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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Four - Piano
Non classifié
3 932
Piano & claviers
Orgue
317
Instruments en Do
98
Accordéon
46
Clavecin
4
Orgue, Trompette (duo)
3
Clavier
2
2 Orgues (duo)
1
Ligne De Mélodie, Piano
1
+ 3 instrumentations
Retracter
Guitares
Ukulele
439
Guitare notes et tablatures
432
Guitare
287
Ligne De Mélodie, (Paroles) et Accords
158
Paroles et Accords
90
Guitare (partie séparée)
59
Basse electrique
57
4 Guitares (Quatuor)
47
Dulcimer
44
2 Guitares (duo)
22
Mandoline
20
Ensemble de guitares
17
Banjo
14
Ukulele Baryton
13
3 Guitares (trio)
4
Ensemble de Ukulélés
3
Basse électrique (partie séparée)
1
Guitare Pedal Steel
1
2 Dulcimers (duo)
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 035
Chorale TTBB
451
Chorale SSAA
429
Chorale 3 parties
152
Chorale 2 parties
67
Chorale Unison
67
Pack Instrumental pour Chorale
66
Voix seule
22
Chorale
20
Voix haute
14
Voix duo
11
Chorale SSATB
8
Voix, Guitare
6
Chorale SSAATTBB
5
Soli, choeur mixte et accompagnement
2
Voix Soprano
1
Chorale SSAB a cappella
1
Voix Tenor
1
+ 13 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
445
Quatuor de Saxophones: 4 saxophones
385
Quatuor de Flûtes : 4 flûtes
280
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
222
Saxophone (partie séparée)
206
Flûte, Hautbois, Clarinette, Basson
176
2 Saxophones (duo)
168
Flûte traversière
162
Quintette de Saxophone: 5 saxophones
138
2 Clarinettes (duo)
108
2 Flûtes traversières (duo)
104
Clarinette
98
Saxophone Alto
90
Ensemble de saxophones
83
Saxophone Tenor
74
Ensemble de Clarinettes
71
Clarinette (partie séparée)
53
Saxophone, Clarinette (duo)
52
Quintette de Clarinettes: 5 clarinettes
52
Ensemble de Flûtes
44
Flûte, Clarinette (duo)
44
Flûte et Guitare
41
Clarinette, Violon (duo)
40
3 Clarinettes (trio)
40
3 Saxophones (trio)
39
Hautbois (partie séparée)
39
Hautbois, Basson (duo)
38
Flute (partie séparée)
37
Trio de Flûtes: 3 flûtes
34
Quintette de Flûte : 5 flûtes
31
Clarinette, Trompette (duo)
29
Saxophone
27
Hautbois, Clarinette (duo)
26
2 Hautbois (duo)
25
Quatuor de Flûtes à bec
25
Flûte, Violon
24
Hautbois, Flûte
23
Clarinette et Alto
23
Flûte, Alto (duo)
21
Hautbois
19
Flûte, Trompette (duo)
18
Flûte, Saxophone (duo)
17
Saxophone Soprano
16
2 Flûte à bec (duo)
16
Flûte, Clarinette et Basson
15
Flûte, Hautbois, Clarinette (trio)
15
Hautbois, Clarinette, Basson (trio d'anches)
14
Saxophone et Guitare
14
Flûte, Violoncelle
13
Clarinette, Basson (duo)
13
Ensemble De Flûte à bec
10
Hautbois, Guitare (duo)
10
3 Flûtes à bec (trio)
9
Clarinette, Violoncelle (duo)
8
Clarinette, Guitare (duo)
8
Flûte à Bec
7
Harmonica
6
Instruments en Mib
6
Clarinette, Harpe (duo)
6
Flûte traversière, Orgue (duo)
6
Flûte, Hautbois, Basson
6
Flûte, Violon et Violoncelle
5
3 Hautbois
5
Flûte, Hautbois (duo)
4
Cor anglais, Guitare (duo)
4
Flûte, Violoncelle, Guitare
3
Flûte à bec Soprano
3
Saxophone Baryton
3
Hautbois, Violoncelle
3
Piccolo
2
Flûte, Alto et Violoncelle
2
Flûte, Harpe et Violoncelle
2
Flûte à bec Alto, Basse continue
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Cor Anglais
2
Flûte et Trio à cordes
2
Flûte traversière, Basse continue
2
5 Flûtes à bec
2
Ensemble de Hautbois
2
Saxophone et Orgue
2
Ensemble à vent
2
Hautbois, violon (duo)
1
Flûte, Trombone (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Clarinettes, Basson
1
Flûte à bec Alto
1
Saxophone et violoncelle
1
Flûte, alto et harpe
1
Flûte, Tuba (duo)
1
Flute, harpe et violon
1
Saxophone, Violon (duo)
1
4 Hautbois
1
Clarinette Basse
1
Hautbois, Harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 90 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
305
Trombone (partie séparée)
169
Quatuor de Cuivres : 2 trompettes, trombone, tuba
168
