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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For All That Is
Non classifié
8 523
Piano & claviers
Piano seul
3 307
Piano, Voix
1 239
Piano Facile
878
Piano, Voix et Guitare
746
Instruments en Do
704
Accompagnement Piano
308
Orgue
279
1 Piano, 4 mains
101
Piano Trio: piano, violon, violoncelle
82
Piano grosses notes
62
2 Pianos, 4 mains
48
Piano (partie séparée)
37
Accordéon
35
Piano Quatuor: piano, violon, alto, violoncelle
29
Piano Quatuor: piano, 2 violons, violoncelle
16
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Trompette (duo)
9
Orgue, Piano (duo)
8
Clavecin
7
2 Pianos, 8 mains
4
Clavier
2
1 Piano, 6 mains
2
+ 17 instrumentations
Retracter
Guitares
Guitare
367
Guitare notes et tablatures
282
Ligne De Mélodie, (Paroles) et Accords
124
Guitare (partie séparée)
76
Basse electrique
58
Ukulele
56
2 Guitares (duo)
49
4 Guitares (Quatuor)
29
Piano, Guitare (duo)
26
Dulcimer
23
Banjo
20
Mandoline
19
3 Guitares (trio)
16
Ensemble de guitares
10
Paroles et Accords
9
Mandoline, Guitare (duo)
6
Guitare, Flûte, Clarinette
2
Ukulele Baryton
1
Guitare, Orchestre
1
Dobro
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de Ukulélés
1
2 Dulcimers (duo)
1
Cithare
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
1 994
Chorale 3 parties
772
Chorale Unison
629
Chorale 2 parties
623
Chorale TTBB
266
Voix duo, Piano
232
Chorale SSAA
194
Voix Alto, Piano
75
Voix duo
71
Voix Soprano, Piano
60
Voix Tenor, Piano
56
Voix Baryton, Piano
34
Voix Tenor
30
Voix Soprano
29
Voix haute
25
Voix seule
12
Voix moyenne, Piano
9
Chorale SSATB
5
Chorale SSAATTBB
5
Voix basse, Piano
3
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
2
Chorale
2
Chorale SSAB a cappella
1
Voix basse
1
Chorale SSAB, Piano
1
Chorale SSATTB
1
+ 22 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
549
2 Saxophones (duo)
543
Quatuor de Saxophones: 4 saxophones
499
Flûte traversière et Piano
488
Clarinette et Piano
411
Hautbois, Piano (duo)
388
Flûte, Hautbois, Clarinette, Basson
340
Quintette de Saxophone: 5 saxophones
338
Saxophone Alto et Piano
319
2 Flûtes traversières (duo)
293
Saxophone (partie séparée)
288
Flûte traversière
273
Saxophone Tenor et Piano
264
2 Clarinettes (duo)
254
Clarinette
248
Saxophone Soprano et Piano
220
Quatuor de Clarinettes: 4 clarinettes
212
Saxophone Alto
188
Ensemble de saxophones
158
Hautbois (partie séparée)
141
Flûte, Clarinette (duo)
138
Clarinette, Violon (duo)
135
Quatuor de Flûtes : 4 flûtes
134
Saxophone, Clarinette (duo)
124
3 Saxophones (trio)
121
Saxophone Tenor
116
Saxophone Baryton, Piano
115
2 Hautbois (duo)
112
Ensemble de Clarinettes
108
Ensemble de Flûtes
90
Hautbois, Basson (duo)
81
2 Flûte à bec (duo)
75
Quintette de Clarinettes: 5 clarinettes
74
Quintette de Flûte : 5 flûtes
73
Clarinette, Trompette (duo)
69
Flûte, Violon
68
Hautbois, Clarinette (duo)
66
Hautbois
65
Clarinette et Alto
62
Cor anglais, Piano
60
3 Clarinettes (trio)
53
Flûte, Saxophone (duo)
51
Clarinette Basse, Piano
49
Flûte, Alto (duo)
49
2 Flûtes traversières, Piano
45
Saxophone Soprano
44
Hautbois, Flûte
44
Trio de Flûtes: 3 flûtes
44
Quatuor de Flûtes à bec
41
Flûte, Trompette (duo)
39
Flute (partie séparée)
37
Flûte et Guitare
35
Flûte, Hautbois, Clarinette (trio)
32
Flûte, Clarinette, Piano (trio)
31
Flûte, Violon et Violoncelle
30
Hautbois, Clarinette, Basson (trio d'anches)
28
Saxophone Baryton
28
Clarinette (partie séparée)
28
Flûte à bec Soprano
27
Clarinette, Basson (duo)
27
Flûte, Hautbois (duo)
24
Flûte, Violoncelle
22
Clarinette, Violoncelle, Piano (trio)
22
Flûte, Clarinette et Basson
