
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 5 - SKU: A0.1464094 Composed by Ivo Antognini. 21st Century,A Cappella,Contemporary. 12 pages. Ivo Antognini #10...
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Choral Choir,Choral,TTBB Chorus - Level 5 - SKU: A0.1464094 Composed by Ivo Antognini. 21st Century,A Cappella,Contemporary. 12 pages. Ivo Antognini #1042807. Published by Ivo Antognini (A0.1464094). Diluvium is a TTBB piece (with some divisi...) and was commissioned by a wonderful Swiss male choir, Männerstimmen Basel.The text is from a poem by Sebastian Brant, a German humanist and poet born in 1457.It's about a great flood that took place in Switzerland in the Middle AgesThis beautiful text in Neo-Latin has inspired me a lot. I imagined myself as an eyewitness to this great flood, feeling the fear and terror of the people who knew that the water would arrive at any moment and would submerge the city. So, I tried to translate these emotions into music, and I really hope that you will be able to feel them too when the choir sings DILUVIUM..
$1.99
Scooby Doo, Where Are You?
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Chorale TTBB
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INTERMÉDIAIRE
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Ben Raleigh and David Monk
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Alex Frank
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Scooby Doo, Where Are You?
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Alex Frank
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #...
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Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
In the Shadow of Your Wings - Choral Anthem (TTBB)
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Chorale TTBB
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INTERMÉDIAIRE
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Musique Sacrée
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Jim Ailor
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Psalm 30:5
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In the Shadow of Your Wings -
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ResurrectionSong
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.978272 Composed by Jim Ailor. Christian,Sacred. Octavo. 12 pages. ResurrectionSong #5768689. Published by Resurr...
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Choral Choir (TTBB) - Level 3 - SKU: A0.978272 Composed by Jim Ailor. Christian,Sacred. Octavo. 12 pages. ResurrectionSong #5768689. Published by ResurrectionSong (A0.978272). Based on Psalm 57:1; Psalm 30:5; 2 Corinthians 12:10; Isaiah 40:31A comforting response to COVID-19.Theme: Hope and encouragement in a time of loneliness and fear.Score and full orchestrations available. Length: 5:55. Contact: ResurrectionSongMusic@gmail.com.
$2.05
Risen! Christ the Lord Is Risen! (Tenor Rehearsal MP3)
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Chorale TTBB
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Lloyd Larson
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Risen! Christ the Lord Is Rise
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Celebrating Grace - Digital
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SheetMusicPlus
SATB Chorus, opt. Trumpet - SKU: C6.833118 Composed by Lloyd Larson. Eastertide. MP3. Celebrating Grace - Digital #833118. Published by Celebrating Grac...
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SATB Chorus, opt. Trumpet - SKU: C6.833118 Composed by Lloyd Larson. Eastertide. MP3. Celebrating Grace - Digital #833118. Published by Celebrating Grace - Digital (C6.833118). Using words by Cecil Alexander, Lloyd Larson has created a joyous anthem to celebrate the resurrection of Christ. The spirited 6/8 is punctuated at times with syncopations, creating interest and rhythmic fun. A contrasting middle section in minor explores fear, sadness, and Christ's suffering with unison singing, then gives way to cheerful Alleluias. The original joyous theme returns with a modulation, and the piece finishes with a high moment of praise. The optional trumpet part adds a festive quality. Part for Bb Trumpet is included.
$2.99
Everybody Wants To Rule The World
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Tears For Fears
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John Trent Wallace
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Everybody Wants To Rule The Wo
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TS3
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.964089 By Tears For Fears. By Christopher Hughes, Ian Stanley, and Roland Orzabal. Arranged by John Trent Wallac...
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Choral Choir (TTBB) - Level 3 - SKU: A0.964089 By Tears For Fears. By Christopher Hughes, Ian Stanley, and Roland Orzabal. Arranged by John Trent Wallace. Pop. Octavo. 14 pages. TS3 #5044257. Published by TS3 (A0.964089). Tears for Fears - Male Choral (TTBB)As part of John Trent Wallace's Modern Classics for Men, this arrangement brings the power and impact of male voices to this global hit from Tears For Fears.Ideally suited to male chorus, college and students looking to bring a timeless classic to their audiences.
