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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Just Can
Sheetmusicplus
Non classifié
661
Piano & claviers
Piano seul
315
Piano, Voix
118
Piano, Voix et Guitare
99
Piano Facile
75
Instruments en Do
50
2 Pianos, 4 mains
36
Orgue
32
Piano grosses notes
10
Accordéon
8
1 Piano, 4 mains
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accompagnement Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
Orgue, Trompette (duo)
1
Piano Trio: piano, violon, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
84
Guitare
30
Ukulele
26
Ligne De Mélodie, (Paroles) et Accords
14
Basse electrique
13
Paroles et Accords
8
Banjo
4
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Dulcimer
2
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
+ 8 instrumentations
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Voix
Chorale SATB
120
Chorale 3 parties
69
Chorale 2 parties
33
Chorale TTBB
13
Chorale Unison
12
Voix duo
11
Chorale SSAA
10
Voix duo, Piano
6
Voix Soprano, Piano
4
Voix haute
3
Voix Mezzo-Soprano, Piano
2
Chorale
2
Voix Tenor, Piano
1
Voix Alto, Piano
1
Chorale SSAB, Piano
1
Chorale SSATTB
1
Voix Tenor
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Flûtes : 4 flûtes
25
Flûte traversière
18
Ensemble de saxophones
13
Clarinette
13
Clarinette et Piano
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Quatuor de Saxophones: 4 saxophones
12
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Tenor et Piano
10
Saxophone Soprano et Piano
10
Ensemble de Clarinettes
10
Saxophone Tenor
9
Hautbois, Piano (duo)
9
Ensemble de Flûtes
8
Saxophone (partie séparée)
8
Flûte traversière et Piano
7
Saxophone Alto
7
Flûte, Hautbois, Clarinette, Basson
7
Flûte, Violoncelle
7
Saxophone Alto et Piano
7
Hautbois, Flûte
6
Quatuor de Flûtes à bec
6
Hautbois, Basson (duo)
6
Clarinette et Alto
6
Flûte et Guitare
6
Flûte, Alto (duo)
5
Quintette de Saxophone: 5 saxophones
5
3 Saxophones (trio)
5
Flûte, Clarinette (duo)
5
Flûte à bec Soprano
5
2 Saxophones (duo)
4
2 Flûtes traversières (duo)
4
Ocarina
3
Flûte irlandaise
3
3 Clarinettes (trio)
3
Hautbois, Guitare (duo)
3
Flûte, Violon, Piano
3
2 Clarinettes (duo)
3
Clarinette, Guitare (duo)
3
2 Flûte à bec (duo)
3
Saxophone, Clarinette (duo)
2
Saxophone Soprano
2
Flute (partie séparée)
2
Clarinette Basse, Piano
2
Flûte à bec Soprano, Piano
2
Saxophone Baryton, Piano
2
Clarinette, Violoncelle (duo)
2
Flûte à Bec
2
Hautbois (partie séparée)
2
Clarinette, Violon (duo)
1
Quintette de Flûte : 5 flûtes
1
3 Flûtes à bec (trio)
1
Flute, harpe et violon
1
Flûte, Saxophone (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Clarinette (duo)
1
Flûte, Violon
1
2 Hautbois (duo)
1
2 Saxophones, Piano
1
+ 56 instrumentations
Retracter
Cuivres
Trompette
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trombone et Piano
12
Trompette, Piano
9
Trombone
9
Tuba
7
Trompette (partie séparée)
7
Cor et Piano
6
Ensemble de Trombones
5
Cor
5
Quatuor de Cuivres
5
Euphonium
4
Trombone (partie séparée)
3
Trompette, Cor (duo)
3
Ensemble de Trompettes
2
Instruments en Sib
2
Trompette, Trombone (duo)
2
2 Euphoniums et 2 Tubas
2
Euphonium, Piano (duo)
2
Ensemble de Cors
2
2 Trompettes (duo)
2
2 Tubas (duo)
2
2 Trombones (duo)
2
Tuba et Piano
2
2 Cors (duo)
1
Bass Clef Instruments
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
101
Violon
44
Violon, Violoncelle (duo)
35
Violon et Piano
23
Violoncelle, Piano
20
Harpe
19
Trio à Cordes: violon, alto, violoncelle
17
Violon, Alto (duo)
17
Violoncelle
16
Alto, Piano
14
Violoncelle, Contrebasse (duo)
12
Trio à Cordes: 2 violons, violoncelle
11
Alto seul
10
2 Violons (duo)
9
2 Violoncelles (duo)
7
Flûte, Contrebasse (duo)
5
Quatuor à cordes: 4 violons
5
Alto, Violoncelle (duo)
5
Contrebasse, Piano (duo)
5
2 Harpes (duo)
4
Alto (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Ensemble d'Altos
2
Piano Trio: Violon, Alto, Piano
2
4 Violoncelles
2
Ensemble de Violons
2
2 Altos (duo)
2
2 Violons, Piano
2
4 Contrebasses
2
Alto et Harpe
1
Quatuor à cordes : 4 altos
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Contrebasses (duo)
1
Contre Basse
1
2 Violoncelles, Piano
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Contrebasse (partie séparée)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
56
Orchestre à Cordes
45
Orchestre
32
Batterie
26
Ensemble Jazz
24
Orchestre de chambre
21
Ensemble de cuivres
13
Jazz combo
11
Cloches
9
Fanfare
6
Ensemble de Percussions
5
Marimba
2
Vibraphone
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
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Vous avez sélectionné:
I Just Can
SheetMusicPlus
Partitions à imprimer
13 partitions trouvées
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1
I Just Can't Wait To Be King
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Chorale TTBB
#
INTERMÉDIAIRE
#
Comédie Musicale
#
Elton John and Tim Rice
#
Pax Ressler
#
I Just Can't Wait To Be King
#
Pax Ressler
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1196360 Composed by Elton John and Tim Rice. Arranged by Pax Ressler. Broadway,Musical/Show. Octavo. 29 pages. P...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1196360 Composed by Elton John and Tim Rice. Arranged by Pax Ressler. Broadway,Musical/Show. Octavo. 29 pages. Pax Ressler #795515. Published by Pax Ressler (A0.1196360). This is an intermediate arrangement of “I Just Can't Wait To Be King“ (from The Lion King) for TTBB chorus, piano and two violins.Pax Ressler (they/she) is a Philadelphia-based theatre and music artist composing and arranging soul-stirring choral music for ensembles across the United States and beyond. To see more of Pax's work, search “Pax Ressler†on Sheet Music Direct, Sheet Music Plus, or on their website, paxressler.com.
