Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Call
Non classifié
513
Piano & claviers
Piano seul
247
Piano, Voix
151
Piano Facile
42
Piano, Voix et Guitare
41
Instruments en Do
23
Orgue
16
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
9
1 Piano, 4 mains
7
Accordéon
6
Accompagnement Piano
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano (partie séparée)
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
46
Guitare notes et tablatures
28
2 Guitares (duo)
4
Ukulele
3
Mandoline
3
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
3
Mandoline, Guitare (duo)
2
4 Guitares (Quatuor)
1
Banjo
1
Basse electrique
1
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
163
Chorale 3 parties
40
Chorale Unison
15
Chorale 2 parties
14
Voix Soprano, Piano
11
Chorale TTBB
11
Chorale SSAA
9
Voix seule
8
Voix haute
6
Voix duo
5
Voix Alto, Piano
4
Voix Soprano
3
Voix duo, Piano
3
Voix Baryton, Piano
3
Voix moyenne, Piano
2
Chorale SSAATTBB
2
Chorale SSATTB
1
Voix Tenor
1
Voix basse
1
Voix Tenor, Piano
1
Voix basse, Piano
1
Voix Soprano, Orchestre
1
Voix Mezzo-Soprano, Piano
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
Flûte traversière et Piano
37
Quatuor de Saxophones: 4 saxophones
37
Quintette de Saxophone: 5 saxophones
36
Quatuor de Clarinettes: 4 clarinettes
34
Saxophone Alto et Piano
23
Ensemble de saxophones
21
Flûte, Hautbois, Clarinette, Basson
20
Ensemble de Clarinettes
20
Saxophone Soprano et Piano
19
Clarinette
18
Hautbois, Piano (duo)
16
Flûte traversière
15
Saxophone (partie séparée)
15
Clarinette et Piano
15
Saxophone Alto
13
Saxophone Tenor et Piano
12
2 Saxophones (duo)
11
Quatuor de Flûtes : 4 flûtes
11
Ensemble de Flûtes
10
Saxophone Tenor
9
Quintette de Clarinettes: 5 clarinettes
7
Saxophone Baryton, Piano
7
Quintette de Flûte : 5 flûtes
6
Clarinette Basse, Piano
6
3 Saxophones (trio)
6
2 Flûtes traversières (duo)
6
Hautbois (partie séparée)
5
Flûte et Guitare
5
Cor anglais, Piano
4
Quatuor de Flûtes à bec
3
3 Clarinettes (trio)
3
2 Clarinettes (duo)
3
Flûte, Clarinette (duo)
3
Flûte à bec Soprano
3
Saxophone Soprano
2
Flûte à bec Alto
2
Clarinette, Guitare (duo)
2
Clarinette et Alto
2
2 Saxophones, Piano
1
5 Flûtes à bec
1
Ensemble de Hautbois
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble à vent
1
2 Flûte à bec (duo)
1
Clarinette, Trompette (duo)
1
Flûte, Violon, Piano
1
Saxophone et Guitare
1
Ensemble De Flûte à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto, Basse continue
1
Flute (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
2 Hautbois (duo)
1
3 Flûtes à bec (trio)
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon
1
Flûte, Hautbois (duo)
1
Saxophone et Orgue
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
70
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone et Piano
18
Trombone
13
Ensemble de Trombones
11
Cor et Piano
10
Cor
7
Trompette, Piano
6
Quatuor de Cuivres
6
Euphonium, Piano (duo)
6
Ensemble de Trompettes
6
2 Trompettes (duo)
5
2 Trombones (duo)
5
Tuba et Piano
5
Quatuor de cuivres: 4 trombones
4
Trombone (partie séparée)
4
Trompette (partie séparée)
4
Cor anglais, Piano
4
2 Cors (duo)
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 cors
3
Tuba
3
Tuba et Orgue
1
Clarinette, Cor (duo)
1
2 Euphoniums et 2 Tubas
1
Cor et Orgue
1
Cor (partie séparée)
1
Ensemble de Tubas
1
2 Euphoniums (duo)
1
3 Trombones (trio)
1
