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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
How Great Thou Art!
Non classifié
487
Piano & claviers
Piano seul
258
Piano Facile
44
Piano, Voix et Guitare
42
Piano, Voix
33
Accompagnement Piano
19
Orgue
16
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
5
Instruments en Do
5
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano grosses notes
2
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
18
Guitare notes et tablatures
12
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
2
Paroles et Accords
2
Dulcimer
2
2 Guitares (duo)
2
Ukulele Baryton
2
Mandoline, Guitare (duo)
1
Basse electrique
1
Ukulele
1
Guitare Pedal Steel
1
Piano, Guitare (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
66
Chorale 3 parties
31
Chorale 2 parties
25
Chorale TTBB
16
Pack Instrumental pour Chorale
12
Voix duo, Piano
11
Voix Alto, Piano
10
Chorale Unison
6
Chorale SSAA
4
Voix duo
3
Voix moyenne, Piano
2
Voix Baryton, Piano
1
Chorale SSAB a cappella
1
Voix seule
1
Voix Soprano, Piano
1
Chorale SSAATTBB
1
+ 11 instrumentations
Retracter
Vents
Saxophone Alto et Piano
38
Flûte traversière et Piano
37
Clarinette et Piano
35
2 Flûtes traversières (duo)
34
Hautbois, Piano (duo)
28
2 Saxophones (duo)
26
Clarinette
25
2 Clarinettes (duo)
25
Quatuor de Saxophones: 4 saxophones
24
Saxophone Tenor et Piano
18
Hautbois (partie séparée)
15
Flûte traversière
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Alto
10
Saxophone Soprano et Piano
10
Flûte, Clarinette (duo)
9
Saxophone Baryton, Piano
9
Cor anglais, Piano
9
Saxophone, Clarinette (duo)
8
Quatuor de Clarinettes: 4 clarinettes
8
Clarinette, Violon (duo)
8
Saxophone (partie séparée)
8
Saxophone
7
Saxophone Tenor
7
2 Flûte à bec (duo)
7
Clarinette, Trompette (duo)
7
3 Clarinettes (trio)
6
Flûte, Violon
5
3 Saxophones (trio)
5
Hautbois, Basson (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Hautbois, Clarinette (duo)
5
Quintette de Saxophone: 5 saxophones
5
2 Clarinettes, Piano
5
Clarinette Basse, Piano
5
Flûte, Trompette (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Flûte à bec Soprano
4
2 Hautbois (duo)
4
Flûte, Alto (duo)
4
Flûte à bec Soprano, Piano
3
Clarinette, Basson (duo)
3
Flûte, Hautbois (duo)
3
Flûte, Saxophone (duo)
3
Clarinette et Alto
3
Quintette de Flûte : 5 flûtes
3
Flute (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Hautbois, Flûte
2
Flûte à Bec
2
Flûte, Hautbois, Violon
2
Flûte, Basson et Piano
2
Flûte et Guitare
2
Saxophone et Orgue
2
Ensemble de saxophones
2
Flûte, Clarinette, Violon (trio)
2
Piccolo
2
Ensemble de Flûtes
2
Piccolo, Piano
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Harpe (duo)
2
Ensemble de Hautbois
1
2 Flûtes traversières, Harpe
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Orgue
1
Flûte à bec Tenor
1
Flûte, Harpe et Violoncelle
1
Ensemble de Clarinettes
1
Flûte, Hautbois, Basson
1
Flûte, Violon, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Trombone (duo)
1
Flûte à Bec, Piano
1
Flûte, Clarinette et Basson
1
Saxophone Soprano
1
Clarinette, Trombone (duo)
1
Flûte irlandaise
1
Hautbois, violon (duo)
1
Clarinette, Basson, Piano (trio)
1
Cor Anglais
1
+ 78 instrumentations
Retracter
Cuivres
Trompette
24
Trombone et Piano
21
Trompette, Piano
18
Trombone
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
2 Trombones (duo)
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
2 Trompettes (duo)
11
Cor anglais, Piano
9
Cor
9
Euphonium, Piano (duo)
6
Tuba et Piano
6
Cor et Piano
6
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 trombones
5
Trompette, Trombone (duo)
4
2 Cors (duo)
3
Trombone (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba
3
3 Trombones (trio)
2
Trompette, Cor (duo)
2
2 Trombones, Piano
2
Trompette (partie séparée)
2
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres
1
Cor et Orgue
1
Trombone, Tuba (duo)
1
Tuba et Orgue
1
Ensemble de Tubas
1
Ensemble de Trompettes
1
