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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Go Your Own Way
Non classifié
116
Piano & claviers
Piano seul
117
Piano, Voix et Guitare
52
Piano Facile
28
Piano, Voix
27
Instruments en Do
7
Accompagnement Piano
4
2 Pianos, 4 mains
2
Piano grosses notes
2
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
20
Ukulele
19
Guitare
11
Basse electrique
7
Ligne De Mélodie, (Paroles) et Accords
5
Paroles et Accords
2
Ukulele Baryton
1
Piano, Guitare (duo)
1
Dulcimer
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
43
Chorale 3 parties
21
Chorale TTBB
13
Chorale SSAA
10
Chorale 2 parties
6
Chorale Unison
3
Voix duo
2
Voix seule
2
Voix Alto, Piano
2
Voix duo, Piano
1
Voix Soprano, Piano
1
Chorale SSATB
1
Voix Baryton, Piano
1
Voix haute
1
+ 9 instrumentations
Retracter
Vents
Clarinette et Piano
8
Hautbois, Piano (duo)
7
Flûte traversière et Piano
6
2 Flûtes traversières (duo)
4
2 Saxophones (duo)
4
Saxophone Alto et Piano
4
Saxophone, Clarinette (duo)
3
Flûte traversière
3
Clarinette (partie séparée)
3
Saxophone Tenor et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette, Violon (duo)
2
Ensemble de Flûtes
2
Ensemble de saxophones
2
Saxophone Tenor
2
Trio de Flûtes: 3 flûtes
2
2 Flûtes traversières, Piano
1
Flute (partie séparée)
1
Hautbois, Clarinette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette Basse, Piano
1
Saxophone Soprano et Piano
1
Flûte, Violon
1
Quatuor de Flûtes : 4 flûtes
1
Cor anglais, Piano
1
Hautbois (partie séparée)
1
Clarinette, Guitare (duo)
1
Hautbois, Basson (duo)
1
2 Hautbois (duo)
1
Clarinette, Basson (duo)
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette et Alto
1
Hautbois, Flûte
1
Quatuor de Saxophones: 4 saxophones
1
Ensemble de Clarinettes
1
Saxophone Baryton, Piano
1
Saxophone Alto
1
Clarinette
1
+ 34 instrumentations
Retracter
Cuivres
Trompette
5
Trompette, Piano
5
Quatuor de Cuivres
3
Trombone et Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Euphonium, Piano (duo)
2
Tuba (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette (partie séparée)
2
Trompette, Saxophone (duo)
2
Trombone
1
2 Tubas (duo)
1
Trombone (partie séparée)
1
Trompette, Trombone (duo)
1
Cor anglais, Piano
1
Ensemble de Cors
1
Cor
1
Cor (partie séparée)
1
Cor et Piano
1
Tuba
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Alto, Piano
10
Violon et Piano
10
Harpe
6
Violoncelle, Piano
6
Trio à Cordes: 2 violons, violoncelle
6
Violon (partie séparée)
6
Violon, Violoncelle (duo)
4
Contrebasse (partie séparée)
3
Harpe, Voix
2
Violon
2
Violoncelle (partie séparée)
2
Alto (partie séparée)
2
Trio à Cordes: violon, alto, violoncelle
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
1
2 Altos (duo)
1
2 Violons (duo)
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
41
Ensemble Jazz
25
Orchestre
14
Orchestre à Cordes
11
Cloches
6
Orchestre de chambre
6
Batterie
2
Ensemble de cuivres
2
Percussion (partie séparée)
2
Fanfare
2
Ensemble de Percussions
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
Go Your Own Way
Chorale TTBB
Partitions à imprimer
13 partitions trouvées
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1
Go Your Own Way
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Chorale TTBB
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FACILE
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Film/TV
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Fleetwood Mac
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Brian Haverkate
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Go Your Own Way
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Brian Haverkate
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.972614 By Fleetwood Mac. By Lindsey Buckingham. Arranged by Brian Haverkate. Film/TV. Octavo. 12 pages. Brian Ha...
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Choral Choir (TTBB) - Level 2 - SKU: A0.972614 By Fleetwood Mac. By Lindsey Buckingham. Arranged by Brian Haverkate. Film/TV. Octavo. 12 pages. Brian Haverkate #6362419. Published by Brian Haverkate (A0.972614). Great for a TTBB ensemble!
