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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Was Here
Non classifié
1 429
Piano & claviers
Piano seul
740
Piano, Voix
223
Piano, Voix et Guitare
222
Instruments en Do
76
Piano Facile
57
Orgue
47
2 Pianos, 4 mains
35
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
12
Accompagnement Piano
8
Accordéon
4
Piano grosses notes
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
Clavier
1
+ 15 instrumentations
Retracter
Guitares
Guitare
80
Guitare notes et tablatures
61
Ligne De Mélodie, (Paroles) et Accords
18
2 Guitares (duo)
15
Ukulele
11
Basse electrique
10
4 Guitares (Quatuor)
8
Mandoline
6
Piano, Guitare (duo)
3
3 Guitares (trio)
3
Banjo
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Paroles et Accords
1
Guitare, Orchestre
1
Ukulele Baryton
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
345
Chorale 3 parties
60
Chorale 2 parties
39
Chorale TTBB
31
Voix Alto, Piano
30
Chorale SSAA
27
Voix Baryton, Piano
26
Voix Tenor
26
Voix Soprano
24
Chorale Unison
12
Voix seule
12
Voix Soprano, Piano
11
Voix duo, Piano
9
Voix duo
7
Voix haute
6
Voix Tenor, Piano
3
Voix moyenne, Piano
2
Chorale SSATTB
2
Chorale SSAB, Piano
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
148
Quintette de Saxophone: 5 saxophones
110
Ensemble de saxophones
74
Quatuor de Saxophones: 4 saxophones
64
Flûte traversière et Piano
59
Flûte, Hautbois, Clarinette, Basson
58
Ensemble de Clarinettes
49
Clarinette et Piano
45
Quatuor de Clarinettes: 4 clarinettes
40
2 Clarinettes (duo)
39
Hautbois, Piano (duo)
36
Ensemble de Flûtes
35
Clarinette
35
Saxophone Alto et Piano
34
2 Flûtes traversières (duo)
33
Flûte traversière
31
2 Saxophones (duo)
29
Saxophone Alto
26
Saxophone Tenor et Piano
24
Cor anglais, Piano
18
Flûte et Guitare
17
Quintette de Flûte : 5 flûtes
17
Hautbois (partie séparée)
16
3 Clarinettes (trio)
16
Saxophone Baryton, Piano
15
Saxophone Soprano et Piano
14
Quatuor de Flûtes : 4 flûtes
13
Clarinette, Guitare (duo)
13
Saxophone Tenor
11
Saxophone, Clarinette (duo)
10
Clarinette, Violon (duo)
9
2 Hautbois (duo)
9
Flûte, Clarinette (duo)
9
Clarinette Basse, Piano
8
Saxophone (partie séparée)
7
Hautbois, Basson (duo)
7
Quintette de Clarinettes: 5 clarinettes
7
Hautbois, Guitare (duo)
6
Flûte à bec Soprano
6
Hautbois, Clarinette (duo)
5
2 Flûtes traversières, Piano
5
Flûte, Saxophone (duo)
5
Flûte, Violon
5
Quatuor de Flûtes à bec
5
Clarinette et Alto
4
3 Saxophones (trio)
4
Flûte à Bec
4
Saxophone Soprano
4
Trio de Flûtes: 3 flûtes
4
Flûte, Alto (duo)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
Cor Anglais
3
Flute, harpe et violon
3
Cor anglais, Guitare (duo)
3
Clarinette, Harpe (duo)
3
2 Clarinettes, Piano
2
Saxophone et Harpe
2
Flûte à bec Alto
2
Clarinette, Violoncelle (duo)
2
Ocarina
2
2 Hautbois, Piano
2
Flûte, Violon, Piano
2
Flute (partie séparée)
2
Clarinette, Trombone (duo)
2
Harmonica
2
Hautbois, Flûte
2
Saxophone et Guitare
2
Clarinette, Trompette (duo)
2
Flûte à bec Alto, Piano
2
Saxophone
2
Saxophone et Orgue
2
Flûte à bec Soprano, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Basson (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
2 Saxophones, Piano
1
2 Flûte à bec (duo)
1
Piccolo
1
Piccolo, Piano
1
Hautbois, Harpe
1
2 Flûtes traversières, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
4 Hautbois
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
114
Trombone et Piano
37
Trompette
35
Quatuor de Cuivres
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Ensemble de Trombones
30
Trompette, Piano
25
Trombone
23
Ensemble de Trompettes
20
Cor anglais, Piano
18
Euphonium, Piano (duo)
16
2 Trombones (duo)
16
Cor et Piano
15
Tuba
15
Cor
13
Tuba et Piano
12
2 Trompettes (duo)
12
2 Cors (duo)
9
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trombones
7
Ensemble de Cors
6
Trompette, Saxophone (duo)
5
2 Trompettes, Clavier (piano ou orgue)
4
2 Cors, Piano
3
2 Tubas (duo)
3
Trio de Cuivres
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor Anglais
3
Cor anglais, Guitare (duo)
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
2
3 Trombones (trio)
2
Trombone basse et Piano
2
Bass Clef Instruments
1
4 Euphoniums
1
Trombone et orchestre
1
Trompette, Harpe
