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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Four for Two
Non classifié
864
Piano & claviers
Piano seul
237
1 Piano, 4 mains
143
2 Pianos, 4 mains
72
Piano Facile
67
Orgue
35
Piano, Voix et Guitare
33
Piano, Voix
23
Instruments en Do
18
Accordéon
6
Piano Trio: piano, violon, violoncelle
6
Piano (partie séparée)
5
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Accompagnement Piano
1
+ 11 instrumentations
Retracter
Guitares
Guitare
36
Ukulele
26
Guitare notes et tablatures
24
Guitare (partie séparée)
14
4 Guitares (Quatuor)
8
Mandoline
7
2 Guitares (duo)
6
Dulcimer
4
Piano, Guitare (duo)
3
Basse electrique
2
2 Dulcimers (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Guitare Pedal Steel
1
Ensemble de guitares
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
199
Chorale 2 parties
35
Chorale 3 parties
34
Chorale SSAA
24
Chorale Unison
21
Chorale TTBB
21
Voix duo
3
Voix Baryton, Piano
3
Voix haute
2
Voix Soprano, Piano
2
Voix duo, Piano
2
Voix Tenor
1
Voix Alto, Piano
1
Chorale SSAATTBB
1
Voix seule
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
96
2 Flûtes traversières (duo)
54
2 Clarinettes (duo)
52
Flûte traversière et Piano
52
Quatuor de Saxophones: 4 saxophones
43
Saxophone (partie séparée)
40
Quatuor de Clarinettes: 4 clarinettes
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
36
Ensemble de saxophones
32
Flûte, Violon, Piano
31
Flûte, Hautbois, Clarinette, Basson
27
Quatuor de Flûtes : 4 flûtes
26
Quintette de Saxophone: 5 saxophones
24
2 Hautbois (duo)
22
Clarinette et Piano
21
Flûte traversière
19
Saxophone Alto et Piano
17
Saxophone, Clarinette (duo)
16
Saxophone Tenor et Piano
16
Hautbois, Piano (duo)
14
Saxophone Alto
13
2 Flûte à bec (duo)
12
Ensemble de Flûtes
12
Clarinette, Violon (duo)
12
Saxophone Tenor
11
3 Saxophones (trio)
10
Ensemble de Clarinettes
9
Saxophone Soprano et Piano
9
Flûte, Clarinette (duo)
8
Quatuor de Flûtes à bec
7
Trio de Flûtes: 3 flûtes
7
Clarinette
7
Saxophone Soprano
7
Hautbois, Basson (duo)
6
Hautbois, Flûte
6
Flûte, Hautbois, Clarinette (trio)
6
Clarinette et Alto
6
Quintette de Clarinettes: 5 clarinettes
6
Quintette de Flûte : 5 flûtes
6
Flûte, Violon
5
Clarinette, Trompette (duo)
5
3 Clarinettes (trio)
5
Hautbois, Clarinette (duo)
5
Flûte, Saxophone (duo)
4
Hautbois (partie séparée)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Alto (duo)
4
Flûte, Trompette (duo)
4
Cor anglais, Piano
3
3 Flûtes à bec (trio)
3
Clarinette Basse, Piano
3
Saxophone Baryton, Piano
3
Flûte, Hautbois, Basson
2
Harmonica
2
Clarinette (partie séparée)
2
Clarinette, Basson (duo)
2
Flûte et Guitare
2
2 Flûtes traversières, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble De Flûte à bec
1
Flûte, Clarinette et Basson
1
Ensemble à vent
1
5 Flûtes à bec
1
Clarinette Basse
1
Ensemble de Hautbois
1
Clarinette, Guitare (duo)
1
2 Clarinettes, Piano
1
Piccolo, Piano
1
Saxophone et Guitare
1
Hautbois, Guitare (duo)
1
Piccolo
1
Flûte à bec Soprano
1
Clarinette, Violoncelle (duo)
1
Flûte et Trio à cordes
1
Flûte, Hautbois (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Basson et Piano
1
Flûte à bec Tenor
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Flûte à Bec
1
+ 77 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
108
Trombone (partie séparée)
40
Quatuor de Cuivres
32
2 Trompettes (duo)
