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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Have Come
Non classifié
1 359
Piano & claviers
Piano seul
532
Piano, Voix et Guitare
454
Piano, Voix
291
Instruments en Do
277
Piano Facile
101
Orgue
44
Accompagnement Piano
17
1 Piano, 4 mains
16
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
7
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Accordéon
1
2 Pianos, 8 mains
1
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
114
Guitare
48
Guitare notes et tablatures
45
Basse electrique
10
Ukulele
10
2 Guitares (duo)
9
4 Guitares (Quatuor)
6
Ligne De Mélodie, (Paroles) et Accords
5
3 Guitares (trio)
5
Ukulele Baryton
2
Mandoline
2
Paroles et Accords
1
Mandoline, Guitare (duo)
1
Dulcimer
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
161
Chorale 2 parties
64
Chorale 3 parties
45
Chorale TTBB
11
Chorale Unison
11
Voix duo, Piano
10
Voix Soprano, Piano
10
Voix Baryton, Piano
9
Voix seule
8
Chorale SSAA
6
Voix Tenor, Piano
5
Chorale
4
Voix haute
4
Voix duo
3
Voix basse, Piano
2
Voix Alto, Piano
2
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Voix moyenne, Piano
1
Voix Tenor
1
+ 15 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
205
Clarinette et Piano
191
Flûte traversière et Piano
186
Saxophone Alto et Piano
136
Saxophone Tenor et Piano
130
Quintette de Saxophone: 5 saxophones
111
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
105
Flûte, Hautbois, Clarinette, Basson
79
Quatuor de Saxophones: 4 saxophones
71
Ensemble de saxophones
64
Hautbois (partie séparée)
45
Flûte traversière
43
Clarinette
40
2 Saxophones (duo)
37
2 Flûtes traversières (duo)
30
Ensemble de Clarinettes
27
Ensemble de Flûtes
22
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Alto
14
2 Clarinettes (duo)
14
Flûte, Clarinette (duo)
13
Quatuor de Flûtes : 4 flûtes
9
Quintette de Flûte : 5 flûtes
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Saxophone Baryton, Piano
8
3 Clarinettes (trio)
8
Flûte et Guitare
7
Quintette de Clarinettes: 5 clarinettes
6
Quatuor de Flûtes à bec
6
Cor anglais, Piano
5
Saxophone Tenor
5
Clarinette (partie séparée)
5
Flûte, Violon, Piano
5
Clarinette, Violoncelle (duo)
5
Clarinette Basse, Piano
4
Saxophone Soprano et Piano
4
Trio de Flûtes: 3 flûtes
4
Flûte à bec Soprano
4
2 Flûtes traversières, Piano
4
Clarinette, Guitare (duo)
4
Clarinette, Basson (duo)
4
Flûte, Trombone (duo)
3
2 Flûte à bec (duo)
3
Flute (partie séparée)
3
Hautbois, Guitare (duo)
3
3 Saxophones (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois (duo)
2
Saxophone
2
Hautbois, Clarinette (duo)
2
Cor anglais, Guitare (duo)
2
Saxophone (partie séparée)
2
Clarinette, Trombone (duo)
2
Flûte à bec Alto, Piano
2
2 Clarinettes, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle
1
Flûte à bec Soprano, Piano
1
2 Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec
1
Flûte, Hautbois, Violon
1
Clarinette, Tuba
1
Clarinette, Harpe (duo)
1
Ocarina
1
Clarinette, Contrebasse (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cornemuse
1
Flûte et Quatuor à Cordes
1
Saxophone et Guitare
1
Saxophone, Violon (duo)
1
Ensemble De Flûte à bec
1
Flûte, Alto (duo)
1
Flûte à bec Alto
1
Flûte, Violon
1
Clarinette, Violon (duo)
1
Hautbois, Harpe
1
Flûte, Trompette (duo)
1
2 Flûtes traversières, Harpe
1
Piccolo, Piano
1
+ 76 instrumentations
Retracter
Cuivres
Trombone et Piano
154
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
152
Trompette
101
Quatuor de Cuivres
84
Trompette, Piano
71
Ensemble de Trompettes
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trombone
27
Ensemble de Trombones