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 cors
1
Cor et Harpe
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
3 Cors (trio)
1
Trompette, Euphonium (duo)
1
Trombone, Tuba (duo)
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
190
Violon et Piano
85
Violon
53
Violoncelle, Piano
50
Harpe
49
Violoncelle
43
Alto, Piano
41
Trio à Cordes: violon, alto, violoncelle
38
2 Violons (duo)
31
Violon, Violoncelle (duo)
22
2 Harpes (duo)
18
2 Altos (duo)
17
Ensemble d'Altos
17
2 Violoncelles (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Ensemble de Violons
16
Alto seul
15
Violon, Alto (duo)
11
Contre Basse
10
Contrebasse, Piano (duo)
9
Alto (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
9
Violoncelle , Guitare (duo)
7
Violon, Guitare (duo)
6
2 Violons, Piano
6
4 Violoncelles
4
Harpe, Voix
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Flûte (duo)
3
Harpe, Violon (duo)
2
2 Violoncelles, Piano
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
2
4 Contrebasses
2
Violoncelle, Orgue
1
3 Harpes
1
Alto et Harpe
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Violon (partie séparée)
1
Trio à cordes: 3 altos
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
163
Orchestre
96
Orchestre à Cordes
87
Ensemble de cuivres
55
Orchestre de chambre
44
Ensemble Jazz
42
Jazz combo
26
Ensemble de Percussions
14
Cloches
11
Fanfare
10
Marimba
5
Batterie
3
Vibraphone
3
Piano et Orchestre
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
I Was Here
Chorale TTBB
Partitions à imprimer
31 partitions trouvées
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1
26
I Know Where I've Been
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Marc Shaiman
#
Theodore Hicks
#
I Know Where I've Been
#
Theo Hicks Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.512649 Composed by Marc Shaiman. Arranged by Theodore Hicks. Contemporary. Octavo. 10 pages. Theo Hicks Music #4...
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Choral Choir (TTBB) - Level 4 - SKU: A0.512649 Composed by Marc Shaiman. Arranged by Theodore Hicks. Contemporary. Octavo. 10 pages. Theo Hicks Music #4628551. Published by Theo Hicks Music (A0.512649). The powerful ballad from the musical Hairspray. This arrangement was originally premiered by the 2018 Silver Medalist Quartet Signature. This piece works well for small ensemble (quartet minimum) or a large choir. This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.You can see a performance of this arrangement on the Barbershop Harmony Society's YouTube channel.For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/Learning Tracks for this arrangement can be purchased through Kohl Kitzmiller at www.kksounds.com. For more information on Signature Quartet, visit https://www.facebook.com/SignatureQt/
$4.00
I Want It That Way
#
Chorale TTBB
#
INTERMÉDIAIRE
#
The Backstreet Boys
#
Rowena Harper
#
I Want It That Way
#
Rowena Harper
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.762504 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Rowena Harper. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.762504 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #5719549. Published by Rowena Harper (A0.762504). Who said that Back Street Boys needed five people? Here's an arrangement that says that four boys would have done!This pop song was originally written to cover quite a vocal range, and therefore aspects of the tune are also shared with solo segments that also feature baritone and tenor, plus a small solo for the bass so they wouldn't miss out. The arrangement features the expected and let's face it, much anticipated, key change. It also includes a nice gentle finish which stays in keeping with the original song. This is a must-have in your a cappella repertoire - but will likely require leads to be able to sing harmony, unless parts are switched.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#-B, Baritone D#-B, Lead E-F#, Tenor B-C#. MIXED options: Baritone, Lead and Tenor are suitable for female voices.This is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Tenor (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The Treble clef parts are sung an octave lower than written.)Contact: acappellatenor@gmail.com.
