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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Of May
Non classifié
1 342
Piano & claviers
Piano, Voix
2 296
Piano seul
282
Piano Facile
57
Piano, Voix et Guitare
45
Orgue
26
Instruments en Do
20
Piano Trio: piano, violon, violoncelle
10
1 Piano, 4 mains
10
2 Pianos, 4 mains
10
Accompagnement Piano
8
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
+ 9 instrumentations
Retracter
Guitares
Guitare
43
Guitare notes et tablatures
11
2 Guitares (duo)
7
Ukulele
5
Ligne De Mélodie, (Paroles) et Accords
5
3 Guitares (trio)
2
Guitare, Quatuor à cordes
2
Mandoline
2
Paroles et Accords
2
4 Guitares (Quatuor)
2
Dulcimer
1
Basse electrique
1
Banjo
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
928
Chorale 3 parties
32
Chorale Unison
23
Chorale TTBB
19
Chorale 2 parties
14
Chorale SSAA
13
Voix Soprano, Piano
10
Voix seule
8
Voix Baryton, Piano
7
Voix duo, Piano
5
Voix Alto, Piano
4
Voix Tenor, Piano
3
Voix haute
3
Voix moyenne, Piano
3
Chorale
1
Chorale SSATTB
1
Voix Tenor
1
Voix duo
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 15 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
119
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Ensemble de saxophones
70
Flûte traversière et Piano
49
Quatuor de Saxophones: 4 saxophones
43
Ensemble de Clarinettes
39
Saxophone Alto et Piano
30
Clarinette
29
Hautbois, Piano (duo)
27
Clarinette et Piano
26
Quatuor de Clarinettes: 4 clarinettes
24
Saxophone Soprano et Piano
23
2 Flûtes traversières (duo)
21
Flûte, Hautbois, Clarinette, Basson
20
Ensemble de Flûtes
20
2 Saxophones (duo)
19
Saxophone Tenor et Piano
19
Quintette de Flûte : 5 flûtes
19
Hautbois (partie séparée)
18
Saxophone Alto
17
Saxophone Baryton, Piano
15
Cor anglais, Piano
15
Flûte traversière
14
Clarinette Basse, Piano
12
Saxophone Tenor
12
2 Clarinettes (duo)
11
Saxophone (partie séparée)
10
Quatuor de Flûtes : 4 flûtes
7
Saxophone, Clarinette (duo)
6
Flûte, Clarinette (duo)
6
3 Saxophones (trio)
6
2 Hautbois (duo)
5
Clarinette (partie séparée)
5
Clarinette, Violon (duo)
5
Saxophone Soprano
4
Hautbois, Clarinette (duo)
4
Flûte, Violon
3
Clarinette, Trompette (duo)
3
Flûte et Guitare
3
Flûte, Saxophone (duo)
3
2 Flûte à bec (duo)
3
Clarinette et Alto
2
Flûte, Trompette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Basson (duo)
2
Piccolo, Piano
2
Flûte, Violoncelle
1
Cor Anglais
1
3 Flûtes à bec (trio)
1
Clarinette, Basson (duo)
1
Flûte, Violon, Piano
1
Flute (partie séparée)
1
Hautbois, Harpe
1
2 Saxophones, Piano
1
Hautbois, violon (duo)
1
Saxophone et Harpe
1
5 Flûtes à bec
1
Flûte à bec Alto
1
Harmonica
1
Clarinette, Violoncelle (duo)
1
Quatuor de Flûtes à bec
1
Hautbois, Flûte
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Alto (duo)
1
Clarinette, Orgue
1
Clarinette, Harpe (duo)
1
Flûte à bec Soprano
1
Flûte à Bec
1
3 Clarinettes (trio)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Piano (trio)
1
Cor anglais, Guitare (duo)
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
100
Quatuor de Cuivres : 2 trompettes, trombone, tuba
97
Ensemble de Trompettes
92
Trompette
36
Ensemble de Trombones
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Trombone et Piano
22
Euphonium, Piano (duo)
22
Quatuor de cuivres: 4 trombones
17
Trombone
16
Cor et Piano
16
Cor anglais, Piano
15
Quatuor de Cuivres
14
Trompette, Piano
12
2 Trombones (duo)
10
2 Trompettes (duo)
8
Trompette, Trombone (duo)
6
Ensemble de Cors
5
Tuba
5
Cor
4
Trompette, Saxophone (duo)
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trompettes
4
Trompette (partie séparée)
4
Tuba et Piano
4
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Trombones (trio)
3
Tuba (partie séparée)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trompettes (trio)
2
Cor (partie séparée)
2
3 Tubas (trio)
2
Trombone (partie séparée)
2
3 Cors (trio)
2
Cor et Harpe
1
Cor Anglais
1
Trombone, Cor (duo)
1
Ensemble de Tubas
1
Euphonium
1
Euphonium, Tuba (duo)
1
4 Tubas
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
Trompette, Harpe
1
Cor anglais, Guitare (duo)
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
85
Violon et Piano
47
Harpe
40
