Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Ching Music
Non classifié
353
Piano & claviers
Piano seul
518
Piano grosses notes
340
Piano, Voix
170
Orgue
150
Piano, Voix et Guitare
88
Piano Facile
55
Instruments en Do
27
1 Piano, 4 mains
11
Clavier
10
2 Pianos, 4 mains
5
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 8 mains
1
2 Accordéons
1
+ 9 instrumentations
Retracter
Guitares
Basse electrique
222
Guitare notes et tablatures
24
Guitare
19
Basse électrique (partie séparée)
16
Ligne De Mélodie, (Paroles) et Accords
5
2 Guitares (duo)
4
3 Guitares (trio)
2
Ensemble de guitares
2
Guitare (partie séparée)
1
Ukulele
1
Banjo
1
4 Guitares (Quatuor)
1
Mandoline
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
102
Chorale 3 parties
38
Voix Alto, Piano
28
Voix Tenor
25
Voix Soprano
23
Voix Baryton, Piano
20
Chorale 2 parties
11
Voix duo, Piano
7
Chorale TTBB
6
Chorale Unison
5
Voix seule
5
Voix Soprano, Piano
5
Chorale SSAA
4
Voix Tenor, Piano
4
Voix basse, Piano
2
Voix haute
1
Chorale
1
Chorale SSATB
1
+ 13 instrumentations
Retracter
Vents
Saxophone (partie séparée)
47
Quatuor de Saxophones: 4 saxophones
24
Flute (partie séparée)
23
Clarinette
23
2 Flûtes traversières (duo)
22
Flûte traversière
18
Clarinette (partie séparée)
17
Flûte traversière et Piano
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Hautbois (partie séparée)
15
Saxophone Tenor
15
Flûte, Hautbois, Clarinette, Basson
14
Quintette de Saxophone: 5 saxophones
13
Saxophone Alto
12
Hautbois, Piano (duo)
12
Clarinette et Piano
11
Saxophone Tenor et Piano
10
Saxophone Alto et Piano
9
Quatuor de Clarinettes: 4 clarinettes
8
Flûte à bec Soprano
5
Ensemble de Clarinettes
4
Ensemble de Flûtes
4
Ensemble de saxophones
3
Quatuor de Flûtes : 4 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Clarinette (duo)
3
Flûte à bec Alto, Piano
2
Flûte à bec Alto
2
Saxophone Soprano et Piano
2
2 Saxophones, Piano
2
Quintette de Flûte : 5 flûtes
2
5 Flûtes à bec
1
2 Flûtes à bec, Piano
1
Hautbois, Basson et Piano
1
2 Clarinettes (duo)
1
Flûte, Basson et Piano
1
Clarinette, Basson, Piano (trio)
1
Saxophone et Orgue
1
Flûte, Hautbois, Piano (trio)
1
3 Saxophones (trio)
1
2 Flûte à bec (duo)
1
Flûte à Bec
1
Flûte, Clarinette, Piano (trio)
1
Ensemble De Flûte à bec
1
Clarinette, trompette et piano
1
Quatuor de Flûtes à bec
1
Flûte, Alto (duo)
1
2 Saxophones (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
+ 44 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
47
Cor (partie séparée)
22
Trombone (partie séparée)
20
Cor
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Tuba (partie séparée)
13
Trombone
11
Trompette
11
Trombone et Piano
8
Cor et Piano
8
Tuba
4
Trompette, Piano
4
Tuba ou Euphonium ou Saxhorn
4
Tuba et Piano
3
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trompettes
2
Ensemble de Trompettes
2
Quatuor de Cuivres
2
Instruments en Sib
2
Ensemble de Cors
2
Ensemble de Tubas
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
2 Trombones (duo)
1
2 Euphoniums et 2 Tubas
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
45
Violon
27
Violoncelle
14
Violon et Piano
14
Harpe
12
2 Violons (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon, Violoncelle (duo)
8
Alto seul
7
Alto, Piano
7
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle, Piano
5
Alto (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
4
Contre Basse
3
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
2
Contrebasse (partie séparée)
1
Violon (partie séparée)
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
2 Altos (duo)
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Fanfare
511
Orchestre d'harmonie
107
Batterie
31
Batterie (partie séparée)
28
Orchestre
27
Orchestre à Cordes
26
Orchestre de chambre
21
Percussion
18
Cloches
11
Ensemble de Percussions
8
Ensemble de cuivres
7
Ensemble Jazz
6
Percussion (partie séparée)
6
Xylophone
4
Xylophone (partie séparée)
2
Jazz combo
2
Marimba
1
Piano et Orchestre
1
3 Marimbas
1
Caisse Claire
1
Vibraphone
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
6
Librairie Musicale
1
Matériel de Musique
27
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
I Ching Music
Chorale TTBB
Partitions à imprimer
6 partitions trouvées
<
1
Princess Ida: Choruses, Part I (Downloadable)
#
Chorale TTBB
#
FACILE
#
Archibald T
#
Princess Ida: Choruses, Part I
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
TTBB choir, piano 4-hands - Moderately Easy - SKU: MQ.0962-E Composed by Archibald T. Davison and Sir Arthur Seymour Sullivan. Secular, 21st Century, Fa...