$3.00
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
#
Chorale TTBB
#
DÉBUTANT
#
Musique Sacrée
#
Paul A
#
Paul A
#
IS THERE STILL A DROP OF BLOOD
#
Paul A. Jorg
#
SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo....
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Choral Choir (TTBB) - Level 1 - SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
Where Could I Go
#
Chorale TTBB
#
Musique Sacrée
#
Elvis Presley
#
Bert Phillips
#
Where Could I Go
#
Bert Phillips
#
SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.844180 By Elvis Presley. By James B. Coats. Arranged by Bert Phillips. A Cappella,Barbershop,Christian,Praise & Worship,Sp...
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Choral Choir (TTBB) - SKU: A0.844180 By Elvis Presley. By James B. Coats. Arranged by Bert Phillips. A Cappella,Barbershop,Christian,Praise & Worship,Spiritual. Octavo. 10 pages. Bert Phillips #4610109. Published by Bert Phillips (A0.844180). This TTBB arrangement is written in the barbershop style. The melody is mostly in the lead (2nd Tenor) part. This version is based on Elvis' version on the album How Great Thou Art. The now won't you tell me lyric was sung by Elvis in his cover of this song, but in this arrangement the bass singer gets that part. Elvis' version was in E, but this version has been pitched up to G with two half step key changes. The baritone part is high. This chart could be pitched down a step if needed. I hope you enjoy this chart. Please follow me on Facebook @bertscharts.
$1.99
If I Had My Way
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Lyrics: Lou Klein
#
Donald A
#
If I Had My Way
#
Donald A Mills
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928947 Composed by Lyrics: Lou Klein. Music: James Kendis. Arranged by Donald A. Mills (aka Beachtanned). 20th C...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928947 Composed by Lyrics: Lou Klein. Music: James Kendis. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella,Classical,Folk,Instructional,Traditional. Octavo. 14 pages. Donald A Mills #54695. Published by Donald A Mills (A0.928947). This TTBB a cappella arrangement is in the barbershop, close harmony style. It was originally written in the age of the Tin Pan Alley of New York City, and has been a favorite of millions over many decades. It's a heartfelt wish and plea to live long and never grow old along with your partner. This new arrangement will delight your singers and audiences alike. This may be sung by a quartet, octet/small ensemble or chorus, and would be considered of medium to medium-high difficulty. The song's duration is only 2:58, sung in a ballad format. Try performing it in a straight tone, with vibrato used sparingly or not at all. For a teaching opportunity, concentrate on dynamics where appropriate to the lyrics, and also (sometimes overlapping) breath control. Tags: If I Had My Way, TTBB, a cappella, barbershop, close harmony, ballad, quartet, octet, chorus, small ensemble, Donald A. Mills, Beachtanned.
$2.99
I Don't Want To Set The World On Fire
#
Chorale TTBB
#
INTERMÉDIAIRE
#
The Ink Spots
#
Jay Dougherty
#
I Don't Want To Set The World
#
Jay Dougherty
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1406564 By The Ink Spots. By Bennie Benjamin, Eddie Durham, Eddie Seiler, and Sol Marcus. Arranged b...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1406564 By The Ink Spots. By Bennie Benjamin, Eddie Durham, Eddie Seiler, and Sol Marcus. Arranged by Jay Dougherty. A Cappella,Barbershop,Contest,Festival,Jazz. 6 pages. Jay Dougherty #989330. Published by Jay Dougherty (A0.1406564). I Don't Want to Set the World on Fire was sung by many groups in the 20th century, but made famous by The Ink Spots. This arrangement is written for TTBB a cappella in the contestable barbershop style by Jay Dougherty. It captures the playful levity of the original but also brings new life through rhythmic variation, harmony, and embellishment. NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that even with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: www.jmdougherty.comFor more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.com.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Africa
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
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Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
Son to Mother
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Chorale TTBB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag ...