28
Trompette (partie séparée)
26
2 Trombones (duo)
25
Trombone et Piano
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette
20
Ensemble de Trombones
13
Ensemble de Trompettes
13
Trompette, Trombone (duo)
13
Quatuor de cuivres: 4 trombones
12
Euphonium, Piano (duo)
11
Trompette, Saxophone (duo)
10
Cor et Piano
10
Trompette, Piano
10
2 Cors (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de cuivres: 4 cors
7
Trombone
7
2 Euphoniums et 2 Tubas
5
3 Trombones (trio)
4
Trio de Cuivres
4
Tuba et Piano
4
Ensemble de Cors
4
Cor anglais, Piano
3
Tuba
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone basse
3
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Cor (duo)
2
Euphonium
2
Tuba et Orgue
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Tubas (duo)
2
Trompette, Tuba (duo)
1
2 Trombones, Piano
1
3 Tubas (trio)
1
Cor
1
3 Trompettes (trio)
1
Trombone, Tuba (duo)
1
Bass Clef Instruments
1
3 Cors (trio)
1
3 Euphoniums
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
256
Violon, Violoncelle (duo)
154
Violon
140
Trio à Cordes: violon, alto, violoncelle
139
Harpe
49
2 Altos (duo)
38
Violon et Piano
38
2 Violons (duo)
36
2 Violoncelles (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Alto, Piano
17
Violoncelle, Piano
17
Violon, Alto (duo)
15
Trio à Cordes: 2 violons, violoncelle
14
Violoncelle
13
4 Violoncelles
12
Alto seul
9
Contrebasse (partie séparée)
8
Quatuor à cordes: 4 violons
7
Contrebasse, Piano (duo)
6
Ensemble de Violoncelles
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle, Contrebasse (duo)
4
Trio à cordes: 3 violins
4
2 Harpes (duo)
4
Trio à Cordes: 2 violons, alto
3
Contre Basse
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes
2
Violon, Guitare (duo)
2
Ensemble de Violons
2
Harpe, Flûte (duo)
2
2 Contrebasses (duo)
2
Ensemble d'Altos
2
Quatuor à cordes : 4 altos
2
Violon (partie séparée)
1
2 Violons, Piano
1
Violoncelle, Basse continue
1
Alto, Violoncelle (duo)
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
Alto (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Autoharp
1
4 Contrebasses
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
132
Cloches
104
Orchestre d'harmonie
90
Ensemble Jazz
48
Ensemble de cuivres
47
Orchestre
46
Ensemble de Percussions
20
Orchestre de chambre
17
Jazz combo
16
Batterie (partie séparée)
7
Batterie
5
Marimba
3
Fanfare
2
Orchestre, Violon
1
Piano et Orchestre
1
Ensemble d'École
1
Xylophone, Piano
1
2 Caisses Claires (duo)
1
Percussion (partie séparée)
1
+ 14 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
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Partitions Numériques
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Librairie Musicale
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Vous avez sélectionné:
Four for Two
Chorale TTBB
Partitions à imprimer
21 partitions trouvées
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1
AMORI: 8 madrigals for male chorus
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Chorale TTBB
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AVANCÉ
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Alessandro Palazzani
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AMORI: 8 madrigals for male ch
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A work by Alessandro Palazzani
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pa...