22
Flûte, trombone et piano
22
Flûte à Bec
21
Flûte, Violon, Piano
20
5 Flûtes à bec
20
Clarinette, Violoncelle (duo)
19
Flûte, Violoncelle, Piano (trio)
18
Clarinette, Guitare (duo)
17
3 Flûtes à bec (trio)
16
Harmonica
16
Flûte, Basson et Piano
16
Hautbois, violon (duo)
15
Clarinette, Trombone (duo)
15
Flûte, Alto et Piano
15
2 Clarinettes, Piano
14
Flûte, Trombone (duo)
14
Hautbois, Violoncelle
14
Flûte irlandaise
13
Flûte, Hautbois, Piano (trio)
13
Ocarina
12
Flûte, Hautbois, Basson
11
Piccolo, Piano
9
Clarinette, trompette et piano
9
Flûte à bec Alto
8
Hautbois, Guitare (duo)
8
Flûte à bec Alto, Piano
8
Flûte, Violon, Violoncelle et Piano
7
Clarinette Basse
7
Ensemble De Flûte à bec
7
Flute, harpe et violon
5
Saxophone et Orgue
5
Flûte, Violoncelle, Guitare
5
Clarinette, Harpe (duo)
5
Cor Anglais
4
Saxophone
4
Hautbois et alto (duo)
4
Flûte à bec Soprano, Piano
4
Flûte et Trio à cordes
4
4 Hautbois
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Saxophone et Guitare
3
2 Saxophones, Piano
3
Hautbois, Violon, Piano
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Piccolo
3
Ensemble à vent
3
Flûte, Violon, Guitare
2
Flûte à bec Tenor
2
Flûte à Bec, Piano
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte traversière, Orgue (duo)
2
Flûte, Harpe et Violoncelle
2
2 Hautbois, Piano
2
Cor anglais, Guitare (duo)
2
3 Hautbois
2
Flûte, alto et harpe
2
Cor anglais et Harpe (duo)
1
Saxophone et Harpe
1
Flûte, Clarinette, Violon (trio)
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Violon
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Basson et Piano
1
Flute, Cor (duo)
1
Clarinette, Contrebasse (duo)
1
Saxophone, Tuba (duo)
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Harpe
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble de Hautbois
1
Cornemuse
1
Clarinette, Tuba
1
+ 131 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
561
Quatuor de Cuivres : 2 trompettes, trombone, tuba
390
Trombone et Piano
326
Trompette, Piano
316
Trompette
287
Cor et Piano
274
Trombone (partie séparée)
207
Trombone
183
Cor
173
Quatuor de Cuivres: 2 trompettes, Cor, trombone
172
Trompette (partie séparée)
167
2 Trombones (duo)
164
Tuba et Piano
142
Tuba
135
2 Trompettes (duo)
134
Trompette, Trombone (duo)
93
Ensemble de Trombones
91
Trompette, Saxophone (duo)
90
Quatuor de cuivres: 4 trombones
83
Ensemble de Trompettes
83
Quatuor de Cuivres
81
Euphonium, Piano (duo)
72
2 Cors (duo)
66
Cor anglais, Piano
60
Trompette, Cor (duo)
36
Cor (partie séparée)
33
Tuba (partie séparée)
29
2 Tubas (duo)
27
Quatuor de cuivres: 4 cors
24
2 Euphoniums (duo)
24
Quatuor de cuivres: 4 trompettes
21
Ensemble de Cors
21
Trio de Cuivres
19
Quatuor de cuivres: 2 trompettes, 2 trombones
12
3 Trombones (trio)
11
Euphonium
11
Trompette, Violoncelle et Piano
8
4 Tubas
7
2 Euphoniums et 2 Tubas
6
Tuba et Orgue
6
Trombone, Orgue
6
Trombone, Tuba (duo)
5
Trombone basse
5
3 Trompettes (trio)
5
Cor, Violoncelle (duo)
5
Trombone basse et Piano
4
Cor Anglais
4
Euphonium, Tuba (duo)
4
3 Cors (trio)
3
2 Cors, Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
3 Tubas (trio)
2
Trompette, Violoncelle (duo)
2
Trombone, Cor (duo)
2
Cor, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
Trompette, Tuba (duo)
2
Cor anglais, Guitare (duo)
2
Trompette, Trombone, Piano
2
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Cor, Violoncelle et Piano
1
Trombone, Alto (duo)
1
3 Euphoniums
1
Cor et Basson (duo)
1
Cor et Orgue
1
Trompette, Basson (duo)
1
Cornet et orchestre
1
Trompette et Guitare
1
Trompette, violon (duo)
1
Cor et Harpe
1
Ensemble de Tubas
1
Bass Clef Instruments