$1.99
I'm Just Ken
#
Chorale TTBB
#
AVANCÉ
#
Ryan Gosling
#
Jacob Klingsten
#
I'm Just Ken
#
Jacob Klingsten
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1337977 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Jacob Klingsten. 21st Century,A Cap...
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Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1337977 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Pop. 13 pages. Jacob Klingsten #923723. Published by Jacob Klingsten (A0.1337977). I'm Just Ken from Barbie is a show-stopping broadway style song with key changes, flare, pink, and just Ken all over. This arrangement is for TTBB Acapella groups. While there isn't a Vocal Percussionist part in the score, it is recommended to perform this arrangement with one, as there is a VP Solo/Feature in this piece!This arrangement features a soloist, Ken, who is highly encouraged along with the rest of the ensemble to be as theatrical as possible. The harmonies are full in texture, making every part of the piece over-the-top while being comical at the same time. As mentioned, this piece features a Vocal Percussionist Solo, where the soloist gets 'carried away,' which distracts the ensemble and causes them to stop and give the VP the stage. Once they finish, they 'realize' that they went a bit too far and pitch is given for the new, final key of the song. You can't go wrong with just a little bit of Ken!Additional Details:Keys: F# Major (with b7), Db Minor, Ab major (with b7), E minor, C minor/Eb Major13 PagesLength: 3m 40sRange (All Parts): Eb2-B4(C5).
$2.99
I Get Around
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Rock
#
The Beach Boys
#
Brian Cromer
#
I Get Around
#
Brian A Cromer
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1014355 By The Beach Boys. By Brian Wilson and Mike Love. Arranged by Brian Cromer. Pop,Rock. Octavo. 7 pages. B...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1014355 By The Beach Boys. By Brian Wilson and Mike Love. Arranged by Brian Cromer. Pop,Rock. Octavo. 7 pages. Brian A Cromer #6858431. Published by Brian A Cromer (A0.1014355). Barbershop style arrangement featuring the tenors throughout. The most challenging part of this arrangement is just the vocal range of the tenor and lead, but you can do it big guy! Side note, I actually wrote this a half-step up but it just looked like an absolute nightmare. Anyway, contact the arranger Brian Cromer for a different key or how to get tracks to this baby. BrianCromer85@gmail.comVocal RangesTenor: G#3-F5 (yikes)Lead: F#3-G#4Baritone:E3-E4Bass: F2-A3
$1.99
I Can't Tell You Why
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Chorale TTBB
#
FACILE
#
The Eagles
#
Mark Stevens
#
I Can't Tell You Why
#
Mark Stevens
#
SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1497640 By The Eagles. By Don Henley, Glenn Frey, and Timothy B. Schmit. Arranged by Mark Stevens....
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Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1497640 By The Eagles. By Don Henley, Glenn Frey, and Timothy B. Schmit. Arranged by Mark Stevens. 20th Century,A Cappella,Pop,Rock. 8 pages. Mark Stevens #1074055. Published by Mark Stevens (A0.1497640). Mellow groove for the audience to just chill and enjoy. Enjoy some of the harmonies of the Eagles.
$2.99
If I Had A Hammer (the Hammer Song)
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Chorale TTBB
#
AVANCÉ
#
Trini Lopez
#
David B
#
If I Had A Hammer
#
David B. Babcock
#
SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.1017865 By Trini Lopez. By Lee Hays and Pete Seeger. Arranged by David B. Babcock. A Cappella. Octavo. 11 pages....