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Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pages. A work by Alessandro Palazzani #982575. Published by A work by Alessandro Palazzani (A0.1399301). AMORI (Loves): Eight madrigals on texts by Giovan Battista Marinofor four-part male choirCONTENTS:1. OCCHI (Eyes)2. ERRORI DI BELLA CHIOMA (Beautiful hair wanderings)3. BELTA’ CRUDELE (Cruel Beauty)4. BELLA CANTATRICE (Beautiful Singer)5. AMOR SECRETO (Secret Love)6. PENDENTI IN FORMA DI SERPI (Pendants in the Shape of Snakes)7. LONTANANZA CONSOLATA (Consoled Distance)8. OCCHI (Eyes)The collection comprises eight Madrigals that alternate between different musical styles. In odd numbers, there are more meditative pieces that closely follow the text, faithfully illustrating its keywords; instead, in even numbers, there is a more regular treatment of musical form, with bipartite or tripartite structures and thematic returns of the music, organized into livelier and more rhythmic movements. To give unity to the composition, the author adopted a series of chordal motifs that serve as leitmotifs, formed by two or three chords symbolizing some basic concepts that cyclically reappear in the various pieces (love, life, death, etc.).The ensemble comprises four parts: first tenor, second tenor, baritone, bass, which can be performed by soloists or by a choral group. In the piece Bella Cantatrice, it is possible to entrust the main melody to a tenor soloist. Although a reduction for piano is printed in the score, its purpose is only to support the voices during rehearsal. Public performance is intended for a cappella voices.
$3.00
Innocence & Experience (Four Poems by William Blake) for TB Chorus with Piano Accompaniment
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Chorale TTBB
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Debra E
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Innocence & Experience
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Standard Time
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.761687 Composed by Debra E. Stempien and Gregory H. Turner. 20th Century,Contemporary,Standards. Octavo. 12 pages. Standar...
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Choral Choir (TTBB) - SKU: A0.761687 Composed by Debra E. Stempien and Gregory H. Turner. 20th Century,Contemporary,Standards. Octavo. 12 pages. Standard Time #5048249. Published by Standard Time (A0.761687). Innocence & Experience is a musical setting of four William Blake poems from his works, Songs of Innocence and Songs of Experience, for two-part TB men’s chorus with piano accompaniment. The song set represents a life cycle, first with a lullaby, moving next to a spirited and youthful dance, continuing to the dreamlike longing of maturity, and concluding with the solemn and dark acceptance of death. Permission to use these texts has been secured from the William Blake Archives (proof provided upon request). Please note that the provided recording is from the third song, Ah! Sunflower..
$4.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
Messa breve
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Nino Rota
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Messa breve
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Schott Music - Digital
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SheetMusicPlus
Men's choir (TTBB) and organ - intermediate - Digital Download For men's choire with 4 voices (TTBB) and organ. Composed by Nino Rota (1911- ...
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Men's choir (TTBB) and organ - intermediate - Digital Download For men's choire with 4 voices (TTBB) and organ. Composed by Nino Rota (1911- 1979). This edition: score. Chormusik. Downloadable. Duration 16 minutes. Schott Music - Digital #Q8523. Published by Schott Music - Digital
Latin.
Rota's Mass for choir and organ is published in two editions: for three-part mixed choir and for four-part male choir, each with organ. The organ part is identical in both editions. As a consequence, it is possible to perform the work with varying choir ensembles. The mass, with Latin text, is suitable both for amateur choirs and in small churches or concert halls.
$9.99
Tu es Petrus
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Nino Rota
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Tu es Petrus
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Schott Music - Digital
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SheetMusicPlus
Men's choir (TTBB) and organ - intermediate - Digital Download Two motets for men's choire (TTBB) and organ. Composed by Nino Rota (1911-1979...
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Men's choir (TTBB) and organ - intermediate - Digital Download Two motets for men's choire (TTBB) and organ. Composed by Nino Rota (1911-1979). This edition: score. Schott Choral Music. Downloadable. Duration 4 minutes. Schott Music - Digital #Q7267. Published by Schott Music - Digital
Latin.
This edition of 'Tu es Petrus' (You are St. Peter) for male-voice choir and organ adds to the existing collection of beautiful and easy-to-sing choral pieces by Nino Rota. The appeal of the piece headed 'Festoso, con solennita' (festive, with solemnity) lies in its homophonic and dense four-part setting which flows steadily both with regard to rhythm and melody. An evocative and confident piece which is perfect for the repertoire of good amateur choirs.