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TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40
Horizon
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Chorale TTBB
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INTERMÉDIAIRE
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Shelton Ridge Love
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and she has been there since
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Horizon
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1200843 By Shelton Ridge Love. By Shelton Ridge Love. Contemporary,Sacred,Spiritual. Octavo. 19 pages. Shelton R...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1200843 By Shelton Ridge Love. By Shelton Ridge Love. Contemporary,Sacred,Spiritual. Octavo. 19 pages. Shelton Ridge Love #799497. Published by Shelton Ridge Love (A0.1200843). For TTBB Chorus, Piano and optional Violin (Violin part included with the score)2022 holds a significant milestone for my family. This year, my grandmother, Bobbie Kay Turner, celebrates her ninetieth birthday. In planning for the celebration, I was stumped about what to give her. I wanted it to be unique, something no one else would think of. Finally, I had the idea to compose a new song. I contacted my friend, James, and he was immediately on board. In fact, he had the first draft of a new poem back to me within the day!  When my grandmother (“Mimi†to her grandkids) was 36 years old, she and my grandfather moved to Cayman Brac, Cayman Islands with their six children to serve as missionaries; and she has been there since. So, when I think of Mimi, I can’t help but think of the many times I’ve sat and watched the ocean with her. Knowing this, James created a text that depicts life as a ship’s journey across the sea. Throughout the song, you will catch snippets of my grandmother’s favorite hymn Amazing Grace which, like Horizon, is a song about a journey. My grandmother has lived a full, long life and continues to joyfully live each day. James’s beautiful lyrics perfectly capture her journey, particularly the final stanza. Mimi is known for being full of energy and abounding in love for those around her, and she never stops telling anyone who will listen about the divine light of an eternal home. –    Shelton, October 18, 2022.
$2.25
Fancy Like Christmas
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Chorale TTBB
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FACILE
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Walker Hayes
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Jeff Tincher
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Fancy Like Christmas
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Jeff Tincher
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1319093 By Walker Hayes. By Cameron Bartolini, Josh Jenkins, Shane Stevens, and Walker Hayes. Arranged by...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1319093 By Walker Hayes. By Cameron Bartolini, Josh Jenkins, Shane Stevens, and Walker Hayes. Arranged by Jeff Tincher. Christmas,Contemporary,Country,Holiday. 14 pages. Jeff Tincher #907721. Published by Jeff Tincher (A0.1319093). Here is a really fun Christmas song. I was looking forward to seeing this on our approved list to arrange. In the original key, this song has a really nice beat and the lyrics lists a lot of Christmas staples and wish list. Duration = 2:42. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99
Thrush Song at Dusk (TTBB)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Stephen Smith
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Thrush Song at Dusk
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Stephen Smith
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.960315 Composed by Stephen Smith. Contemporary. Octavo. 11 pages. Stephen Smith #6671871. Published by Stephen S...
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Choral Choir (TTBB) - Level 4 - SKU: A0.960315 Composed by Stephen Smith. Contemporary. Octavo. 11 pages. Stephen Smith #6671871. Published by Stephen Smith (A0.960315). Composed during the pandemic, this setting for male chorus and piano of Thomas Hardy's poem, The Darkling Thrush begins with a bleak picture of a barren and hostile landscape in winter. Then, as the voices narrate the sudden appearance of an agèd thrush, frail, gaunt, and small who floods the air with joyous singing, the piano accompaniment bursts into a reel. The final stanza muses that the cause for the bird's ecstatic sounds must have been some blessed hope whereof he knew and I was unaware. (Also available for SAB -- check that version for a different audio excerpt.).
$2.00
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
Hallelujah
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Chorale TTBB
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INTERMÉDIAIRE
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Leonard Cohen
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Andrew Emmet
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Hallelujah
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1382002 By Leonard Cohen. By Leonard Cohen. Arranged by Andrew Emmet. A Cappella,Film/TV,Pop,Rock. 9 page...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1382002 By Leonard Cohen. By Leonard Cohen. Arranged by Andrew Emmet. A Cappella,Film/TV,Pop,Rock. 9 pages. Andrew J Emmet #966627. Published by Andrew J Emmet (A0.1382002). TTBB A Cappella arrangement.Four verses beginning with these lines:Now I've heard, there was a secret chord, Well maybe there's a God above,You say I took the name in vain,I did my best, it wasn't much.Melody in Bass 1 part in verse 3. Tenor 1 goes up to A.Bass 2 goes down to F.
