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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hope Will Come
Sheetmusicplus
Non classifié
230
Piano & claviers
Piano seul
115
Piano, Voix
21
Orgue
16
Piano, Voix et Guitare
14
Piano Facile
10
Instruments en Do
6
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
+ 4 instrumentations
Retracter
Guitares
Guitare
9
2 Guitares (duo)
5
3 Guitares (trio)
4
4 Guitares (Quatuor)
3
Guitare notes et tablatures
2
Ukulele
1
Banjo
1
Basse electrique
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
78
Chorale 3 parties
14
Chorale TTBB
7
Chorale 2 parties
7
Voix Soprano, Piano
5
Chorale Unison
4
Voix Baryton, Piano
3
Voix duo, Piano
3
Chorale SSAA
2
Voix haute
2
Voix Soprano
1
Voix Alto, Piano
1
Voix moyenne, Piano
1
Voix basse
1
Voix seule
1
Voix duo
1
Voix basse, Piano
1
Voix Tenor
1
+ 13 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
19
Quatuor de Saxophones: 4 saxophones
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
2 Flûtes traversières (duo)
14
Hautbois (partie séparée)
13
Clarinette
12
Ensemble de saxophones
11
Flûte, Hautbois, Clarinette, Basson
9
Ensemble de Flûtes
9
Ensemble de Clarinettes
7
Flûte à bec Soprano
5
Flûte et Guitare
5
Saxophone Alto
4
Quatuor de Flûtes : 4 flûtes
2
Flûte traversière et Piano
2
Flûte traversière
2
Flûte, Violon
2
Quintette de Flûte : 5 flûtes
2
Cor anglais, Piano
1
2 Clarinettes (duo)
1
Flûte, Violon, Piano
1
Hautbois, Piano (duo)
1
Clarinette, Basson (duo)
1
Saxophone Alto et Piano
1
Saxophone et Guitare
1
Quatuor de Flûtes à bec
1
Flûte à Bec
1
Hautbois, Violoncelle
1
+ 23 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Quatuor de Cuivres
10
Ensemble de Trompettes
7
Ensemble de Trombones
6
Trombone
5
Tuba
4
Cor
4
Trompette
4
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Cors
1
Trompette, Piano
1
Trombone et Piano
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violoncelle
9
Violon
8
2 Violons (duo)
7
Contre Basse
5
Ensemble d'Altos
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Violoncelles (duo)
4
Violon et Piano
4
Harpe
3
Ensemble de Violons
3
Alto seul
2
Trio à Cordes: 2 violons, violoncelle
2
Alto (partie séparée)
2
Alto, Piano
2
Harpe, Voix
1
Violoncelle, Piano
1
Violon, Violoncelle (duo)
1
2 Violons, Piano
1
Alto et Harpe
1
Violon, Alto (duo)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Cloches
21
Orchestre
16
Orchestre d'harmonie
14
Orchestre à Cordes
9
Orchestre de chambre
7
Ensemble Jazz
5
Ensemble de cuivres
1
+ 2 instrumentations
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CLAIRON
CLARINETTE
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COR
COR ANGLAIS
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
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MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIOLON
VIOLONCELLE
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NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
Hope Will Come
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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1
Facetime With My Mom Tonight
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Chorale TTBB
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INTERMÉDIAIRE
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Bo Burnham
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Jacob Klingsten
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Facetime With My Mom Tonight
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Jacob Klingsten
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1406776 Composed by Bo Burnham. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contempo...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1406776 Composed by Bo Burnham. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Film/TV. 11 pages. Jacob Klingsten #989524. Published by Jacob Klingsten (A0.1406776). “FaceTime with my Mom (Tonight)†by Bo Burnham is a song from the comedy special Inside. This arrangement is for TTBB a cappella groups, and sits at an easy-intermediate difficulty for high school/collegiate groups. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one.This arrangement features the main soloist, who sings quite lyrically and seriously (satirical, of course) about the relatable experience of FaceTiming with their parents. The echoes in the original recording are included in the score for the soloist to sing, if they wish. Additionally, the piece is relatively easy to learn, with a very repetative chord progression. As the arranger, I imagine the background vocalists miming the various lyrics that the soloist sings when they aren't looking, only for them to appear 'normal' when the soloist turns back. This song also works as a great low-key piece for your set if you're looking to add a subtle, satirical aspect of comedy. Additional Details: Key: Db major 11 Pages Length: 2m 20s Ranges: Solo: Bb2-Db4 Tenor 1: Bb3-Gb4 Tenor 2: Gb3-Db4 Baritone: Eb3-Bb3 Bass: Eb2-F3 If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges around $50 per commissioned arrangement. Jacob would love to work with you and your ensemble!Jacob Klingsten is an undergraduate student pursuing their B.A. in Music Education, and is expected to graduate in May 2025. He hopes to become a middle school and/or high school choir teacher to not only teach the choral art, but also the art of Contemporary A Cappella. He hopes you will enjoy singing his arrangements!
