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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Partitions à imprimer
18 partitions trouvées
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1
I'm Your Baby Tonight
Chorale TTBB
By Whitney Houston. By L.A. Reid and Babyface. Arranged by David Maddux. Hip-Hop, R &a…
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By Whitney Houston. By L.A. Reid and Babyface. Arranged by David Maddux. Hip-Hop, R & B. Octavo. 99 pages. David Maddux #113340. Published by David Maddux
$5.25
4.8 €
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Chorale TTBB
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Whitney Houston
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David Maddux
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B
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I'm Your Baby Tonight
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David Maddux
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SheetMusicPlus
To Canann's Land I'm on My Way TTBB A cappella
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.844174 Composed by Willlia…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.844174 Composed by Willliam Golden. Arranged by Bert Phillips. A Cappella,Barbershop,Praise & Worship,Sacred,Spiritual. Octavo. 5 pages. Bert Phillips #3215377. Published by Bert Phillips (A0.844174). Four part a cappella arrangement of the hymn To Canann's Land I'm on My Way. Men's voices. Tenor I, Tenor II (Lead), Baritone and Bass. Simple arrangement based on the hymn. Follow me on Facebook @bertscharts
$1.99
1.82 €
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Chorale TTBB
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Willliam Golden
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Bert Phillips
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To Canann's Land I'm on My Way TTBB A cappella
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Bert Phillips
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SheetMusicPlus
LORD, I'M COMING HOME
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522380 Composed by William…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522380 Composed by William J. Kirkpatrick. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship,Sacred,Traditional. Octavo. 4 pages. Paul A. Jorg #6054375. Published by Paul A. Jorg (A0.522380). The hymn was composed in 1892, and has appeared in 214 hymnal since that time. The arrangement is for 4 part male voices (TTBB) a cappella.
$4.59
4.2 €
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Chorale TTBB
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William J
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Paul A
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LORD, I'M COMING HOME
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Paul A. Jorg
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SheetMusicPlus
By His Grace I'm Set Free
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.940059 Composed by Jacob E…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.940059 Composed by Jacob Evans. A Cappella,Christian,Sacred. Octavo. 4 pages. JDE FORCHRISTMUSIC #3000409. Published by JDE FORCHRISTMUSIC (A0.940059). It's so easy in our lives to fall into sin - sin that, at first, seems so harmless. The bondage of sin is worse than slavery because no matter how hard we try, we cannot free ourselves from its grip. Coming to Jesus Christ is the only way that we can be saved - Saved by the death of the King.This is an a cappella song can be used in church and worship services and is written for TTBB, but can be transposed up for an SATB group.
$2.99
2.73 €
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Chorale TTBB
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Jacob Evans
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By His Grace I'm Set Free
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JDE FORCHRISTMUSIC
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SheetMusicPlus
I'm Winging My Way Back Home
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.781945 Composed by James B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.781945 Composed by James B. Coats. Arranged by Aaron Hettinga. Contemporary,Country,Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Aaron Hettinga #5888193. Published by Aaron Hettinga (A0.781945). This convention classic as performed by the Oak Ridge Boys on their Old Fashioned, Down Home, Hand-Clappin', Foot Stompin', Southern Style, Gospel Quartet Music Album. TTBB vocals as the Oaks sang, with rhythm chord changes and cues for a ready-to-perform chart!
$4.99
4.56 €
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Chorale TTBB
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James B
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Aaron Hettinga
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I'm Winging My Way Back Home
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Aaron Hettinga
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SheetMusicPlus
I’m So Glad (Jesus Lifted Me) – TTBB with Piano
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.882491 By Traditional. By …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.882491 By Traditional. By Charles A. Gravenhorst. Arranged by Charles A. Gravenhorst (Traditional Spiritual). Folk,Praise & Worship,Sacred. Octavo. 13 pages. CG Publications #4829631. Published by CG Publications (A0.882491). Here is a clean, straightforward setting of this lively traditional spiritual arranged for Men’s Quartet (TTBB) and piano (with chord symbols) that may be played as written, or improvised by more skillful players. Also suitable for larger men’s group, chorus or Glee Club.
