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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I'm Singing - Cello
Non classifié
64
Piano & claviers
Piano, Voix et Guitare
31
Piano, Voix
27
Piano seul
17
Orgue
12
Piano Facile
5
Instruments en Do
3
Piano (partie séparée)
1
+ 2 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
22
Guitare notes et tablatures
5
Voix
Chorale 3 parties
157
Chorale SATB
42
Chorale TTBB
14
Chorale SSAA
11
Pack Instrumental pour Chorale
8
Chorale 2 parties
6
Chorale Unison
5
Voix seule
4
Voix Soprano
1
Voix duo
1
Voix haute
1
Voix Alto, Piano
1
Chorale
1
+ 8 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
4
Ensemble de saxophones
4
Flûte traversière et Piano
4
Saxophone (partie séparée)
3
Hautbois, Piano (duo)
2
Ensemble de Clarinettes
2
Clarinette (partie séparée)
1
Ensemble de Flûtes
1
Saxophone Baryton, Piano
1
Flute (partie séparée)
1
Quintette de Flûte : 5 flûtes
1
Hautbois (partie séparée)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Alto et Piano
1
Quatuor de Saxophones: 4 saxophones
1
Clarinette et Piano
1
Clarinette
1
Flûte à bec Soprano
1
Saxophone Tenor
1
Saxophone Alto
1
2 Clarinettes (duo)
1
Flûte traversière
1
Saxophone Soprano et Piano
1
Saxophone Tenor et Piano
1
Cor anglais, Piano
1
Clarinette Basse, Piano
1
+ 21 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trombone (partie séparée)
3
Cor et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Ensemble de Trombones
2
Trompette (partie séparée)
2
Trompette
2
Cor (partie séparée)
1
Euphonium, Piano (duo)
1
Trombone
1
Quatuor de Cuivres
1
Cor anglais, Piano
1
Trombone et Piano
1
+ 9 instrumentations
Retracter
Cordes
Harpe
3
Violon (partie séparée)
2
Alto, Piano
1
Ensemble d'Altos
1
Violon
1
Ensemble de Violons
1
Alto (partie séparée)
1
Violon et Piano
1
Contrebasse (partie séparée)
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
10
Orchestre
9
Ensemble Jazz
4
Ensemble de cuivres
2
Cloches
2
Orchestre de chambre
1
Jazz combo
1
Fanfare
1
Percussion (partie séparée)
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Virtualsheetmusic
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Crtitères actifs :
I'm Singing - Cello
Chorale TTBB
Partitions à imprimer
14 partitions trouvées
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1
As Long As I'm Singing
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Chorale TTBB
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INTERMÉDIAIRE
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Kevin Spacey
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Tom Gentry
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As Long As I'm Singing
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Tom Gentry
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1291498 By Kevin Spacey. By Bobby Darin. Arranged by Tom Gentry. A Cappella,Barbershop,Standards. 5 pages...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1291498 By Kevin Spacey. By Bobby Darin. Arranged by Tom Gentry. A Cappella,Barbershop,Standards. 5 pages. Tom Gentry #882138. Published by Tom Gentry (A0.1291498). This lively, happy song about singing is also available in SSAA voicing. While it is suitable for all a cappella groups, a bonus is that it can be sung in barbershop contests.
$1.99
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from &
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm All Alone
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Chorale TTBB
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INTERMÉDIAIRE
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Jack Coale and Frank Anderson,
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Donald A
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I'm All Alone
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.928932 Composed by Jack Coale and Frank Anderson, 1922. Arranged by Donald A. Mills. A Cappella,Classical,Contem...
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Choral Choir (TTBB) - Level 3 - SKU: A0.928932 Composed by Jack Coale and Frank Anderson, 1922. Arranged by Donald A. Mills. A Cappella,Classical,Contemporary. Octavo. 3 pages. Donald A Mills #18903. Published by Donald A Mills (A0.928932). This piece is a TTBB a cappella balled at an intermediate difficulty level for barbershop or non-barbershop performances. It's a song about loneliness, written for men's quartet or men's chorus in a cappella form. Your men's group will love singing this oldie and your audience will love hearing it. Experience a new tag and a completely new arrangement. Try it...you'll like it! Type in my name...Donald A. Mills...into the search box to see more of my arrangements and compositions.
$2.49
I'm A Believer
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Chorale TTBB
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INTERMÉDIAIRE
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Smash Mouth
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David Maddux
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I'm A Believer
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David Maddux
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.508010 By Smash Mouth. By Neil Diamond. Arranged by David Maddux. Contemporary,Pop. Octavo. 12 pages. David Madd...
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Choral Choir (TTBB) - Level 3 - SKU: A0.508010 By Smash Mouth. By Neil Diamond. Arranged by David Maddux. Contemporary,Pop. Octavo. 12 pages. David Maddux #4574343. Published by David Maddux (A0.508010). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$5.25
Still Haven't Found What I'm Looking For
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Chorale TTBB
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INTERMÉDIAIRE
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Coco Freeman & U2
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David Maddux
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Still Haven't Found What I'm L
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David Maddux
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.507977 By Coco Freeman & U2. By Adam Clayton, David Evans, Larry Mullen, Paul David Hewson, Paul Hewson, and Vic...
