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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fly Now
Sheetmusicplus
Non classifié
123
Piano & claviers
Piano seul
97
Piano, Voix et Guitare
42
Piano Facile
40
Piano, Voix
25
Orgue
20
Piano grosses notes
14
Instruments en Do
13
Accompagnement Piano
2
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavier
1
2 Pianos, 4 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10
Ligne De Mélodie, (Paroles) et Accords
6
Guitare
5
Guitare (partie séparée)
2
Mandoline
1
Voix
Chorale SATB
33
Chorale 3 parties
21
Chorale TTBB
10
Chorale 2 parties
10
Voix Alto, Piano
2
Voix Tenor
1
Voix Tenor, Piano
1
Chorale Unison
1
Voix basse
1
Voix haute
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
23
Clarinette et Piano
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Saxophone Alto et Piano
14
Saxophone Soprano et Piano
13
Hautbois, Piano (duo)
13
Saxophone (partie séparée)
11
Flûte, Hautbois, Clarinette, Basson
10
Quatuor de Clarinettes: 4 clarinettes
10
Quatuor de Flûtes : 4 flûtes
9
Hautbois (partie séparée)
9
2 Saxophones (duo)
8
Flute (partie séparée)
7
Quatuor de Saxophones: 4 saxophones
7
Clarinette (partie séparée)
6
Saxophone Alto
6
Clarinette
5
Flûte traversière
4
Cor anglais, Piano
4
Ocarina
4
2 Flûtes traversières (duo)
3
Saxophone, Clarinette (duo)
3
Ensemble de Clarinettes
3
Ensemble de Flûtes
2
Flûte à Bec
2
Flûte à bec Soprano
2
Clarinette, Violon (duo)
2
Harmonica
2
Cor Anglais
2
3 Clarinettes (trio)
2
2 Clarinettes (duo)
2
Trio de Flûtes: 3 flûtes
2
Saxophone Tenor et Piano
2
2 Hautbois (duo)
1
Clarinette, Trompette (duo)
1
Saxophone et Guitare
1
Hautbois, Flûte
1
Clarinette Basse, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon
1
Clarinette et Alto
1
2 Flûte à bec (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Piccolo
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes à bec
1
Saxophone Tenor
1
Saxophone Baryton, Piano
1
Flûte à bec Alto
1
3 Saxophones (trio)
1
Flûte irlandaise
1
Flûte, Alto (duo)
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trombone (partie séparée)
13
Trompette, Piano
12
Trompette (partie séparée)
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Cor
9
Trompette
8
Quatuor de cuivres: 4 trombones
7
Cor (partie séparée)
7
Trombone et Piano
6
Cor et Piano
6
Quatuor de cuivres: 4 trompettes
5
Quatuor de cuivres: 4 cors
4
Cor anglais, Piano
4
Trombone
4
Tuba
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba et Piano
3
Euphonium, Piano (duo)
3
2 Trompettes (duo)
3
Trompette, Trombone (duo)
3
Trompette, Saxophone (duo)
3
Cor Anglais
2
Tuba (partie séparée)
2
Quatuor de Cuivres
2
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Alto, Piano
20
Violoncelle, Piano
20
Violon et Piano
19
Violon
9
Violoncelle
7
Alto seul
5
Quatuor à cordes : 4 altos
5
Contre Basse
4
Trio à Cordes: violon, alto, violoncelle
4
Violon, Violoncelle (duo)
4
Harpe
4
Alto (partie séparée)
3
2 Altos (duo)
3
2 Violoncelles (duo)
2
Violon, Alto (duo)
2
Contrebasse, Piano (duo)
2
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
Contrebasse (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violons (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Voix
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
114
Fanfare
51
Orchestre
25
Orchestre à Cordes
11
Ensemble de cuivres
8
Orchestre de chambre
6
Ensemble Jazz
6
Percussion (partie séparée)
6
Jazz combo
1
Batterie (partie séparée)
1
Cloches
1
Piano et Orchestre
1
+ 7 instrumentations
Retracter
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DULCIMER
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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VIOLON
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Fly Now
SheetMusicPlus
Partitions à imprimer
10 partitions trouvées
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1
Waltz of the Roses (Think of My Love As A Rose), for TB Chorus Piano, Theme from The Snow Queen, A B
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Chorale TTBB
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FACILE
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. P...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. Published by James Nathaniel Holland (A0.730416). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged here for TB Male Chorus or Individual Tenor or Bass Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.25
Those Magnificent Men In Their Flying Machines
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Ron Goodwin
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Donald Updegrove
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Those Magnificent Men In Their
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donald updegrove
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1014591 Composed by Ron Goodwin. Arranged by Donald Updegrove. A Cappella. Octavo. 8 pages. Donald updegrove #63...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1014591 Composed by Ron Goodwin. Arranged by Donald Updegrove. A Cappella. Octavo. 8 pages. Donald updegrove #6364687. Published by donald updegrove (A0.1014591). From the movie of the same title, chart was written for Male A Cappella quartet, better know as Barbershop Format..
$4.75
COME, JOSEPHINE, IN MY FLYING MACHINE
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Chorale TTBB
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Fred Fisher Alfred Bryan
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Walter Latzko
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COME, JOSEPHINE, IN MY FLYING
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.871651 Composed by Fred Fisher Alfred Bryan. Arranged by Walter Latzko. Traditional. Octavo. 4 pages. Latzko Muz...