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette (partie séparée)
20
Quatuor de cuivres: 4 trombones
16
2 Trombones (duo)
9
2 Trompettes (duo)
9
Trombone (partie séparée)
8
Cor et Piano
8
Tuba et Piano
7
Trio de Cuivres
7
Tuba
7
Ensemble de Cors
6
Cor
6
Euphonium, Piano (duo)
6
2 Tubas (duo)
5
Cor anglais, Piano
5
Trompette, Trombone (duo)
5
Cor (partie séparée)
4
Trompette, Cor (duo)
3
Euphonium, Tuba (duo)
3
2 Cors (duo)
3
Trompette, Saxophone (duo)
2
Cor anglais, Guitare (duo)
2
3 Trompettes (trio)
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 trompettes
2
Tuba (partie séparée)
2
Trompette, violon (duo)
2
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Bass Clef Instruments
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 39 instrumentations
Retracter
Cordes
Violon et Piano
186
Quatuor à cordes: 2 violons, alto, violoncelle
177
Alto, Piano
174
Violoncelle, Piano
148
Quintette à cordes: 2 violons, alto, violoncelle, basse
64
Violon
61
Violoncelle
50
Alto seul
40
2 Violons (duo)
33
Violon, Violoncelle (duo)
28
Contre Basse
24
Trio à Cordes: violon, alto, violoncelle
19
2 Altos (duo)
16
Violon, Alto (duo)
15
2 Violoncelles (duo)
15
Harpe
14
Ensemble d'Altos
11
Alto (partie séparée)
10
Ensemble de Violons
10
Violoncelle, Contrebasse (duo)
7
Piano Trio: Violon, Alto, Piano
6
Alto, Violoncelle (duo)
6
Trio à cordes: 3 altos
5
Harpe, Voix
5
Trio à Cordes: 2 violons, violoncelle
4
Violon, Guitare (duo)
4
2 Contrebasses (duo)
3
Violon (partie séparée)
3
Violoncelle , Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Violoncelles
3
Contrebasse (partie séparée)
2
Ensemble de Violoncelles
2
Quatuor à cordes: 4 violons
2
Harpe, Violoncelle (duo)
2
Trio à cordes
2
2 Harpes (duo)
2
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
Alto et Basson
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes : 4 altos
1
2 Violons, Piano
1
Flûte, Contrebasse (duo)
1
Violoncelle, Orchestre
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
103
Orchestre
59
Orchestre à Cordes
44
Batterie
26
Ensemble de cuivres
20
Ensemble Jazz
16
Orchestre de chambre
15
Jazz combo
11
Ensemble de Percussions
6
Cloches
5
Xylophone, Piano
3
Percussion (partie séparée)
3
Fanfare
2
Marimba
2
Piano et Orchestre
1
Vibraphone
1
2 Marimbas
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
Librairie Musicale
Matériel de musique
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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débutant
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Vous avez sélectionné:
I Have Come
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
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1
I'D RATHER HAVE FINGERS THAN TOES (Blest Be the Tie that Binds Parody)
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Chorale TTBB
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FACILE
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Folklorique/Traditionel
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Johann Naegeli Walter Latzko
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Walter Latzko
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I'D RATHER HAVE FINGERS THAN T
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.871687 Composed by Johann Naegeli Walter Latzko. Arranged by Walter Latzko. Traditional. Octavo. 2 pages. Latzko...
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Choral Choir (TTBB) - Level 2 - SKU: A0.871687 Composed by Johann Naegeli Walter Latzko. Arranged by Walter Latzko. Traditional. Octavo. 2 pages. Latzko Muzic #5318371. Published by Latzko Muzic (A0.871687). 18TH CENTURY COMEDY TUNE PERFECT FOR AN AUDIENCE PLEASER.
