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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For A Better Day
Non classifié
139
Piano & claviers
Piano seul
274
Piano Facile
146
Piano, Voix et Guitare
36
Piano, Voix
26
Orgue
9
Instruments en Do
6
Piano grosses notes
5
2 Pianos, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 4 mains
1
Clavier
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7
Ukulele
3
Mandoline
2
Basse electrique
1
Ligne De Mélodie, (Paroles) et Accords
1
Guitare
1
Piano, Guitare (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
31
Chorale 3 parties
17
Chorale TTBB
11
Chorale SSAA
6
Chorale 2 parties
5
Voix Soprano, Piano
4
Chorale Unison
4
Voix seule
1
Voix Alto, Piano
1
Voix duo, Piano
1
+ 5 instrumentations
Retracter
Vents
Saxophone (partie séparée)
20
Flûte traversière
16
Hautbois, Piano (duo)
16
Clarinette et Piano
15
Saxophone Tenor et Piano
14
Saxophone Alto et Piano
13
Flûte traversière et Piano
13
Clarinette
12
Hautbois (partie séparée)
12
Saxophone Soprano et Piano
12
Saxophone Baryton, Piano
11
Saxophone Tenor
10
2 Saxophones (duo)
10
Saxophone Alto
10
Flûte, Hautbois, Clarinette, Basson
9
Cor Anglais
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Quatuor de Saxophones: 4 saxophones
6
Quintette de Saxophone: 5 saxophones
4
2 Flûtes traversières (duo)
4
Cor anglais, Piano
4
2 Flûte à bec (duo)
3
Clarinette, Trompette (duo)
3
3 Saxophones (trio)
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone, Clarinette (duo)
3
Ensemble de Flûtes
3
2 Clarinettes (duo)
3
Hautbois
2
Clarinette, Violon (duo)
2
Clarinette, Guitare (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette (duo)
2
Flûte, Violoncelle
2
Ensemble de Clarinettes
2
3 Clarinettes (trio)
2
Flûte à bec Soprano
2
Flûte, Violon
2
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois (duo)
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Flûte irlandaise
1
Flûte à Bec
1
Flûte, Alto (duo)
1
Hautbois, Basson (duo)
1
5 Flûtes à bec
1
Quatuor de Flûtes : 4 flûtes
1
2 Hautbois (duo)
1
Flûte, Saxophone (duo)
1
3 Flûtes à bec (trio)
1
Clarinette, Basson (duo)
1
Clarinette et Alto
1
Hautbois, Flûte
1
Ensemble de saxophones
1
Flûte, Trompette (duo)
1
+ 53 instrumentations
Retracter
Cuivres
Cor et Piano
14
Trombone et Piano
14
Trompette, Piano
13
Cor
12
Trompette
12
Trombone
11
Tuba
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Tuba et Piano
8
Cor Anglais
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor anglais, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Saxophone (duo)
3
Ensemble de Trompettes
2
4 Tubas
2
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Trombone (duo)
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon et Piano
21
Violoncelle, Piano
17
Alto, Piano
17
Violon
16
Violoncelle
15
Contre Basse
12
Contrebasse, Piano (duo)
11
Violon, Violoncelle (duo)
7
2 Violoncelles (duo)
7
Alto seul
6
Alto (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
3
Violon, Alto (duo)
2
2 Violons (duo)
2
Trio à Cordes: 3 violoncelles
2
Harpe
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
2 Altos (duo)
1
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
101
Orchestre
15
Jazz combo
7
Orchestre de chambre
6
Orchestre à Cordes
4
Batterie
3
Quintette de Cuivres: autres combinaisons
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Ensemble Jazz
1
+ 4 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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TROMPETTE
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Vous avez sélectionné:
For A Better Day
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
A Hand For Mrs. Claus
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Chorale TTBB
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INTERMÉDIAIRE
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Idina Menzel Feat
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Erica Kelch-Slesnick
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A Hand For Mrs. Claus
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Erica Kelch-Slesnick
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1498997 By Idina Menzel Feat. Ariana Grande. By Kristen Anderson-Lopez and Robert Lopez. Arranged ...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1498997 By Idina Menzel Feat. Ariana Grande. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Erica Kelch-Slesnick. A Cappella,Barbershop,Christmas,Comedy,Holiday. 11 pages. Erica Kelch-Slesnick #1075043. Published by Erica Kelch-Slesnick (A0.1498997). This upbeat homage to Santa's better half will be sure to be a hit at your next holiday show with it's clever lyrics and fun swing melody. It's a four-part a cappella arrangement for men's/TTBB/treble voices (An SSAA version is also available) written in the barbershop format. Please note that the treble clef is sung an octave lower than written. Learning tracks are also available from the arranger by emailing EKSarrangements@gmail.com.