$4.25
Pippo Non Lo Sa
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Chorale TTBB
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INTERMÉDIAIRE
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Giuseppe Rastelli, Gorni Krame
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Bacco Baccanels
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Pippo Non Lo Sa
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Bacco Baccanels
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Centur...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Century,A Cappella,Jazz. Octavo. 6 pages. Bacco Baccanels #857536. Published by Bacco Baccanels (A0.1264702). TTBB Version of the great song by Gorni Kramer.The arrangement is quite basic and is not barbershop like: there is one voice for the main melody (Tenor1) and three voices emulating the armonic infrastructure.(I made also a richer SAATTB version with additional staffs taken from a Pasquale Amico vocal arrangement).TTBB voices follow a simple arrangement: Soprano does the main melody and Tenor, Baritone and Bass do accompaniment: an easy bass line and two voices for the chords.Baritone and Bass often play upbeat in the first bars of most of the phrases (pretending to be guitars or trumpets) and turn to straight beat in the final measures.Tempo is fast, thus singing those upbeat at the right speed can be challenging: bear in mind slowing them down produces a global weakening of the entire song: I suggest Tenor2 and Baritone drink some coffee before singing...To add movement to an otherwise great and funny but simple structure, I added few bars to the original work, starting from bar 79 (F mark); here, pay attention to sing in sync, since the section is very rhythmic.Some background information about the song: written in 1939 under the fascist regime, Kramer was accused of making fun of the fascist hierarch Achille Starace, who used to walk upright in a black shirt, arousing the hilarity of the population. The song thus had to face the censorship of the regime, given that the allusion appeared quite clear.Many years after the composition, Gorni Kramer declared that the piece was inspired not by Starace but by the maestro Pippo Barzizza, with whom, in 1939, Kramer had had an argument during a performance at the Kursaal in Viareggio.
$4.00
Standing In The Presence Of The King
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Chorale TTBB
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FACILE
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Rusty Goodman
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Paul A
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Standing In The Presence Of Th
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522399 Composed by Rusty Goodman. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6077019. ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522399 Composed by Rusty Goodman. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6077019. Published by Paul A. Jorg (A0.522399). This arrangement is for 4 part male harmony (TTBB) a cappella.Here is a synopsis by Wikipedia of Rusty Goodman's musical background. He composed Who Am I? in 1965 and was actively singing within two weeks of his passing.Charles F. Rusty Goodman (September 2, 1933 – November 11, 1990) was an American singer/songwriter in the Southern Gospel Music industry. He was a prolific composer whose many songs included Standing in the Presence of the King, Leavin' On My Mind, Home, John the Revelator, Touch the Hand of the Lord, Had it Not Been I Believe He's Coming Back Look for Me and Who Am I? His songs have been covered by many of the top artists in the music industry including Elvis Presley, The Imperials, J. D. Sumner & The Stamps Quartet, The Speers, The Happy Goodman Family, Michael English and Gaither Vocal Band.
$4.59
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
BLESSED ASSURANCE
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Chorale TTBB
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FACILE
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Lyrics -Fannie Crosby, Music -
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Paul A
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BLESSED ASSURANCE
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522436 Composed by Lyrics -Fannie Crosby, Music - Phoebe Knapp. Arranged by Paul A. Jorg. A Cappella,Christian,H...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522436 Composed by Lyrics -Fannie Crosby, Music - Phoebe Knapp. Arranged by Paul A. Jorg. A Cappella,Christian,Holiday,Sacred,Traditional. Octavo. 3 pages. Paul A. Jorg #6120691. Published by Paul A. Jorg (A0.522436). Here is a bit of what Fanny Crosby had to say about how the song came into being:Sometimes a tune is furnished me for which to write the words. The hymn titled Blessed Assurance was made in this manner. My dear friend Phoebe Palmer Knapp (Mrs. Joseph), so well-known as a writer and singer of most excellent music and as an aid and inspiration to all who knew her, had composed the tune; and it seemed to me one of the sweetest I had heard for a long time. She asked me what it said. I replied, Blessed assurance. I felt while bringing the words and tones together that the air and the hymn were intended for each other.-from Fanny Crosby's Memories This song and To God Be the Glory are two of her most widely published songs, and this song appears in 951 hymnals, according to Himnary.org.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
For Every Love a Place
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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For Every Love a Place
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Burke & Bagley
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.787348 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Holiday,Love. Octavo. 12 pages. Burke & B...