$6.99
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from &
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Mr. Blue
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Garth Brooks
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Gary Thiel
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Mr. Blue
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Gary Thiel
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.499406 By Garth Brooks. By Dewayne Blackwell. Arranged by Gary Thiel. A Cappella,Pop. Octavo. 4 pages. Gary Thie...
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Choral Choir (TTBB) - Level 4 - SKU: A0.499406 By Garth Brooks. By Dewayne Blackwell. Arranged by Gary Thiel. A Cappella,Pop. Octavo. 4 pages. Gary Thiel #112788. Published by Gary Thiel (A0.499406). As performed by The Fleetwoods Four-part Vocals done in this arrangement.
$1.99
Rain Music
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Chorale TTBB
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Victor C Johnson
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Rain Music
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Heritage Music Press
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SheetMusicPlus
TTBB choir, Piano (With Optional Percussion) - SKU: LX.15-3439H Composed by Victor C Johnson. Educational. Octavo. 20 pages. Heritage Music Press #e15/3...
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TTBB choir, Piano (With Optional Percussion) - SKU: LX.15-3439H Composed by Victor C Johnson. Educational. Octavo. 20 pages. Heritage Music Press #e15/3439H. Published by Heritage Music Press (LX.15-3439H). ISBN 9780787756260.On the dusty earthdrum beats the falling rain. Now a whispered murmur, now a louder strain. This forward-moving, rhythmically-driven music enhances the dramatic, image-laden text of Kentucky-born poet and playwright Joseph S. Cotter, Jr. Effective unison, two-, three-, and four-part writing throughout and optional parts for rain stick and djembes heighten the musical effect.
$2.95
Shenendoah / Loch Lomond
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Chorale TTBB
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FACILE
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Aaron Orr
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Aaron Orr
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Shenendoah / Loch Lomond
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Aaron Orr
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.994841 Composed by Aaron Orr. Arranged by Aaron Orr. Celtic,Folk,Patriotic,Traditional. Octavo. 8 pages. Aaron O...
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Choral Choir (TTBB) - Level 2 - SKU: A0.994841 Composed by Aaron Orr. Arranged by Aaron Orr. Celtic,Folk,Patriotic,Traditional. Octavo. 8 pages. Aaron Orr #4362845. Published by Aaron Orr (A0.994841). Shenendoah and Loch Lomond are two classic traditional songs often sung by high school and collegiate choirs. Because both songs have similar musical styles, this arrangement is a combination of the two, with Loch Lomond being sung in tandem with Shenendoah in its conclusion. This song was originally arranged for a four-man barbershop quartet, but can be performed by any size group of singers. Arranger Contact Information: aaronorrfg@gmail.com
$1.99
Invocation and Dance (Downloadable Choral Score)
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Chorale TTBB
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David Conte
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Invocation and Dance
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir, piano or chamber orchestra (Orchestra Version I: Harp Piano four-hands, Timpani/Vibraphone/Glockenspiel/Xylophone (two Players), Strings (min 3-2-2-...
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TTBB choir, piano or chamber orchestra (Orchestra Version I: Harp Piano four-hands, Timpani/Vibraphone/Glockenspiel/Xylophone (two Players), Strings (min 3-2-2-2-1). Piano/Percussion Version II: Piano four-hands, Vibraphone/Glockenspiel/Xylophone (two Players)) - SKU: MQ.4179-E Composed by David Conte. Score. 21 pages. E. C. Schirmer Music Company - Digital #4179-E. Published by E. C. Schirmer Music Company - Digital (MQ.4179-E). Based on a text drawn from Walt Whitman's When Lilacs Last at the Dooryard Bloom'd. A hymn to nature and the place of death within the cycle of life on earth. Choral score- for use with versions I & II.
$3.20
It Feels Like Christmas
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Chorale TTBB
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FACILE
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Paul Williams
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Matt Astle
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It Feels Like Christmas
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Matt Astle Music
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SheetMusicPlus
TTBB Chorus,Voice - Level 2 - SKU: A0.1470868 Composed by Paul Williams. Arranged by Matt Astle. A Cappella,Barbershop,Christmas,Film/TV,Holiday. Barber...
