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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Dance
Non classifié
471
Piano & claviers
Piano seul
195
Piano, Voix
63
Piano Facile
59
Piano, Voix et Guitare
26
Instruments en Do
14
1 Piano, 4 mains
12
Accordéon
8
Orgue
4
Piano Trio: piano, violon, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
2
Clavecin
1
Accompagnement Piano
1
+ 8 instrumentations
Retracter
Guitares
Guitare
32
Guitare notes et tablatures
15
Ligne De Mélodie, (Paroles) et Accords
5
Ukulele
4
2 Guitares (duo)
4
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
1
Mandoline
1
Banjo
1
Guitare, Violon, Violoncelle (trio)
1
2 Ukuleles
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
41
Chorale 3 parties
15
Chorale 2 parties
5
Voix Soprano, Piano
5
Chorale TTBB
5
Voix Tenor, Piano
3
Voix Alto, Piano
3
Voix duo, Piano
3
Chorale SSAA
3
Chorale
2
Voix Tenor
1
Voix Baryton, Piano
1
Voix basse
1
Chorale Unison
1
Chorale SSATB
1
Voix duo
1
Soli, choeur mixte et accompagnement
1
Voix haute
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
108
Quintette de Saxophone: 5 saxophones
52
Flûte traversière et Piano
29
2 Saxophones (duo)
26
2 Flûtes traversières, Piano
25
Quatuor de Saxophones: 4 saxophones
22
Clarinette et Piano
19
Quatuor de Clarinettes: 4 clarinettes
18
Flûte, Hautbois, Clarinette, Basson
17
Saxophone, Clarinette (duo)
14
2 Flûtes traversières (duo)
14
Ensemble de Clarinettes
14
Hautbois, Piano (duo)
14
Clarinette
13
2 Clarinettes (duo)
13
Clarinette, Violon (duo)
10
Ensemble de saxophones
9
Saxophone Tenor et Piano
9
Saxophone Soprano et Piano
9
Clarinette, Trompette (duo)
8
Saxophone Baryton, Piano
8
Flûte, Violon
8
Clarinette Basse, Piano
7
Flûte, Clarinette (duo)
7
Saxophone Alto et Piano
7
Cor anglais, Piano
7
Flûte et Guitare
7
Flûte traversière
6
Flûte, Saxophone (duo)
6
Ensemble de Flûtes
6
Quintette de Flûte : 5 flûtes
5
2 Hautbois (duo)
5
Quatuor de Flûtes : 4 flûtes
5
Clarinette et Alto
5
Hautbois, Clarinette (duo)
5
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Flûte
4
Saxophone Alto
4
Flûte, Trompette (duo)
4
Flûte, Violon, Piano
3
Flûte, Alto (duo)
3
Clarinette, Basson (duo)
3
Hautbois, Basson (duo)
3
Hautbois (partie séparée)
3
Flûte, Violon et Violoncelle
3
3 Flûtes à bec (trio)
2
Trio de Flûtes: 3 flûtes
2
Ocarina
2
Flûte irlandaise
2
Flûte, Hautbois, Clarinette (trio)
1
Harmonica
1
2 Flûtes à bec, Guitare
1
Clarinette, Guitare (duo)
1
Saxophone et Piano
1
Flûte à Bec
1
2 Flûte à bec (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Saxophone Tenor
1
Clarinette, Harpe (duo)
1
2 Saxophones, Piano
1
+ 56 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trombone et Piano
24
Euphonium, Piano (duo)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Cor et Piano
11
Trompette, Saxophone (duo)
10
Ensemble de Trombones
9
Trompette, Piano
9
2 Trompettes (duo)
8
2 Trombones (duo)
8
Cor anglais, Piano
7
Trompette, Trombone (duo)
6
Trompette
5
Ensemble de Trompettes
5
Cor
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trombones
3
Tuba et Piano
3
Tuba
3
Quatuor de Cuivres
2
Euphonium
1
4 Tubas
1
Trombone basse et Piano
1
Cor et Harpe
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums (duo)
1
Trombone
1
Trombone basse
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
103
Violon et Piano
36
Violon, Violoncelle (duo)
32
Violoncelle, Piano
27
Violon
24
Alto, Piano
21
2 Violons (duo)
12
Violoncelle
11
Trio à Cordes: violon, alto, violoncelle
10
Harpe
9
2 Harpes (duo)
9
Violon, Guitare (duo)
8
Violon (partie séparée)
8
Violon, Alto (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
2 Violoncelles (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Ensemble de Violons
6
Ensemble d'Altos
6
2 Altos (duo)
5
Alto (partie séparée)
5
Harpe, Violon (duo)
4
Contre Basse
3
Violoncelle (partie séparée)
3
Alto seul
3
Contrebasse (partie séparée)
3
4 Violoncelles
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
1
Alto, Violoncelle (duo)
1
Violon, Orgue
1
Violoncelle, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
4 Contrebasses
1
Violoncelle, Basse continue
1
Contrebasse, Piano (duo)
1
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Flûte (duo)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
237
Orchestre à Cordes
77
Orchestre
52
Orchestre de chambre
28
Ensemble Jazz
15
Jazz combo
10
Ensemble de cuivres
10
Cloches
8
Ensemble de Percussions
4
Fanfare
4
Marimba
1
Piano et Orchestre
1
Percussion (partie séparée)
1
+ 8 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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BASSE
BASSON
BATTERIE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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VIBRAPHONE
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VIOLON
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XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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FUNK
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JAZZ
JAZZ MANOUCHE - SWIN…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
First Dance
Chorale TTBB
Partitions à imprimer
5 partitions trouvées
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1
Come Dance With Me
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Chorale TTBB
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INTERMÉDIAIRE
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James Van Heusen
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Larry Wright
#
CONTESTABLE
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Come Dance With Me