1
Trompette, Harpe
1
Clarinette, Cor (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
+ 71 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 391
Violon et Piano
558
Violon
544
Violon, Violoncelle (duo)
503
Alto, Piano
409
Trio à Cordes: violon, alto, violoncelle
388
Violoncelle, Piano
375
Violoncelle
327
Harpe
232
Quintette à cordes: 2 violons, alto, violoncelle, basse
226
2 Violons (duo)
213
Alto seul
201
Violon, Alto (duo)
172
2 Violoncelles (duo)
170
2 Altos (duo)
126
Contre Basse
120
Trio à Cordes: 2 violons, violoncelle
119
Contrebasse, Piano (duo)
118
Alto (partie séparée)
71
2 Harpes (duo)
68
Contrebasse (partie séparée)
64
Violon (partie séparée)
58
Alto, Violoncelle (duo)
42
4 Violoncelles
38
Piano Trio: Violon, Alto, Piano
32
Ensemble de Violons
27
Trio à cordes: 3 violins
27
Violoncelle, Contrebasse (duo)
24
Ensemble d'Altos
22
Trio à Cordes: 3 violoncelles
22
Violon, Basson (duo)
21
Quatuor à cordes: 4 violons
19
2 Contrebasses (duo)
16
Quintette à cordes: 2 violons, 2 altos, violoncelle
15
Violoncelle (partie séparée)
15
Harpe, Flûte (duo)
15
Trio à cordes: 3 altos
13
Quatuor à cordes : 4 altos
11
Violon, Clarinette, Piano (trio)
11
Harpe, Voix
9
Violon, Guitare (duo)
9
Violoncelle , Guitare (duo)
7
Alto et Basson
7
Flûte, Contrebasse (duo)
6
Harpe, Violon (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Trio à Cordes: 2 violons, alto
5
Alto, Guitare (duo)
4
4 Contrebasses
4
2 Violons, Piano
3
Harpe, Violon, Violoncelle
3
4 Harpes
3
2 Violoncelles, Piano
2
3 Harpes
2
Violon, Trompette et Piano
2
Harpe et Piano
2
5 Harpes
2
Ensemble de Violoncelles
2
Alto et Harpe
2
Harpe, Trombone (duo)
1
Violoncelle, Orgue
1
Harpe et Orgue
1
Violoncelle, Basse continue
1
Violoncelle, Orchestre
1
Alto et orchestre
1
Violon, Violoncelle, Clarinette
1
Violon, Orgue
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 130
Orchestre à Cordes
714
Orchestre
502
Ensemble Jazz
400
Ensemble de cuivres
266
Cloches
217
Orchestre de chambre
177
Fanfare
104
Ensemble de Percussions
90
Jazz combo
76
Batterie
59
Batterie (partie séparée)
41
Percussion (partie séparée)
24
Marimba
18
Vibraphone
13
Xylophone, Piano
6
2 Xylophones
6
Ensemble d'École
5
Piano et Orchestre
2
Xylophone
2
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba et Orgue
1
Instrumentation Flexible
1
Bongos
1
Vibraphone et Marimba
1
+ 22 instrumentations
Retracter
Autres
Théorie de la musique
3
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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CHARANGO
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CORNET
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FLUTE A DIX…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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Vous avez sélectionné:
For All That Is
Chorale TTBB
Partitions à imprimer
266 partitions trouvées
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51
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251
The Story Of Reuben Clamzo & His Strange Daughter
#
Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
The Leaves of the Fall
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Chorale TTBB
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FACILE
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
Herzliebster Jesu from St. Matthew Passion - for Men's Choir (Am)
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Alex E
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Herzliebster Jesu from St. Mat
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1324266 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred....