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Choral Choir (TTBB) - Level 5 - SKU: A0.1017865 By Trini Lopez. By Lee Hays and Pete Seeger. Arranged by David B. Babcock. A Cappella. Octavo. 11 pages. David B. Babcock #6404165. Published by David B. Babcock (A0.1017865). This fun a cappella arrangement for mens voices can easily be adapted for women's voices or SATB. The arrangement keeps the original melody lines of Peter, Paul , and Mary's hit and adds modern harmonies and some interesting counterpoint. This can be used for select Sr. HIgh groups or college level a cappella groups. A great use of chords with added 6ths along with a timeless message of justice, freedom, and love so appropriate for today. .
$3.99
The Impression That I Get
#
Chorale TTBB
#
AVANCÉ
#
The Mighty Mighty Bosstones
#
Corey Cerullo
#
The Impression That I Get
#
Cerullo Music LLC
#
SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.540600 By The Mighty Mighty Bosstones. By Dicky Barrett and Joe Gittleman. Arranged by Corey Cerullo. A Cappella...
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Choral Choir (TTBB) - Level 5 - SKU: A0.540600 By The Mighty Mighty Bosstones. By Dicky Barrett and Joe Gittleman. Arranged by Corey Cerullo. A Cappella. Octavo. 12 pages. Cerullo Music LLC #4301113. Published by Cerullo Music LLC (A0.540600). Your advanced male a cappella group is going to love this arrangement! As true to the original as can be with just voices, this is going to knock the socks off of your audiences. If you are dying to showcase your male singers, this is the tune to do it with!Arranged for TTBB with some divisi and a Solo/duet on top. It's going to be a rockin' good time when you put all of this together!
$4.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Africa
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
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Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
Believer
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Chorale TTBB
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INTERMÉDIAIRE
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Imagine Dragons
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Charles Beale
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Believer
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charliebmusic
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1425207 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Lar...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1425207 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Charles Beale. Grunge,Pop,Rock. 20 pages. Charliebmusic #1006026. Published by charliebmusic (A0.1425207). Released by Imagine Dragons in 2017, 'Believer' is an intense powerful anthemic song, with an infectious groove, about how pain can make you stronger. In March 2017, Dan Reynolds told People that the song was inspired by his experiences with ankylosing spondylitis in 2015. He said that, The meaning of the song is really reflecting on specific things in my life that were painful, ... and just rising above that, finding a place of perspective where I could be appreciative of the pain in my life and make it my greatest strength.This TTBB version was devised for San Diego Gay Men's Chorus in 2024, and features up to three soloists. It draws inspiration from the version sung by One Voice Children's Choir.
$1.99
Puff The Magic Dragon
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Chorale TTBB
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INTERMÉDIAIRE
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Peter Paul and Mary
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Ryan Wainwright-Meekins
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Puff The Magic Dragon
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Ryan Wainwright-Meekins
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1442067 By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Ryan Wainwright-Meekin...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1442067 By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Ryan Wainwright-Meekins. 20th Century,A Cappella,Barbershop,Pop. 9 pages. Ryan Wainwright-Meekins #1022062. Published by Ryan Wainwright-Meekins (A0.1442067). This is a barbershop arrangement for TTBB voices. Duration c.3:30. 9 pages.This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.About ss are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download, and play!PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorised to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$1.99
Happy Birthday
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Chorale TTBB
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FACILE
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Ryan Wainwright-Meekins
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Ryan Wainwright-Meekins
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Happy Birthday
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Ryan Wainwright-Meekins
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1443505 By Ryan Wainwright-Meekins. By Ryan Wainwright-Meekins. Arranged by Ryan Wainwright-Meekins....
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1443505 By Ryan Wainwright-Meekins. By Ryan Wainwright-Meekins. Arranged by Ryan Wainwright-Meekins. A Cappella,Barbershop,Traditional. 1 pages. Ryan Wainwright-Meekins #1023450. Published by Ryan Wainwright-Meekins (A0.1443505). This is a barbershop arrangement of Happy Birthday for TTBB voices. 1 page.This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.About ss are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download, and play!PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorised to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$1.99
Son to Mother
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Chorale TTBB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag ...
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TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40
Suit & Tie
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Chorale TTBB
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INTERMÉDIAIRE
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Justin Timberlake
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Tim Brent
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Suit & Tie
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Tim Brent Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.877207 By Justin Timberlake. By Charles Still, James Fauntleroy, Jerome Harmon, Johnny Wilson, Justin Timberlake...
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Choral Choir (TTBB) - Level 3 - SKU: A0.877207 By Justin Timberlake. By Charles Still, James Fauntleroy, Jerome Harmon, Johnny Wilson, Justin Timberlake, Shawn Carter, Terry Stubbs, and Tim Mosley. Arranged by Tim Brent. Dance,Pop. Octavo. 24 pages. Tim Brent Music #4600471. Published by Tim Brent Music (A0.877207). This unique and interesting take on the iconic Justin Timberlake song is the perfect feature for your tenors and basses. With lots of solo opportunities, grooves ranging from swing to that rhythmic style only JT can capture, this arrangement is a guaranteed crowd pleaser!The piano and bass parts are written out and include chord symbols.The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed for your ensemble/organization.I like to stay in touch with the people who program my music so please drop me a line and say hello info@timbrent.com
$65.00
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