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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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FANFARE - BAND…
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FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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LUTH
MANDOLINE
MARIMBA
OCARINA
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SAXOPHONE
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AMERICANA
ASIE
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Non classifié
362
PIANO & CLAVIERS
Piano seul
192
Piano, Voix
48
Piano Trio: piano, violon, violoncelle
38
Piano, Voix et Guitare
26
Piano Facile
21
Instruments en Do
20
Accompagnement Piano
18
Orgue
16
2 Pianos, 4 mains
10
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
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GUITARES
Guitare
29
Guitare notes et tablatures
13
2 Guitares (duo)
10
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6
4 Guitares (Quatuor)
5
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4
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2
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1
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1
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1
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1
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1
Mandoline
1
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VOIX
Chorale SATB
104
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12
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11
Chorale TTBB
10
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9
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7
Voix Soprano, Piano
6
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5
Voix duo
3
Voix duo, Piano
3
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Voix Soprano, Orchestre
1
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VENTS
2 Saxophones (duo)
34
Flûte traversière et Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Clarinette et Piano
23
Hautbois, Piano (duo)
21
Saxophone, Clarinette (duo)
19
Saxophone Alto et Piano
17
Quintette de Saxophone: 5 saxophones
16
2 Clarinettes (duo)
16
2 Flûtes traversières (duo)
14
Clarinette, Trompette (duo)
14
Quatuor de Saxophones: 4 saxophones
13
Clarinette, Violon (duo)
13
Saxophone Tenor et Piano
12
Ensemble de saxophones
12
Clarinette
11
Ensemble de Clarinettes
10
Saxophone Soprano et Piano
10
Flûte, Clarinette (duo)
9
Saxophone Baryton, Piano
9
Flûte traversière
8
Saxophone (partie séparée)
8
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7
Saxophone Alto
7
Flûte, Violon, Piano
7
Cor anglais, Piano
7
Clarinette et Alto
7
Quatuor de Clarinettes: 4 clarinettes
7
3 Saxophones (trio)
7
Flûte, Alto (duo)
6
Flûte, Saxophone (duo)
6
Flûte, Violon
6
Clarinette Basse, Piano
6
Flûte et Guitare
6
Hautbois, Basson (duo)
6
2 Hautbois (duo)
6
Hautbois (partie séparée)
5
Flûte à bec Soprano
5
Quintette de Flûte : 5 flûtes
5
Flûte, Trompette (duo)
5
Hautbois, Flûte
5
Flûte, Hautbois, Clarinette, Basson
4
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
4
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Clarinette (duo)
4
Clarinette (partie séparée)
2
Clarinette, Guitare (duo)
2
Saxophone et Orgue
1
2 Flûte à bec (duo)
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois (duo)
1
Ensemble de Hautbois
1
Piccolo, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Guitare (duo)
1
Saxophone Tenor
1
Flûte à bec Alto, Basse continue
1
Clarinette, Harpe (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette, Saxophone (duo)
14
Trompette
14
Trombone et Piano
13
Cor et Piano
12
Trompette, Piano
10
Euphonium, Piano (duo)
10
2 Trombones (duo)
10
2 Trompettes (duo)
9
Trombone
9
Trompette, Trombone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor anglais, Piano
7
Ensemble de Trombones
5
Quatuor de cuivres: 4 cors
4
Cor
4
Tuba et Piano
4
Quatuor de Cuivres
3
Ensemble de Trompettes
3
Trombone (partie séparée)
2
Cor (partie séparée)
1
2 Tubas (duo)
1
Tuba
1
Trompette (partie séparée)
1
Ensemble de Tubas
1
Trompette, Cor (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Tuba et Orgue
1
Trombone basse et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon et Piano
43
Alto, Piano
22
Trio à Cordes: violon, alto, violoncelle
20
Violoncelle, Piano
17
Trio à Cordes: 2 violons, violoncelle
15
2 Violons (duo)
14
Violon, Violoncelle (duo)
13
Violon
12
Violon, Alto (duo)
10
2 Violoncelles (duo)
8
Harpe
7
2 Altos (duo)
6
2 Harpes (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle
4
Alto seul
3
Violon (partie séparée)
2
Alto, Guitare (duo)
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Ensemble d'Altos
1
Harpe, Trombone (duo)
1
Contrebasse, Piano (duo)
1
2 Violons, Piano
1
Violon, Violoncelle, Clarinette
1
Alto, Violoncelle (duo)
1
Ensemble de Violons
1
Autoharp
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
Trio à cordes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
86
Orchestre
33
Orchestre à Cordes
26
Ensemble de cuivres
19
Orchestre de chambre
8
Ensemble Jazz
8
Jazz combo
7
Cloches
6
Percussion (partie séparée)
1
2 Marimbas
1
Percussion
1
Piano et Orchestre
1
Xylophone
1
Ensemble de Percussions
1
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AUTRES
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First Times
Chorale TTBB
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Sometimes
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1184413 By The Carpenters.…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1184413 By The Carpenters. By Felice Mancini and Henry Mancini. Arranged by Douglas E Smith. A Cappella,Barbershop,Blues,Pop,Standards. Octavo. 2 pages. DouglasESmithPublishers #784139. Published by DouglasESmithPublishers (A0.1184413). The melody passes to a new voice part between each phrase allowing each singer to directly express the feelings of the song. This arrangement first sung by Friends quartet, 3-time international semi-finalists. The major 7th ending stretches the definition of barbershop harmony..