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Choral Choir (TTBB) - Level 3 - SKU: A0.507977 By Coco Freeman & U2. By Adam Clayton, David Evans, Larry Mullen, Paul David Hewson, Paul Hewson, and Victor Reina. Arranged by David Maddux. Contemporary,Pop,Rock. Octavo. 15 pages. David Maddux #4572257. Published by David Maddux (A0.507977). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$5.25
As Long As I'm Singing
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Chorale TTBB
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INTERMÉDIAIRE
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Kevin Spacey
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Kohl Kitzmiller
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As Long As I'm Singing
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Kohl Kitzmiller
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1374602 By Kevin Spacey. By Bobby Darin. Arranged by Kohl Kitzmiller. A Cappella,Barbershop,Jazz. 7 pages...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1374602 By Kevin Spacey. By Bobby Darin. Arranged by Kohl Kitzmiller. A Cappella,Barbershop,Jazz. 7 pages. Kohl Kitzmiller #959158. Published by Kohl Kitzmiller (A0.1374602). Learning audio for this arrangement is available HERE. For more information about my arrangements and learning media, visit my website HERE.
$3.99
As Long As I'm Singing
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Chorale TTBB
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AVANCÉ
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Bobby Darin
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David Wright
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As Long As I'm Singing
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David Wright
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.512609 Composed by Bobby Darin. Arranged by David Wright. A Cappella,Contemporary. Octavo. 5 pages. David Wright...
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Choral Choir (TTBB) - Level 5 - SKU: A0.512609 Composed by Bobby Darin. Arranged by David Wright. A Cappella,Contemporary. Octavo. 5 pages. David Wright #6260961. Published by David Wright (A0.512609). This arrangement is for men's a cappella chorus.
$1.99
As Long As I'm Singing
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Chorale TTBB
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INTERMÉDIAIRE
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Bobby Darin
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Bob O'Connell
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As Long As I'm Singing
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Bob OConnell
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.828086 Composed by Bobby Darin. Arranged by Bob O'Connell. A Cappella. Octavo. 4 pages. Bob OConnell #3911745. P...
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Choral Choir (TTBB) - Level 3 - SKU: A0.828086 Composed by Bobby Darin. Arranged by Bob O'Connell. A Cappella. Octavo. 4 pages. Bob OConnell #3911745. Published by Bob OConnell (A0.828086). This is a 4 part men's Barbershop a cappella version of the classic Bobby Darin tune. .
$1.99
As Long As I'm Singing
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Chorale TTBB
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INTERMÉDIAIRE
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Jazz
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Bobby Darin
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Larry Wright
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As Long As I'm Singing
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Larry Wright
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SheetMusicPlus
Composed by Bobby Darin (1936- 1973). Arranged by Larry Wright. A Cappella, Barbershop. Octavo. 8 pages. Larry Wright #4757957. Published by Larry Wrig...
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Composed by Bobby Darin (1936- 1973). Arranged by Larry Wright. A Cappella, Barbershop. Octavo. 8 pages. Larry Wright #4757957. Published by Larry Wright
$15.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Cowboy Songs of the American Southwest [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American S
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Fix You
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Chorale TTBB
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Rock
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Javier Colon
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Vicky Jacobs
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Fix You
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Victoria Jacobs
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.817190 By Javier Colon. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Vicky Jacobs. Rock. Oc...
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Choral Choir (TTBB) - SKU: A0.817190 By Javier Colon. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Vicky Jacobs. Rock. Octavo. 9 pages. Victoria Jacobs #3676225. Published by Victoria Jacobs (A0.817190). A challenging but singable and fun-to-learn arrangement of this Coldplay classic for male voice choirs which your choir will love singing. Presented here with piano accompaniment (that your accompanist will love playing too!)Have a listen to Melbourne's fabulous Low Rez choir singing it here: https://www.youtube.com/watch?v=W5j6BsA1rT0You can follow me on Twitter to see what I'm up to @vickysfirsts or check out my bio at https://about.me/vickyjacobs
$1.99
Windy
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Association
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Larry Wright
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for assistance
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Windy
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Larry Wright
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.853883 By The Association. By Ruthann Friedman. Arranged by Larry Wright. A Cappella,Barbershop. 7 pages....
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.853883 By The Association. By Ruthann Friedman. Arranged by Larry Wright. A Cappella,Barbershop. 7 pages. Larry Wright #4727619. Published by Larry Wright (A0.853883). A MEN'S 4-part, a cappella, barbershop arrangement of this popular tune by the 60's group The Association. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available instrumentally played Learning Trax. If you want to get an idea of what the basic vocals sound like,... on my website store, listen to the FREE 1 minute audio sample in the women's key. Secondly, from my website store, you can also purchase the $2 full-length demo in the women's key. Thirdly, again from my website store, you can hear a MEN'S KEY vocal sample of Windy by listening to MEN'S KEY Association Medley arrangement... which starts with the Windy song. If you love the Windy arrangement, and need to have the MEN'S KEY learning TRAX, hang in there. I'm recording the MEN'S KEY TRAX in a few days.If you've FIRST purchased the COMBO from my website store and the SHEET MUSIC per-copy price on the SMP website store is anything more than $1.99, DON'T PAY IT!!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00
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I'm Singing - Cello