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Larry Wright
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.853890 Composed by James Van Heusen. Arranged by Larry Wright. A Cappella,Barbershop. 6 pages. Larry Wrig...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.853890 Composed by James Van Heusen. Arranged by Larry Wright. A Cappella,Barbershop. 6 pages. Larry Wright #4735709. Published by Larry Wright (A0.853890). A MEN'S 4-part, a cappella, barbershop arrangement of this popular uptempo swing song recorded by Frank Sinatra and many others; CONTESTABLE. IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy fees to SMP (or other publisher) who controls the song licensing. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Break My Soul
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Beyonce
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Charles Beale
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Break My Soul
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charliebmusic
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1377964 By Beyonce. By Adam Pigott, Allen George, Beyoncé Knowles, Chrstopher Stewart, Fred McFarlane,...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1377964 By Beyonce. By Adam Pigott, Allen George, Beyoncé Knowles, Chrstopher Stewart, Fred McFarlane, Freddie Ross, Gordon Brown, Jens Isaken, Shawn Carter, and Terius Gesteelde-Diamant. Arranged by Charles Beale. 21st Century,Disco,Hip-Hop,Pop,R & B. 28 pages. Charliebmusic #962585. Published by charliebmusic (A0.1377964). 'Break My Soul' was the first single from 'Renaissance', Beyoncé's triumphant 7th album, which re-established her as one of the most influential and commercially successful artists of her generation. The textures of the single version are derivative of '90s house music, and the vocal textures and voicings are uniquely Beyoncé, while gospel-tinged in places. That said, the story of the song could not be more contemporary to the 2020s, referencing social division, the exploitation of gig workers and, of course, race. Its empowering, defiant yet joyous lyric makes the song perfect for any concert closer. This TTBB arrangement sticks to the complex phrasing and rhythmic complexity of the Beyoncé vocal, with some simplifications for choral use. Intended as a spectacular finale with dancers and live band, it also features some elements from her live touring version, and includes a solo part that would suit an MC, and/or and singer versed in Beyoncé's vocal stylings. The YouTube video link is therefore of a live performance.
$1.99
Love Hangover
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Chorale TTBB
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INTERMÉDIAIRE
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Diana Ross
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Charles Beale
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Love Hangover
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charliebmusic
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1361807 By Diana Ross. By Marilyn McLeod and Pamela Sawyer. Arranged by Charles Beale. Disco,Funk,Pop. 30...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1361807 By Diana Ross. By Marilyn McLeod and Pamela Sawyer. Arranged by Charles Beale. Disco,Funk,Pop. 30 pages. Charliebmusic #946263. Published by charliebmusic (A0.1361807). This unique extended composition is not only an archetypal 1970s ballad, but also a classic of the disco era. The song starts as a smoky 1970s ballad, and this is followed by a medium tempo groove section, that in the most authentic extended version lasts for 5 minutes.This TTBB arrangement follows the original form for the first 2-3 minutes of the groove, and then returns to teh classic ballad for a final chorus, after a brief climactic moment in an uptempo 'church' 2, which emulated a live Las Vegas version Diana Ross produced in teh later 1970s.This total arrangement is s showstopper, and would work well both as a standalone choral showpiece, or with dancers.
$1.99
Innocence & Experience (Four Poems by William Blake) for TB Chorus with Piano Accompaniment
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Chorale TTBB
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Debra E
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Innocence & Experience
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Standard Time
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.761687 Composed by Debra E. Stempien and Gregory H. Turner. 20th Century,Contemporary,Standards. Octavo. 12 pages. Standar...
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Choral Choir (TTBB) - SKU: A0.761687 Composed by Debra E. Stempien and Gregory H. Turner. 20th Century,Contemporary,Standards. Octavo. 12 pages. Standard Time #5048249. Published by Standard Time (A0.761687). Innocence & Experience is a musical setting of four William Blake poems from his works, Songs of Innocence and Songs of Experience, for two-part TB men’s chorus with piano accompaniment. The song set represents a life cycle, first with a lullaby, moving next to a spirited and youthful dance, continuing to the dreamlike longing of maturity, and concluding with the solemn and dark acceptance of death. Permission to use these texts has been secured from the William Blake Archives (proof provided upon request). Please note that the provided recording is from the third song, Ah! Sunflower..
$4.00
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