$2.99
The Dream of Now
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Chorale TTBB
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INTERMÉDIAIRE
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Britt Andrew Burns
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The Dream of Now
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Imagine Music - Digital
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SheetMusicPlus
SATB chorus & piano - Grade 3 - SKU: IZ.VMW188 Composed by Britt Andrew Burns. Score. 9 pages. Imagine Music - Digital #VMW188. Published by Imagine Mus...
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SATB chorus & piano - Grade 3 - SKU: IZ.VMW188 Composed by Britt Andrew Burns. Score. 9 pages. Imagine Music - Digital #VMW188. Published by Imagine Music - Digital (IZ.VMW188). 6.75 x 10.5 in inches.THE DREAM OF NOW is the title of one of my favorite William Stafford poems. Composed in 2013, this was the second time I used one of Stafford's poems to set music to. To me, the text is a huge inspiration and a powerful reminder that no matter what challenges we face in life, we can move forward to see better days if we don't lose our hope and will.
$1.90
Na Na Hey
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Chorale TTBB
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FACILE
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Contemporain
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Dj Chroma
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Bob Eggers
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Na Na Hey
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.940470 By Dj Chroma. By Arthur D. Frashuer, Chris Bangs, Dale Frashuer, Gary Carlo, Kent Brainerd, Paul Leka, an...
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Choral Choir (TTBB) - Level 2 - SKU: A0.940470 By Dj Chroma. By Arthur D. Frashuer, Chris Bangs, Dale Frashuer, Gary Carlo, Kent Brainerd, Paul Leka, and Simon Grant. Arranged by Bob Eggers. Contemporary. Octavo. 3 pages. ROBERT J EGGERS #6666199. Published by ROBERT J EGGERS (A0.940470). Na Na Hey has become an anthem at sports arenas, but the song almost did not see the light of day. The song was originally recorded in 1969 as a B side for the then fictitious group Steam. The group cobbled together some drum tracks from other recordings and improvised the now famous chorus without penning actual lyrics to satisfy the need for a song on the flip side of one for their better songs. The B side went on to become a number one hit on the US Billboard charts.This arrangement captures the sweetness of the verses and then falls into the rollicking chorus, letting the energy build -- a fine opportunity to engage your audience to sing and clap along.Orchestration: Tenor solo + TtTtBBDuration: 1:59Please visit the YouTube link for a full presentation of this arrangement.
$1.99
We Are One (TTBB)
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Chorale TTBB
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INTERMÉDIAIRE
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Christopher Alexander
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We Are One
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1382985 By Christopher Alexander. By Christopher Alexander. A Cappella,Chamber,Contest,Festival. 16 pages...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1382985 By Christopher Alexander. By Christopher Alexander. A Cappella,Chamber,Contest,Festival. 16 pages. Christopher Alexander #967412. Published by Christopher Alexander (A0.1382985). We Are One is a new choral work for a cappella voices. Starting with a soloist, the piece grows into a small ensemble and then finally the reonant entrance of the entire choir. Harmonic and homophonic voice leading gives strength to the text, creating a hymn-like quality. Divisi does occur at times within specific voice sections, all the while articulating and expanding the universality and connection to the seemingly simple text. Your singers will fall in love with this choral piece and, hopefully, be inspired to create a better humanity for today’s world.Also available in SATB and SSAA.SSAA Audio recording by:Rocky Mountain Chamber Choir - Virtual SingersFacebook: @Rocky Mountain Chamber Choir - Virtual SingersInstagram: @RMCCVCYouTube: @rockymountainchamberchoir3528#RMCC, #RMCCVC.
$2.50
Every Second
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Mina Okabe
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Gabriel Lawson
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Every Second
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Gabriel Lawson
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1314458 By Mina Okabe. By Mads Koch, Mina Okabe Jensen, and Nick Madsen. Arranged by Gabriel Lawson. 21st...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1314458 By Mina Okabe. By Mads Koch, Mina Okabe Jensen, and Nick Madsen. Arranged by Gabriel Lawson. 21st Century,A Cappella,Folk,Pop. 9 pages. Gabriel Lawson #903211. Published by Gabriel Lawson (A0.1314458). “Every Second†is the seventh track from the album, Better Days, by Mina Okabe. Happy, relaxing, dreamy. Arranged for four-part a cappella Men's Chorus (TTBB) with the melody in the Tenor 2 Part.Original key.Difficulty 7/10.Tenor 1 Bb3-Bb4.Tenor 2 F3-Bb4.Baritone F3-F4.Bass Eb2-C4.