Trio à Cordes: violon, alto, violoncelle
35
Violon
33
Violoncelle, Piano
29
Alto, Piano
26
Ensemble de Violons
18
Violoncelle
17
Ensemble d'Altos
17
Violon, Violoncelle (duo)
14
2 Violoncelles (duo)
12
2 Violons (duo)
12
Violon, Alto (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Violon (partie séparée)
7
2 Altos (duo)
7
2 Harpes (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
4 Violoncelles
6
Violon, Guitare (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto (partie séparée)
5
Violoncelle , Guitare (duo)
4
Alto seul
4
Alto, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
2
Contre Basse
2
Contrebasse (partie séparée)
2
Quatuor à cordes : 4 altos
2
Contrebasse, Piano (duo)
2
Harpe et Piano
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Voix
1
Alto, Guitare (duo)
1
3 Harpes
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
Alto et Basson
1
Ensemble de Violoncelles
1
4 Harpes
1
Violon, Basson (duo)
1
Harpe, Flûte (duo)
1
2 Violons, Piano
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
152
Orchestre
65
Ensemble de cuivres
53
Orchestre à Cordes
52
Cloches
31
Ensemble Jazz
26
Orchestre de chambre
14
Jazz combo
11
Percussion (partie séparée)
4
Batterie
3
Ensemble de Percussions
2
Fanfare
1
Ensemble d'École
1
Quintette de Cuivres: autres combinaisons
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
Librairie Musicale
Matériel de musique
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Partitions Numériques
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Matériel de Musique
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Nouveautes
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Vous avez sélectionné:
First Of May
Chorale TTBB
Partitions à imprimer
19 partitions trouvées
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1
The Streets of Laredo, Streets of Laredo, The Cowboy's Lament
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Chorale TTBB
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INTERMÉDIAIRE
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Lyrics attributed to Frank H
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Donald A
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The Streets of Laredo, Streets
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.928966 Composed by Lyrics attributed to Frank H. Maynard, 1853-1926. Arranged by Donald A. Mills, 2018. A Cappel...
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Choral Choir (TTBB) - Level 3 - SKU: A0.928966 Composed by Lyrics attributed to Frank H. Maynard, 1853-1926. Arranged by Donald A. Mills, 2018. A Cappella,Concert,Folk. Octavo. 5 pages. Donald A Mills #3544217. Published by Donald A Mills (A0.928966). Your men's chorus or quintet will love this song and its harmonies...and your audiences will as well. This old standard Cowboy song, also known as The Cowboy's Lament, has been sung for hundreds of years. It has accumulated hundreds of chorus lines, some tame, some ribald. Treat your audience to this new arrangement, to be sung by an a cappella TTBB chorus or quartet plus a bass/baritone soloist. From Wikipedia, the free encyclopedia: Members of the Western Writers of America chose this song as one of the top 100 Western Sonngs of all time. The song title refers to the city of Laredo, Texas. The authorship of the words were claimed by Frank H. Maynard (1853-1926) of Colorado Springs, Colorado. The song was first published in 1910. The tune appears to be descended from an Irish song from the late 18th century called, The Unfortunate Rake.
$2.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
May Each Day
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Chorale TTBB
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INTERMÉDIAIRE
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Andy Williams
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Larry Wright
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May Each Day
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Larry Wright
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.853864 By Andy Williams. By George Wyle and Mort Green. Arranged by Larry Wright. A Cappella,Barbershop. Octavo....