$2.20
Everybody Wants To Rule The World
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Tears For Fears
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Roy Nussbaum
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Everybody Wants To Rule The Wo
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Roy Nussbaum
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SheetMusicPlus
Choral Choral,Voice (TTBB Chorus) - Level 3 - Interactive Download SKU: A0.1494330 By Tears For Fears. By Christopher Hughes, Ian Stanley, and Roland Orz...
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Choral Choral,Voice (TTBB Chorus) - Level 3 - Interactive Download SKU: A0.1494330 By Tears For Fears. By Christopher Hughes, Ian Stanley, and Roland Orzabal. Arranged by Roy Nussbaum. This edition: Interactive Download. Rock. 10 pages. Duration 198. Roy Nussbaum #6nGDlpS4ItoGt42tm8C2ZQ. Published by Roy Nussbaum (A0.1494330). Key: G major.4-part (+1 solo) tenor-bass a cappella arrangement of Tears for Fears' Everybody Wants to Rule the World.
$2.99
Beautiful Isle of somewhere
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Chorale TTBB
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INTERMÉDIAIRE
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Jessie B
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Pieter Bongaarts
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Beautiful Isle of somewhere
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Pieter Bongaarts
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1274179 By Jessie B. Pounds. By John S. Ferris. Arranged by Pieter Bongaarts. 20th Century,Religious,Trad...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1274179 By Jessie B. Pounds. By John S. Ferris. Arranged by Pieter Bongaarts. 20th Century,Religious,Traditional. 7 pages. Pieter Bongaarts #866314. Published by Pieter Bongaarts (A0.1274179). Beautiful Isle of Somewhere is a song written in 1897. Lyrics by Jessie Brown Pounds and music by John Sylvester Fearis. In the Netherlands we know the song as DroomlandPieter Bongaarts arranged the song for male choir.This is the choir version without piano! Conductor score (with piano) is also available.
$1.99
Solitude
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Chorale TTBB
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Sven Hagvil
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Solitude
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBB chorus divisi & solo voice - SKU: BJ.1141 Composed by Sven Hagvil. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1141. Published by Bo Ejeb...
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TTBB chorus divisi & solo voice - SKU: BJ.1141 Composed by Sven Hagvil. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1141. Published by Bo Ejeby Forlag - Digital (BJ.1141). 8.27 x 11.7 inches.An off-print of the last movement in Sven Hagvil's composition Symphony of Solitarities (SATB) adapted for male choir. The solo part could be performed by a soprano or tenor or a treble instrument. For many people silence and solitude are strongly connected with fears of the unknown, yet that may often be precisely what is lacking. In some cases solitude could be all that is necessary. There is no need for us to search far and wide for truth and meaning, we bear the most essential insights within ourselves. - Sven Hagvil.
$4.80
Everybody Wants To Rule The World
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Chorale TTBB
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Pop musique
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Tears For Fears
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Shawn Salley
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Everybody Wants To Rule The Wo
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Shawn Salley
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.995410 By Tears For Fears. By Christopher Hughes, Ian Stanley, and Roland Orzabal. Arranged by Shawn Salley. Pop. Octavo. ...
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Choral Choir (TTBB) - SKU: A0.995410 By Tears For Fears. By Christopher Hughes, Ian Stanley, and Roland Orzabal. Arranged by Shawn Salley. Pop. Octavo. 9 pages. Shawn Salley #5335571. Published by Shawn Salley (A0.995410).
$4.00
Hurting
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Chorale TTBB
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INTERMÉDIAIRE
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Jace McCloy
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Jace McCloy
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Hurting
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Jace McCloy
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1270209 By Jace McCloy. By Jace McCloy. Arranged by Jace McCloy. A Cappella,Contemporary,Film/TV,Pop,Singer/Song...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1270209 By Jace McCloy. By Jace McCloy. Arranged by Jace McCloy. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. Octavo. 18 pages. Jace McCloy #862642. Published by Jace McCloy (A0.1270209). Hurting touches on fears of transitioning from a friendship to a relationship.
$19.99
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