Trompette (partie séparée)
139
Trompette
124
Quatuor de cuivres: 4 cors
96
Trombone
90
Quatuor de cuivres: 4 trombones
78
Cor
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
55
Quatuor de Cuivres
55
2 Trompettes (duo)
49
Ensemble de Trombones
42
Trompette, Trombone (duo)
41
Trompette, Saxophone (duo)
40
Cor (partie séparée)
37
2 Trombones (duo)
32
Ensemble de Trompettes
31
Quatuor de cuivres: 4 trompettes
27
Tuba (partie séparée)
27
2 Euphoniums et 2 Tubas
23
Tuba
18
2 Cors (duo)
17
Bass Clef Instruments
16
4 Tubas
15
Trio de Cuivres
15
3 Trombones (trio)
13
Ensemble de Cors
11
Trompette, Cor (duo)
7
Euphonium
7
Instruments en Sib
6
2 Tubas (duo)
6
3 Trompettes (trio)
6
Trombone basse
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Cor anglais, Guitare (duo)
4
Trompette, Violoncelle (duo)
3
Euphonium, Tuba (duo)
3
Cor, Violoncelle (duo)
3
Cor et Harpe
3
Trompette, Tuba (duo)
3
3 Tubas (trio)
2
Cor, Tuba (duo)
2
Cor Anglais
2
Trombone, Tuba (duo)
2
3 Cors (trio)
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Bugle
2
2 Cors Anglais Et Pianoforte
1
Cor et Basson (duo)
1
Trompette, Basson (duo)
1
Trompette, violon (duo)
1
Cor, Trompette, Trombone (trio)
1
Tuba et Orgue
1
Trompette et Guitare
1
3 Euphoniums
1
Trombone, Cor (duo)
1
Trompette, Harpe
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 034
Violon
363
Violon, Violoncelle (duo)
229
Trio à Cordes: violon, alto, violoncelle
211
Harpe
192
Violoncelle
153
4 Violoncelles
142
Alto seul
107
2 Violons (duo)
83
Quatuor à cordes: 4 violons
80
Violon, Alto (duo)
74
Violon (partie séparée)
67
2 Violoncelles (duo)
67
Contrebasse (partie séparée)
60
2 Altos (duo)
48
Trio à Cordes: 2 violons, violoncelle
46
2 Harpes (duo)
44
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Alto (partie séparée)
25
Quatuor à cordes : 4 altos
23
Trio à cordes: 3 violins
22
Trio à Cordes: 3 violoncelles
22
Harpe, Flûte (duo)
21
Contre Basse
20
Alto, Violoncelle (duo)
17
Violon, Guitare (duo)
16
Violoncelle (partie séparée)
16
Ensemble de Violons
15
Violoncelle, Contrebasse (duo)
14
Trio à cordes: 3 altos
14
Ensemble d'Altos
13
Trio à cordes
11
Violoncelle , Guitare (duo)
11
Harpe, Violon (duo)
9
Flûte, Contrebasse (duo)
7
4 Contrebasses
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
4 Harpes
5
Ensemble de Violoncelles
5
Harpe, Violoncelle (duo)
5
Trio à Cordes: 2 violons, alto
4
2 Contrebasses (duo)
4
Harpe, Violon, Violoncelle
3
Alto et Harpe
3
Alto, Guitare (duo)
3
Harpe, Voix
3
Violoncelle, Orgue
2
Violon, Orgue
1
Violon, Tuba (duo)
1
Alto et Basson
1
Harpe, Trombone (duo)
1
3 Contrebasses
1
Autoharp
1
Violoncelle, Basse continue
1
3 Harpes
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 224
Orchestre à Cordes
389
Orchestre
244
Ensemble de cuivres
208
Cloches
176
Ensemble Jazz
140
Fanfare
131
Orchestre de chambre
81
Ensemble de Percussions
59
Batterie
56
Jazz combo
39
Batterie (partie séparée)
37
Percussion (partie séparée)
36
Marimba
17
Percussion
10
Timbales (partie séparée)
8
Quintette à Vent
5
Vibraphone
4
Quatuor à Vent : 4 instruments à vents
4
Instrumentation Flexible
3
Timbales
3
Xylophone
2
2 Xylophones
2
Vibraphone et Marimba
1
Caisse Claire
1
2 Caisses Claires (duo)
1
Trio à Vent: 3 instruments à vents
1
+ 22 instrumentations
Retracter
Autres
Formation musicale - Solfège
3
Théorie de la musique
1
Papeterie
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Vous avez sélectionné:
Four - Piano
Chorale TTBB
Partitions à imprimer
451 partitions trouvées
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451
Four Seasons In One Day
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Crowded House
#
Rowena Harper
#
Four Seasons In One Day
#
Rowena Harper
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.762494 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo...