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Choral Choir (TTBB) - Level 3 - SKU: A0.853864 By Andy Williams. By George Wyle and Mort Green. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 4 pages. Larry Wright #4718757. Published by Larry Wright (A0.853864). A MEN'S 4-part, a cappella, barbershop arrangement of this popular tune from the 60's Andy Williams TV Show. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent Vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my vocal learning trax from my website and per-copy pricing on the SMP website is a problem, email me. SMP requires a minimum purchase of 10 copies for all choral selections.<larry@larrywrightmusic.com>.
$15.00
Story Of Manetheren
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Chorale TTBB
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Lorne Balfe
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Mark R
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Story Of Manetheren
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.1001562 Composed by Lorne Balfe. Arranged by Mark R. Lewis. A Cappella. Octavo. 8 pages. Mark R Lewis #6885085. Published ...
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Choral Choir (TTBB) - SKU: A0.1001562 Composed by Lorne Balfe. Arranged by Mark R. Lewis. A Cappella. Octavo. 8 pages. Mark R Lewis #6885085. Published by Mark R Lewis (A0.1001562). In the fall of 2021, Amazon Prime introduced the first season of the television adaptation of Robert Jordan's iconic Wheel of Time book series. The series included a lot of wonderful music composed by Lorne Balfe, including The Song of Manetheren in episode 2. It is presented as a folk song performed by the character Mat and joined by the other main characters as they travel on horseback through the countryside.This arrangement of the piece is arranged by Mark R Lewis for a cappella TTBB ensemble with additional lyrics added by Mark R Lewis. The baritones have the melody the whole time with the basses providing a lower, drone-like harmony and the tenors providing upper harmonies. The arrangement also includes body percussion in the form of foot stomps and hand claps. The piece is not particularly difficult but does have some rather quick, atypical rhythms and may test the ranges of younger singers. You can find other arrangements by Mark R Lewis at http://www.makingjoyfulmusic.com/storefront.html.
$1.99
Flag of the Bold and Free. Quartet for Male Voices
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Chorale TTBB
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William T
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Flag of the Bold and Free. Qua
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (TTBB chorus) - SKU: LV.4205 Composed by William T. Rogers. National Emblems, Patriotism. Lester S. Levy Collection. 5 pages. Published ...
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Piano and voice (TTBB chorus) - SKU: LV.4205 Composed by William T. Rogers. National Emblems, Patriotism. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4205). Flag of the Bold and Free. Quartet for Male Voices. Music by Wm. T. Rogers. Published 1873 by S. Brainard's Sons in Cleveland. Composition of strophic with piano and voice (ttbb chorus) instrumentation. Subject headings for this piece include National Emblems, Patriotism. First line reads Flag of the bold and free, light of the welkin dome.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
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Chorale TTBB
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DÉBUTANT
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Musique Sacrée
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Paul A
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Paul A
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IS THERE STILL A DROP OF BLOOD
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo....
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Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
Jealous Of My Boogie
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Rupaul
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Charles Beale
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Jealous Of My Boogie
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charliebmusic
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SheetMusicPlus
Piano Accompaniment, TTBB - Intermediate - Digital Download By Rupaul. Arranged by Charles Beale. Octavo. 8 pages. Published by charliebmusic...
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Piano Accompaniment, TTBB - Intermediate - Digital Download By Rupaul. Arranged by Charles Beale. Octavo. 8 pages. Published by charliebmusic
This arrangement was originally part of a seven minute two-song Ru Paul medley for the New York City Gay Men's Chorus, entitled 'Come Thru Mama Ru'. In this form, it was hugely popular with singers and audiences, featuring in two Big Gay Sings, many outreach gigs and a massed New York Heritage of Pride march version, with a choreographed outdoor rainbow fan routine featuring over 100 singers.
This short custom arrangement was devised for the Portland Gay Men's Chorus in May 2021 or their Pride Karaoke battle 2021, and features only the first song.
$1.99
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
Save Me
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Chorale TTBB
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Rock
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Queen
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Carolyn Goates
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Save Me
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Carolyn Goates
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.762536 By Queen. By Brian May. Arranged by Carolyn Goates. Rock. Octavo. 5 pages. Carolyn Goates #3884615. Published by Ca...