$1.99
1.84 €
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Chorale TTBB
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The Carpenters
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Douglas E Smith
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Sometimes
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DouglasESmithPublishers
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Kyrie: from Mass of a Troubled Time
Chorale TTBB
TTBB choir, a cappella - Digital Download SKU: MQ.41-96605-E Composed by Brian A. S…
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TTBB choir, a cappella - Digital Download SKU: MQ.41-96605-E Composed by Brian A. Schmidt and Gary R. Schwartzhoff. Octavo. 3 pages. Colla Voce Music - Digital #41-96605-E. Published by Colla Voce Music - Digital (MQ.41-96605-E). This Mass setting was composed as a musical reflection on our human struggles in the world today. The emotional and creative impulse came in the weeks following the death of my grandmother, Margaret C. Urbach. I owe much to her for her faith, positive outlook on life, and encouragement of my musical growth. I composed Psalm 23 first and the rest of the Mass was built around this. With Psalm 23 as a centerpiece, the entire piece is intended to convey a message of hope and peace even amidst our most troubling times.
$1.95
1.8 €
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Chorale TTBB
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Brian A
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Kyrie: from Mass of a Troubled Time
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Colla Voce Music - Digital
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SheetMusicPlus
Joy to the World TTBB
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.784287 Composed by George …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.784287 Composed by George Frideric Handel. Arranged by Carrie Wickens. Christian,Christmas,Gospel,Sacred. Octavo. 6 pages. Carrie Wickens #3859849. Published by Carrie Wickens (A0.784287). Add Joy to the World to your Christmas program this holiday season. This arrangement is written for men's ensemble or men's quartet with a TTBB voicing. Verses 1 and 2 are traditional 4 part quartet style, and verse 3 is slow and in a minor key. The piece finishes up back in the style of the first two verses. The piano accompaniment is intermediate. This piece is perfect to pick up and practice a few times and go! Order your copies today! This could also be sung as a solo or with unison childrens choir. .
$1.99
1.84 €
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Chorale TTBB
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George Frideric Handel
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Carrie Wickens
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Joy to the World TTBB
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Carrie Wickens
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SheetMusicPlus
Silver Bells
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1302579 By John Den…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1302579 By John Denver. By Jay Livingston and Ray Evans. Arranged by Charles Beale. Folk,Holiday. 13 pages. Charliebmusic #892200. Published by charliebmusic (A0.1302579). This warm and classic North American holiday song was first recorded by Bing Crosby and Carol RIchards in 1950 for the movie 'The Lemon Drop Kid', and has since been covered countless times, by singers including Judy Collins, Bob Hope, the UK's Aled Jones and even Terry Wogan.This TTBB arrangement features an initial solo and two sections of singalong, to engage an audience.