Trombone, Orgue
1
Cor Anglais
1
+ 29 instrumentations
Retracter
Cordes
Violon et Piano
43
Quatuor à cordes: 2 violons, alto, violoncelle
43
Harpe
35
Violoncelle, Piano
26
Alto, Piano
25
Violon
24
2 Violons (duo)
19
Violoncelle
17
Violon, Violoncelle (duo)
13
Violon, Alto (duo)
12
2 Violoncelles (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
Alto seul
9
Piano Trio: Violon, Alto, Piano
7
2 Altos (duo)
7
Trio à Cordes: violon, alto, violoncelle
5
Violon (partie séparée)
4
Harpe, Voix
3
Trio à Cordes: 2 violons, alto
3
Harpe, Flûte (duo)
3
Contrebasse, Piano (duo)
3
2 Harpes (duo)
2
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Harpe, Violon (duo)
2
Violoncelle (partie séparée)
2
Quatuor à cordes: 4 violons
2
Contre Basse
2
2 Violons, Piano
2
Violoncelle, Orgue
1
Trio à cordes: 3 violins
1
Harpe et Piano
1
Harpe, Violon, Violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Violoncelle (duo)
1
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre
28
Fanfare
26
Orchestre d'harmonie
21
Cloches
16
Ensemble de cuivres
16
Orchestre à Cordes
14
Orchestre de chambre
9
Ensemble Jazz
7
Ensemble de Percussions
4
Marimba
4
Jazz combo
2
Batterie
2
Xylophone
1
Piano et Orchestre
1
Xylophone, Piano
1
+ 10 instrumentations
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Crtitères actifs :
How Great Thou Art!
Chorale TTBB
Partitions à imprimer
16 partitions trouvées
<
1
How Great Thou Art
#
Chorale TTBB
#
FACILE
#
Musique Sacrée
#
Martina McBride
#
Bert Phillips
#
How Great Thou Art
#
Bert Phillips
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.846530 By Martina McBride. By Adam Palmer, Matthew Hein, Stephanie Kulla, Stuart Hine, and Traditional Swedish F...
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Choral Choir (TTBB) - Level 2 - SKU: A0.846530 By Martina McBride. By Adam Palmer, Matthew Hein, Stephanie Kulla, Stuart Hine, and Traditional Swedish Folk Tune. Arranged by Bert Phillips. A Cappella,Barbershop,Praise & Worship. Octavo. 3 pages. Bert Phillips #4286653. Published by Bert Phillips (A0.846530). This is a simple TTBB a cappella barbershop arrangement of How Great Thou Art. The melody is in the lead voice (Tenor II) and in the bass. Follow me on facebook @bertscharts.
$1.99
How Great Thou Art
#
Chorale TTBB
#
FACILE
#
Martina McBride
#
Paul A
#
How Great Thou Art
#
Paul A. Jorg
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522432 By Martina McBride. By Traditional Swedish Folk Tune and William Thomas Emmanuel. Arranged by Paul A. Jor...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522432 By Martina McBride. By Traditional Swedish Folk Tune and William Thomas Emmanuel. Arranged by Paul A. Jorg. A Cappella,Country. Octavo. 4 pages. Paul A. Jorg #6117195. Published by Paul A. Jorg (A0.522432). This old Swedish favorite from the late 1800's was known as O Store Gut (O Mighty God) until 1949, when Stuart K. Hine translated the lyrics into English and copyrighted them, to be known as How Great Thou Art.This arrangement is for 4 part male voices (TTBB) harmony a cappella.
$4.59
How Great Thou Art
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Martina McBride
#
Charles A
#
How Great Thou Art
#
CG Publications
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.882512 By Martina McBride. By Traditional Swedish Folk Tune and William Thomas Emmanuel. Arranged by Charles A. ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.882512 By Martina McBride. By Traditional Swedish Folk Tune and William Thomas Emmanuel. Arranged by Charles A. Gravenhorst. A Cappella,Country. Octavo. 5 pages. CG Publications #6427977. Published by CG Publications (A0.882512). NEW SETTINGS SERIES: The inspiring words of Stuart Hine are joined to the timeless lyrical melody of Danny Boy (Londonderry Air) in this arrangement for 4-Part Men’s Voices (TTBB) suitable for Quartet or Full Men’s Chorus. The melody begins in the 2nd Tenors and shifts to 1st Tenors at the Refrain.