$2.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
When the Saints go marching in
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Chorale TTBB
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FACILE
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Unknown
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Pieter Bongaarts
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When the Saints go marching in
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Pieter Bongaarts
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1273866 By Unknown. By Unknown. Arranged by Pieter Bongaarts. A Cappella,Spiritual,Traditional. 6 pages. ...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1273866 By Unknown. By Unknown. Arranged by Pieter Bongaarts. A Cappella,Spiritual,Traditional. 6 pages. Pieter Bongaarts #865997. Published by Pieter Bongaarts (A0.1273866). When the Saints go marching in is a famous American Gospel song.Pieter Bongaarts Arranged it in a swinging way for male choir.Choir members can find practice links per part on the links below:(copy the link and paste it into your browser)Â T1:Â Â https://youtu.be/Seq0NVoOec4T2:Â Â https://youtu.be/sKm1WBRY9McB1:Â Â https://youtu.be/naWktg0ZplUB2:Â Â https://youtu.be/mOWpn36-_pg.
$2.49
Let's Go Fly A Kite
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Chorale TTBB
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FACILE
#
Contemporain
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Richard M
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Liz Garnett
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Let's Go Fly A Kite
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Liz Garnett
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.856264 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Liz Garnett. Contemporary. Octavo. 3 pa...
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Choral Choir (TTBB) - Level 2 - SKU: A0.856264 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Liz Garnett. Contemporary. Octavo. 3 pages. Liz Garnett #6563219. Published by Liz Garnett (A0.856264). This arrangement was commissioned by the Cottontown Chorus as the closer for their Mary Poppins show set, building on their contest numbers from the same musical. The song presents a simple metaphor of a soaring kite as a way to get your spirits likewise aloft, and clothes it in a tune that cannot help but cheer you up. Once you get this song in your head, it is virtually impossible to stop singing it.Vocal Ranges:Tenor: C4 - B flat 4 Lead: C3 - G4
$2.99
Goodnight, Sweetheart, Goodnight (goodnight, It's Time To Go)
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Chorale TTBB
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INTERMÉDIAIRE
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Chuck Berry
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Kevin Koehl
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Goodnight, Sweetheart, Goodnig
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Kevin Koehl
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SheetMusicPlus
Voice (TTBB) - Level 3 - SKU: A0.1292965 By Chuck Berry. By Calvin Carter and James Hudson. Arranged by Kevin Koehl. A Cappella,Barbershop,Country. Barb...
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Voice (TTBB) - Level 3 - SKU: A0.1292965 By Chuck Berry. By Calvin Carter and James Hudson. Arranged by Kevin Koehl. A Cappella,Barbershop,Country. Barbershop Quartet. 7 pages. Kevin Koehl #883571. Published by Kevin Koehl (A0.1292965). Did you ever had the urge to sing a romantic farewell song to your true love? I got you and on top this song has a feeling as if you're trying to get away on your horse in the midwest.This Version for TTBB Voices.
$12.99
Let It Go
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Chorale TTBB
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DÉBUTANT
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Idina Menzel
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Ash
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Let It Go
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Music by Ash
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.919845 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Ash. A Cappella,Broadway,Musical...
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Choral Choir (TTBB) - Level 1 - SKU: A0.919845 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Ash. A Cappella,Broadway,Musical/Show. Octavo. 21 pages. Music by Ash #6573403. Published by Music by Ash (A0.919845). From FrozenGeneral DetailsA cappella4 voice parts with 1 solo and a brief trioDivisi in T1 and T2 linesMinimum of 10 voices requiredDuration: approx. 4:25Vocal RangesSolo(s): A2-A4Harmony 1: G3-D4Harmony 2: G3-G3Harmony 3: G3-A4Tenor 1: E3-G4Tenor 2: D3-D4Baritone: C3-C4Bass: D2-A3 Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$2.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
This Is Me
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Benj Pasek and Justin Paul
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Shelton Ridge Love
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I am bruised
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This Is Me
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. S...
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Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME! - Shelton
$1.99
Africa
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
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Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
What We Meant to Say for TTBB a cappella
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Chorale TTBB
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INTERMÉDIAIRE
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Leslie Kleen
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What We Meant to Say for TTBB
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Music From Riverside
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1004781 Composed by Leslie Kleen. A Cappella. Octavo. 3 pages. Music From Riverside #4367304. Published by Music...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1004781 Composed by Leslie Kleen. A Cappella. Octavo. 3 pages. Music From Riverside #4367304. Published by Music From Riverside (A0.1004781). All about tossing and turning at night, unable to get to sleep while you wonder whether you and that other person said what you each meant to say. Repetition invokes the feeling of the way the doubts go through your mind over and over.Finally, a humorous twist at the end.Barbershop-like harmonies.Words by Theodosia Garrison in public domain.