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TTBB Chorus,Voice - Level 2 - SKU: A0.1470868 Composed by Paul Williams. Arranged by Matt Astle. A Cappella,Barbershop,Christmas,Film/TV,Holiday. Barbershop Quartet. 7 pages. Matt Astle Music #1048494. Published by Matt Astle Music (A0.1470868). This jolly tune from The Muppet Christmas Carol is now available for your TTBB barbershop chorus. Featuring two soloists, a voice-over introduction opportunity, and a bring-down-the-house finish, it's sure to be a crowd-pleasing favorite for your holiday show!In this quartet version, one purchase entitles you to four copies for the quartet.Learning tracks available at mattastlemusic.com.Additional voicings and ensemble editions also available on SheetMusicPlus.com.More information and custom arrangements available at mattastlemusic.com.
$12.99
Ave maris stella
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Chorale TTBB
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FACILE
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Ivan pl
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Ivana Tuskan
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Ave maris stella
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Ivana Tuskan
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1204377 Composed by Ivan pl. Zajc. Arranged by Ivana Tuskan. 19th Century,A Cappella,Religious,Romantic Period,S...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1204377 Composed by Ivan pl. Zajc. Arranged by Ivana Tuskan. 19th Century,A Cappella,Religious,Romantic Period,Sacred. Octavo. 6 pages. Ivana Tuskan #802856. Published by Ivana Tuskan (A0.1204377). Ivan Zajc (1832 – 1914) was one of the most important Croatian romantic composers. He was an exceptionally profilic composer (he wrote mostly operas, operettas, musical comedies, cantatas, art songs and choral compositions), and is often called „the Croatian Verdi. Original Zajc's work is written for solo voice and organ, and this arrangement is it's adaptation for four-part male ensemble (TTBB) a cappella. It's also available in two SATB (keys E and F-major) and SSA a cappella versions.
$1.99
Never Going Back Again
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Chorale TTBB
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INTERMÉDIAIRE
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Fleetwood Mac
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Gabriel Lawson
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Never Going Back Again
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Gabriel Lawson
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1277106 By Fleetwood Mac. By Lindsey Buckingham. Arranged by Gabriel Lawson. 20th Century,A Cappella,Folk,Rock. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1277106 By Fleetwood Mac. By Lindsey Buckingham. Arranged by Gabriel Lawson. 20th Century,A Cappella,Folk,Rock. Octavo. 7 pages. Gabriel Lawson #868797. Published by Gabriel Lawson (A0.1277106). “Never Going Back Again†is an a cappella arrangement of for four-part Men's Chorus (TTBB) with the melody primarily in the Tenor 2 part. This arrangement is in E-flat Major (original key is F-sharp Major). Difficulty 6/10. Tenor 1 Eb3-Bb4. Tenor 2 Bb2-G4. Baritone F3-Bb3. Bass Eb2-G3.
$1.99
Love Shack
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Chorale TTBB
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FACILE
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The B-52's
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Luke de Villiers
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Love Shack
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Luke de Villiers
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1499353 By The B-52's. By Catherine E. Pierson, Cynthia L. Wilson, Frederick W. Schneider, and Kei...
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Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1499353 By The B-52's. By Catherine E. Pierson, Cynthia L. Wilson, Frederick W. Schneider, and Keith J. Strickland. Arranged by Luke de Villiers. A Cappella,Comedy,Rock. 6 pages. Luke de Villiers #1075408. Published by Luke de Villiers (A0.1499353). Arranged for four part TTBB acapella with two soloists.
$4.99
I Want It That Way
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Backstreet Boys
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Loren Shevitz
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I Want It That Way
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Cameo Lake Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.943099 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Loren Shevitz. ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.943099 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Loren Shevitz. A Cappella,Dance,Pop. Octavo. 6 pages. Cameo Lake Music #5302595. Published by Cameo Lake Music (A0.943099). Arranged for a TTBB a cappella ensemble with two soloists in the barbershop style. Challenging and fun, four key changes will keep the singers on their toes!