$2.99
2.73 €
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Chorale TTBB
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Traditional
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Charles A
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I’m So Glad
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CG Publications
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SheetMusicPlus
Signed, Sealed, Delivered I'm Yours
Chorale TTBB
By Stevie Wonder. By Lee Garrett, Lula Mae Hardaway, Syreeta Wright, and Stevie Wond…
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By Stevie Wonder. By Lee Garrett, Lula Mae Hardaway, Syreeta Wright, and Stevie Wonder. Arranged by Kenter Davies. Contemporary, Pop, Praise & Worship, Rock, Standards. Octavo. 17 pages. Kenter Davies #719890. Published by Kenter Davies
$9.99
9.13 €
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Chorale TTBB
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Stevie Wonder
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Kenter Davies
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Worship, Rock, Standards
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Signed, Sealed, Delivered I'm Yours
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Kenter Davies
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SheetMusicPlus
I'm So Blessed
Chorale TTBB
By CAIN. By Jonathan Smith, Logan Cain, Madison Cain, Taylor Cain, and Matthew West. …
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By CAIN. By Jonathan Smith, Logan Cain, Madison Cain, Taylor Cain, and Matthew West. Arranged by Jeff Tincher. 163, Christian, Contemporary, Country, Praise & Worship. Octavo. 16 pages. Jeff Tincher #707464. Published by Jeff Tincher
$1.99
1.82 €
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Chorale TTBB
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CAIN
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Jeff Tincher
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Worship
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I'm So Blessed
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Jeff Tincher
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.2 €
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Chorale TTBB
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Messe für Männerstimmen (Mass for Male Voices) (2020)
Chorale TTBB
Choral Choir,Choral (TTBB Chorus) - Level 4 - Digital Download SKU: A0.1512585 Comp…
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Choral Choir,Choral (TTBB Chorus) - Level 4 - Digital Download SKU: A0.1512585 Composed by Claus Woschenko (*1979). 21st Century,Classical,Contemporary,Praise & Worship,Sacred. 31 pages. Claus Woschenko #1087567. Published by Claus Woschenko (A0.1512585). Claus Woschenko: Mass for Male Voices (2020)My Mass for Male Voices is particularly characterized by the combination of different musical styles – historically speaking, the range extends from echoes of early polyphony to the modern hymn in the Pleni sunt coeli et terra of the Sanctus. And this is where the broad foundation on which today's mass settings rest can be experienced.I. Kyrie, II. Gloria, III. Credo, IV. Sanctus-Benedictus, V. Agnus DeiDuration: about 22 MinutesSoundsample: Agnus DeiClaus Woschenko: Messe für Männerstimmen (2020)Meine Messe für Männerstimmen ist besonders durch die Zusammenführung verschiedener (kirchen-)musikalischer Stilrichtungen gekennzeichnet – historisch gesehen reicht die Spannweite von Anklängen an frühe Mehrstimmigkeit bis zum modernen Kirchenlied im Pleni sunt coeli et terra des Sanctus. Und hierin wird das breite Fundament erfahrbar, auf dem heutige Messvertonungen ruhen.I. Kyrie, II. Gloria, III. Credo, IV. Sanctus-Benedictus, V. Agnus DeiDauer: Etwa 22 MinutenKlangbeispiel: Agnus Deikeywords: Messe, holy mass; latein, latin, griechisch, greek.