$2.49
Three Lions
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Chorale TTBB
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INTERMÉDIAIRE
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The Lightning Seeds
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Liz Garnett
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Three Lions
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Liz Garnett
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.856261 By The Lightning Seeds. By David Baddiel, Frank Skinner, and Ian Zachary Broudie. Arranged by Liz Garnett...
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Choral Choir (TTBB) - Level 3 - SKU: A0.856261 By The Lightning Seeds. By David Baddiel, Frank Skinner, and Ian Zachary Broudie. Arranged by Liz Garnett. A Cappella. Octavo. 6 pages. Liz Garnett #6458705. Published by Liz Garnett (A0.856261). This classic anthem of support for the England football team blends endless optimism with the awareness of all the times those hopes have come to nothing, and is thus emotionally relevant whether the team wins or loses. It also has some great chords in it, so is eminently suitable for close-harmony a cappella singing.The arrangement includes space to include some quotes from classic football commentary should you want to add that to your performance, and also comes with both a low and a high ending. If you're aiming for a wistful feel evoking the fade-out of the original song, the low tag will be best; if you are expecting a high-energy, audience-singalong occasion, building to the high tag will work better.Vocal Ranges:Tenor: B3 - B4Lead: E3 - E4Bari: E3 - G4Bass: G2 - C4www.HelpingYouHarmonise.com
$2.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
The Leaves of the Fall
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Chorale TTBB
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FACILE
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
Waltz of the Roses (Think of My Love As A Rose), for TB Chorus Piano, Theme from The Snow Queen, A B
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Chorale TTBB
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FACILE
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. P...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. Published by James Nathaniel Holland (A0.730416). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged here for TB Male Chorus or Individual Tenor or Bass Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.25
Invictus
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Chorale TTBB
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AVANCÉ
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John Allison
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Invictus
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John Allison
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.1196607 Composed by John Allison. A Cappella,Contemporary,Contest,Festival. Octavo. 8 pages. John Allison #79577...
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Choral Choir (TTBB) - Level 5 - SKU: A0.1196607 Composed by John Allison. A Cappella,Contemporary,Contest,Festival. Octavo. 8 pages. John Allison #795770. Published by John Allison (A0.1196607). This is an a capella setting for six-part male voice choir (TTBarBarBB) of a C19th poem that remains remarkably relevant to any contemporary struggle against injustice. The poem was a favourite of Nelson Mandela's during his 27 years of imprisonment. The piece opens with a haunting evocation of the darkness and cruelty of unjust incarceration; a rhythmic middle section portrays the prisoner's stubborn refusal to lose hope and human dignity, whatever obstacles and punishments must be overcome. The final, maestoso section is a rousing hymn, a joyful celebration of determination to remain true to one's beliefs and ideals, and pride in being the master of one's own fate.Audiences will appreciate the variety of moods and tempos within the piece; ending on a huge emotional high makes it the perfect number to end a performance. Male voice choirs will relish the challenge and the opportunity to demonstrate their control of dynamics, rhythmic ensemble singing and a full range of timbres from ghostly to triumphant.
$2.50
Lumberjack Song
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Chorale TTBB
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INTERMÉDIAIRE
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Monty Python
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Christopher Alexander
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Lumberjack Song
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1121061 By Monty Python. By Fred Tomlinson, Michael Palin, and Terence Jones. Arranged by Christopher Ale...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1121061 By Monty Python. By Fred Tomlinson, Michael Palin, and Terence Jones. Arranged by Christopher Alexander. Comedy,Film/TV. 16 pages. Christopher Alexander #722249. Published by Christopher Alexander (A0.1121061). From the renowned international comedy troupe Monty Python, this song is undoubtedly one of their most famous. A silly song? Indeed yes, but that is what Monty Python is all about. Your men's chorus will have a fun time performing this arrangement and your audiences will laugh and love it too. Give one of your performers a chance on the solo to convey the high hopes and grandeur (albeit questionable at times) to fulfill his lifelong dream of being...a lumberjack!
$2.25
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Hope Will Come