Trompette, Cor (duo)
1
Cor, Violoncelle (duo)
1
Euphonium
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
98
Violon et Piano
40
Violoncelle, Piano
25
Violoncelle
22
Violon
19
Alto, Piano
19
Harpe
18
Trio à Cordes: violon, alto, violoncelle
11
2 Harpes (duo)
10
2 Violons (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Violon, Violoncelle (duo)
8
Violon (partie séparée)
7
Violon, Alto (duo)
6
2 Violoncelles (duo)
5
Ensemble de Violons
4
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse (partie séparée)
3
Alto seul
3
Harpe, Voix
2
Violon, Guitare (duo)
2
Ensemble d'Altos
2
Alto (partie séparée)
2
2 Altos (duo)
2
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Contre Basse
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
285
Orchestre à Cordes
79
Orchestre
75
Ensemble de cuivres
51
Orchestre de chambre
31
Jazz combo
18
Ensemble Jazz
18
Cloches
12
Ensemble de Percussions
6
Vibraphone
2
Batterie (partie séparée)
1
Piano et Orchestre
1
Marimba
1
Xylophone
1
Orchestre, Violon
1
Batterie
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
11
Librairie Musicale
7
Matériel de Musique
161
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
First Call
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
<
1
The Story Of Reuben Clamzo & His Strange Daughter
#
Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Blood Red Roses
#
Chorale TTBB
#
FACILE
#
Traditional Sea Shanty
#
John Sandford
#
Blood Red Roses
#
John A Sandford
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.972803 Composed by Traditional Sea Shanty. Arranged by John Sandford. Folk,World. Octavo. 5 pages. John A Sandfo...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.972803 Composed by Traditional Sea Shanty. Arranged by John Sandford. Folk,World. Octavo. 5 pages. John A Sandford #6261425. Published by John A Sandford (A0.972803). The sea shanty is to be sung by male voices. The performance notes state that the shanty is to be sung with great gusto. However, there is room for artistic choice in the rhythm patterns of the verses and the amount of rubato used. Always be guided by the words is the general maxim to be observed. The first tenor part could be a soloist in keeping with the 'call and response' nature of the song or by a few voices.https://www.facebook.com/NoStringsAttached/videos/751426595497632
$1.99
Centenary - The Last Post (TTBB)
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Dorian Kelly
#
Centenary - The Last Post
#
Modal Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.866159 Composed by Dorian Kelly. Concert,Contemporary,Patriotic. Octavo. 5 pages. Modal Music #6877757. Publishe...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.866159 Composed by Dorian Kelly. Concert,Contemporary,Patriotic. Octavo. 5 pages. Modal Music #6877757. Published by Modal Music (A0.866159). A reflective arrangement of the Last Post bugle call (sung to 'oo' and 'ah') for TTBB choir and piano, to mark the centenary of the end of the First World War (November 2018). Ideal for an autumn concert or Remembrance Service. This arrangement is compatible with both the SSA choir and Brass Quintet versions.
$2.50
AMORI: 8 madrigals for male chorus
#
Chorale TTBB
#
AVANCÉ
#
Alessandro Palazzani
#
AMORI: 8 madrigals for male ch
#
A work by Alessandro Palazzani
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pa...