$2.00
Rock Around The Clock
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Chorale TTBB
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FACILE
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Bill Haley & His Comets
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Tom Gentry
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Rock Around The Clock
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Tom Gentry
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1191553 By Bill Haley & His Comets. By Jimmy DeKnight and Max C. Freedman. Arranged by Tom Gentry. A Cappella,Ba...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1191553 By Bill Haley & His Comets. By Jimmy DeKnight and Max C. Freedman. Arranged by Tom Gentry. A Cappella,Barbershop,Rock. Octavo. 2 pages. Tom Gentry #791054. Published by Tom Gentry (A0.1191553). This one requires some explanation. This is Part 1 of my Rock and Rock Medley, the second part being Rock and Roll Is Here to Stay. Since the songs are owned by different publishers, you have to order each song separately. Each pdf and mp3 file includes only part of the medley, so no, uh, fudging is possible. But I have set the per-copy price at SMP's minimum, $1.99, so even with their 10-copy minimum order, you can get by pretty inexpensively. Oh . . . and this medley is high-energy fun!
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Son to Mother
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Chorale TTBB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag ...
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TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40
Grim Grinning Ghosts
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Chorale TTBB
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INTERMÉDIAIRE
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Buddy Baker and Xavier Atencio
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Mark R Lewis
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Grim Grinning Ghosts
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1272422 Composed by Buddy Baker and Xavier Atencio. Arranged by Mark R Lewis. A Cappella,Barbershop. Octavo. 20 ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1272422 Composed by Buddy Baker and Xavier Atencio. Arranged by Mark R Lewis. A Cappella,Barbershop. Octavo. 20 pages. Mark R Lewis #864646. Published by Mark R Lewis (A0.1272422). Welcome, foolish mortals! In honor of the new Haunted Mansion movie, I have arranged Grim Grinning Ghosts! Originally by Buddy Baker and X Atencio, this song is one of the most memorable parts of the well-loved attraction. This arrangement is for bass solo and a cappella TTBB ensemble. The soloist starts and ends the piece with narration adapted from the ride over the parlor music variation of the theme. The middle of the arrangement features the verses and chorus with different forms of accompaniment in mulitiple keys. I hope you enjoy this fun arrangement!
$1.99
Home
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Phillip Phillips
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Charles Beale
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Home
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865849 By Phillip Phillips. By Drew Pearson and Greg Holden. Arranged by Charles Beale. Rock. Octavo. 15 pages. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865849 By Phillip Phillips. By Drew Pearson and Greg Holden. Arranged by Charles Beale. Rock. Octavo. 15 pages. Charliebmusic #4988499. Published by charliebmusic (A0.865849). This arrangement of the Phillip Phillips classic 'Home' has become the surprise hit of Charlie’s arranging canon. It has been sung by many TTBB and SATB choirs in the US and around the world. Anthemic, triumphant and celebratory, ‘Home’ is a country rock medium tempo hit, originally sung on 'America's Got Talent'. The song tells the world (and the audience!) not to be afraid in dark times. It asserts that ‘this is my home’, this is the safe place where I have the right to belong. 4 parts, medium difficulty, involves some fun falsetto to 'oo'.