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Choral Choir (TTBB) - Level 3 - SKU: A0.871651 Composed by Fred Fisher Alfred Bryan. Arranged by Walter Latzko. Traditional. Octavo. 4 pages. Latzko Muzic #5311123. Published by Latzko Muzic (A0.871651). THIS IS AN ARRANGEMENT OF A WELL-KNOWN 1922 TIN PAN ALLEY SONG
$6.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Ma Belle Evangeline
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Chorale TTBB
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FACILE
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Randy Newman
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Matt Astle
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Ma Belle Evangeline
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Matt Astle Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1240058 Composed by Randy Newman. Arranged by Matt Astle. A Cappella,Barbershop,Broadway,Film/TV,Musical/Show. O...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1240058 Composed by Randy Newman. Arranged by Matt Astle. A Cappella,Barbershop,Broadway,Film/TV,Musical/Show. Octavo. 5 pages. Matt Astle Music #835424. Published by Matt Astle Music (A0.1240058). A lesser-known Disney gem, this sweet ballad is sung by a lovesick Cajun firefly to a star. But your audience doesn't need to know that. Accessible for most barbershop quartets.  In this chorus version, each part is sold separately, minimum 10.Learning tracks available from Matt Astle at facebook.com/mattastlemusicMore information and custom arrangements available at facebook.com/mattastlemusic.
$1.99
Ma Belle Evangeline
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Chorale TTBB
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FACILE
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Randy Newman
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Matt Astle
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Ma Belle Evangeline
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Matt Astle Music
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SheetMusicPlus
Voice (TTBB) - Level 2 - SKU: A0.1240065 Composed by Randy Newman. Arranged by Matt Astle. A Cappella,Barbershop,Broadway,Film/TV,Musical/Show. Barbersh...
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Voice (TTBB) - Level 2 - SKU: A0.1240065 Composed by Randy Newman. Arranged by Matt Astle. A Cappella,Barbershop,Broadway,Film/TV,Musical/Show. Barbershop Quartet. 5 pages. Matt Astle Music #835433. Published by Matt Astle Music (A0.1240065). A lesser-known Disney gem, this sweet ballad is sung by a lovesick Cajun firefly to a star. Â But your audience doesn't need to know that. Â Accessible for most barbershop quartets. Â This quartet version entitles you to make four copies.Learning tracks available from Matt Astle at facebook.com/mattastlemusicMore information and custom arrangements available at facebook.com/mattastlemusic.
$12.99
Walking In The Air
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Chorale TTBB
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INTERMÉDIAIRE
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Noël
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Howard Blake
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Charles Beale
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Walking In The Air
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1277640 Composed by Howard Blake. Arranged by Charles Beale. Christmas,Holiday. Octavo. 15 pages. Charliebmusic ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1277640 Composed by Howard Blake. Arranged by Charles Beale. Christmas,Holiday. Octavo. 15 pages. Charliebmusic #869319. Published by charliebmusic (A0.1277640). This classic Christmas/Holiday song from Howard Blake's 'The Snowman' was a massive hit in the UK in the early 1980s, influencing a generation of children on a par with the Charie Brown franichise or the Grinch in the US. Often associated with then boy soprano Aled Jones, it tells a story about flying in the sky with friendly gentle snowman, that gives many audiences the Holiday feels.This TTBB arrangement was orignally devised for the London Gay Men's Chorus in 2004, and was revived for the San Diego Gay Men's Chorus in 2023 by the arranger, Charles Beale. There is a short Baritone solo at the start.
$1.99
Africa
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
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Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
We Could Be Falling In Love
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Stuart Aaron Hart and Thomas H
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Dom Finetti
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We Could Be Falling In Love
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Dom Finetti
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SheetMusicPlus
Voice (TTBB) - Level 4 - SKU: A0.1265228 Composed by Stuart Aaron Hart and Thomas Hirschmann. Arranged by Dom Finetti. A Cappella,Barbershop,Contest,Fes...
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Voice (TTBB) - Level 4 - SKU: A0.1265228 Composed by Stuart Aaron Hart and Thomas Hirschmann. Arranged by Dom Finetti. A Cappella,Barbershop,Contest,Festival,Film/TV,Jazz. Barbershop Quartet. 10 pages. Dom Finetti #858073. Published by Dom Finetti (A0.1265228). This fun, driving swing uptune will be sure to cause many feet to tap in the audience! While not a well-known song by the masses, you may recognize it from being briefly featured in the hit Netflix series, THE UMBRELLA ACADEMY. Keep in mind that this chart is ideal for experienced, high-level ensembles!
$12.99
We Could Be Falling In Love
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Chorale TTBB
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AVANCÉ
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Stuart Aaron Hart and Thomas H
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Dom Finetti
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We Could Be Falling In Love
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Dom Finetti
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1315713 Composed by Stuart Aaron Hart and Thomas Hirschmann. Arranged by Dom Finetti. A Cappella,Barbersh...
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Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1315713 Composed by Stuart Aaron Hart and Thomas Hirschmann. Arranged by Dom Finetti. A Cappella,Barbershop,Film/TV,Jazz. 10 pages. Dom Finetti #904461. Published by Dom Finetti (A0.1315713). This fun, driving swing uptune will be sure to cause many feet to tap in the audience! While not a well-known song by the masses, you may recognize it from being briefly featured in the hit Netflix series, THE UMBRELLA ACADEMY. Keep in mind that this chart is ideal for experienced, high-level ensembles!
$2.99
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