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Choral Choir (TTBB) - SKU: A0.762536 By Queen. By Brian May. Arranged by Carolyn Goates. Rock. Octavo. 5 pages. Carolyn Goates #3884615. Published by Carolyn Goates (A0.762536). How did they miss this from Bohemian Rhapsody? Maybe it will appear in the sequel. This arrangement of the song by Brian May contains a solo for piano that emulates the first guitar solo. (Arrangements also available for SSAA and SATB)My other arrangements of Queen songs include:Love Of My Life, '39 and Crazy Little Thing Called LoveFor more information about my arrangements or to request practice tracks go to http://www.carolyngoatesmusic.co.uk and please LIKE on Facebook @carolyngoatesmusic
$2.99
Marseilles Hymn. Chorus
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Chorale TTBB
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H
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Marseilles Hymn. Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (TTBB) - SKU: LV.3131 Arranged by H.S. Saroni. Revolutions, Patriotism, France. Lester S. Levy Collection. 4 pages. Published by Johns H...
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Piano and voice (TTBB) - SKU: LV.3131 Arranged by H.S. Saroni. Revolutions, Patriotism, France. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3131). National Songs. Arranged for Four Voice or Chorus for the use of Musical Societies. Marseilles Hymn. Chorus [English and French]. Arranged by H.S. Saroni. Published 1848 by William Hall & Son, 543 Broadway, Between Spring and Prince Sts. in New York. Composition of strophic with chorus with piano and voice (ttbb) instrumentation. Subject headings for this piece include Revolutions, Patriotism, France. First line reads Ye gallant Frenchmen! sons of glory.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Blow On! Blow On! The Pirates Glee
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Chorale TTBB
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Benjamin F
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Blow On! Blow On! The Pirates
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (TTBB chorus) - SKU: LV.12006 Composed by Benjamin F. Baker. Ship equipment & rigging, Ship decks, Toasting, Alcoholic beverages, Campai...
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Piano and voice (TTBB chorus) - SKU: LV.12006 Composed by Benjamin F. Baker. Ship equipment & rigging, Ship decks, Toasting, Alcoholic beverages, Campaigns & battles, Happiness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12006). Blow On! Blow On! The Pirates Glee. Words by Arthur Morrill, Esq. Music Composed by Benjamin F. Baker. Published 1840 by Geo. P. Reed & Co., 13 Tremont St. in Boston. Composition of strophic with piano and voice (ttbb chorus) instrumentation. Subject headings for this piece include Ship equipment & rigging, Shipdecks, Toasting, Alcoholic beverages, Campaigns & battles, Happiness. First line reads Blow on! blow on! We love the howling of winds that waft us oe'r the sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
To Thee O Country. National Hymn for Male Voices
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Chorale TTBB
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Julius Eichberg
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To Thee O Country. National Hy
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (TTBB) - SKU: LV.13452 Composed by Julius Eichberg. Patriotism, Pride, Peace. Lester S. Levy Collection. 5 pages. Published by Johns Hop...
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Piano and voice (TTBB) - SKU: LV.13452 Composed by Julius Eichberg. Patriotism, Pride, Peace. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13452). To Thee O Country. National Hymn for Male Voices. Words by Miss Anna P. Eichberg. Music by Julius Eichberg. Published 1872 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with piano and voice (ttbb) instrumentation. Subject headings for this piece include Patriotism, Pride, Peace. First line reads To thee, O country, great and free, With trusting hearts we cling.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Noël Nouvelet
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Sandra Milliken
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Noël Nouvelet
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.774716 Composed by Traditional. Arranged by Sandra Milliken. A Cappella,Christian,Christmas,Sacred. Octavo. 10 p...
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Choral Choir (TTBB) - Level 3 - SKU: A0.774716 Composed by Traditional. Arranged by Sandra Milliken. A Cappella,Christian,Christmas,Sacred. Octavo. 10 pages. Sandra Milliken #2335405. Published by Sandra Milliken (A0.774716). 2016 Choral Contest EntryThe words for Noël nouvelet first appeared around the time of Columbus’ 1492 voyage to the Americas. The word nouvelet doesn’t exist any more, but it is related to the modern French word nouvel meaning new. So the title proclaims a new Christmas song in honour of the newborn King. This rhythmically buoyant a cappella arrangement for male choir captures the exuberance of the Christmas spirit, proclaiming the good news of the birth of the newborn King. An introductory Noel section is skilfully used as interlude and modulatory material, with the contrasting textures and harmonic colours bringing a new flavour to this traditional 15th century seasonal favourite. It may be sung in either the original French or English. .
