Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Gene and Pat
Non classifié
266
Piano & claviers
Piano seul
95
Piano grosses notes
83
Piano Facile
40
Piano, Voix
30
Orgue
22
Piano, Voix et Guitare
10
Accordéon
8
2 Pianos, 4 mains
7
1 Piano, 4 mains
6
Instruments en Do
4
Orgue, Piano (duo)
2
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
+ 10 instrumentations
Retracter
Guitares
Guitare
19
Guitare notes et tablatures
12
2 Guitares (duo)
1
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
122
Chorale 3 parties
53
Chorale Unison
31
Chorale 2 parties
20
Chorale TTBB
9
Chorale SSAA
2
Chorale
2
Voix Tenor, Piano
1
Voix haute
1
Voix duo, Piano
1
Voix moyenne, Piano
1
Chorale SSATB
1
Voix Baryton, Piano
1
Voix duo
1
Voix seule
1
Voix Soprano, Piano
1
+ 11 instrumentations
Retracter
Vents
2 Flûtes traversières, Piano
25
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone (partie séparée)
9
Flûte traversière et Piano
8
Clarinette (partie séparée)
8
Saxophone Alto et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Clarinette et Piano
6
Quintette de Saxophone: 5 saxophones
6
Saxophone Tenor et Piano
5
Quatuor de Saxophones: 4 saxophones
4
Flûte et Guitare
4
2 Saxophones (duo)
3
Hautbois, Piano (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Flute (partie séparée)
3
Saxophone Soprano et Piano
3
2 Flûtes traversières (duo)
2
2 Clarinettes (duo)
2
3 Clarinettes (trio)
2
Ensemble de saxophones
2
Ensemble de Flûtes
2
Saxophone Alto
2
Ensemble de Clarinettes
2
Flûte, Clarinette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Trio de Flûtes: 3 flûtes
2
Flûte traversière
2
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Baryton, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette, Basson (duo)
1
2 Clarinettes, Piano
1
Hautbois
1
Clarinette, Violon (duo)
1
Flûte, Violon
1
Saxophone Tenor
1
Instruments en Mib
1
3 Saxophones (trio)
1
Hautbois (partie séparée)
1
+ 36 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trompette
10
Trompette, Piano
8
Trompette (partie séparée)
6
Cor (partie séparée)
6
Trombone (partie séparée)
5
Trombone et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Trompettes (duo)
3
Cor et Piano
3
Bass Clef Instruments
2
Tuba (partie séparée)
2
3 Trompettes (trio)
1
Trompette, Cor (duo)
1
Instruments en Sib
1
2 Trombones (duo)
1
Tuba
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Cor (duo)
1
Tuba et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba ou Euphonium ou Saxhorn
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trombones
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violoncelle
9
Violon et Piano
9
Violoncelle, Piano
9
Violon
7
Violon, Violoncelle (duo)
7
Alto, Piano
3
Harpe
3
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Alto, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto seul
2
Violon (partie séparée)
2
Violon, Guitare (duo)
2
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
2 Harpes (duo)
1
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
Quatuor à cordes: 4 violons
1
Contrebasse (partie séparée)
1
Alto, Violoncelle (duo)
1
Harpe, Voix
1
2 Violoncelles (duo)
1
Violon, Alto (duo)
1
Violoncelle (partie séparée)
1
2 Altos (duo)
1
Contre Basse
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Cloches
129
Orchestre d'harmonie
118
Orchestre à Cordes
14
Orchestre
14
Ensemble de cuivres
10
Ensemble Jazz
6
Orchestre de chambre
6
Fanfare
4
Ensemble d'École
3
Percussion
2
Jazz combo
2
Batterie
2
Ensemble de Percussions
1
Piano et Orchestre
1
Timbales
1
Batterie (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
9
Librairie Musicale
3
Matériel de Musique
276
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Gene and Pat
Chorale TTBB
Partitions à imprimer
9 partitions trouvées
<
1
Lift Every Voice and Sing
#
Chorale TTBB
#
Musique Sacrée
#
Craig Courtney
#
Lift Every Voice and Sing
#
Lorenz Publishing Company
#
SheetMusicPlus
TTBB choir, Solo, Piano; Optional Instrumental Parts - Arranged by Craig Courtney. With Optional Instrumental Parts. Sacred Anthem, All Saints\'...
(+)
TTBB choir, Solo, Piano; Optional Instrumental Parts - Arranged by Craig Courtney. With Optional Instrumental Parts. Sacred Anthem, All Saints\' Day, General, Patriotic, Reformation. Octavo. 12 pages. Lorenz Publishing Company #e10/5117L. Published by Lorenz Publishing Company
$2.50
The Story Of Reuben Clamzo & His Strange Daughter
#
Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Shake Up Christmas
#
Chorale TTBB
#
FACILE
#
Train
#
Ash
#
Shake Up Christmas
#
Music by Ash
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.919855 By Train. By Butch Walker and Pat Monahan. Arranged by Ash. A Cappella,Pop,Rock. Octavo. 18 pages. Music ...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.919855 By Train. By Butch Walker and Pat Monahan. Arranged by Ash. A Cappella,Pop,Rock. Octavo. 18 pages. Music by Ash #6587515. Published by Music by Ash (A0.919855). General DetailsA cappella (vocal percussion optional)4 voice parts with solo throughoutDivisi in T2 line, briefly in T1 lineIdeally suited for 12-16 voicesDuration: approx. 4:15Vocal RangesSolo: G3-A4Tenor 1: G3-G4Tenor 2: E3-F4Baritone: C3-C4Bass: E2-Bb3 Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$2.00
The Gift of Love
#
Chorale TTBB
#
Musique Sacrée
#
Hal H
#
Sing Series
#
The Gift of Love
#
Hope Publishing - Digital
#
SheetMusicPlus
Choral, Quartet, Solo TTBB choir (key of C) - Digital Download Arranged by Hal H. Hopson. Ring & Sing Series. Hymntune, Wedding, General Worship, ...