(+)
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pages. A work by Alessandro Palazzani #982575. Published by A work by Alessandro Palazzani (A0.1399301). AMORI (Loves): Eight madrigals on texts by Giovan Battista Marinofor four-part male choirCONTENTS:1. OCCHI (Eyes)2. ERRORI DI BELLA CHIOMA (Beautiful hair wanderings)3. BELTA’ CRUDELE (Cruel Beauty)4. BELLA CANTATRICE (Beautiful Singer)5. AMOR SECRETO (Secret Love)6. PENDENTI IN FORMA DI SERPI (Pendants in the Shape of Snakes)7. LONTANANZA CONSOLATA (Consoled Distance)8. OCCHI (Eyes)The collection comprises eight Madrigals that alternate between different musical styles. In odd numbers, there are more meditative pieces that closely follow the text, faithfully illustrating its keywords; instead, in even numbers, there is a more regular treatment of musical form, with bipartite or tripartite structures and thematic returns of the music, organized into livelier and more rhythmic movements. To give unity to the composition, the author adopted a series of chordal motifs that serve as leitmotifs, formed by two or three chords symbolizing some basic concepts that cyclically reappear in the various pieces (love, life, death, etc.).The ensemble comprises four parts: first tenor, second tenor, baritone, bass, which can be performed by soloists or by a choral group. In the piece Bella Cantatrice, it is possible to entrust the main melody to a tenor soloist. Although a reduction for piano is printed in the score, its purpose is only to support the voices during rehearsal. Public performance is intended for a cappella voices.
$3.00
This Is Me
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Contemporain
#
Benj Pasek and Justin Paul
#
Shelton Ridge Love
#
I am bruised
#
This Is Me
#
Shelton Ridge Love
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. S...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME! - Shelton
$1.99
Symphony of Solitarities
#
Chorale TTBB
#
Sven Hagvil
#
Symphony of Solitarities
#
Bo Ejeby Forlag - Digital
#
SheetMusicPlus
SATB chorus divisi & soprano saxophone / clarinet - SKU: BJ.1123 Composed by Sven Hagvil. Secular. Octavo. 65 pages. Bo Ejeby Forlag - Digital #1123. Pu...
(+)
SATB chorus divisi & soprano saxophone / clarinet - SKU: BJ.1123 Composed by Sven Hagvil. Secular. Octavo. 65 pages. Bo Ejeby Forlag - Digital #1123. Published by Bo Ejeby Forlag - Digital (BJ.1123). 8.27 x 11.7 inches.Sven Hagvil's Symphony of Solitarities is a choral symphony in three movements (This oceanic feeling, Lonelinesses, Solitude) for mixed choir and soprano saxophone (or clarinet). The piece, which is around 30 minutes, is composed for S:t Johannes Chamber Choir in Stockholm, conducted by Karin Oldgren. At the first performance Anders Paulsson, world renown saxophonist to whom the symphony is dedicated, was soloist on soprano saxophone. The lyrics, written by the composer, are dealing with man's existential loneliness, a loneliness that we paradoxically share with all other people. In the second movement some choreographic elements are added, as well as solo parts for the choristers. The instrumentalist is expected to improvise parts of the music. The last movement, Solitude, is available as an off-print for SSAA and TTBB.
$9.00
Save Me
#
Chorale TTBB
#
Rock
#
Queen
#
Carolyn Goates
#
Save Me
#
Carolyn Goates
#
SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.762536 By Queen. By Brian May. Arranged by Carolyn Goates. Rock. Octavo. 5 pages. Carolyn Goates #3884615. Published by Ca...
(+)
Choral Choir (TTBB) - SKU: A0.762536 By Queen. By Brian May. Arranged by Carolyn Goates. Rock. Octavo. 5 pages. Carolyn Goates #3884615. Published by Carolyn Goates (A0.762536). How did they miss this from Bohemian Rhapsody? Maybe it will appear in the sequel. This arrangement of the song by Brian May contains a solo for piano that emulates the first guitar solo. (Arrangements also available for SSAA and SATB)My other arrangements of Queen songs include:Love Of My Life, '39 and Crazy Little Thing Called LoveFor more information about my arrangements or to request practice tracks go to http://www.carolyngoatesmusic.co.uk and please LIKE on Facebook @carolyngoatesmusic
$2.99
Time For Livin'
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
The Association
#
Larry Wright
#
Time For Livin'
#
Larry Wright
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1372326 By The Association. By Donald Addrisi and Richard Addrisi. Arranged by Larry Wright. A Cappella,B...