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1324266 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred. 3 pages. Müller Publishing company #912464. Published by Müller Publishing company (A0.1324266). Herzliebster Jesu from St. Matthew Passion - for Men's Choir (A minor)Delve into the profound beauty of Herzliebster Jesu from the St. Matthew Passion with this high-resolution digital score. Specially crafted for male choirs in A minor, this musical gem enables your ensemble to explore the emotional depths of this composition with ease.**Why Choose This Digital Score?****Impeccable Quality:** Immerse yourselves in a high-resolution score that accentuates every musical nuance, ensuring a visually engaging experience for all male choir members.**Tailored for Lower Voices (TTBB):** This score is thoughtfully adapted for male choirs with lower voices (Tenor 1, Tenor 2, Baritone, Bass), providing a comfortable vocal range for each member to delve into the harmonies, enhancing accessibility and enjoyment.**Deep Emotional Atmosphere:** Herzliebster Jesu is renowned for its profound emotional resonance. Feel the intensity of passion and savor the beauty of melodies as your male choir breathes life into this masterpiece.**Convenient Digital Format:** Bid farewell to concerns about lost or damaged physical scores. The digital score's versatility facilitates easy sharing among male choir members, promoting efficient and collaborative preparation.**Ideal for Male Choral Performance:** Tuned in A minor, the score creates an optimal sonic environment for male choirs, allowing voices to harmonize powerfully and leaving a lasting impression on the audience.**Deep Musical Exploration:** Enable your male choir to explore the emotional nuances of St. Matthew's work with a score that illuminates harmonic and melodic complexities.**How to Acquire:**Seize the opportunity to enrich your male choral repertoire with the magnificent digital score of Herzliebster Jesu from the St. Matthew Passion. Elevate the expressiveness and musical quality of your male choir. Purchase now and embark on a unique emotional journey through the pages of this classical masterpiece.
$1.99
Det förlorade paradiset
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Chorale TTBB
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Kjell Perder
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Det förlorade paradiset
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus and reciter - SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beet...
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SATB chorus and reciter - SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beethoven. Secular. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1427. Published by Bo Ejeby Forlag - Digital (BJ.1427). 8.27 x 11.7 inches.In the symphony popularly known as the Pastoral, Beethoven delineates his deep love for nature, for the peace of the countryside along with the drama of a thunderstorm. Little could he know how industrialism, urbanisation, exploitation and a general lack of respect would come to be a threat to Mother Earth. When we hear the nightingale, the cuckoo, and the rumbling of thunder in Beethoven's sixth symphony, the aim of the composer is to express his emotions with regard to these sounds of nature rather than imitate them (Mehr Empfindung als Malerei!). Yet the Pastoral Symphony became a model for 19th century programme music composers who wished to renew the symphonic format with storytelling and a freer artistic idiom. The vocal work Det forlorade paradiset (The lost paradise) makes reference to Beethoven's ontologically anchored love for Creation, but also to the fundamental tension between the idyllic and encroaching threats, the very factors that give the Pastoral Symphony its richness and inevitability. The lyrics have nothing to do with John Milton's famous epos Paradise Lost, they foretell an approaching apocalypse created by mankind in this age of pollution and climate change. The choral text consists of fragments of Schiller's Ode an die Freude (used by LvB in his 9th Symphony). A few quotes by Beethoven will be recited as well.The basic principal of this composition is to present soothing parallel - tonally based - streams of nature sounds and idyllic surroundings with the gathering of ominous clouds of approaching disaster: ferocious fires, torrents of rain and stormy winds (where the singers make use of clusters, chanting, growl, stamping their feet, etc). Doch mehr Empfindung als Malerei! (emotion rather than mere imitation). A nod or two to Mr. Beethoven by way of droning and using chromatic runs. The performance can be choreographed for extra impact, but it is equally possible to perform the music as a concert piece. - Kjell Perder.