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Choral Choir (TTBB) - Level 4 - SKU: A0.762494 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 5 pages. Rowena Harper #4726641. Published by Rowena Harper (A0.762494). This Crowded House favourite uses chords that are true to the song.It features a fun six bar instrumental interlude with a fugal start that interplays the baritone and lead parts and continues into a four part counterpoint section which picks up themes and motives from the original instrumental solo. This section will be an unexpected and fun segment for singers to perfect, and will be sure to be a crowd pleaser.Although it has been published with men's staves, this arrangement has been written in close harmony and could easily be sung by women by changing the staves, in which case it would sound an octave higher.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#2-F#3, Baritone C#4-D4, Lead E3-E4, Tenor A3-A4.
$3.00
Four Seasons In One Day
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Crowded House
#
Rowena Harper
#
Four Seasons In One Day
#
Rowena Harper
#
SheetMusicPlus
Voice (TTBB) - Level 4 - SKU: A0.762493 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Qu...
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Voice (TTBB) - Level 4 - SKU: A0.762493 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 5 pages. Rowena Harper #4726635. Published by Rowena Harper (A0.762493). This Crowded House favourite uses chords that are true to the song.It features a fun six bar instrumental interlude with a fugal start that interplays the baritone and lead parts and continues into a four part counterpoint section which picks up themes and motives from the original instrumental solo. This section will be an unexpected and fun segment for singers to perfect, and will be sure to be a crowd pleaser.Although it has been published with men's staves, this arrangement has been written in close harmony and could easily be sung by women by changing the staves, in which case it would sound an octave higher.Range (Lowest-Highest): Bass F#2-F#3, Baritone C#4-D4, Lead E3-E4, Tenor A3-A4.
$15.95
Four Marian Antiphons - TTBB
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Anthony Mosakowski
#
Regina Coeli
#
Four Marian Antiphons - TTBB
#
Anthony Mosakowski
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.994899 Composed by Anthony Mosakowski. 20th Century,A Cappella,Christian,Classical,Contemporary,Sacred. Octavo. ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.994899 Composed by Anthony Mosakowski. 20th Century,A Cappella,Christian,Classical,Contemporary,Sacred. Octavo. 20 pages. Anthony Mosakowski #6564517. Published by Anthony Mosakowski (A0.994899). This choral song cycle consists of settings of the four main Marian antiphons used in the traditional Latin liturgy: Ave, Regina coelorum; Regina Coeli; Alma Redemptoris Mater; and Salve Regina. The music makes use of much expressive dissonance but within the limits of a purely diatonic collection of pitches. The antiphons are presented here in the order in which they would be sung during the church year. If performed as a group in a concert setting they may be sung in this order or the order may be changed for musical reasons. They may also be performed individually for liturgical or concert use.
$2.60
When I'm Sixty-Four
#
Chorale TTBB
#
Rock
#
The Beatles
#
Deke Sharon
#
Pop
#
When I'm Sixty-Four
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By The Beatles. Arranged by Deke Sharon. TTBB. Concert; Pop; Rock. Choral. 7 pages. Published by Hal Leonard - Digital Sheet Music ...