$1.99
How Great Thou Art
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Chorale TTBB
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FACILE
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Stuart K Hine
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Mark Burnip
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How Great Thou Art
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Mark S Burnip
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1161303 Composed by Stuart K Hine. Arranged by Mark Burnip. A Cappella,Barbershop,Religious,Spiritual. Octavo. 4...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1161303 Composed by Stuart K Hine. Arranged by Mark Burnip. A Cappella,Barbershop,Religious,Spiritual. Octavo. 4 pages. Mark S Burnip #761643. Published by Mark S Burnip (A0.1161303). This is a  TTBB arrangement of this wonderful hymn written in 1885 by Carl Boberg and translated into English by Stuart K Hine.This song has been arranged in the Barbershop style but feels very Gospel and gives solos to Bass and Tenor.Although not challenging vocal parts the key changes are difficult but gives the music a real lift easoecially into the Tag.this can be sung by chorus or Quartet and would be a fantastic asset to any choir's repertoire.
$1.99
How Great Thou Art
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Chorale TTBB
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FACILE
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Musique Sacrée
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Martina McBride
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Jeff Tincher
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How Great Thou Art
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Jeff Tincher
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.750675 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Jeff Tincher. Praise...
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Choral Choir (TTBB) - Level 2 - SKU: A0.750675 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Jeff Tincher. Praise & Worship,Sacred,Spiritual. Octavo. 11 pages. Jeff Tincher #358509. Published by Jeff Tincher (A0.750675). Here is a great arrangement of a grand hymn. In the original key from The Haven Quartet's Be Ye Holy project, this arrangement goes through several key changes. Duration = 3:56. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$1.99
How Great Thou Art
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Chorale TTBB
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INTERMÉDIAIRE
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Musique Sacrée
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Martina McBride
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Andrew Emmet
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How Great Thou Art
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1261659 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Andrew Emmet...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1261659 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Andrew Emmet. A Cappella,Christian,Praise & Worship,Religious,Sacred. 3 pages. Andrew J Emmet #854738. Published by Andrew J Emmet (A0.1261659). TTBB A Cappella arrangement.Tenor 1 goes up to Bb.Bass 2 goes down to F.
$4.25
How Great Thou Art
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Chorale TTBB
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INTERMÉDIAIRE
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Country
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Martina McBride
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Walter Latzko
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How Great Thou Art
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.871873 By Martina McBride. By Traditional Swedish Folk Tune and William Thomas Emmanuel. Arranged by Walter Latz...
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Choral Choir (TTBB) - Level 3 - SKU: A0.871873 By Martina McBride. By Traditional Swedish Folk Tune and William Thomas Emmanuel. Arranged by Walter Latzko. Country. Octavo. 6 pages. Latzko Muzic #5376427. Published by Latzko Muzic (A0.871873). VERY NICE ARRANGEMENT OF A BEAUTIFUL RELIGIOUS SONG.
$4.99
How Great Thou Art
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Chorale TTBB
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AVANCÉ
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Carl Boberg
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Luke de Villiers
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How Great Thou Art
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Luke de Villiers
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 5 - SKU: A0.1499284 Composed by Carl Boberg. Arranged by Luke de Villiers. A Cappella,Barbershop,Christian,Rel...
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Choral Choir,Choral (TTBB Chorus) - Level 5 - SKU: A0.1499284 Composed by Carl Boberg. Arranged by Luke de Villiers. A Cappella,Barbershop,Christian,Religious,Traditional. 4 pages. Luke de Villiers #1075338. Published by Luke de Villiers (A0.1499284).
$7.99
Where Could I Go
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Chorale TTBB
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Musique Sacrée
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Elvis Presley
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Bert Phillips
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Where Could I Go
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Bert Phillips
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.844180 By Elvis Presley. By James B. Coats. Arranged by Bert Phillips. A Cappella,Barbershop,Christian,Praise & Worship,Sp...
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Choral Choir (TTBB) - SKU: A0.844180 By Elvis Presley. By James B. Coats. Arranged by Bert Phillips. A Cappella,Barbershop,Christian,Praise & Worship,Spiritual. Octavo. 10 pages. Bert Phillips #4610109. Published by Bert Phillips (A0.844180). This TTBB arrangement is written in the barbershop style. The melody is mostly in the lead (2nd Tenor) part. This version is based on Elvis' version on the album How Great Thou Art. The now won't you tell me lyric was sung by Elvis in his cover of this song, but in this arrangement the bass singer gets that part. Elvis' version was in E, but this version has been pitched up to G with two half step key changes. The baritone part is high. This chart could be pitched down a step if needed. I hope you enjoy this chart. Please follow me on Facebook @bertscharts.