$6.40
Where Is Hope? - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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Mark R Lewis
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Mark R Lewis
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Where Is Hope? - TTBB Ensemble
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Mark R Lewis
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1516691 By Mark R Lewis. By Mark R Lewis. Arranged by Mark R Lewis. Contemporary,Praise & Worship,...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1516691 By Mark R Lewis. By Mark R Lewis. Arranged by Mark R Lewis. Contemporary,Praise & Worship,Religious,Sacred. 11 pages. Mark R Lewis #1090864. Published by Mark R Lewis (A0.1516691). The text for “Where Is Hope?” is adapted from the Lamentations Chapter 3 and is an expression of hopelessness, almost depression. The text starts out with the singer feeling lost, alone, and in pain. As the song progresses, the singer remembers God’s promises to always help and be with us. By the end of the song, the singer has regained hope and is triumphant and comforted. First and foremost, the music is very much intended to support the lyrical content of this song.Throughout the song, the key switches from major to minor (both parallel and relative) quite frequently. The piece starts with a very free section with almost no tempo alternating between just voices and simple piano accompaniment. The middle sections have stricter tempo and more active piano accompaniment and the final section increases in speed and excitement with piano truly accompanying the voices instead of just mostly mirroring them. Throughout the piece, meter always follows word stress so there are a surprising number of time signature changes with lyrical clarity always being more important than strict meter. All that said, the rhythms are not too difficult throughout the song and while there are some dissonant harmonies, the musical lines themselves should be singable by most intermediate choirs. The most challenging voice part is probably the tenor 1 line which spends a lot of time in the higher ranges. There are a few optional parts for the tenor 1s that will truly test the range of the singers.
$2.99
JUST A GIRL THAT MEN FORGET
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Chorale TTBB
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FACILE
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Folklorique/Traditionel
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AL DUBIN, JOS GARREN AND FRED
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Walter Latzko
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JUST A GIRL THAT MEN FORGET
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.871702 Composed by AL DUBIN, JOS GARREN AND FRED RATH. Arranged by Walter Latzko. Traditional. Octavo. 3 pages. ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.871702 Composed by AL DUBIN, JOS GARREN AND FRED RATH. Arranged by Walter Latzko. Traditional. Octavo. 3 pages. Latzko Muzic #5322123. Published by Latzko Muzic (A0.871702). THIS IS A 1923 BALLAD THAT IS SUITABLE FOR ANY GROUP AND PERFECT FOR CONTEST.
$5.99
The Man That Got Away
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Harold Arlen
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Greg Mallett
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The Man That Got Away
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Greg Mallett
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.878993 Composed by Harold Arlen. Arranged by Greg Mallett. A Cappella,Broadway,Film/TV,Musical/Show. Octavo. 4 p...
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Choral Choir (TTBB) - Level 4 - SKU: A0.878993 Composed by Harold Arlen. Arranged by Greg Mallett. A Cappella,Broadway,Film/TV,Musical/Show. Octavo. 4 pages. Greg Mallett #4594621. Published by Greg Mallett (A0.878993). From the musical movie A Star is BornArranged for 4-part TTBB a cappella (alternate voicings may be made available if requested). Notated in the barbershop style (T-L-Br-Bs). Minimum purchase quantity enforced by ArrangeMe is 10 copies. Please ensure you purchase enough copies for your ensemble. Contact for complete list of arrangements and commissions: gsmallett@rogers.com.
$1.99
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
Can't Help Falling In Love
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Chorale TTBB
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Rock
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Rock
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Elvis Presley
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Jonathan Kilhams
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Can't Help Falling In Love
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.943042 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jonathan Kilhams. Rock. Octa...