$2.20
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
Be Near Me (TTBB)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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Be Near Me
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Burke & Bagley
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.787386 Composed by Greg Bartholomew. Concert,Contemporary. Octavo. 12 pages. Burke & Bagley #6334145. Published ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.787386 Composed by Greg Bartholomew. Concert,Contemporary. Octavo. 12 pages. Burke & Bagley #6334145. Published by Burke & Bagley (A0.787386). Be Near Me is a setting of Canto 50 from the poem In Memoriam A.H.H. by Alfred Tennyson for unaccompanied mixed choir (SATB). Duration ca. 5'15. This is an adaptation for men’s chorus of a work originally composed for mixed choir (SATB). The piano reduction (for rehearsal purposes only) keeps the original women’s voices in the right hand, to help with clarity of line during rehearsal. It may also be helpful to separate the first tenors and baritones on one side and the second tenors and basses on the other, but that is entirely optional.
$2.25
The One I Love
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Chorale TTBB
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FACILE
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R
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M
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The One I Love
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Vocal Works
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.742114 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Berry. Arranged by M. Ryan Taylor. A C...
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Choral Choir (TTBB) - Level 2 - SKU: A0.742114 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Berry. Arranged by M. Ryan Taylor. A Cappella,Pop,Rock. Octavo. 8 pages. Vocal Works #6325261. Published by Vocal Works (A0.742114). May be sung acapella, with strummed chordal accompaniment (lute, gittern, renaissance guitar, etc.), or with a consort of renaissance or medieval instruments doubling the vocals (recorders, viols, cornetts, sackbuts, etc.) on the SATB version (available separately) or 8va top 3 staves, and optional percussion (see below). When performing with singers and a consort, the intro and first section before the repeat should be played instrumentally with a bass vocal soloist (tutti men of a soloist is not available).
$3.49
A Bridge Between an Ocean
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Quinn McMath
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A Bridge Between an Ocean
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Quinn McMath
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.888994 Composed by Quinn McMath. 20th Century,Contemporary. Octavo. 16 pages. Quinn McMath #6130747. Published b...
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Choral Choir (TTBB) - Level 4 - SKU: A0.888994 Composed by Quinn McMath. 20th Century,Contemporary. Octavo. 16 pages. Quinn McMath #6130747. Published by Quinn McMath (A0.888994). 6.75 x 10.5 inchesA Bridge Between an Ocean is an experimental contemporary piece that deals with the elusive and sometimes damaging transition away from childhood. The premise behind the piece is that the first tenor represents a boy realizing that his childhood is fleeting away. The other sections represent his collective internal self in the form of past, present, and future, offering consoling words towards the boy. This piece is to be driven with passion and emotion, as the premise is something most listeners will find connections to in their own lives. A Bridge Between an Ocean is a great piece for an advanced men's group and would work well in any classical contemporary performance setting. This piece may also be appropriate for advanced high school and collegiate level groups. It is suggested that a pianist sit in rehearsals (not for performance) to help the members of the choir learn their parts.
$3.50
Filthy/gorgeous
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Chorale TTBB
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INTERMÉDIAIRE
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Jason Sellards and Scott Hoffm
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Timorell
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Filthy/gorgeous
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Timorell
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1429064 Composed by Jason Sellards and Scott Hoffman. Arranged by Timorell. A Cappella,Contemporary,...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1429064 Composed by Jason Sellards and Scott Hoffman. Arranged by Timorell. A Cappella,Contemporary,Pop,Rock. 6 pages. Timorell #1009824. Published by Timorell (A0.1429064). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc https://linktr.ee/tonewallnyc #queeracappella . Questions for the arranger? Want the expanded version? Contact Timorell at tonewallnyc@gmail.com.- Intermediate a cappella cover. - TTBB, no soloists - First verse and chorus only, may be repeated at measure 4 using other verses.- Great choreography spotlight or high energy transition song in a program. - Vocal Percussion is notated and strongly encouraged.
$1.99
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