(+)
Choral, Quartet, Solo TTBB choir (key of C) - Digital Download Arranged by Hal H. Hopson. Ring & Sing Series. Hymntune, Wedding, General Worship, Children, Love. Not compatibl. 8 pages. Hope Publishing - Digital #HH3954DP. Published by Hope Publishing - Digital
1 Corinthians 13:1 - 1 Corinthians 13:2 - 1 Corinthians 13:3 - 1 Corinthians 13:4 - 1 Corinthians 13:5 - 1 Corinthians 13:6 - 1 Corinthians 13:7 - 1 Corinthians 13:8 - 1 Corinthians 13:9 - 1 Corinthians 13:10 - 1 Corinthians 13:11 -.
Original anthem This Hal Hopson classic is appropriate for services where "love" is the theme and is especially useful for weddings. The familiar words are a paraphrase of 1 Corinthians 13 and the haunting tune is based on the traditional English melody, O WALY WALY. The SAB voicing, String Quartet setting and Performance/Accompaniment CD are new for this year (2012). The String Quartet setting can be for strings only or used as an accompaniment for the choral settings or the vocal solo, but not for the TTBB version which is in the Key of C. String Parts come in the two keys, A & G, and include parts for Violin 1 & 2, Viola and Cello.
$2.95
Blood Red Roses
#
Chorale TTBB
#
FACILE
#
Traditional Sea Shanty
#
John Sandford
#
Blood Red Roses
#
John A Sandford
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.972803 Composed by Traditional Sea Shanty. Arranged by John Sandford. Folk,World. Octavo. 5 pages. John A Sandfo...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.972803 Composed by Traditional Sea Shanty. Arranged by John Sandford. Folk,World. Octavo. 5 pages. John A Sandford #6261425. Published by John A Sandford (A0.972803). The sea shanty is to be sung by male voices. The performance notes state that the shanty is to be sung with great gusto. However, there is room for artistic choice in the rhythm patterns of the verses and the amount of rubato used. Always be guided by the words is the general maxim to be observed. The first tenor part could be a soloist in keeping with the 'call and response' nature of the song or by a few voices.https://www.facebook.com/NoStringsAttached/videos/751426595497632
$1.99
Silver Echo Taps (for double men's chorus)
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Union Army Brigadier General D
#
Donald A
#
Words by Horace Lorenzo Trim
#
Silver Echo Taps
#
Donald A Mills
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.930161 Composed by Union Army Brigadier General Daniel Butterfield (1862), Horace Lorenzo Trim. Arranged by Dona...
(+)
Choral Choir (TTBB) - Level 4 - SKU: A0.930161 Composed by Union Army Brigadier General Daniel Butterfield (1862), Horace Lorenzo Trim. Arranged by Donald A. Mills. A Cappella,Contemporary,Folk,Patriotic,Spiritual. Octavo. 11 pages. Donald A Mills #3074007. Published by Donald A Mills (A0.930161). This Taps is an echo version of Taps. It is a TTBB / TTBB double men's chorus, chorus and quartet, or double quartet. You audiences will love this new arrangement, revised on 5.10.17. Keep this one in your repertoire for the appropriate holidays, for concert performance (including choral contests), or for the occasional military use. It is also appropriate for a call for lights out in scouting. The two singing groups may stand together, but also consider standing front and back in the hall, or side to side of the hall to intensify the surround-sound effect. Music by Union Army Brigadier General Daniel Butterfield 1862; Words by Horace Lorenzo Trim.
$2.29
Fairest Lord Jesus
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Traditional Crusaders' Hymm
#
Maury Franklin
#
Fairest Lord Jesus
#
Maury Franklin
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.983474 Composed by Traditional Crusaders' Hymm. Arranged by Maury Franklin. Christian,Contemporary,Easter,Holida...
(+)
Choral Choir (TTBB) - Level 4 - SKU: A0.983474 Composed by Traditional Crusaders' Hymm. Arranged by Maury Franklin. Christian,Contemporary,Easter,Holiday,Patriotic,Sacred. Octavo. 12 pages. Maury Franklin #4598155. Published by Maury Franklin (A0.983474). Fairest Lord Jesus is a traditional Crusaders' Hymn that Maury Franklin has arranged for TTBB chorus, Tenor soloist, brass and percussion. This stirring arrangement is ideal for patriotic holidays or general worship services.
$6.00
America
#
Chorale TTBB
#
Musique Sacrée
#
Mary Mcdonald
#
America
#
Lorenz Publishing Company
#
SheetMusicPlus
By Mary Mcdonald. For TTBB choir and piano (with optional orchestra (trumpet)). Sacred Anthem: General, Patriotic. Choral score. Published by Lorenz Publishing ...
(+)
By Mary Mcdonald. For TTBB choir and piano (with optional orchestra (trumpet)). Sacred Anthem: General, Patriotic. Choral score. Published by Lorenz Publishing Company
$2.50
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Gene and Pat