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Choral Choir (TTBB) - SKU: A0.943042 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jonathan Kilhams. Rock. Octavo. 9 pages. Jonathan Kilhams #4798035. Published by Jonathan Kilhams (A0.943042). About the piece Can't Help Falling in Love is a 1961 song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. (The melody is based on Plaisir d'amour, a popular French love song composed in 1784 by Jean-Paul-Égide Martini). The song was initially written for a woman as Can't Help Falling in Love with Him, which explains the first and third line ending on in and sin rather than words rhyming with you. Can't Help Falling in Love was featured in Presley's 1961 film Blue Hawaii. During the following four decades, it has been recorded by numerous other artists, including Bob Dylan on his 1973 album Dylan, Tom Smothers, Swedish pop group A-Teens, and the British reggae group UB40, whose 1993 version topped the U.S. and UK charts. Elvis Presley's version of the song topped the British charts in 1962, spending four weeks at no. 1. The single is certified Platinum by the RIAA, for US sales in excess of one million copies. In the United States, the song peaked at No. 2 on the US Billboard Hot 100 behind Joey Dee and the Starliters' Peppermint Twist and went to No. 1 on the Adult Contemporary chart for six weeks.About the arrangement This arrangement was inspired by the Elvis Presley version in 1962 and also the Pentatonix version recorded in 2017. It has been arranged for choirs that like to perform off by heart as the verse and chorus harmony are the same with very slight additions. The arrangement is for TTBB and piano and my thanks must go to Gareth Giles (pianist, organist, composer and arranger) who helped create the piano part for this arrangement. Duration: 3 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
After All That I Have Been to You
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Chorale TTBB
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INTERMÉDIAIRE
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1912, Chris Smith, and Jack Dr
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Donald A
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After All That I Have Been to
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.928946 Composed by 1912, Chris Smith, and Jack Drislane. Arranged by Donald A. Mills (aka Beachtanned). 20th Cen...
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Choral Choir (TTBB) - Level 3 - SKU: A0.928946 Composed by 1912, Chris Smith, and Jack Drislane. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella,Classical. Octavo. 5 pages. Donald A Mills #50389. Published by Donald A Mills (A0.928946). TTBB a cappella, duration 2:14 Life is full of ups and downs. It is certainly true that the few downs in life allow us to more fully appreciate all of the more numerous ups in life. Sometimes we sing about the difficult parts of life as well as the great ones. The loss of a relationship is one of life's most traumatic downers. But all is not lost, life will go on, and we will survive even this. Just believe... This ballad in three-quarter waltz time is great for a men's quartet or chorus. Tags: After All That I've Been To You! TTBB a cappella barbershop close harmony beachtanned Donald A. Mills.
$2.99
For All We Know
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Chorale TTBB
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AVANCÉ
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Contemporain
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John Frederick Coots
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Liz Garnett
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For All We Know
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Liz Garnett
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.856228 Composed by John Frederick Coots. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #47...
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Choral Choir (TTBB) - Level 5 - SKU: A0.856228 Composed by John Frederick Coots. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4786231. Published by Liz Garnett (A0.856228). This arrangement reimagines a barbershop classic. It is still cast as a contest-suitable ballad, intended to ve sung with a free, rubato delivery, but it has become more wistful in its colouring, with a greater awareness of the imminence of loss. It is informed by both the phrasing and the orchestral motifs of Nat King Cole's version, and it is the yearny chromatic lines that create the poignant emotional flavour.
$12.99
AMORI: 8 madrigals for male chorus
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Chorale TTBB
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AVANCÉ
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Alessandro Palazzani
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AMORI: 8 madrigals for male ch
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A work by Alessandro Palazzani
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pa...
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Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pages. A work by Alessandro Palazzani #982575. Published by A work by Alessandro Palazzani (A0.1399301). AMORI (Loves): Eight madrigals on texts by Giovan Battista Marinofor four-part male choirCONTENTS:1. OCCHI (Eyes)2. ERRORI DI BELLA CHIOMA (Beautiful hair wanderings)3. BELTA’ CRUDELE (Cruel Beauty)4. BELLA CANTATRICE (Beautiful Singer)5. AMOR SECRETO (Secret Love)6. PENDENTI IN FORMA DI SERPI (Pendants in the Shape of Snakes)7. LONTANANZA CONSOLATA (Consoled Distance)8. OCCHI (Eyes)The collection comprises eight Madrigals that alternate between different musical styles. In odd numbers, there are more meditative pieces that closely follow the text, faithfully illustrating its keywords; instead, in even numbers, there is a more regular treatment of musical form, with bipartite or tripartite structures and thematic returns of the music, organized into livelier and more rhythmic movements. To give unity to the composition, the author adopted a series of chordal motifs that serve as leitmotifs, formed by two or three chords symbolizing some basic concepts that cyclically reappear in the various pieces (love, life, death, etc.).The ensemble comprises four parts: first tenor, second tenor, baritone, bass, which can be performed by soloists or by a choral group. In the piece Bella Cantatrice, it is possible to entrust the main melody to a tenor soloist. Although a reduction for piano is printed in the score, its purpose is only to support the voices during rehearsal. Public performance is intended for a cappella voices.
