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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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VOIX
Chorale SATB
194
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32
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29
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Chorale TTBB
14
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9
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5
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3
Chorale Unison
3
Voix Tenor, Piano
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Voix moyenne, Piano
1
Chorale SSAB, Piano
1
Chorale SSATTB
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VENTS
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108
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33
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22
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22
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2 Saxophones (duo)
18
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18
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16
Clarinette
16
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13
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10
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Piccolo
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
89
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86
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28
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28
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25
Trompette
19
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17
Trombone et Piano
16
2 Trombones (duo)
12
Trompette, Piano
11
Trombone
10
Cor et Piano
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Euphonium, Piano (duo)
8
Tuba et Piano
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Cor
8
Trompette, Trombone (duo)
8
2 Cors (duo)
7
2 Trompettes (duo)
7
Tuba
6
Ensemble de Cors
5
Trompette, Saxophone (duo)
5
2 Trompettes, Clavier (piano ou orgue)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor anglais, Piano
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Trio de Cuivres
3
2 Cors, Piano
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2
Cor anglais, Guitare (duo)
2
2 Tubas (duo)
2
3 Trombones (trio)
2
Trombone basse et Piano
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2 Euphoniums et 2 Tubas
1
Cor et Harpe
1
Trombone, Tuba (duo)
1
Trompette, Euphonium (duo)
1
3 Cors (trio)
1
Bass Clef Instruments
1
Trompette, Trombone, Piano
1
Trompette, Harpe
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
93
Violon et Piano
54
Harpe
34
Violon
32
Alto, Piano
26
Violoncelle, Piano
24
Trio à Cordes: violon, alto, violoncelle
21
Violoncelle
21
2 Violons (duo)
16
Ensemble d'Altos
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Harpes (duo)
15
Ensemble de Violons
15
2 Violoncelles (duo)
14
2 Altos (duo)
13
Violon, Violoncelle (duo)
10
Alto seul
10
Violon, Alto (duo)
8
2 Violons, Piano
6
Contrebasse, Piano (duo)
6
Contre Basse
4
Violoncelle , Guitare (duo)
4
Violon, Guitare (duo)
3
4 Violoncelles
3
Harpe, Voix
3
Trio à Cordes: 2 violons, violoncelle
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Violoncelles, Piano
2
Trio à cordes: 3 violins
2
4 Contrebasses
2
Alto (partie séparée)
2
Quatuor à cordes: 4 violons
2
Alto, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
1
Alto et Basson
1
3 Harpes
1
Harpe, Violon (duo)
1
Quatuor à cordes : 4 altos
1
Harpe, Trombone (duo)
1
Alto et Harpe
1
Violon (partie séparée)
1
Harpe, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
82
Orchestre
66
Orchestre à Cordes
65
Orchestre de chambre
33
Ensemble de cuivres
30
Ensemble Jazz
27
Jazz combo
12
Cloches
8
Ensemble de Percussions
8
Marimba
4
Fanfare
3
Batterie
1
2 Marimbas
1
Piano et Orchestre
1
Vibraphone
1
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AUTRES
Vous avez sélectionné:
I Was There
Chorale TTBB
Partitions à imprimer
14 partitions trouvées
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1
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A.…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
4.13 €
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Chorale TTBB
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Paul A
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Paul A
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IS THERE STILL A DROP OF BLOOD
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Paul A. Jorg
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SheetMusicPlus
I Don't Want To Set The World On Fire
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1406564 By The…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1406564 By The Ink Spots. By Bennie Benjamin, Eddie Durham, Eddie Seiler, and Sol Marcus. Arranged by Jay Dougherty. A Cappella,Barbershop,Contest,Festival,Jazz. 6 pages. Jay Dougherty #989330. Published by Jay Dougherty (A0.1406564). I Don't Want to Set the World on Fire was sung by many groups in the 20th century, but made famous by The Ink Spots. This arrangement is written for TTBB a cappella in the contestable barbershop style by Jay Dougherty. It captures the playful levity of the original but also brings new life through rhythmic variation, harmony, and embellishment. NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that even with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: www.jmdougherty.comFor more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.com.
$1.99
1.79 €
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Chorale TTBB
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The Ink Spots
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Jay Dougherty
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I Don't Want To Set The World On Fire
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Jay Dougherty
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SheetMusicPlus
I Want It That Way
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.762504 By The Backstreet B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.762504 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #5719549. Published by Rowena Harper (A0.762504). Who said that Back Street Boys needed five people? Here's an arrangement that says that four boys would have done!This pop song was originally written to cover quite a vocal range, and therefore aspects of the tune are also shared with solo segments that also feature baritone and tenor, plus a small solo for the bass so they wouldn't miss out. The arrangement features the expected and let's face it, much anticipated, key change. It also includes a nice gentle finish which stays in keeping with the original song. This is a must-have in your a cappella repertoire - but will likely require leads to be able to sing harmony, unless parts are switched.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#-B, Baritone D#-B, Lead E-F#, Tenor B-C#. MIXED options: Baritone, Lead and Tenor are suitable for female voices.This is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Tenor (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The Treble clef parts are sung an octave lower than written.)Contact: acappellatenor@gmail.com.