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By The Beatles. Arranged by Deke Sharon. TTBB. Concert; Pop; Rock. Choral. 7 pages. Published by Hal Leonard - Digital Sheet Music
$1.90
Four Books In the Bible / Men's Choir and Soloist
#
Chorale TTBB
#
Jan Mulder
#
Four Books In the Bible / Men'
#
John Miller Publishing
#
SheetMusicPlus
Arranged by Jan Mulder. For TTBB choir. Key of Bb. Spirituals. Octavo. Language: English. 3 pages. Published by John Miller Publishing ...
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Arranged by Jan Mulder. For TTBB choir. Key of Bb. Spirituals. Octavo. Language: English. 3 pages. Published by John Miller Publishing
$1.45
The Oriole Four: Ebb Tide (arr. Fred King) - choir (TTBB: tenor, bass)
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Jazz
#
The Oriole Four
#
Virtualsheetmusic
Instantly printable sheet music by The Oriole Four for choir (TTBB: tenor, bass) of MEDIUM skill level. / jazz,pop,standards,barbershop
Instantly printable sheet music by The Oriole Four for choir (TTBB: tenor, bass) of MEDIUM skill level. / jazz,pop,standards,barbershop
$4.18
The Four Seasons: Sherry (arr. Mac Huff) - choir (TTBB: tenor, bass)
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Pop musique
#
The Four Seasons
#
Virtualsheetmusic
Instantly printable sheet music by The Four Seasons for choir (TTBB: tenor, bass) of MEDIUM skill level. / pop,standards
Instantly printable sheet music by The Four Seasons for choir (TTBB: tenor, bass) of MEDIUM skill level. / pop,standards
$5.63
The Four Tops: Reach Out I'll Be There (arr. Mac Huff) - choir (TTBB: tenor, bass)
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Old Time Rock
#
The Four Tops
#
Virtualsheetmusic
Instantly printable sheet music by The Four Tops for choir (TTBB: tenor, bass) of MEDIUM skill level. / oldies
Instantly printable sheet music by The Four Tops for choir (TTBB: tenor, bass) of MEDIUM skill level. / oldies
$5.23
The Four Tops: It's the Same Old Song (arr. Steve Tramack) - choir (TTBB: tenor, bass)
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Barbershop
#
The Four Tops
#
Virtualsheetmusic
Instantly printable sheet music by The Four Tops for choir (TTBB: tenor, bass) of MEDIUM skill level. / barbershop
Instantly printable sheet music by The Four Tops for choir (TTBB: tenor, bass) of MEDIUM skill level. / barbershop
$7.18
Four Voices: After You've Gone (arr. Don Gray) - choir (TTBB: tenor, bass)
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Barbershop
#
Four Voices
#
Virtualsheetmusic
Instantly printable sheet music by Four Voices for choir (TTBB: tenor, bass) of MEDIUM skill level. / barbershop
Instantly printable sheet music by Four Voices for choir (TTBB: tenor, bass) of MEDIUM skill level. / barbershop
$6.18
Twenty Four Hours Of Lovin'
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Carol Hall
#
Chad Weirick
#
Twenty Four Hours Of Lovin'
#
Chad Weirick
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1490919 Composed by Carol Hall. Arranged by Chad Weirick. 20th Century,Broadway,Country,Musical/Show...
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Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1490919 Composed by Carol Hall. Arranged by Chad Weirick. 20th Century,Broadway,Country,Musical/Show. 17 pages. Chad Weirick #1067704. Published by Chad Weirick (A0.1490919).
$2.99
Four Seasons In One Day
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Crowded House
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Jetse Bremer
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Four Seasons In One Day
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Jetse Bremer
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.861527 By Crowded House. By Neil Finn and Tim Finn. Arranged by Jetse Bremer. Pop. Octavo. 6 pages. Jetse Bremer...
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Choral Choir (TTBB) - Level 3 - SKU: A0.861527 By Crowded House. By Neil Finn and Tim Finn. Arranged by Jetse Bremer. Pop. Octavo. 6 pages. Jetse Bremer #5798277. Published by Jetse Bremer (A0.861527).