$19.00
17.37 €
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Chorale TTBB
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Claus Woschenko
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Messe für Männerstimmen
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Claus Woschenko
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SheetMusicPlus
In The Name Of Jesus
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1444825 By Jwl…
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Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1444825 By Jwlkrs Worship / Maverick City Music (Feat. C. By Austin Armstrong, Chandler Moore, Ilya Toshinskiy, Noah Schnacky, Ran Jackson, and Sajan Nauriyal. Arranged by Jeff Tincher. Christian,Contemporary,Praise & Worship,Rock,Sacred. 16 pages. Jeff Tincher #1024693. Published by Jeff Tincher (A0.1444825). Here is a great medium rock Contemporary Christian song from a new player in the field. In the original key from the single. I'm glad to see Chandler Moore back with Mav City. Duration = 4:54. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99
1.82 €
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Chorale TTBB
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Jwlkrs Worship / Maverick City Music
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Jeff Tincher
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In The Name Of Jesus
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Jeff Tincher
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SheetMusicPlus
In The First Light
Chorale TTBB
Voice (TTBB) - Level 4 - Digital Download SKU: A0.817093 Composed by Bob Kauflin. A…
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Voice (TTBB) - Level 4 - Digital Download SKU: A0.817093 Composed by Bob Kauflin. Arranged by Sheryl Neal. A Cappella,Christmas,Praise & Worship. Barbershop Quartet. 6 pages. Sheryl Neal #6198867. Published by Sheryl Neal (A0.817093). By Glad. Voice, Choir, TTBB, Voice, A Cappella, Barbershop Harmony - Advanced Intermediate - Digital Download TTBB, TLBB - A cappella, Four Part Barbershop style version of this simple, beautiful melody captures the gorgeous harmonies and dissonance of the original. 2 staves. (Barbershop notation) Some split parts in T1, B1 and B2. Two options for ending. Quartet pricing includes permission to print a maximum of 4 copies. My name is Sheryl Neal, and I'm a singer, pianist, and a cappella arranger. See my website: www.arrangementsbysheryl.com. Please check out my other arrangements as well. https://www.sheetmusicplus.com/publishers/sheryl-neal/11193. Like my page on Facebook, Arrangements By Sheryl Neal. Questions or comments? Email me at ArrangementsbySheryl@gmail.com.
$18.99
17.36 €
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Chorale TTBB
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Glad
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Bob Kauflin
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Sheryl Neal
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In The First Light
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Sheryl Neal
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SheetMusicPlus
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A.…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
4.2 €
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Chorale TTBB
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Paul A
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Paul A
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IS THERE STILL A DROP OF BLOOD
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Paul A. Jorg
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SheetMusicPlus
O for a Thousand Tongues to Sing
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1492799 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1492799 Composed by Ken Litton. Arranged by Ken Litton. Contemporary,Praise & Worship,Religious,Sacred,Traditional. 14 pages. Artist of Note, Inc. #1069484. Published by Artist of Note, Inc. (A0.1492799). O for a Thousand Tongues to SingText by Charles Wesley/Music by Ken Litton (ASCAP) TTBB mixed voices, accompanied optional Flute/C intrument The stanzas of the text are combined here and some of its expressions personalized in order to emphasize the confident prayer of praise. And though the music is a little more meditative than many tunes, it is still in keeping with the original expression that helped give rise to the hymn: “Had I a thousand tongues, I would praise Him with them all!” After the piano and flute introduction, the new tune is lightly harmonized in both stanzas, but each has it’s own unique voicing at My gracious Master and You break the power, respectively. The brief flute/C instrument solo can add a lot to the piece, but an optional cut from the end of m.41 to m.59 and on to the key change could be offered in the score. After the key change the melody returns in unison, followed by a worshipful close. All this from the places you go for the best in downloadable resources: Sheet Music Direct Sheet Music Plus As well as via Hal Leonard InStore™ retailers. Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc. Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard1
$2.99
2.73 €
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Chorale TTBB
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Ken Litton
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Ken Litton
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O for a Thousand Tongues to Sing
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Artist of Note, Inc.
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SheetMusicPlus
In Christ Alone
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.904854 By The Newsboys. By…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.904854 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Stephen J. Nasby - editing M. Borsoi. Christian,Gospel. Octavo. 24 pages. Marco Borsoi #5648469. Published by Marco Borsoi (A0.904854). In Christ Alone is a popular modern Christian song written by Keith Getty and Stuart Townend, both songwriters of Christian hymns and contemporary worship music in the United Kingdom. The song, with a strong Irish melody, is the first hymn they penned together. The music was by Getty and the original lyrics by Townend. It was composed in 2001.This song is considered a Christian credal song for belief in Jesus Christ. The theme of the song is the life, death and resurrection of Christ, and that he is God whom even death cannot hold.The song is commonly known as In Christ Alone (My Hope Is Found) and In Christ Alone (I Stand) taking verses from the song. It has become very popular and has been the subject of many cover versions and many language translations.
$9.99
9.13 €
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Chorale TTBB
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The Newsboys
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Stephen J
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In Christ Alone
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Marco Borsoi
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SheetMusicPlus
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