$1.99
Can't Help Falling In Love
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Chorale TTBB
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Rock
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Rock
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Elvis Presley
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Jonathan Kilhams
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Can't Help Falling In Love
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.943042 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jonathan Kilhams. Rock. Octa...
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Choral Choir (TTBB) - SKU: A0.943042 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jonathan Kilhams. Rock. Octavo. 9 pages. Jonathan Kilhams #4798035. Published by Jonathan Kilhams (A0.943042). About the piece Can't Help Falling in Love is a 1961 song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. (The melody is based on Plaisir d'amour, a popular French love song composed in 1784 by Jean-Paul-Égide Martini). The song was initially written for a woman as Can't Help Falling in Love with Him, which explains the first and third line ending on in and sin rather than words rhyming with you. Can't Help Falling in Love was featured in Presley's 1961 film Blue Hawaii. During the following four decades, it has been recorded by numerous other artists, including Bob Dylan on his 1973 album Dylan, Tom Smothers, Swedish pop group A-Teens, and the British reggae group UB40, whose 1993 version topped the U.S. and UK charts. Elvis Presley's version of the song topped the British charts in 1962, spending four weeks at no. 1. The single is certified Platinum by the RIAA, for US sales in excess of one million copies. In the United States, the song peaked at No. 2 on the US Billboard Hot 100 behind Joey Dee and the Starliters' Peppermint Twist and went to No. 1 on the Adult Contemporary chart for six weeks.About the arrangement This arrangement was inspired by the Elvis Presley version in 1962 and also the Pentatonix version recorded in 2017. It has been arranged for choirs that like to perform off by heart as the verse and chorus harmony are the same with very slight additions. The arrangement is for TTBB and piano and my thanks must go to Gareth Giles (pianist, organist, composer and arranger) who helped create the piano part for this arrangement. Duration: 3 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
Deep Into The Ground
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Chorale TTBB
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INTERMÉDIAIRE
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Comédie Musicale
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Cast Of Billy Elliot - The Mus
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Matt Clifford Sharp
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Deep Into The Ground
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Matthew Sharp
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1495648 By Cast Of Billy Elliot - The Musical. By Elton John and Lee Hall. Arranged by Matt Cliffo...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1495648 By Cast Of Billy Elliot - The Musical. By Elton John and Lee Hall. Arranged by Matt Clifford Sharp. Broadway,Musical/Show. 7 pages. Matthew Sharp #1072171. Published by Matthew Sharp (A0.1495648). From the musical production of Billy Elliot. This has a simple, evocative melody in which Billy's Father expresses his painfully sad life story, whilst still harbouring a deep, emotional connection to his community and home. The opening acapella solo is very effective, though can easily be given to a whole section if required. It's a simple arrangement where all parts get some melody and the tenors only go up to Eb. Your lower basses will enjoy the optional 8vb on the final line!A VOCAL SCORE AND FULL SET OF REHEARSAL TRACKS IS AVAILABLE FOR FREE.Contact: msharp93@live.co.uk www.matthewsharppianist.com
$2.99
Food, Glorious Food
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Chorale TTBB
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INTERMÉDIAIRE
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Lionel Bart
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Mark Burnip
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Food, Glorious Food
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Mark S Burnip
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1477355 Composed by Lionel Bart. Arranged by Mark Burnip. 20th Century,A Cappella,Barbershop,Broadwa...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1477355 Composed by Lionel Bart. Arranged by Mark Burnip. 20th Century,A Cappella,Barbershop,Broadway,Musical/Show,Traditional. 6 pages. Mark S Burnip #1054778. Published by Mark S Burnip (A0.1477355). This is a TTBB arrangement of Food Glorious Food from Lional Barts masterpiece Oliver. A wonderful show piece that would lift any choruses repertoire I feel it a real crowd pleaser!There are solos for all voices and a chance to shine throughout the tag is tricky but if you go for it a real winner with your audience. If you wish to have vocal learning tracks I can provide them for you.I hope you enjoy this uplifting and energetic arrangement.
$1.99
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