$1.99
1.84 €
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Chorale TTBB
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John Denver
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Charles Beale
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Silver Bells
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charliebmusic
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SheetMusicPlus
Horizon
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1200843 By Shelton Ridge L…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1200843 By Shelton Ridge Love. By Shelton Ridge Love. Contemporary,Sacred,Spiritual. Octavo. 19 pages. Shelton Ridge Love #799497. Published by Shelton Ridge Love (A0.1200843). For TTBB Chorus, Piano and optional Violin (Violin part included with the score)2022 holds a significant milestone for my family. This year, my grandmother, Bobbie Kay Turner, celebrates her ninetieth birthday. In planning for the celebration, I was stumped about what to give her. I wanted it to be unique, something no one else would think of. Finally, I had the idea to compose a new song. I contacted my friend, James, and he was immediately on board. In fact, he had the first draft of a new poem back to me within the day!  When my grandmother (“Mimi†to her grandkids) was 36 years old, she and my grandfather moved to Cayman Brac, Cayman Islands with their six children to serve as missionaries; and she has been there since. So, when I think of Mimi, I can’t help but think of the many times I’ve sat and watched the ocean with her. Knowing this, James created a text that depicts life as a ship’s journey across the sea. Throughout the song, you will catch snippets of my grandmother’s favorite hymn Amazing Grace which, like Horizon, is a song about a journey. My grandmother has lived a full, long life and continues to joyfully live each day. James’s beautiful lyrics perfectly capture her journey, particularly the final stanza. Mimi is known for being full of energy and abounding in love for those around her, and she never stops telling anyone who will listen about the divine light of an eternal home. –    Shelton, October 18, 2022.
$2.25
2.08 €
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Chorale TTBB
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Shelton Ridge Love
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and she has been there since
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Horizon
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Shelton Ridge Love
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SheetMusicPlus
In My Room
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
1.84 €
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Chorale TTBB
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Star in the East - TTBB Ensemble
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1045085 Composed by Americ…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1045085 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Octavo. 41 pages. Mark R Lewis #649649. Published by Mark R Lewis (A0.1045085). The tune for Star in the East first appears in print in The Southern Harmony collection, but is well attested as an American Folk Hymn. The lyrics are partially anonymous but most published versions include verses that seem to have been added by the arranger of that version. This Epiphany song has similar themes to We Three Kings but is definitely a refreshing change from that well known tune. This fun arrangement by Mark R Lewis is for Baritone soloist, TTB choir, a woodwind instrument, and bass instrument. Included is sheet music for C, Bb, and Eb instruments and a bass line which can be played by many different bass instruments depending on what the group has available. The instrumentalists can transpose their parts to different octaves for ease of playing if necessary. The Baritone soloist should be a well experienced intermediate singer and the bass line is very active at times, but the choir and woodwind parts should be performable by most intermediate groups. Also available for Baritone solo w/ SATB ensemble. Vocal Range: f minor Baritone solo - 1 1/2 octaves (Bb2 to F4) Tenor 1 - 1+ octaves (Eb3 to F4) Tenor 2 - 1 octave (C3 to C4) Bass - 1+ octaves (F2 to Gb3) Instrument Range: Clarinet - max 3 1/2 octaves (F3 to A5) can be smaller if octaves are transposed Bass instrument - 1 1/2 octaves (F2 to C4).
$1.99
1.84 €
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Chorale TTBB
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American Folk Hymn
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Mark R Lewis
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Star in the East - TTBB Ensemble
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Mark R Lewis
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SheetMusicPlus
Brisbane Ladies (Augathella Station)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditi…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
2.03 €
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Chorale TTBB
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
A Bridge Between an Ocean
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.888994 Composed by Quinn M…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.888994 Composed by Quinn McMath. 20th Century,Contemporary. Octavo. 16 pages. Quinn McMath #6130747. Published by Quinn McMath (A0.888994). 6.75 x 10.5 inchesA Bridge Between an Ocean is an experimental contemporary piece that deals with the elusive and sometimes damaging transition away from childhood. The premise behind the piece is that the first tenor represents a boy realizing that his childhood is fleeting away. The other sections represent his collective internal self in the form of past, present, and future, offering consoling words towards the boy. This piece is to be driven with passion and emotion, as the premise is something most listeners will find connections to in their own lives. A Bridge Between an Ocean is a great piece for an advanced men's group and would work well in any classical contemporary performance setting. This piece may also be appropriate for advanced high school and collegiate level groups. It is suggested that a pianist sit in rehearsals (not for performance) to help the members of the choir learn their parts.
$3.50
3.23 €
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Chorale TTBB
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Quinn McMath
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A Bridge Between an Ocean
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Quinn McMath
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SheetMusicPlus
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