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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
How Was I to Know...?
Non classifié
267
Piano & claviers
Piano seul
127
Piano, Voix
48
Piano, Voix et Guitare
27
Instruments en Do
21
Piano Facile
17
Orgue
6
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Accompagnement Piano
2
Piano grosses notes
1
+ 6 instrumentations
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Guitares
Guitare
10
Guitare notes et tablatures
5
Ukulele
3
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
Mandoline, Guitare (duo)
1
Mandoline
1
Basse electrique
1
+ 3 instrumentations
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Voix
Chorale SATB
46
Chorale 3 parties
16
Chorale TTBB
8
Voix duo
6
Voix Alto, Piano
4
Chorale SSAA
4
Chorale 2 parties
3
Voix duo, Piano
3
Voix Baryton, Piano
2
Voix Tenor
2
Chorale Unison
1
+ 6 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
56
Quintette de Saxophone: 5 saxophones
47
Flûte traversière et Piano
10
Ensemble de Clarinettes
10
2 Clarinettes (duo)
10
Clarinette
10
2 Flûtes traversières (duo)
9
Quatuor de Saxophones: 4 saxophones
8
Flûte traversière
7
Hautbois (partie séparée)
7
2 Saxophones (duo)
7
Quintette de Flûte : 5 flûtes
6
Clarinette et Piano
6
Saxophone Alto et Piano
5
Ensemble de saxophones
5
Hautbois, Piano (duo)
5
Ensemble de Flûtes
4
Saxophone Alto
4
Flute (partie séparée)
4
Saxophone Tenor
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Tenor et Piano
3
Flûte, Clarinette, Piano (trio)
2
Piccolo
2
Saxophone (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Soprano
1
Flûte à bec Soprano, Piano
1
Ensemble De Flûte à bec
1
Cor Anglais
1
Clarinette, Guitare (duo)
1
Clarinette Basse, Piano
1
Flûte et Guitare
1
2 Hautbois (duo)
1
3 Saxophones (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Clarinette (duo)
1
Ocarina
1
Saxophone Baryton, Piano
1
Cor anglais, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Soprano et Piano
1
+ 39 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette
9
Ensemble de Trombones
8
Cor
7
Trombone et Piano
6
Trompette, Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trombone
5
Ensemble de Trompettes
4
Trompette, Trombone (duo)
3
Tuba et Piano
3
2 Trompettes (duo)
3
Tuba
3
2 Trombones (duo)
3
Cor et Piano
3
Euphonium, Piano (duo)
2
2 Cors (duo)
2
Trombone (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums (duo)
1
Cor Anglais
1
Trompette (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
Cor anglais, Piano
1
Trompette, Trombone, Piano
1
Trombone, Tuba (duo)
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violon
16
Violoncelle
12
Violon et Piano
11
Harpe
9
Ensemble de Violons
7
Alto seul
7
2 Violons (duo)
7
Alto, Piano
6
Ensemble d'Altos
5
Violon, Violoncelle (duo)
4
2 Altos (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle, Piano
3
2 Harpes (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contre Basse
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
1
Harpe, Voix
1
Violon, Guitare (duo)
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Contrebasse, Piano (duo)
1
2 Violons, Piano
1
Violon (partie séparée)
1
Violoncelle , Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 24 instrumentations
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Orchestre & Percussions
Orchestre
26
Orchestre d'harmonie
22
Orchestre à Cordes
19
Orchestre de chambre
7
Ensemble de cuivres
7
Ensemble Jazz
5
Jazz combo
2
Ensemble de Percussions
1
2 Marimbas
1
Cloches
1
Batterie
1
Piano et Orchestre
1
+ 7 instrumentations
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
How Was I to Know...?
Chorale TTBB
Partitions à imprimer
8 partitions trouvées
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
I Want To Break Free
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Queen
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Kathleen McGuire
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I Want To Break Free
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Kathleen McGuire
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.890483 By Queen. By John Deacon. Arranged by Kathleen McGuire. Rock. Octavo. 26 pages. Kathleen McGuire #6339473...
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Choral Choir (TTBB) - Level 3 - SKU: A0.890483 By Queen. By John Deacon. Arranged by Kathleen McGuire. Rock. Octavo. 26 pages. Kathleen McGuire #6339473. Published by Kathleen McGuire (A0.890483). Written by John Deacon, Queen’s bass guitarist, I Want to Break Free was a single from the 1984 Queen album THE WORKS. The song is best known for its video, in which all the band members dress up in women’s clothing as a parody of the long running British TV show, CORONATION STREET. It was considered controversial and banned from MTV in the US, but in the UK, Europe and South America is was a huge hit, viewed as an anthem of fight against oppression. This uncomplicated, fun arrangement is mostly in two parts, with accessible vocal ranges for most choirs. The 5-piece accompaniment (available separately) includes two synths, giving it a true '80s synth-pop groove.
$2.50
I Don't Know How To Say Goodbye
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Linda Eder
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Theodore Hicks
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I Don't Know How To Say Goodby
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Theo Hicks Music
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SheetMusicPlus
Voice, Choir, TTBB - Intermediate - Digital Download By Linda Eder. Arranged by Theodore Hicks. Score. 7 pages. Published by Theo Hicks Music...