$1.99
I'll Be Here Tomorrow
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Chorale TTBB
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FACILE
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Comédie Musicale
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Jerry Herman
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Michael Betteridge
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I'll Be Here Tomorrow
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The Sunday Boys
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1194588 Composed by Jerry Herman. Arranged by Michael Betteridge. Broadway,Musical/Show. Octavo. 8 pages. The Su...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1194588 Composed by Jerry Herman. Arranged by Michael Betteridge. Broadway,Musical/Show. Octavo. 8 pages. The Sunday Boys #792291. Published by The Sunday Boys (A0.1194588). “I'll be here tomorrow, alive and well and thriving.†Jerry Herman's heart-warming lyrics ring true today with a message of hope and opportunity, especially in these uncertain times. Arranged for lower voices with piano accompaniment for The Sunday Boys as part of their 2023 season Supported by Arts Council England.
$1.99
In the Bleak Midwinter
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Chorale TTBB
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FACILE
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Noël
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Gustav Holst
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Michael Betteridge
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In the Bleak Midwinter
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Michael Betteridge
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1213282 Composed by Gustav Holst. Arranged by Michael Betteridge. 19th Century,Christmas,Classical,Holiday,Sacre...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1213282 Composed by Gustav Holst. Arranged by Michael Betteridge. 19th Century,Christmas,Classical,Holiday,Sacred. Octavo. 11 pages. Michael Betteridge #810455. Published by Michael Betteridge (A0.1213282). This reworking of Holst's much loved setting is a haunting, yet delicate, take on the original. After the traditional vocal solo the piano part emulates falling snow - through a lydian mode accompaniment - before descending into a rich and dense harmonic bed supporting the voices.
$2.75
This Hell
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Chorale TTBB
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INTERMÉDIAIRE
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Rina Sawayama
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Michael Betteridge
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This Hell
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The Sunday Boys
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1281504 By Rina Sawayama. By Lauren Amber Aquilina, Paul Epworth, Rina Sawayama, and Vic Jamieson. Arranged by M...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1281504 By Rina Sawayama. By Lauren Amber Aquilina, Paul Epworth, Rina Sawayama, and Vic Jamieson. Arranged by Michael Betteridge. 21st Century,Pop. Octavo. 18 pages. The Sunday Boys #859795. Published by The Sunday Boys (A0.1281504). A four part lower voice and piano arrangement of this glammy and country pop inspired song, celebrating community and love in a sometimes hellish world. Arranged by Michael Betteridge for The Sunday Boys.
$1.99
Believe
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Chorale TTBB
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INTERMÉDIAIRE
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Josh Groban
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Charles Beale
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Believe
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865846 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Charles Beale. Contemporary,Pop. Octavo. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865846 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Charles Beale. Contemporary,Pop. Octavo. 13 pages. Charliebmusic #4785529. Published by charliebmusic (A0.865846). From the movie 'Polar Express' (2004), 'Believe' is a heart-warming and hopeful pop ballad for the Holidays. The lyric tells how we all become slightly better people at Christmas, as we rediscover our inner child, find ourselves and 'believe'. Popular with kids and adults and originally featuring Josh Groban, this anthemic song stands up 15 years after the movie's release, and Charlie is frequently asked for this arrangement by different choirs.Set in four parts for TTBB with moments of doubling and simple divisi.
$1.99
Believe
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Chorale TTBB
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INTERMÉDIAIRE
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Josh Groban
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Karl Logue
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Believe
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LogueRhythm Productions
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.788720 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Karl Logue. Contemporary,Pop. Octavo. 55 ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.788720 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Karl Logue. Contemporary,Pop. Octavo. 55 pages. LogueRhythm Productions #2937551. Published by LogueRhythm Productions (A0.788720). For Men's Chorus (TTBB), String Quintet, Piano, Harp and Harpsichord. Duration 4:14. Appropriate for High School or College Men's chorus, particularly in schools with good string programs. Harpsichord part can be omitted--but it sounds way better if you have one! Also great for TTBB GALA Choruses Holiday programs. Mr. Logue is a member of ASCAP. He can be reached at d.karl.logue@gmail.com.For TTBB parts, purchase the TTBB Piano version on SheetMusicPlus.
$50.00
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