(+)
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1372326 By The Association. By Donald Addrisi and Richard Addrisi. Arranged by Larry Wright. A Cappella,Barbershop. 4 pages. Larry Wright #956623. Published by Larry Wright (A0.1372326). A MEN'S 4-part high, a cappella, energy barbershop arrangement of this great tune recorded by the 60's Britsh rock group called The Association. It's a fun, but challenging piece.Check out the audio demos (FREE i minute sample... as well as $2 full-length demo.IMPORTANT NOTE: By FIRST purchasing the combo of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price,.... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay SMP (or the publisher who controls the song licensing) the song per-copy fees for your second COMBO.NOTE: if the SMP per-copy price is anything more than $1.99, DON'T PAY IT!!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum 10-copy purchase to combat cheating. Sorry quartets!Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the EXCELLENT part-predominant vocal learning trax.
$1.99
Cherish
#
Chorale TTBB
#
FACILE
#
David Cassidy
#
Larry Wright
#
Cherish
#
Larry Wright
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1372339 By David Cassidy. By Terry Kirkman. Arranged by Larry Wright. A Cappella,Barbershop. 5 pages. Lar...
(+)
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1372339 By David Cassidy. By Terry Kirkman. Arranged by Larry Wright. A Cappella,Barbershop. 5 pages. Larry Wright #956638. Published by Larry Wright (A0.1372339). A MEN'S 4-part, a cappella medium tempo'd ballad made popular by the British pop/rock group called The Association.NOTE: This is NOT an arrangement of the complete song!!! For more information, email me <larry@larrywrightmusic.com>.IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price..., NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second COMBO of your choice from my website store for FREE!!! Of course, you'll still need to pay SMP (or the publisher who controls the song licensing) the song per-copy fees for your second COMBO.NOTE: If the SMP per-copy price is anything more than $1.99, DON'T PAY IT!!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum 10-copy purchase for all choral arrangements... to combat cheating. Sorry quartets!! Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the EXCELLENT part-predominant, vocal learning trax<www.larrywrightmusic.com>.
$1.99
The Streets of Laredo, Streets of Laredo, The Cowboy's Lament
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Lyrics attributed to Frank H
#
Donald A
#
The Streets of Laredo, Streets
#
Donald A Mills
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.928966 Composed by Lyrics attributed to Frank H. Maynard, 1853-1926. Arranged by Donald A. Mills, 2018. A Cappel...
(+)
Choral Choir (TTBB) - Level 3 - SKU: A0.928966 Composed by Lyrics attributed to Frank H. Maynard, 1853-1926. Arranged by Donald A. Mills, 2018. A Cappella,Concert,Folk. Octavo. 5 pages. Donald A Mills #3544217. Published by Donald A Mills (A0.928966). Your men's chorus or quintet will love this song and its harmonies...and your audiences will as well. This old standard Cowboy song, also known as The Cowboy's Lament, has been sung for hundreds of years. It has accumulated hundreds of chorus lines, some tame, some ribald. Treat your audience to this new arrangement, to be sung by an a cappella TTBB chorus or quartet plus a bass/baritone soloist. From Wikipedia, the free encyclopedia: Members of the Western Writers of America chose this song as one of the top 100 Western Sonngs of all time. The song title refers to the city of Laredo, Texas. The authorship of the words were claimed by Frank H. Maynard (1853-1926) of Colorado Springs, Colorado. The song was first published in 1910. The tune appears to be descended from an Irish song from the late 18th century called, The Unfortunate Rake.
$2.99
Brisbane Ladies (Augathella Station)
#
Chorale TTBB
#
DÉBUTANT
#
Traditional
#
Sandra Milliken
#
Brisbane Ladies
#
Sandra Milliken
#
SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863...
(+)
Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
First Call