$2.50
Four Appalachian Hymns (TTBB)
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Chorale TTBB
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FACILE
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Traditional
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Michael Myrick
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Four Appalachian Hymns
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MICHAEL MYRICK
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1082883 Composed by Traditional. Arranged by Michael Myrick. A Cappella,Contest,Festival,Folk,Multicultural,Sacr...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1082883 Composed by Traditional. Arranged by Michael Myrick. A Cappella,Contest,Festival,Folk,Multicultural,Sacred,World. Octavo. 24 pages. MICHAEL MYRICK #687089. Published by MICHAEL MYRICK (A0.1082883). Here is an outstanding collection of some of the most beloved hymns from the rural Appalachian Mountains. This is an extremely moving song cycle that can be used as individual anthems or as an entire concert piece for your TTBB choir. You will find throughout this cycle many solo sections for each section of your choir as well as for individual singers. The group of hymns is very versatile and can be easily tailored to your next concert or worship service. In addition, vocal lines are written for ease of range for each vocal type. 1. Jesus Walked This Lonesome Valley 2. The Wayfarin’ Stranger 3. What Wondrous Love Is This 4. How Firm a Foundation.
$6.99
When I'm Sixty Four
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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The Beatles
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Deke Sharon
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When I'm Sixty Four
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Deke Sharon
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SheetMusicPlus
Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479888 By The Beatles. By John Lennon and Paul McCartney. ...
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Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479888 By The Beatles. By John Lennon and Paul McCartney. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 157. Deke Sharon #3Qb1kidrF59JD8nUSSGyRE. Published by Deke Sharon (A0.479888). Key: C major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
Tom Traubert's Blues (four Sheets To The Wind In Copenhagen)
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Chorale TTBB
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FACILE
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Rod Stewart
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Bob Eggers
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Tom Traubert's Blues
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1164770 By Rod Stewart. By Tom Waits. Arranged by Bob Eggers. 20th Century,A Cappella,Blues,Folk,Singer/Songwrit...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1164770 By Rod Stewart. By Tom Waits. Arranged by Bob Eggers. 20th Century,A Cappella,Blues,Folk,Singer/Songwriter. Octavo. 9 pages. ROBERT J EGGERS #765104. Published by ROBERT J EGGERS (A0.1164770). Arranged for TTBB plus tenor solo, and intended for adult audiences, this song is also commonly known as Waltzing Mathilda. This arrangement captures the sultry, sordid feel of Waits' own performance of his stunning lyrics and clever mashup of Waits' dystopian mood painting of a stranded and disaffected man in a foreign land.
$1.99
FIND YOUR FOUR-LEAF CLOVER
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Chorale TTBB
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INTERMÉDIAIRE
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JYE BRYANT
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FIND YOUR FOUR-LEAF CLOVER
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Jye Bryant
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1005794 Composed by JYE BRYANT. Folk,Musical/Show. Octavo. 26 pages. Jye Bryant #6442687. Published by Jye Bryan...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1005794 Composed by JYE BRYANT. Folk,Musical/Show. Octavo. 26 pages. Jye Bryant #6442687. Published by Jye Bryant (A0.1005794). From CAPTAIN MOONLITE - A New Australian Musical.
$4.99
When I'm Sixty-Four
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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The Beatles
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Jon Nicholas
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When I'm Sixty-Four
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Jon Nicholas
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SheetMusicPlus
TTBB, Barbershop Quartet, Barbershop Chorus - Intermediate - Digital Download By The Beatles. Arranged by Jon Nicholas. Sheet Music Single. 8 pages. ...
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TTBB, Barbershop Quartet, Barbershop Chorus - Intermediate - Digital Download By The Beatles. Arranged by Jon Nicholas. Sheet Music Single. 8 pages. Published by Jon Nicholas
A barbershop version of this classic McCartney tune.
Duration: 3:05.
$1.99
When I'm Sixty-Four (arr. Tom Gentry)
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Chorale TTBB
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Rock
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The Beatles
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Tom Gentry
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When I'm Sixty-Four
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Barbershop Harmony Society
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SheetMusicPlus
(TTBB) - By The Beatles. Arranged by Tom Gentry. 145, Pop, Rock. Choral. 8 pages. Published by Barbershop Harmony Society...
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(TTBB) - By The Beatles. Arranged by Tom Gentry. 145, Pop, Rock. Choral. 8 pages. Published by Barbershop Harmony Society
$3.20
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Humble And Kind
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Chorale TTBB
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INTERMÉDIAIRE
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Tim McGraw
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Brian Mastrull
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Humble And Kind
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Mastrull Charts
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.888423 By Tim McGraw. By Lori McKenna. Arranged by Brian Mastrull. A Cappella,Country. Octavo. 9 pages. Mastrull...