(+)
TTBB choir, piano 4-hands - Moderately Easy - SKU: MQ.0962-E Composed by Archibald T. Davison and Sir Arthur Seymour Sullivan. Secular, 21st Century, Faith, Hope/Assurance, Love, Trust/Guidance. Instrument part. 25 pages. Duration 3 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #0962-E. Published by E. C. Schirmer Music Company - Digital (MQ.0962-E). English.Based on a poem by Sidney Lanier (1842-1881,) this journey into the future parallels Noah's journey on the Ark. The music opens with lines which flow like waves. The oboe has an octave motif which signifies reaching out in search across the waters. A quiet middle section expresses the dove being released on a quest for new land. The closing lines create beautiful imagery, “Thou art only a tiny and quiet dove, but thine eye is faith, and thy wing is love.†A lyrical, expansive setting for SSAA chorus, oboe, and piano. Duration: 3:15 Oboe part included.
$3.25
Who Will Love Me As I Am?
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Sideshow Original B'way Cast
#
Paul Saccone
#
Who Will Love Me As I Am?
#
Paul Saccone
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1439017 By Sideshow Original B'way Cast. By Bill Russell and Henry Krieger. Arranged by Paul Saccone...
(+)
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1439017 By Sideshow Original B'way Cast. By Bill Russell and Henry Krieger. Arranged by Paul Saccone. Broadway,Musical/Show,Pop. 7 pages. Paul Saccone #1019045. Published by Paul Saccone (A0.1439017). From the musical SIDE SHOW, this gorgeous pop-ballad sung by Siamese twins, Daisy and Violet, asks the perennial question: who will love me as I am? Arranged for TTBB chorus with 2 soloists, this touching piece tackles questions we've all had at one time or another — about self worth, loneliness, feeling/being different, finding love and embracing one's self. Perfect for high school groups, queer chorus, or anyone that's ever felt different and alone.
$2.99
If I Had My Way
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Lyrics: Lou Klein
#
Donald A
#
If I Had My Way
#
Donald A Mills
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928947 Composed by Lyrics: Lou Klein. Music: James Kendis. Arranged by Donald A. Mills (aka Beachtanned). 20th C...
(+)
Choral Choir (TTBB) - Level 4 - SKU: A0.928947 Composed by Lyrics: Lou Klein. Music: James Kendis. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella,Classical,Folk,Instructional,Traditional. Octavo. 14 pages. Donald A Mills #54695. Published by Donald A Mills (A0.928947). This TTBB a cappella arrangement is in the barbershop, close harmony style. It was originally written in the age of the Tin Pan Alley of New York City, and has been a favorite of millions over many decades. It's a heartfelt wish and plea to live long and never grow old along with your partner. This new arrangement will delight your singers and audiences alike. This may be sung by a quartet, octet/small ensemble or chorus, and would be considered of medium to medium-high difficulty. The song's duration is only 2:58, sung in a ballad format. Try performing it in a straight tone, with vibrato used sparingly or not at all. For a teaching opportunity, concentrate on dynamics where appropriate to the lyrics, and also (sometimes overlapping) breath control. Tags: If I Had My Way, TTBB, a cappella, barbershop, close harmony, ballad, quartet, octet, chorus, small ensemble, Donald A. Mills, Beachtanned.
$2.99
I'm Always Chasing Rainbows
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Harry Carroll, Joseph McCarthy
#
Donald A
#
I'm Always Chasing Rainbows
#
Donald A Mills
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.930160 Composed by Harry Carroll, Joseph McCarthy. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A...
(+)
Choral Choir (TTBB) - Level 4 - SKU: A0.930160 Composed by Harry Carroll, Joseph McCarthy. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella. Octavo. 7 pages. Donald A Mills #24577. Published by Donald A Mills (A0.930160). This long-time favorite is a song that will bring back memories to the older set and introduce a gold-standard to the younger ones. The ups and downs of the world economy and catching that ever-elusive rainbow with its pot of gold is the hope of the song. There are two intuitive key changes here, in a cappella format, TTBB, with a medium high level of difficulty. Music by Harry Carroll, melody adapted from Fantaisie-Impromptu by Frédéric Chopin. Lyrics by Joseph McCarthy.
$2.29
The Story Of Reuben Clamzo & His Strange Daughter
#
Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Judge Not (John 8 & Matthew 7)
#
Chorale TTBB
#
FACILE
#
Musique Sacrée
#
Carol Taylor
#
Carol Taylor
#
Judge Not
#
C.Taylor
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.934055 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Praise & Worship,Sacred,Spiritual. Octavo. ...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.934055 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. C.Taylor #3111417. Published by C.Taylor (A0.934055). This is a ballad telling the story of the woman caught in adultery. The verses are all taken directly from scripture and the chorus is based entirely on scripture. This music would be suitable for all Christian groups and can be sung as a solo, duet, in unison or as a choir (possibly using a soloist for the verses and the choir for the chorus) It could also be used within a musical about Christ and His teachingsI am a member of a worldwide Church organization which has used this piece privately for special music within servicesThis piece takes approx. 3-4 mins to performI have extensive contacts via Facebook, both social and religiousPlease contact me with questions, requests or comments at: CarolTaylor27@yahoo.com
$1.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
I Ching Music