$2.99
In The First Light
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Glad
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Bob Kauflin
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Sheryl Neal
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In The First Light
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Sheryl Neal
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SheetMusicPlus
Voice (TTBB) - Level 4 - SKU: A0.817093 Composed by Bob Kauflin. Arranged by Sheryl Neal. A Cappella,Christmas,Praise & Worship. Barbershop Quartet. 6 p...
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Voice (TTBB) - Level 4 - SKU: A0.817093 Composed by Bob Kauflin. Arranged by Sheryl Neal. A Cappella,Christmas,Praise & Worship. Barbershop Quartet. 6 pages. Sheryl Neal #6198867. Published by Sheryl Neal (A0.817093). By Glad. Voice, Choir, TTBB, Voice, A Cappella, Barbershop Harmony - Advanced Intermediate - TTBB, TLBB - A cappella, Four Part Barbershop style version of this simple, beautiful melody captures the gorgeous harmonies and dissonance of the original. 2 staves. (Barbershop notation) Some split parts in T1, B1 and B2. Two options for ending. Quartet pricing includes permission to print a maximum of 4 copies. My name is Sheryl Neal, and I'm a singer, pianist, and a cappella arranger. See my website: www.arrangementsbysheryl.com. Please check out my other arrangements as well. https://www.sheetmusicplus.com/publishers/sheryl-neal/11193. Like my page on Facebook, Arrangements By Sheryl Neal. Questions or comments? Email me at ArrangementsbySheryl@gmail.com.
$18.99
In The First Light
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Glad
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Bob Kauflin
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Sheryl Neal
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In The First Light
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Sheryl Neal
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.817094 Composed by Bob Kauflin. Arranged by Sheryl Neal. A Cappella. 6 pages. Sheryl Neal #6198875. Publi...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.817094 Composed by Bob Kauflin. Arranged by Sheryl Neal. A Cappella. 6 pages. Sheryl Neal #6198875. Published by Sheryl Neal (A0.817094). By Glad. Voice, Choir, TTBB, Voice, A Cappella, TTBB Barbershop Harmony - Advanced Intermediate - TTBB, TLBB A cappella, Four Part Barbershop style version of this simple, beautiful melody captures the gorgeous harmonies and dissonance of the original. 2 staves. (Barbershop notation) Some split parts in T1, B1 and B2. Two options for ending. Choral pricing: Minimum purchase required, purchase one copy per choir member. My name is Sheryl Neal, and I'm a singer, pianist, and a cappella arranger. See my website: www.arrangementsbysheryl.com. Please check out my other arrangements as well. https://www.sheetmusicplus.com/publishers/sheryl-neal/11193. Like my page on Facebook, Arrangements By Sheryl Neal. Questions or comments? Email me at ArrangementsbySheryl@gmail.com.
$3.99
Like Him We Rise (Downloadable)
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Chorale TTBB
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INTERMÉDIAIRE
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Noël
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Musique Sacrée
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Tom Trenney
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Like Him We Rise
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
TTBB choir and piano - Medium - SKU: MQ.50-6079-E Composed by Tom Trenney. Christmas, Christmas-Sacred. Instrument part. 11 pages. MorningStar Music Pub...
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TTBB choir and piano - Medium - SKU: MQ.50-6079-E Composed by Tom Trenney. Christmas, Christmas-Sacred. Instrument part. 11 pages. MorningStar Music Publishers - Digital Sheet Music #50-6079-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6079-E). English.Premiered by the Viking Chorus at the 2017 St. Olaf Christmas Festival, the sweep of this original text makes it appropriate for many times of the year. At times echoing the words of Christ, at times commenting on them, the result is emotionally powerful. Quite a bit of unison and two-part writing, but in about 10 measures out of the total 75 there is solid four-part TTBB writing. The piano accompaniment is skillful and essential.
$2.65
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Four for Two