$1.99
Hymns Mashup I: How Great Thou Art / It Is Well With My Soul / Great Is Thy Faithfulness / Holy, Holy, Holy - 10 Prints by Anthem Lights - TTBB Choir + Piano
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Chorale TTBB
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Anthem Lights
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Hymns Mashup I: How Great Thou
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Musicnotes
Performed by: Anthem Lights: Hymns Mashup I: How Great Thou Art / It Is Well With My Soul / Great Is Thy Faithfulness / Holy, Holy, Holy Digital Sheetmusic - in...
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Performed by: Anthem Lights: Hymns Mashup I: How Great Thou Art / It Is Well With My Soul / Great Is Thy Faithfulness / Holy, Holy, Holy Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: TTBB Choir + Piano, instruments: TTBB Choir;Piano Accompaniment; 6 pages -- Choral~~Hymn~~Christian~~Church
$2.50
Agnus Dei with How Great Thou Art - 10 Prints by Joel Raney - TTBB Choir + Piano
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Chorale TTBB
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Joel Raney
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Agnus Dei with How Great Thou
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Musicnotes
Performed by: Joel Raney: Agnus Dei with How Great Thou Art Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: TTBB Choir +...
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Performed by: Joel Raney: Agnus Dei with How Great Thou Art Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: TTBB Choir + Piano, instruments: TTBB Choir;Piano Accompaniment; 10 pages -- Religious~~Praise & Worship~~Christian~~Church~~CCM
$2.25
Hymns Medley - 5 Prints by Anthem Lights - TTBB Choir + Piano
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Chorale TTBB
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Anthem Lights
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Hymns Medley - 5 Prints
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Musicnotes
Performed by: Anthem Lights: Hymns Medley - (How Great Thou Art - It Is Well with My Soul - Great Is Thy Faithfulness - Holy, Holy, Holy) Digital Sheetmusic - i...
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Performed by: Anthem Lights: Hymns Medley - (How Great Thou Art - It Is Well with My Soul - Great Is Thy Faithfulness - Holy, Holy, Holy) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: TTBB Choir + Piano, instruments: TTBB Choir;Piano Accompaniment; 6 pages -- Religious~~Christian~~Hymn
$2.50
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Scooby Doo, Where Are You?
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Chorale TTBB
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INTERMÉDIAIRE
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Ben Raleigh and David Monk
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Alex Frank
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Scooby Doo, Where Are You?
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Alex Frank
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #...
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Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99
It Must Be Love
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Madness
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Austin Ralphson
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It Must Be Love
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Austin Ralphson
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.563716 By Madness. By Labi Siffre. Arranged by Austin Ralphson. Pop. Octavo. 18 pages. Austin Ralphson #4775161....
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Choral Choir (TTBB) - Level 4 - SKU: A0.563716 By Madness. By Labi Siffre. Arranged by Austin Ralphson. Pop. Octavo. 18 pages. Austin Ralphson #4775161. Published by Austin Ralphson (A0.563716). Ska/pop band Madness recorded this song in 1981 and it has become a firm favourite, especially at weddings and anniversary parties. This arrangement avoids the obvious piano chords in the vocal parts, focusing more on melodic polyphony. It is not too difficult to put together and has exciting parts for all singers. I've also done optional parts for the sax/guitar solo in the middle; these are provided in C (treble and bass clefs), B flat and E flat to cater for almost any solo instrument you have available to play it (possibly a choir member?). This solo should be loud and raucous! The piece still works perfectly well without, however. It is great to perform and to listen to for the audience. Enjoy!
$2.49
Driving In My Car
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Madness
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Austin Ralphson
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Driving In My Car
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Austin Ralphson
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.563722 By Madness. By Michael Barson. Arranged by Austin Ralphson. Pop. Octavo. 18 pages. Austin Ralphson #47835...
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Choral Choir (TTBB) - Level 4 - SKU: A0.563722 By Madness. By Michael Barson. Arranged by Austin Ralphson. Pop. Octavo. 18 pages. Austin Ralphson #4783565. Published by Austin Ralphson (A0.563722). Ska/pop band Madness released this song in the 1980s along with a whacky video! This arrangement is not difficult to put together and has interesting parts for all singers; it adds many additional vocal parts to the original and also includes optional car-related percussion rhythms as well! I've done optional parts for the sax solo parts in the middle; these are provided in C, B flat and E flat to cater for almost any solo wind/brass instrument you have available to play it (possibly a choir member?). The piece still works perfectly well without, however. It is great to perform and to listen to for the audience. Enjoy!
$2.49
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How Great Thou Art! 