$3.00
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
Angel, Blow that Trumpet
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Chorale TTBB
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INTERMÉDIAIRE
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Ken Litton
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 2...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 22 pages. Artist of Note, Inc. #1025450. Published by Artist of Note, Inc. (A0.1445608). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
There But For Fortune
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Chorale TTBB
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FACILE
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Contemporain
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Phil Ochs
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Bob Eggers
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There But For Fortune
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.940457 Composed by Phil Ochs. Arranged by Bob Eggers. Contemporary. Octavo. 9 pages. ROBERT J EGGERS #5305751. P...
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Choral Choir (TTBB) - Level 2 - SKU: A0.940457 Composed by Phil Ochs. Arranged by Bob Eggers. Contemporary. Octavo. 9 pages. ROBERT J EGGERS #5305751. Published by ROBERT J EGGERS (A0.940457). There But For Fortune is a powerful song coming out of the peace and love decade, the 1960's whose verses examine first a prisoner, a hobo and a country devastated by war. Peter, Paul and Mary did a wonderful rendition of the song in 6/8 time creating a lilting and driving version, adding a bridge which expanded the themes of the original poem and offered a melodic variation. This arrangement is based on that rendition, and features a powerful duet and a dramatic conclusion that will have your audiences on their feet.Level of difficulty: easy to moderate. Duration 3:40Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$12.99
It's All Right
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Chorale TTBB
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INTERMÉDIAIRE
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Van Morrison
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Jordan R
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It's All Right
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Jordan R. Tucker Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.874130 By Van Morrison. By Van Morrison. Arranged by Jordan R. Tucker. A Cappella. Octavo. 21 pages. Jordan R. T...
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Choral Choir (TTBB) - Level 3 - SKU: A0.874130 By Van Morrison. By Van Morrison. Arranged by Jordan R. Tucker. A Cappella. Octavo. 21 pages. Jordan R. Tucker Music #6508085. Published by Jordan R. Tucker Music (A0.874130). This arrangement of Curtis Mayfield's It's All Right (as recorded by Huey Lewis & the News) is an upbeat a cappella tune that recalls the classic charm of 1940s Doo-Wop groups. This arrangement features a barbershop quartet, which a TTBB choir as the backup. A piano reduction for rehearsal purposes is also included. This is a great arrangement for high school and college groups with strong soloists.
$59.99
Jesus Paid It All - TTBB Quartet or Choir (Piano Accompaniment + Chords)
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Chorale TTBB
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FACILE
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Musique Sacrée
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Elvina Hall and John Grape
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Valdir Maia
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Jesus Paid It All - TTBB Quart
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Valdir Maia
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1204538 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacre...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1204538 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #803006. Published by Valdir Maia (A0.1204538). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$3.99
Jesus Paid It All - TTBB Quartet or Choir (+ Chords)
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Chorale TTBB
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FACILE
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Musique Sacrée
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Elvina Hall and John Grape
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Valdir Maia
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Jesus Paid It All - TTBB Quart
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Valdir Maia
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1204541 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacre...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1204541 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #803009. Published by Valdir Maia (A0.1204541). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$3.99
Jesus Paid It All - TTBB Quartet or Choir
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Chorale TTBB
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FACILE
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Musique Sacrée
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Elvina Hall and John Grape
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Valdir Maia
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Jesus Paid It All - TTBB Quart
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Valdir Maia
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1204542 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacre...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1204542 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #803010. Published by Valdir Maia (A0.1204542). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$3.99
Jesus Paid It All - TTBB Quartet or Choir (Piano Accompaniment)
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Chorale TTBB
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FACILE
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Musique Sacrée
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Elvina Hall and John Grape
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Valdir Maia
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Jesus Paid It All - TTBB Quart
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Valdir Maia
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1204540 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacre...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1204540 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #803008. Published by Valdir Maia (A0.1204540). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$3.99
What The World Needs Now Is Love
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Chorale TTBB
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FACILE
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Contemporain
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Jackie DeShannon
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Stephen DeCesare
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What The World Needs Now Is Lo
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Exultet Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.622739 By Jackie DeShannon. By Burt Bacharach. Arranged by Stephen DeCesare. Contemporary. Octavo. 11 pages. Exu...