$1.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
Facetime With My Mom Tonight
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Chorale TTBB
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INTERMÉDIAIRE
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Bo Burnham
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Jacob Klingsten
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Facetime With My Mom Tonight
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Jacob Klingsten
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1406776 Composed by Bo Burnham. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contempo...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1406776 Composed by Bo Burnham. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Film/TV. 11 pages. Jacob Klingsten #989524. Published by Jacob Klingsten (A0.1406776). “FaceTime with my Mom (Tonight)†by Bo Burnham is a song from the comedy special Inside. This arrangement is for TTBB a cappella groups, and sits at an easy-intermediate difficulty for high school/collegiate groups. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one.This arrangement features the main soloist, who sings quite lyrically and seriously (satirical, of course) about the relatable experience of FaceTiming with their parents. The echoes in the original recording are included in the score for the soloist to sing, if they wish. Additionally, the piece is relatively easy to learn, with a very repetative chord progression. As the arranger, I imagine the background vocalists miming the various lyrics that the soloist sings when they aren't looking, only for them to appear 'normal' when the soloist turns back. This song also works as a great low-key piece for your set if you're looking to add a subtle, satirical aspect of comedy. Additional Details: Key: Db major 11 Pages Length: 2m 20s Ranges: Solo: Bb2-Db4 Tenor 1: Bb3-Gb4 Tenor 2: Gb3-Db4 Baritone: Eb3-Bb3 Bass: Eb2-F3 If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges around $50 per commissioned arrangement. Jacob would love to work with you and your ensemble!Jacob Klingsten is an undergraduate student pursuing their B.A. in Music Education, and is expected to graduate in May 2025. He hopes to become a middle school and/or high school choir teacher to not only teach the choral art, but also the art of Contemporary A Cappella. He hopes you will enjoy singing his arrangements!
$2.49
"What Carol Is This?" (A Christmas Carol Medley/Mashup)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Various, Traditional
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Ash
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"What Carol Is This?"
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Music by Ash
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.919859 Composed by Various, Traditional. Arranged by Ash. A Cappella,Christmas,Sacred,Spiritual. Octavo. 21 page...
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Choral Choir (TTBB) - Level 4 - SKU: A0.919859 Composed by Various, Traditional. Arranged by Ash. A Cappella,Christmas,Sacred,Spiritual. Octavo. 21 pages. Music by Ash #6591569. Published by Music by Ash (A0.919859). A unique, compelling, and show-stopping 7-minute medley/mashup of Christmas Carols for a cappella ensembles!Christmas Carols included are (in order of appearance):O Come, O Come, EmmanuelWe Three KingsLittle Drummer BoyMary, Did You Know?What Child Is This?Silent NightHoly NightCarol of the Bells (brief)Joy to the WorldThe First Noeland Do You Hear What I Hear? (brief)General Details4 main voice parts with solo line(s)Divisi in T1 and T2 linesSolo(s) throughout entire medley; works great to have different soloists for each section/songOptional trio for We Three Kings and optional duet for The First NoelMinimum of 8 voices requiredWell-suited for small ensembles (8-16 voices), large choruses (100+), or in betweenDuration: approx. 7:00Vocal RangesSolo(s): B2-C5Tenor 1: C3-C5Tenor 2: C3-F#4Baritone: A2-E4Bass: E2-D4 Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$3.50
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
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Chorale TTBB
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DÉBUTANT
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Musique Sacrée
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Paul A
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Paul A
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IS THERE STILL A DROP OF BLOOD
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo....
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Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
It Must Be Love
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Madness
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Austin Ralphson
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It Must Be Love
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Austin Ralphson
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.563716 By Madness. By Labi Siffre. Arranged by Austin Ralphson. Pop. Octavo. 18 pages. Austin Ralphson #4775161....
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Choral Choir (TTBB) - Level 4 - SKU: A0.563716 By Madness. By Labi Siffre. Arranged by Austin Ralphson. Pop. Octavo. 18 pages. Austin Ralphson #4775161. Published by Austin Ralphson (A0.563716). Ska/pop band Madness recorded this song in 1981 and it has become a firm favourite, especially at weddings and anniversary parties. This arrangement avoids the obvious piano chords in the vocal parts, focusing more on melodic polyphony. It is not too difficult to put together and has exciting parts for all singers. I've also done optional parts for the sax/guitar solo in the middle; these are provided in C (treble and bass clefs), B flat and E flat to cater for almost any solo instrument you have available to play it (possibly a choir member?). This solo should be loud and raucous! The piece still works perfectly well without, however. It is great to perform and to listen to for the audience. Enjoy!
$2.49
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