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ACCORDEON
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AUTOHARPE
BANJO
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BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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I\\\\\\\'m Late
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76
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40
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22
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13
1 Piano, 4 mains
5
Instruments en Do
5
Piano grosses notes
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
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24
Guitare
5
Ukulele
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35
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7
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5
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17
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6
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6
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6
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6
Clarinette
6
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6
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5
Saxophone Tenor et Piano
4
2 Hautbois (duo)
4
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4
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4
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Saxophone, Clarinette (duo)
3
Cor anglais, Piano
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3
Saxophone Soprano et Piano
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3
Saxophone Alto et Piano
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte et Guitare
2
Clarinette, Violon (duo)
2
Clarinette et Alto
2
Hautbois, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Harmonica
2
Flûte, Violon et Violoncelle
2
Hautbois, Basson (duo)
2
Hautbois, Clarinette (duo)
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Clarinette, Trompette (duo)
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Clarinette Basse, Piano
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1
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1
2 Cors Anglais Et Pianoforte
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1
Flûte, Violoncelle, Guitare
1
Trio de Flûtes: 3 flûtes
1
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1
Hautbois
1
Hautbois (partie séparée)
1
Saxophone et Orgue
1
Hautbois, Flûte
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
+ 49 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Ensemble de Trombones
7
2 Trombones (duo)
5
Ensemble de Trompettes
5
Trompette
5
2 Trompettes (duo)
4
Cor et Piano
4
2 Tubas (duo)
4
2 Cors (duo)
4
Trombone et Piano
4
2 Euphoniums (duo)
3
Quatuor de Cuivres
3
Trombone
3
Cor anglais, Piano
3
Trompette, Trombone (duo)
3
Trio de Cuivres
3
Trompette (partie séparée)
2
Trompette, Saxophone (duo)
2
Trompette, Piano
2
Cor
2
Tuba et Orgue
2
Euphonium, Piano (duo)
2
Tuba et Piano
2
2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trombones
1
Tuba
1
Ensemble de Cors
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon et Piano
10
Alto, Piano
8
Violon
7
Violoncelle
6
Violon, Violoncelle (duo)
5
2 Altos (duo)
4
Violoncelle, Piano
4
Harpe
4
2 Violoncelles (duo)
4
Ensemble d'Altos
4
2 Violons (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Alto seul
3
Ensemble de Violons
3
2 Contrebasses (duo)
2
4 Violoncelles
2
Violon, Alto (duo)
2
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Contre Basse
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Basson (duo)
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
11
Jazz combo
9
Orchestre d'harmonie
8
Cloches
6
Orchestre
4
Orchestre de chambre
4
Ensemble Jazz
2
Ensemble de Percussions
2
Ensemble de cuivres
2
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1
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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
This Is Me
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.779366 Composed by Benj Pa…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME! - Shelton
$1.99
1.83 €
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Chorale TTBB
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Benj Pasek and Justin Paul
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Shelton Ridge Love
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I am bruised
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This Is Me
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Shelton Ridge Love
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SheetMusicPlus
Messe für Männerstimmen (Mass for Male Voices) (2020)
Chorale TTBB
Choral Choir,Choral (TTBB Chorus) - Level 4 - Digital Download SKU: A0.1512585 Comp…
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Choral Choir,Choral (TTBB Chorus) - Level 4 - Digital Download SKU: A0.1512585 Composed by Claus Woschenko (*1979). 21st Century,Classical,Contemporary,Praise & Worship,Sacred. 31 pages. Claus Woschenko #1087567. Published by Claus Woschenko (A0.1512585). Claus Woschenko: Mass for Male Voices (2020)My Mass for Male Voices is particularly characterized by the combination of different musical styles – historically speaking, the range extends from echoes of early polyphony to the modern hymn in the Pleni sunt coeli et terra of the Sanctus. And this is where the broad foundation on which today's mass settings rest can be experienced.I. Kyrie, II. Gloria, III. Credo, IV. Sanctus-Benedictus, V. Agnus DeiDuration: about 22 MinutesSoundsample: Agnus DeiClaus Woschenko: Messe für Männerstimmen (2020)Meine Messe für Männerstimmen ist besonders durch die Zusammenführung verschiedener (kirchen-)musikalischer Stilrichtungen gekennzeichnet – historisch gesehen reicht die Spannweite von Anklängen an frühe Mehrstimmigkeit bis zum modernen Kirchenlied im Pleni sunt coeli et terra des Sanctus. Und hierin wird das breite Fundament erfahrbar, auf dem heutige Messvertonungen ruhen.I. Kyrie, II. Gloria, III. Credo, IV. Sanctus-Benedictus, V. Agnus DeiDauer: Etwa 22 MinutenKlangbeispiel: Agnus Deikeywords: Messe, holy mass; latein, latin, griechisch, greek.
$19.00
17.52 €
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Chorale TTBB
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Claus Woschenko
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Messe für Männerstimmen
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Claus Woschenko
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SheetMusicPlus
Angel Band
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1184800 Composed by Lyrics…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1184800 Composed by Lyrics by Jefferson Hascall and William B. Bradbury. Arranged by Giorgio Navarini. 19th Century,A Cappella,Barbershop,Christian,Religious. Octavo. 6 pages. Giorgio Navarini #784476. Published by Giorgio Navarini (A0.1184800). An American Sacred Harp Hymn. 1 My latest sun is sinking fast,my race is nearly run;my strongest trials now are past,my triumph is begun.Refrain:O come, angel band,come and around me stand;O bear me away on your snowy wingsto my immortal home.O bear me away on your snowy wingsto my immortal home.2 I know I’m near the holy ranksof friends and kindred dear;I hear the waves on Jordan’s banks,the crossing must be near. [Refrain]3 I’ve almost reached my heav’nly home,my spirit loudly sings;your holy ones, behold, they come!I hear the noise of wings. [Refrain]4 O bear my longing heart to himwho bled and died for me;whose love now covers all my sin,and gives me victory. [Refrain].
$1.99
1.83 €
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Chorale TTBB
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Lyrics by Jefferson Hascall and William B
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Giorgio Navarini
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Angel Band
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Giorgio Navarini
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SheetMusicPlus
DILUVIUM
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 5 - Digital Download SKU: A0.1464094 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 5 - Digital Download SKU: A0.1464094 Composed by Ivo Antognini. 21st Century,A Cappella,Contemporary. 12 pages. Ivo Antognini #1042807. Published by Ivo Antognini (A0.1464094). Diluvium is a TTBB piece (with some divisi...) and was commissioned by a wonderful Swiss male choir, Männerstimmen Basel.The text is from a poem by Sebastian Brant, a German humanist and poet born in 1457.It's about a great flood that took place in Switzerland in the Middle AgesThis beautiful text in Neo-Latin has inspired me a lot. I imagined myself as an eyewitness to this great flood, feeling the fear and terror of the people who knew that the water would arrive at any moment and would submerge the city. So, I tried to translate these emotions into music, and I really hope that you will be able to feel them too when the choir sings DILUVIUM..
$1.99
1.83 €
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Chorale TTBB
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Ivo Antognini
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DILUVIUM
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Ivo Antognini
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SheetMusicPlus
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