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Choral Choir (TTBB) - Level 2 - SKU: A0.622739 By Jackie DeShannon. By Burt Bacharach. Arranged by Stephen DeCesare. Contemporary. Octavo. 11 pages. Exultet Music #3898923. Published by Exultet Music (A0.622739). The song that has recently been made popular on Barbra Streisand's CD Walls, has now been freshly arranged as a gentle jazz waltz ballad that develops into a rocking out anthem for TTB with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$1.99
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
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Chorale TTBB
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INTERMÉDIAIRE
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James Nathaniel Holland
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Indiana for Four Part A capell
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional....
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Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50
All I Ask
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Chorale TTBB
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INTERMÉDIAIRE
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Adele
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Kohl Kitzmiller
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All I Ask
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Kohl Kitzmiller
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1503980 By Adele. By Adele Adkins, Bruno Mars, Chris Brown, and Philip Lawrence. Arranged by Kohl ...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1503980 By Adele. By Adele Adkins, Bruno Mars, Chris Brown, and Philip Lawrence. Arranged by Kohl Kitzmiller. A Cappella,Barbershop,Pop. 10 pages. Kohl Kitzmiller #1079438. Published by Kohl Kitzmiller (A0.1503980). Learning media for this arrangement is available here: https://kohlkitzmillermusic.com/song/all-i-ask-kohl-kitzmillerMy name is Kohl Kitzmiller, and I am a vocal arranger, performer, and recording artist based in the Indianapolis area. Since opening my business, Kohl Kitzmiller Music, in 2015, I have arranged and recorded hundreds of songs for a variety of vocal ensembles. During that time, I’ve released three studio albums, multiple singles, and several YouTube videos. For more information about my work, check out the link below!https://linktr.ee/kohlkitzmiller
$3.99
It Is Well....ttbb
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Chorale TTBB
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INTERMÉDIAIRE
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Musique Sacrée
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Philip Bliss, music and Horati
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Donald A
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It Is Well....ttbb
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.928976 Composed by Philip Bliss, music and Horatio G. Spafford, and words. Arranged by Donald A. Mills. A Cappel...
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Choral Choir (TTBB) - Level 3 - SKU: A0.928976 Composed by Philip Bliss, music and Horatio G. Spafford, and words. Arranged by Donald A. Mills. A Cappella,Christian,Concert,Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Donald A Mills #4718759. Published by Donald A Mills (A0.928976). From Wikipedia: This arrangement is for a ttbb chorus, a cappella. It would require a chorus of middle to high capability. It's a ballad appropriate for religious services and concert. This hymn was written after traumatic events in Spafford's life. The first was the 1871 Great Chicago Fire, which ruined him financially (he had been a successful lawyer and had invested significantly in property in the area of Chicago that was extensively damaged by the great fire). His business interests were further hit by the economic downturn of 1873, at which time he had planned to travel to Europe with his family on the SS Ville du Havre. In a late change of plan, he sent the family ahead while he was delayed on business concerning zoning problems following the Great Chicago Fire. While crossing the Atlantic, the ship sank rapidly after a collision with a sea vessel, the Loch Earn, and all four of Spafford's daughters died. His wife Anna survived and sent him the now famous telegram, Saved alone …. Shortly afterwards, as Spafford traveled to meet his grieving wife, he was inspired to write these words as his ship passed near where his daughters had died.
$2.99
The Night Is Still Young
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Billy Joel
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Bob Eggers
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The Night Is Still Young
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.940459 By Billy Joel. By Billy Joel. Arranged by Bob Eggers. Pop,Rock. Octavo. 11 pages. ROBERT J EGGERS #530656...
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Choral Choir (TTBB) - Level 3 - SKU: A0.940459 By Billy Joel. By Billy Joel. Arranged by Bob Eggers. Pop,Rock. Octavo. 11 pages. ROBERT J EGGERS #5306567. Published by ROBERT J EGGERS (A0.940459). A Billy Joel hit song from 1985, the lyrics tell the story of a man whose priorities are shifting away from his musical career and towards marriage and family - and works as a love song from a career driven man who realizes what is really important in his life. The arrangement begins with the tenor soloist considering his life, doubling with a bass soloist and creating a haunting sound that draws in your audience. Then, as the soloist arrives at his realization, the tenor line soars as he realizes he still has time to get it right - a very inspirational and an affirmative message.Orchestration: Tenor solo + Bass duet + TTBBb + Hand claps. Level of difficulty: moderate. Duration: 2:40Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$1.99
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