$3.00
2.7 €
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Chorale TTBB
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The Backstreet Boys
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Rowena Harper
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I Want It That Way
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Rowena Harper
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SheetMusicPlus
Africa
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David P…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
4.5 €
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Chorale TTBB
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.59 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Horizon
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1200843 By Shelton Ridge L…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1200843 By Shelton Ridge Love. By Shelton Ridge Love. Contemporary,Sacred,Spiritual. Octavo. 19 pages. Shelton Ridge Love #799497. Published by Shelton Ridge Love (A0.1200843). For TTBB Chorus, Piano and optional Violin (Violin part included with the score)2022 holds a significant milestone for my family. This year, my grandmother, Bobbie Kay Turner, celebrates her ninetieth birthday. In planning for the celebration, I was stumped about what to give her. I wanted it to be unique, something no one else would think of. Finally, I had the idea to compose a new song. I contacted my friend, James, and he was immediately on board. In fact, he had the first draft of a new poem back to me within the day!  When my grandmother (“Mimi†to her grandkids) was 36 years old, she and my grandfather moved to Cayman Brac, Cayman Islands with their six children to serve as missionaries; and she has been there since. So, when I think of Mimi, I can’t help but think of the many times I’ve sat and watched the ocean with her. Knowing this, James created a text that depicts life as a ship’s journey across the sea. Throughout the song, you will catch snippets of my grandmother’s favorite hymn Amazing Grace which, like Horizon, is a song about a journey. My grandmother has lived a full, long life and continues to joyfully live each day. James’s beautiful lyrics perfectly capture her journey, particularly the final stanza. Mimi is known for being full of energy and abounding in love for those around her, and she never stops telling anyone who will listen about the divine light of an eternal home. –    Shelton, October 18, 2022.
$2.25
2.03 €
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Chorale TTBB
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Shelton Ridge Love
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and she has been there since
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Horizon
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Shelton Ridge Love
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SheetMusicPlus
Hallelujah
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1382002 By Leonard …
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1382002 By Leonard Cohen. By Leonard Cohen. Arranged by Andrew Emmet. A Cappella,Film/TV,Pop,Rock. 9 pages. Andrew J Emmet #966627. Published by Andrew J Emmet (A0.1382002). TTBB A Cappella arrangement.Four verses beginning with these lines:Now I've heard, there was a secret chord, Well maybe there's a God above,You say I took the name in vain,I did my best, it wasn't much.Melody in Bass 1 part in verse 3. Tenor 1 goes up to A.Bass 2 goes down to F.
$4.25
3.83 €
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Chorale TTBB
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Leonard Cohen
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Andrew Emmet
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Hallelujah
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Andrew J Emmet
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SheetMusicPlus
In My Room
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
1.79 €
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Chorale TTBB
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Pippo Non Lo Sa
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1264702 Composed by Giusep…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Century,A Cappella,Jazz. Octavo. 6 pages. Bacco Baccanels #857536. Published by Bacco Baccanels (A0.1264702). TTBB Version of the great song by Gorni Kramer.The arrangement is quite basic and is not barbershop like: there is one voice for the main melody (Tenor1) and three voices emulating the armonic infrastructure.(I made also a richer SAATTB version with additional staffs taken from a Pasquale Amico vocal arrangement).TTBB voices follow a simple arrangement: Soprano does the main melody and Tenor, Baritone and Bass do accompaniment: an easy bass line and two voices for the chords.Baritone and Bass often play upbeat in the first bars of most of the phrases (pretending to be guitars or trumpets) and turn to straight beat in the final measures.Tempo is fast, thus singing those upbeat at the right speed can be challenging: bear in mind slowing them down produces a global weakening of the entire song: I suggest Tenor2 and Baritone drink some coffee before singing...To add movement to an otherwise great and funny but simple structure, I added few bars to the original work, starting from bar 79 (F mark); here, pay attention to sing in sync, since the section is very rhythmic.Some background information about the song: written in 1939 under the fascist regime, Kramer was accused of making fun of the fascist hierarch Achille Starace, who used to walk upright in a black shirt, arousing the hilarity of the population. The song thus had to face the censorship of the regime, given that the allusion appeared quite clear.Many years after the composition, Gorni Kramer declared that the piece was inspired not by Starace but by the maestro Pippo Barzizza, with whom, in 1939, Kramer had had an argument during a performance at the Kursaal in Viareggio.