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Choral Choir (TTBB) - Level 3 - SKU: A0.888423 By Tim McGraw. By Lori McKenna. Arranged by Brian Mastrull. A Cappella,Country. Octavo. 9 pages. Mastrull Charts #5374849. Published by Mastrull Charts (A0.888423). This is a four-part men's (TTBB) a cappella arrangement of Tim McGraw's Grammy Award Winning song Humble and Kind. This piece works well for small ensemble (quartet minimum) or a large choir.This arrangement was recorded by the 2018 Mid Atlantic District quartet champion Gimme Four on their self-titled studio album and is available at http://gimmefour.squarespace.com/,Learning tracks for this arrangement are available for purchase at https://sgtproduction3.wixsite.com/.For more information on arrangements by Brian Mastrull, send an email to mastrullcharts@gmail.com.
$4.99
Make You Feel My Love
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Chorale TTBB
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DÉBUTANT
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Bob Dylan
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Alexander Koller
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Make You Feel My Love
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Alexander Koller
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.1035850 By Bob Dylan. By Bob Dylan. Arranged by Alexander Koller. A Cappella,Pop. Octavo. 5 pages. Alexander Kol...
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Choral Choir (TTBB) - Level 1 - SKU: A0.1035850 By Bob Dylan. By Bob Dylan. Arranged by Alexander Koller. A Cappella,Pop. Octavo. 5 pages. Alexander Koller #6905687. Published by Alexander Koller (A0.1035850). This is a four-part a cappella arrangement in the barbershop style (for male voices). The arrangement follows the Adele version more closely than the Bob Dylan version, but leaves out some of her stylizations. It should be fine for barbershop contests.There are already several barbershop arrangements of the song. My goal was to write one that is accessible for beginning barbershoppers, but still has some fun moments and a musical development that supports the story. I have tried to maintain the quiet and introspective mood of the original, while still giving you the opportunity for some musical contrasts.The back half (which you can't see in the preview) has the third verse as a lead solo and the fourth verse as a lead-tenor duet, with the other parts singing doo-doo accompaniment. The second bridge (the storms are raging) has a higher tessitura and musical intensity than the first one.The arrangement is for male voices. It should also work for a mixed quartet with a male bass. If you want to sing it with four high voices, please get in touch and I'll see if I can make it more accessible to you.If you choose to sing this arrangement, I would love to hear about your experiences at akoller@gmail.com; your feedback will make me a better arranger.
$1.99
You're The Inspiration
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Chorale TTBB
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AVANCÉ
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Chicago
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Rowena Harper
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You're The Inspiration
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Rowena Harper
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.762496 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,P...
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Choral Choir (TTBB) - Level 5 - SKU: A0.762496 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #4882901. Published by Rowena Harper (A0.762496). An old favourite love song that transcends time and has been played at many a wedding. This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-G, Baritone C-D, Lead F-F, Tenor A-A. Transposed down from the original by a flattened fourth - starting in D major. Singers are welcome to pitch it up again to their most comfortable tessatura.This is per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Lead (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The treble clef parts are sung an octave lower than written.Contact: acappellatenor@gmail.com.
$3.00
LOVE LIKE A RIVER
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Chorale TTBB
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INTERMÉDIAIRE
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P
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Tony Backhouse
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LOVE LIKE A RIVER
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Tony Backhouse
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1001684 Composed by P.D. Arranged by Tony Backhouse. A Cappella,Gospel. Octavo. 2 pages. Tony Backhouse #6252291...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1001684 Composed by P.D. Arranged by Tony Backhouse. A Cappella,Gospel. Octavo. 2 pages. Tony Backhouse #6252291. Published by Tony Backhouse (A0.1001684). TTBB a cappella plus tenor solo for male quartet, though if pitched up a fourth could work well for a mixed or all-female group. An African American church song, with steady pulse and room for improvisation in the solo. This arrangement, based on a performance by the Fairfield Four, comes from my songbook A cappella–Rehearsing For Heaven (Ecole De Fromage 2004): https://www.tonybackhouse.com/product/a-cappella-%e2%80%a2-rehearsing-for-heaven-ecole-de-fromage-20
$2.00
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
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