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Voice, Choir, TTBB - Intermediate - Digital Download By Linda Eder. Arranged by Theodore Hicks. Score. 7 pages. Published by Theo Hicks Music
A beautiful song of love and loss, this arrangement was premiered by the Barbershop Harmony Society's 2019 International Chorus Medalists, Central Standard. This piece works well for small ensemble (quartet minimum) or a large choir.
This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.
For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.
LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/
For more information on Central Standard or purchasing their albums, visit www.centralstandard.net.
$4.50
Africa
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
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Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
Libre soy
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Chorale TTBB
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INTERMÉDIAIRE
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Daniel Torrez
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Libre soy
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Daniel Torrez
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1033034 Composed by Daniel Torrez. Contemporary,Instructional. Octavo. 4 pages. Daniel Torrez #6016491. Publishe...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1033034 Composed by Daniel Torrez. Contemporary,Instructional. Octavo. 4 pages. Daniel Torrez #6016491. Published by Daniel Torrez (A0.1033034). -TTBB choir with tenor/baritone soloist-Spanish lyrics-Has a lot of music freedom when it comes to phrasing and teaches the ensemble expression and text analysis.-Duration: Approx. 3 MinutesInspiration:During the COVID-19 pandemic, I was tasked by my choir professor to compose a choral piece, and with me meditating and thinking of inspirations while at home; I thought of my late uncle and grandfather. I never got to meet my uncle and with my grandfather, he passed away in the summer of 2018. I never really absorbed what really happened and I never had the chance to express how I really felt, until I found the poem Libre soy. The piece is based on the funeral poem Libre soy by an unknown author. The main theme is the calming freedom that is an afterthought when it comes to grieving and a homage to my uncle and grandfather.
$4.99
BLESSED ASSURANCE
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Chorale TTBB
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FACILE
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Lyrics -Fannie Crosby, Music -
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Paul A
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BLESSED ASSURANCE
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522436 Composed by Lyrics -Fannie Crosby, Music - Phoebe Knapp. Arranged by Paul A. Jorg. A Cappella,Christian,H...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522436 Composed by Lyrics -Fannie Crosby, Music - Phoebe Knapp. Arranged by Paul A. Jorg. A Cappella,Christian,Holiday,Sacred,Traditional. Octavo. 3 pages. Paul A. Jorg #6120691. Published by Paul A. Jorg (A0.522436). Here is a bit of what Fanny Crosby had to say about how the song came into being:Sometimes a tune is furnished me for which to write the words. The hymn titled Blessed Assurance was made in this manner. My dear friend Phoebe Palmer Knapp (Mrs. Joseph), so well-known as a writer and singer of most excellent music and as an aid and inspiration to all who knew her, had composed the tune; and it seemed to me one of the sweetest I had heard for a long time. She asked me what it said. I replied, Blessed assurance. I felt while bringing the words and tones together that the air and the hymn were intended for each other.-from Fanny Crosby's Memories This song and To God Be the Glory are two of her most widely published songs, and this song appears in 951 hymnals, according to Himnary.org.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
Schubert Ave Maria • TTBB choir sheet music with piano accompaniment
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Benzaiten Editions
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Schubert Ave Maria • TTBB
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Benzaiten Editions
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1310240 Composed by Franz Schubert. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Reli...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1310240 Composed by Franz Schubert. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 10 pages. Benzaiten Editions #899363. Published by Benzaiten Editions (A0.1310240). Hey! Do you want to learn how to sing Schubert's Ave Maria for the SSTT choir? It's your lucky day! 🎵Schubert Ave Maria • TTBB (tenor I • tenor II • bass I • bass II) choir sheet music with piano accompaniment About the song Ave Maria by Franz Schubert, composed in 1825, is one of his most famous pieces. It's often associated with the Catholic prayer, but it's actually based on a work by the Scottish poet Walter Scott. Originally part of Ellens Gesang III, this gentle, melancholic melody with Latin lyrics invoking the Virgin Mary has been adapted for various instruments and choirs. Schubert didn't anticipate it becoming widely known as Ave Maria; the original title was Ellens Gesang III: Hymn to the Virgin. This beautiful composition is performed in various settings and continues to inspire listeners, showcasing Schubert's brilliance as a composer.
$1.99
Schubert Ave Maria • TTBB choir sheet music with easy piano accompaniment
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Benzaiten Editions
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Schubert Ave Maria • TTBB
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Benzaiten Editions
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1310239 Composed by Franz Schubert. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Reli...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1310239 Composed by Franz Schubert. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 10 pages. Benzaiten Editions #899362. Published by Benzaiten Editions (A0.1310239). Hey! Do you want to learn how to sing Schubert's Ave Maria for the SSTT choir? It's your lucky day! 🎵Schubert Ave Maria • TTBB (tenor I • tenor II • bass I • bass II) choir sheet music with easy piano accompaniment About the song Ave Maria by Franz Schubert, composed in 1825, is one of his most famous pieces. It's often associated with the Catholic prayer, but it's actually based on a work by the Scottish poet Walter Scott. Originally part of Ellens Gesang III, this gentle, melancholic melody with Latin lyrics invoking the Virgin Mary has been adapted for various instruments and choirs. Schubert didn't anticipate it becoming widely known as Ave Maria; the original title was Ellens Gesang III: Hymn to the Virgin. This beautiful composition is performed in various settings and continues to inspire listeners, showcasing Schubert's brilliance as a composer.
$1.99
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