$4.00
3.6 €
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Chorale TTBB
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Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri
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Bacco Baccanels
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Pippo Non Lo Sa
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Bacco Baccanels
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SheetMusicPlus
For Every Love a Place
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.787348 Composed by Greg Ba…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.787348 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Holiday,Love. Octavo. 12 pages. Burke & Bagley #2846113. Published by Burke & Bagley (A0.787348). A setting for men's chorus (TTBB) of the poem To a Friend by James Fenimore Cooper, Jr., (1892-1918). Captain Cooper was the great-grandson of the famous novelist. A graduate of Yale, Cooper died of pneumonia at Cap Dix, New Jersey, the first member of his class to die in service during World War I. To a Friend was published posthumously in 1918 in a collection titled Afterglow, some of which had previously appeared in the Yale Literary Magazine. Captain Cooper is described therein as having a character which never departed from the determination to do what was right and to be kind and just to all. Duration: 5 minutes. Score video: https://youtu.be/ihIwlFzps0M?list=PLfOoI8O24sbw_30-GpKg6qkyT5tpYKNbB
$2.25
2.03 €
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Chorale TTBB
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Greg Bartholomew
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For Every Love a Place
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Burke & Bagley
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SheetMusicPlus
WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.13 €
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Chorale TTBB
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Make You Feel My Love
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1035850 By Bob Dylan. By B…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1035850 By Bob Dylan. By Bob Dylan. Arranged by Alexander Koller. A Cappella,Pop. Octavo. 5 pages. Alexander Koller #6905687. Published by Alexander Koller (A0.1035850). This is a four-part a cappella arrangement in the barbershop style (for male voices). The arrangement follows the Adele version more closely than the Bob Dylan version, but leaves out some of her stylizations. It should be fine for barbershop contests.There are already several barbershop arrangements of the song. My goal was to write one that is accessible for beginning barbershoppers, but still has some fun moments and a musical development that supports the story. I have tried to maintain the quiet and introspective mood of the original, while still giving you the opportunity for some musical contrasts.The back half (which you can't see in the preview) has the third verse as a lead solo and the fourth verse as a lead-tenor duet, with the other parts singing doo-doo accompaniment. The second bridge (the storms are raging) has a higher tessitura and musical intensity than the first one.The arrangement is for male voices. It should also work for a mixed quartet with a male bass. If you want to sing it with four high voices, please get in touch and I'll see if I can make it more accessible to you.If you choose to sing this arrangement, I would love to hear about your experiences at akoller@gmail.com; your feedback will make me a better arranger.
$1.99
1.79 €
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Chorale TTBB
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Bob Dylan
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Alexander Koller
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Make You Feel My Love
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Alexander Koller
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SheetMusicPlus
On Bethlehem's Silent Plain : TTBB Acapella
Chorale TTBB
Choral Choir (TTBB) - Digital Download SKU: A0.741930 Composed by M. Ryan Taylor. A…
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Choral Choir (TTBB) - Digital Download SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. Vocal Works #484815. Published by Vocal Works (A0.741930). Live performance video: https://www.youtube.com/watch?v=KfUmiJdfVwM 1. On Bethlehem's silent plain, The stars shone bright, While faithful shepherds watched Their flocks by night. And as they watching lay Upon the ground, A glory came from heaven, And shone around. 2. The simple shepherds' hearts Were filled with fear: For lo! an angel stood Among them there. Fear not, the angel said, Good news I bring, This night to you is born A Saviour King. 3. In swaddling clothes the babe Shall be arrayed, And you shall find Him in A manger laid. And lo! a shining host Was with Him there, And filled with songs of praise, The midnight air. 4. And now on Christmas Eve, When stars are bright, We sing with joy the song They sung that night; Glad tidings of great joy Proclaim again; Of peace upon the earth Good will to men.
$1.99
1.79 €
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Chorale TTBB
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M
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On Bethlehem's Silent Plain : TTBB Acapella
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Vocal Works
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SheetMusicPlus
Crossing the Bar (Downloadable)
Chorale TTBB
TTBB choir (a cappella) - Digital Download SKU: MQ.7720-E Composed by David Conte. …
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TTBB choir (a cappella) - Digital Download SKU: MQ.7720-E Composed by David Conte. 9 pages. E. C. Schirmer Music Company - Digital #7720-E. Published by E. C. Schirmer Music Company - Digital (MQ.7720-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king..
$1.95
1.76 €
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Chorale TTBB
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David Conte
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Crossing the Bar
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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