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Choral Choir (TTBB) - Level 4 - SKU: A0.787348 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Holiday,Love. Octavo. 12 pages. Burke & Bagley #2846113. Published by Burke & Bagley (A0.787348). A setting for men's chorus (TTBB) of the poem To a Friend by James Fenimore Cooper, Jr., (1892-1918). Captain Cooper was the great-grandson of the famous novelist. A graduate of Yale, Cooper died of pneumonia at Cap Dix, New Jersey, the first member of his class to die in service during World War I. To a Friend was published posthumously in 1918 in a collection titled Afterglow, some of which had previously appeared in the Yale Literary Magazine. Captain Cooper is described therein as having a character which never departed from the determination to do what was right and to be kind and just to all. Duration: 5 minutes. Score video: https://youtu.be/ihIwlFzps0M?list=PLfOoI8O24sbw_30-GpKg6qkyT5tpYKNbB
$2.25
Old World Christmas Medley
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Chorale TTBB
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INTERMÉDIAIRE
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Noël
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Traditional
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Larry Triplett
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Old World Christmas Medley
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Larry Triplett
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.979922 Composed by Traditional. Arranged by Larry Triplett. A Cappella,Baroque,Christmas,Sacred. Octavo. 12 page...
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Choral Choir (TTBB) - Level 3 - SKU: A0.979922 Composed by Traditional. Arranged by Larry Triplett. A Cappella,Baroque,Christmas,Sacred. Octavo. 12 pages. Larry Triplett #6210659. Published by Larry Triplett (A0.979922). A cappella harmony in the barbershop style for men's voices.Extended medley of old European carols: Masters in This Hall, I Saw Three Ships, Good Christian Men Rejoice, Bring a Torch Jeanette Isabella, Here We Come a-Wassailing
$4.50
Puff The Magic Dragon
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Chorale TTBB
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INTERMÉDIAIRE
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Peter Paul and Mary
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Ryan Wainwright-Meekins
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Puff The Magic Dragon
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Ryan Wainwright-Meekins
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1442067 By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Ryan Wainwright-Meekin...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1442067 By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Ryan Wainwright-Meekins. 20th Century,A Cappella,Barbershop,Pop. 9 pages. Ryan Wainwright-Meekins #1022062. Published by Ryan Wainwright-Meekins (A0.1442067). This is a barbershop arrangement for TTBB voices. Duration c.3:30. 9 pages.This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.About ss are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download, and play!PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorised to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$1.99
Happy Birthday
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Chorale TTBB
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FACILE
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Ryan Wainwright-Meekins
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Ryan Wainwright-Meekins
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Happy Birthday
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Ryan Wainwright-Meekins
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1443505 By Ryan Wainwright-Meekins. By Ryan Wainwright-Meekins. Arranged by Ryan Wainwright-Meekins....
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1443505 By Ryan Wainwright-Meekins. By Ryan Wainwright-Meekins. Arranged by Ryan Wainwright-Meekins. A Cappella,Barbershop,Traditional. 1 pages. Ryan Wainwright-Meekins #1023450. Published by Ryan Wainwright-Meekins (A0.1443505). This is a barbershop arrangement of Happy Birthday for TTBB voices. 1 page.This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.About ss are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download, and play!PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorised to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$1.99
Alma Mater (tune: Annie Lisle)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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H
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Alma Mater
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Leatherman Music Services
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.829473 Composed by H. S. Thompson. Arranged by Lyndell Leatherman and Asa Barnes. Jazz. Octavo. 6 pages. Leather...
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Choral Choir (TTBB) - Level 4 - SKU: A0.829473 Composed by H. S. Thompson. Arranged by Lyndell Leatherman and Asa Barnes. Jazz. Octavo. 6 pages. Leatherman Music Services #6091719. Published by Leatherman Music Services (A0.829473). This is a vocal jazz arrangement for TTBB chorus and soloist. It's the Alma Mater tune for two schools with which I have been associated during my lifetime: Ruskin High School in Kansas City, Missouri, and the University of Kansas (KU) in Lawrence, Kansas...and many other schools throughout the nation. The traditional tune, also known as Annie Lisle, was written by H. S. Thompson in 1857. Here's a chance for your male vocalists to take it to the next level!
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